Category: Movies (Page 410 of 498)

Scare of the Day: “The Fly Collection”

Halloween is the time of year when studios decide to empty their vaults of everything even remotely frightening and foist it upon a public who enjoys being scared. As I mentioned yesterday, the quality of the material ranges from legitimately good to downright excruciating, and as the years go on, we’re also finding the market flooded with the same material simply being reissued and re-reissued and rere-reissued. Once in awhile, though, you get handed a film that’s either never been on DVD before or is almost impossible to find anymore, and that’s the case for 1/3 of Fox’s brand new set, “The Fly Collection,” which rounds up the fondly-remembered first two films in the saga of the Delambre family – “The Fly” and “Return of The Fly” – then also resurrects the oft-forgotten 3rd film, 1965’s “The Curse of the Fly.”


David Cronenberg’s 1986 remake of the original film was actually a successful modernization of the tale of a scientist whose attempts to master the technology of teleportation go awry when his DNA is accidentally melded with that of a common housefly. Unfortunately, the special effects of a ’50s film obviously can’t compete with those of an ’80s film (especially not one made for the kind of budget that Cronenberg had to work with), so a lot of people tend to dismiss the original “Fly” because, oh, well, the guy’s got a big, fake-looking fly head.

Don’t be one of those people.

In fact, Kurt Neumann’s 1958 adaptation of the George Langelaan short story worked remarkably well for its era, with Neumann wisely choosing to avoid showing the aforementioned fly head for as long as possible…and, even when we do see it, it’s not the almost-cartoonish creature that you see on the cover of the DVD set, which is actually a shot from “Return of The Fly.” The head of the creature in “The Fly” actually looks comparatively realistic, and because of the emotional build-up to the reveal, we actually find ourselves not focusing on it nearly as much as we otherwise might have. “The Fly” is very much a tale like “The Phantom of the Opera,” with scientist Andre Delambre (Al Hedison) accidentally fusing himself with the fly in the process of testing his own invention, then pleading for his wife, Helene (Patricia Owens), to assist him in finding the other half of his experiment – the fly with a human head and hand, of course – before his brain gives in to the fly side of his being. Naturally, she’s horrified by his appearance, which he hides from her for the majority of the film, but even once she’s seen how he now looks, the bond of love between them proves stronger, which is why she finally agrees to his request to kill him and destroy both his head and hand beneath a metal press (yikes!) so that no-one will know what’s happened. Inevitably, we do see the fly with a human’s head and hand, and although the special effects may be laughable by today’s standards, the horrific, high-pitched shrieking of the creature as it’s being eaten by a spider – “Help meeeeeeeeeee!” – is still creepy stuff in 2007.

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Scare of the Day: “Alligator”

We get a lot of scary DVDs here at the Bullz-Eye offices…and we’re not just talking about “I Love New York: Season One,” although lord knows that certainly qualifies. No, we’re talking about stuff that falls into the horror genre; sometimes it’s legitimately good stuff, sometimes it’s absolutely excruciating, but whatever the level of quality, it’s all brought front and center whenever October rolls around and spotlighted as part of the festivities surrounding Halloween. Since we’ve got a pretty decent backlog of stuff lying around here, we decided that we’d offer up a Scare of the Day for every day this month…and what better way to start off than with something from the A’s?

I can still remember when “Alligator” played at the Great Bridge Twin, in Chesapeake, Virginia. I didn’t actually see it there – I was only nine years old when it opened – but I definitely saw the trailer for it before some movie or other, and, damn, it scared the hell out of me…and I was still intimidated by the film a few years later, when we finally got cable and it was showing in regular rotation on some premium network or other. Unsurprisingly, watching the film now doesn’t exactly provide the same level of fright (to say the least), but what is surprising is that “Alligator” is actually a highly entertaining flick.

The original goal of “Alligator” seems to have been to parody “Jaws” while still creating a legitimately frightening film. The grade-B special effects means that it succeeds more at the former than the latter, but, for the record, I can still see how a 9-year-old boy, even if he wasn’t as naive as I was at that age, would get freaked out by it. (I mean, come on: a kid gets devoured by a giant alligator in his own pool, for God’s sake! It’s one thing to be scared of sharks in the ocean, but when even your own pool isn’t safe…?) Of course, the 37-year-old me is far more impressed by the fact that the film stars Robert Forster, who played bail bondsman Max Cherry in “Jackie Brown,” and was written by John Sayles, who went on to write and direct movies such as “Matewan,” “Eight Men Out,” “Passion Fish,” and “Lone Star.”

The premise of the film takes the old urban legend about baby alligators being flushed down people’s toilets and growing to gargantuan size in the sewers, then explains away the growth by claiming it’s the work of various scientific experiments with growth hormones; actually, the experiments are being done on dogs, but the dog corpses are being disposed of in the sewers, where the alligators are feasting on them. Forster plays the cop who first sees the giant alligator, but, naturally, no one believes him until the creature goes more public with its dining. Given that the movie is an unapologetic “Jaws” parody, “Alligator” provides a Quint equivalent in Colonel Brock, a big-time big game hunter who vows to catch the beast; Henry Silva plays the character with all the bluster and ego he can muster, even going so far as to hire urban youngsters to serve as aides to the Great White Hunter. Silva isn’t the only great character actor in the film; we’re also treated to enjoyable performances from Dean Jagger (Harvey Stovall in “Twelve O’Clock High”), Sidney Lassick (Charlie Cheswick in “One Flew Over the Cuckoo’s Nest”), and Michael Gazzo (Frank Pentageli in “The Godfather Part II”).

Probably the best bits about this DVD reissue are the special features; we’re treated to a lengthy on-camera interview with John Sayles about his experience working on the film, as well as audio commentary from Forster and the film’s director, Lewis Teague, who went on to helm “Cujo” and “Cat’s Eye.” Given this information, it may not surprise you to learn that Stephen King once went on the record in describing “Alligator” as his all-time favorite monster movie…but, frankly, if you don’t dwell on the highly iffy FX or the unabashedly fake blood and instead just enjoy the fun, you’ll totally see where King’s coming from.

Tschochkes gone wrong: if you want to curry favor with film critics…

…send them booze. If you can’t send them booze, then for God’s sake, don’t send them something like this.

Heartbreak Kid Pillow

This arrived at my doorstep yesterday, and my first thought was: are you kidding me? Who on earth wants a pillow featuring Ben Stiller’s likeness, with the possible exception of his mother? I already had a bad, bad feeling about “The Heartbreak Kid,” and it was confirmed when one of our stringers covered the press round table discussion earlier this week (which Ben Stiller did not attend), and informed us that the movie was, well, awful.

I’m not sure whether to put this up for sale on eBay or throw it away. Or set it on fire. Any suggestions?

Get ready to go “Cruising” again

If you’re a fan of Al Pacino’s, and by that I mean “fanatical” about Al Pacino, then perhaps you recall the 1980 movie he starred in called “Cruising” which featured Al as a straight undercover cop posing as a gay man trying to solve a string of homosexual murders. If not, then get ready to check it out as the film has been reissued on DVD. At the time, the movie flopped, was met with critical backlash by the gay community (which was the opposite of what director William Friedkin had intended), including portests and rock throwing in the streets of New York City while the film was being shot. To this day, Pacino still isn’t sure about his character’s outcome at the end of the film, and Friedkin seems to dig that fact.

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