Category: Movies (Page 377 of 498)

Entourage 5.6 – Redomption

Can you believe that “Entourage” is already halfway through the new season? It sure doesn’t seem like it, but that’s probably because despite hinting at where the story could be headed, the show hasn’t made very much progress in actually getting there. Following on the heels of what many considered one of the worst episodes to date, tonight’s show wasn’t that much better. I’m not exactly sure why anyone thought it was a good idea to bring back Dom – a character that a lot of fans complained about during his mini-arc in season three – but his return served no purpose other than to tie up Vince and Eric for an entire episode while they waited to hear back from Ari about the fate of “Smoke Jumpers.”

The subplot was supposed to show that Dom had finally matured as an adult, but honestly, does anyone even give a damn? His character was on the show for only a few episodes, and during that entire time, he was nothing but a nuisance to the whole gang. Why does the writing staff feel the need to redeem the guy, and better yet, why should the audience care? It’s bad enough that the show’s main characters are struggling for decent story arcs, but then they go and waste time developing a minor character that we’ll probably (hopefully) never see again? It doesn’t make sense, and it’s the latest in a line of bonehead decisions that the “Entourage” team has made so far this year.

Entourage 5.6

The episode may have been named for the redemption that Dom supposedly earned, but it was the other two subplots that were the real saviors. I’ve always given Drama and Turtle a lot of heat for being forced to play the comic relief week in and week out, but this time around, their storyline actually had some meat to it. It’s nice to see Turtle actually taking this whole job hunt seriously, and though his one-day trial as Drama’s assistant didn’t quite work out, you can’t blame the guy for not trying. Were Drama not such a diva (seriously, where does he get off demanding such an overcomplicated breakfast?), I really think Turtle would have done a good job. After all, it’s what he’s been doing for years as part of Vince’s entourage, so it’s not like it’s something he isn’t already accustomed to. If I were him, I probably would have quit as well, but not before I got the number of that female assistant he chatted with earlier in the episode.

The real story of the night, however, was Ari’s golf outing with Alan Gray. I have to be completely honest, I didn’t think Ari would actually lose the bet (even with Phil Mickelson by Alan’s side), but when he was given a second chance to win Vince a spot in “Smoke Jumpers,” I thought to myself, “Oh, okay, he’s going to sink this putt.” Nope, Ari misses both times, and when Alan gets worked up over Ari’s ballsy decision to bring up Vince’s name even when he specifically asked that he didn’t, Alan has a heart attack and dies. Only Drama is willing to point out that Alan’s death may be a good thing for Vince (since it means he can make movies for WB again), but that doesn’t mean everyone else wasn’t thinking it. If Alan Gray truly was the only thing standing in Vince’s way, then he shouldn’t have any problem getting “Smoke Jumpers,” and he might even have a shot at working on that “Ramones” biopic as well. Check it out, I just wrote season six.

Jack Brooks: Monster Slayer

These days, it seems like every film buff with a camera thinks they have what it takes to make the next great cult film. What many don’t realize, however, is just how good movies like “Evil Dead” and “Shaun of the Dead” have to be in order to enjoy success beyond the late night movie marathons and festival circuits. “Jack Brooks: Monster Slayer” may not be as cheesy as it looks, but it’s still cheesy enough to ensure that it will never be part of that elite group of horror comedies. The film stars newcomer Trevor Matthews as the title character, a twentysomething loner who’s had anger management issues ever since his family was killed by a monster during a camping trip as a kid. Now, he’s a burnout plumber taking a night class at the local community college, and when he unknowingly sets free an ancient evil that transforms his professor (a sublimely funny Robert Englund) into a slimy beast from Hell, Jack must tap into his rage to save his fellow classmates and, eventually, the world. What sounds like a really cool concept at first quickly turns in to one of the least horrific, least comedic horror comedies you’ll ever see. The film’s main three monsters are an absolute joke, while Matthews himself is about as charismatic as a piece of wood. If there’s any reason to sit through this piece of low-rent garbage, then it’s for Englund’s enjoyable turn as the unlucky professor. He alone makes “Jack Brooks” worth the price of admission, but once he’s replaced with an animatronic puppet straight out of Chuck E. Cheese, you might be inclined to ask for your money back.

