Category: Movies (Page 329 of 498)

It doesn’t seem right…

…to let Independence Day weekend go without any mention of John Wayne, especially so close to the 30th anniversary of his death in 1979. So here’s a trailer for Don Siegel’s 1976 film of “The Shootist,” probably the most fitting final film any screen icon ever got.

Directed by one of mid-century Hollywood’s greatest action directors, and with an astonishing supporting cast that includes two equally iconic classic era greats, a young man who’d become one of the dominant players in modern Hollywood, and some wonderful character actors from past western classics, “The Shootist” had a brutality and frankness that classic-ear Hollywood would never have tolerated, but really does feel something the final true classic-style Hollywood western.

People still wonder about just how westerns went from being the dominant genre to an occasional change of pace. (Innumerable dull TV westerns didn’t help; I know I avoided westerns for years because of them.) In any case, it seems that when Duke’s real-life lung cancer finally got him three years later, he kind of took westerns with him. Seems fitting.

Here’s a tribute from last June by Roger Ebert.

A 7/4 cinema civics lesson

Courtesy of Jean Arthur from “Mr. Smith Goes to Washington.”

Also, I forgot to mention it yesterday in my post about it, but “1776,” the wonderful, if flawed, and still oddly controversial musical about the writing of the Declaration of Independence, is showing tonight (10:15 est/7:15 pst) on TCM. There are worse fireworks alternatives.

Happy 7/4 — “The House I Live In”

This 1945 short subject, featuring a young Frank Sinatra striking a low-key blow for tolerance, is kind of a patriotic holiday tradition at my personal blog. It was written by Albert Maltz and features a moving title song that Sinatra would perform at political functions through the rest of his career. (It was eventually picked up Patti LaBelle.) It’s war time propaganda, and the attitude toward the Japanese might seem ironic or offensive now, but that’s the way things were. All I know for sure is that this gets me every time.

[Note: The tune Sinatra sings at a recording session in the opening is not his best. You may want to skip to about 2:40, when Frank decides to go out for a smoke.]

Today, the kid being chased at the opening would be Islamic, I think.

Choose your American creation myth

Every year about this time, my thoughts turn to a movie that is actually not very well made. Director Peter H. Hunt apparently had no clue how to turn “1776” from a Broadway musical into a movie back in 1972, but I still love the thing. An incredibly sharp, if still very theatrical, script by original writer Peter Stone (1974’s “The Taking of Pelham 1-2-3”) and really fun performances seal the deal, even if the director can’t. Besides, if the Founding Fathers were great, how much greater would they be singing and dancing their way to freedom from English tyranny? It’s like the “John Adams” miniseries only funnier and with a quasi-18th century beat. Are you with me? Are you??? Well, take a look, anyway.

If you live in the Los Angeles area and this seems like your thing, it just so happens that the American Cinematheque is screening the restored version of the film tonight at Hollywood’s Egyptian Theater, with director Hunt in attendance (don’t tell him what I said). However, if it’s not your thing — and I understand that may be the case — perhaps you’d prefer a more, er, manly retelling of how our nation came to be.

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