Category: Movie DVDs (Page 19 of 100)

What Else Ya Got? “Edge of Darkness”

It’s hard to know what to expect out of a Blu-ray these days when the cover art detailing the included content fails to do just that. For instance, while the two-disc release of “Edge of Darkness” initially appears to be light on bonus material, there’s actually much more than Warner Brothers is letting on. None of it is particularly memorable stuff, but there’s still enough here to suggest that, even though it underperformed at the box office, the film had a big enough fan base (or at least the possibility of one) to warrant the added effort.

Focus Points

Much like last year’s release of “The Dark Knight,” “Edge of Darkness” rounds up a series of nine mini-featurettes covering everything from working with Mel Gibson and Martin Campbell, to adapting the miniseries for the big screen. Composer Howard Shore also discusses how he uses music to connect the audience to the protagonist, Campbell reminisces about directing the BBC miniseries, and writer William Monahan talks about his contributions to the script. Though none of them really stand out on their own, there’s enough good material here that they would have been better off putting together a single making-of featurette.

Deleted & Alternate Scenes

Mostly throwaway stuff, like Craven grieving over his daughter or threatening Danny Huston’s slimeball businessman. There is one substantial scene where Ray Winstone’s fixer is given all the details behind his new assignment, although it’s hard to imagine where this would have fit into the movie. It’s a major piece of exposition that would have undoubtedly ruined the mystery behind Craven’s investigation, but it also helps give Jedburgh a little more purpose. In the end, it was probably a smart decision to just cut it, as it’s more damaging than helpful to the film.

Though it would have been nice to have included an audio commentary by Campbell or Gibson, Warner’s two-disc release is still a far better showing than expected. The inclusion of a digital copy remains one of the most pointless “special features” around, but at least you can put it to good use and give it away to a friend. After all, if you’re buying Blu-rays for anything other than the movie, you have no one to blame but yourself.

District 13: Ultimatum


As the creator of such beloved action films as “La Femme Nikita” and “Leon: The Professional,” Luc Besson knows a thing or two about staging a great action sequence. Although the French filmmaker has recently devoted his time to adapting children’s fare like “Arthur and the Invisibles,” he’s remained an integral player in the genre as a writer and producer on some of the best action movies of the last decade. For the follow-up to the 2004 cult hit, “District 13,” Besson has returned with a new story that brings super cop Damien Tomasso (Cyril Rafaela) and reformed criminal Leito (David Belle) back together to save the titular ghetto once again. It’s been three years since they last averted a plan to detonate a nuke within the crime-ridden alleys of District 13, but when a corrupt politician and his security force try to destroy the district for capital gain, Damien and Leito join forces with the local gang leaders to stop them before it’s too late.

Besson’s man-on-a-mission stories are about as predictable as they come, but while some of the exposition can seem a bit contrived at times (not to mention unbelievably boring), it’s a necessary evil that helps bridge together the incredible action sequences. And between Rafaela’s cleverly choreographed fight scenes and Belle’s jaw-dropping, parkour-inspired stunts, “District 13: Ultimatum” features some of the best action you’ll see all year. The fact that they’re actually performing every bone-crunching hit and gravity-defying leap only increases the entertainment level, with some stunts begging to be watched over and over again on a loop. The film’s uninspired story certainly doesn’t do it any favors, but between the high-energy action sequences and the chemistry of its two stars, “District 13: Ultimatum” is still a must-see for any fan of the original.

Click to buy “District 13: Ultimatum”

The Wraith: Special Edition

Every film, no matter how good or bad, has its fans, and if there are enough of those fans, then the film is inevitably destined to receive a special-edition DVD. This has been proven time and time again, which means there’s no longer any point in seeing such DVDs and howling with laughter at the suggestion that such treatment is warranted of a film like…oh, say, “The Wraith.” If you’re not part of the camp that’s already in love with the film, then better you should treat it like a pop culture experiment: watch it and see if you can determine why it’s developed such a cult following over the years.