Click to buy “Jack Brooks: Monster Slayer”

Feast II: Sloppy Seconds

Never has the title of a movie said so much with so few words than “Feast II: Sloppy Seconds,” the clumsily made direct-to-DVD sequel to the 2006 cult film. Whereas the original “Feast” worked because it so boldly defied horror conventions (both in plot and tone), the second installment is an unequivocal failure because it falls right back into them. It’s the morning after the attack and the monsters have already begun to invade a nearby town. Some of the locals (including a tag team of midget wrestlers, a sleazy car dealer, his slutty wife, and the man she’s having an affair with) have bunkered themselves inside of a building, while Honey Pie (one of the original survivors) is disappointed to discover her nightmare is far from over. Meanwhile, Harley Mom’s twin sister, Biker Queen, pulls the old bartender out from the wreckage looking for answers. When he tells her that it’s Bozo who was responsible for her death, she takes the bartender hostage and heads to town with her all-girl biker gang to seek revenge.

Feast 2

How the bartender is still alive after having a heart attack and having his throat slit is beyond me, but it probably has something to do with the fact that he’s the director’s father. Unfortunately, that little tidbit is the least of your worries when it comes to “Feast II.” While the first film made the most of its limited budget, the sequel looks every bit as cheap as it probably cost to make. What’s worse, however, is that for all the comedy and gore that made watching the original “Feast” a blast, it’s mostly MIA in this installment. Instead, we get an entire sequence dedicated to a monster penis urinating on biker chicks while they vomit in disgust, and it’s every bit as absurd as it sounds. You can’t even look forward to cool death scenes, either, because with the exception of a handful of characters, no one dies until the final scene – which, of course, you don’t actually get to see. It’s all a big ploy to get you to watch the third chapter scheduled to be released next year, but honestly, if “Sloppy Seconds” is this bad, what’s the point?

Click to buy “Feast II: Sloppy Seconds”

GQ chats with Megan Fox, Hollywood’s new favorite temptress

Megan Fox in GQAs if we weren’t already drooling at the thought of Megan Fox in our beds, GQ has just made the fantasy seem that much more possible. In their interview with the actress for their October 2008 cover story, Megan spills the beans about her former obsession with a female stripper, why her inner geek makes her perfect girlfriend material, and how a guy like Brian Austin Green managed to bag the defending Sexiest Woman in the World.

To view her full magazine layout, watch video coverage of the shoot, or read more about Megan’s experience working with Diablo Cody, what to expect from “Transformers 2” (hint: more explosions), or how she really feels about Disney, click here.

Pathology

Though it spends much of its time dealing with the dead, you’d expect a movie like “Pathology” to have a little more life to it. After all, it was created by the writing team behind “Crank” – quite possibly the most over-the-top movie ever made. Of course, with Milo Ventimiglia headlining the cast, it’s no wonder the film feels a lot duller than it should have been. The “Heroes” star does his best Hayden Christensen impression as Ted Grey, a brilliant medical student who’s just joined the nation’s most prestigious pathology program. When he arrives, however, he’s seduced into playing a twisted game with some of the other interns that involves them taking turns murdering strangers, while the others figure out how it was done. Think of it as Medical Clue, but much more boring than it sounds, because there isn’t a single horrific or suspenseful moment in the film, despite the fact that that is how it’s being marketed. Even worse is that the audience has no one to root for. Sure, Ted is supposed to be the good guy in the movie, but are we really supposed to forgive all of his faults (cheating, killing, using, etc.) as someone who’s simply taken a wrong turn in live? Puh-lease. Only Michael Weston is given a role with any real meat on it, but even his crazy antagonist is never given the attention it deserves. Now, if the film followed him around instead of Milo, maybe we’d have something interesting to watch. It might not be “American Psycho,” but it would definitely be better than this.

Click to buy “Pathology”

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