
With Matthew Vaughn’s “Kick-Ass” due in theaters this Friday, Sony picked the perfect time to release their own movie about a wannabe superhero – only “Defendor” is a little different in that its title character isn’t exactly right in the head. Granted, anyone that decides to get into the vigilante business has to be a little crazy, but Arthur Poppington (Woody Harrelson) is also a little slow. Dressed in a black suit with a duct-tape “D” on the chest and boasting an arsenal of weapons ranging from a WWII trench club to marbles and wasps, Defendor roams the city helping those in need. After saving a crack-addicted call girl (Kat Dennings) from a crooked cop (Elias Koteas) one night, Defendor teams up with her to take down a New York City crime boss that he believes to be a fictional villain named Captain Industry. Highlighted by a solid performance by Woody Harrelson, “Defendor” has its moments, but it ultimately falls prey to some shoddy direction from Peter Stebbins, who doesn’t seem to know whether the movie is supposed to be a dark comedy or a gritty crime drama. Koteas has some funny moments as the sleazebag cop who’s constantly harassed by Defendor, but it’s hard to find the humor in a mentally challenged adult who risks his life because he doesn’t think that bullets can harm him. “Defendor” definitely had the potential to be a great addition to the superhero genre, but it’s never better than mediocre.



You have to feel a little sorry for the makers of “We Believe,” the entertaining movie documenting the 100-year anniversary, if you want to call it that, of the Chicago Cubs’ last World Series victory. Many thought the 2008 Cubs were going to be the team that ended the heartbreak, and goodness knows they gave even the most cynical Cubs fan – of which this writer is one – reason to, well, believe. Late-inning comebacks, a no-hitter in a neutral stadium…it was a crazy year, just crazy enough to do the impossible. Director John Scheinfeld assembles a who’s who of Chicago celebrities, Cub players past and present, and assorted baseball luminaries (Bob Costas, George Will, Bud Selig) to discuss the unique relationship between the Cubs and their fans, intercutting it with history lessons of both the city of Chicago and the team they love. Their coverage of the material is most comprehensive; they even took a few minutes to talk about Steve Goodman, the folkie who penned the good-time song “Go Cubs Go” in 1984, which received a revival in 2008.