Written and directed by Mike Marvin, “The Wraith” revolves around the mysterious Jake Kesey – played by Charlie Sheen, in his first leading role – who turns up in town right at the same time as a masked man who drives a completely kick-ass car known as…you guessed it…The Wraith. It seems that there’s this gang of drag-racing car thieves, led by a thuggish jackass named Packard Walsh (Nick Cassavetes), who challenge local teens to races where, if they lose, they have to surrender their car. Packard’s ego has gotten so large that he’s convinced himself that Keri (Sherilyn Fenn) is his girlfriend, but she’s got eyes for Jake, and it is mutual, baby. You can imagine how Packard feels about that development. Meanwhile, The Wraith is challenging members of Packard’s gang to races which tend to end in only one participant making it out alive, leading Sheriff Loomis (Randy Quaid) to begin investigating the strange goings-on. Say, is it possible that Jake and The Wraith are one in the same? And what’s the story on Keri’s ex-boyfriend, Jamie, who was killed in one of Packard’s races? You don’t suppose that Jake is actually Jamie, having been brought back to life by some unspecified means, given a change in appearance, and provided with the aforementioned kick-ass car in order to extract his revenge?

Nahhhhhhh.

If you’re not an aficionado of cars, ’80s cheese, or Sherilyn Fenn’s Breasts (yes, they deserve capitalization), then you may struggle to make it through “The Wraith,” but if you’re determined to do it in the name of science, then watching while listening to Marvin’s commentary helps a great deal. It’s also a major bonus that the film’s special features are the work of Red Shirt Pictures, who’ve made a great name for themselves by providing excellent bonus material for cult “classics” like this, so be sure to check out the interviews with Marvin and co-star Clint Howard (whose hair in the movie is fucking outstanding), as well as the featurette about the cars used in the film and the cult that surrounds “The Wraith.” That cult isn’t likely to grow any larger as a result of this special edition, but it’ll sure make the existing membership happy.

Click to buy “The Wraith: Special Edition”

44 Inch Chest


It’s been 10 years since the release of Jonathan Glazer’s “Sexy Beast,” and yet the movie remains one of the most unforgettable crime thrillers ever made. Much of the film’s success was thanks to Sir Ben Kingsley’s electrifying performance as the venomous Don Logan, so it’s not surprising that the latest expletive-laced thriller from writers Louis Mellis and David Scinto is highlighted by the same kind of scene-chewing roles. “44 Inch Chest” assembles a cast of some of the best British actors working today, including Ray Winstone as Colin Diamond, a gangster contemplating murder after his wife informs him that she’s fallen in love with another man. After his friends kidnap her secret lover and take him back to their secret hideout to exact revenge, the heartbroken Colin must decide between killing in the name of love and walking away the better man.

Though “44 Inch Chest” is filled with lots of clever dialogue between Colin and his friends (an entertaining Tom Wilkinson, Ian McShane, John Hurt and Stephen Dillane), the story leaves much to be desired. There simply isn’t enough going on to fill an entire movie, and the fact that it’s structured more like a play (with a majority of the action taking place in a single room) only makes you wonder why it wasn’t conceived as one. If you can make it through the sluggish 95-minute runtime, “44 Inch Chest” is worth watching for the performances. Just don’t expect to be blown away.

Click to buy “44 Inch Chest”

The September Issue

This critically acclaimed 2008 documentary is effectively a real-life companion piece to “The Devil Wears Prada.” It depicts the reputed real-life basis for Meryl Streep’s hellish-but-hilarious Miranda Priestly, Vogue Magazine‘s editor-in-chief Anna Wintour, as she assembles what turns out to be the thickest, most advertising-laden, issue in the fashion mag’s long history. The British born Wintour’s reputation, of course, precedes her and, not surprisingly, she comes off a lot milder and more human than either her fictional counterpart or the nickname never mentioned in the film, “Nuclear” Wintour, would indicate. It’s notable that we never really see the fashion doyen with abuse-ready underlings, though we do see her in frequent, reasonably polite, conflict with more evenly matched colleagues — particularly strong-willed, doc-stealing creative director Grace Coddington, a fellow Brit and a former model herself, who went into the behind-the scenes world after a car accident affected her appearance.

It’s a pleasant, if less than spectacularly compelling, package as far as it goes. Director R.J. Cutler and cinematographer Robert Richman, who finds himself becoming a part of the film’s story, deliver a visually sharp portrait of the candy-colored world of high-end fashion and the whiter-than-white Vogue offices. On the other hand, though it admits she’s not what anyone would consider a warm and fuzzy presence, this comes across very much like the film Anna Wintour would like you to see about her. I can’t help feeling that Cutler’s film was made so that a darker, more honest, and more interesting film was not.

Click to buy “The September Issue”

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