Category: Movie DVDs (Page 12 of 100)

Exit Through the Gift Shop

The documentary genre is a tricky business, because it’s automatically assumed that any movie falling under that category is 100% truth, even if a lot of times you’re only getting one side of the story. So when you see a documentary that turns out to be a manufactured lie – like Casey Affleck’s “I’m Still Here” – it’s easy to feel betrayed. Since its premiere at Sundance, there’s been a lot of discussion about whether the events in “Exit Through the Gift Shop” are real or just an elaborate hoax devised by its director, renowned graffiti artist Banksy. The film certainly wants us to believe that eccentric French shop owner and amateur filmmaker, Thierry Guetta, is a real person, and it goes to extreme lengths to set up a back story in which Guetta is making a documentary about the street art movement, only to have the camera turned on him when Banksy realizes that he’s far more interesting.

So is it real or not? It’s hard to say, which is part of the brilliance of the movie. It feels genuine for the most part (although the final 20 minutes certainly have you questioning its validity), but the fact that Banksy is known for his art pranks is what led many to conclude that there was something fishy about Thierry’s story. He sure had me fooled, but it doesn’t really matter, because it’s enjoyable either way. Whereas the truth about “I’m Still Here” may have ruined the illusion, “Exit Through the Gift Shop” is only more captivating because of it. That is, if it’s even an illusion at all.

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The Winning Season

Sam Rockwell might just be one of the most consistent actors of his generation, delivering solid work for the better part of the last decade with little recognition to show for it. But while his performance in “The Winning Season” can hardly be considered a career best, the film is a lot better because of his involvement. After all, most underdog sports movies rarely aspire to more than just crowd-pleaser status, and though the story is as predictable as they come – a washed out basketball prospect (Rockwell) is given a second chance at life when he’s offered the coaching job for a girls’ high school team – it does its best to avoid the typical genre clichés and offer something beyond those schmaltzy, inspirational moments.

That’s not to say that the film is entirely successful, but director James C. Strouse keeps those moments to a bare minimum, focusing less on the basketball team and more on the man in charge. It’s a lot like “Hoosiers” in spirit, but hardly a classic in the making. Still, Rockwell is always a joy to watch, and he’s surrounded by a great supporting cast (including Emma Roberts, Rob Corddry, and the ever-reliable Margo Martindale), so unless you’re just sick of the genre as a whole, there’s no reason you won’t enjoy “The Winning Season” for the piece of feel-good entertainment that it is.

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Vampires Suck

2009 may not have been a spectacular year in cinema, but at least Jason Friedberg and Aaron Seltzer didn’t add to the pile of disappointment with another one of their stupid spoof movies. Unfortunately, they didn’t go away for good, and the best thing that can be said about their new film, “Vampires Suck,” is that it’s not as bad as their previous efforts. At the very least, it’s a lot more focused, using the first two “Twilight” movies as the backbone of the story, almost to the point of copyright infringement. Stephanie Meyer’s teen angst-filled universe is certainly a place that’s ripe for comedy, but Friedberg and Seltzer seem content with just throwing a bunch of lazy, half-baked jokes at the wall and praying that some of them stick.

Most of the jokes fall well short of their mark, but there are a few smirk-worthy moments thanks to stars Jenn Proske and Matt Lanter, both of whom do spot-on impressions of the actors they’re parodying. The film also has a surprisingly high production value compared to the directors’ previous work, which often looked like they were shot in someone’s backyard. But the problem with spoofing a phenomenon like “Twilight” is that only people who’ve seen the movies will understand a majority of the jokes, and they’re probably the last group that would want to watch “Vampires Suck.” It’s definitely a step forward for Friedberg and Seltzer, but it’s a small step, because the movie is still so terrible that it’s difficult to put into words. Let’s just say vampires aren’t the only thing that sucks.

Click to buy “Vampires Suck”

The Price of Pleasure: Pornography, Sexuality, and Relationships

It was only a matter of time before someone made this doc; pity it wasn’t done better. Once confined to the fringes of pop culture, pornography has exploded in the internet age, and this hour-long documentary aims to dissect the use (and misuse) of pornography and its effect on relationships. The interviewees range from porn producers and stars to academics, along with some candid interviews with porn consumers both on camera and off about how viewing porn flicks affected their sexual desires. (One man, anonymously of course, confesses to preferring rough sex after he saw it in a movie.) The best bit comes when a present-day porn star lists her price for various acts, which will have you thinking, “Really, that’s all you get for that?”

It’s pretty clear that the filmmakers do not approve of porn, and that’s fine; the problem is that they’re too passive-aggressive in their approach. They give the founder of the Burning Angel web site enough rope to hang an army (she says on camera that she has no idea what it means to objectify women), yet they never throw a single follow-up question at any of their so-called villains, just to see how deep a hole they might dig. The filmmakers clearly hold these people in contempt; why didn’t they go for the kill?

That is the least of the film’s troubles, though. The narration is flat, the production is spotty, and one bit towards the end, where they try to compare a series of “Saw”-inspired porn flicks to torture (yes, that sound you hear is the ‘torture porn’ jokes writing themselves), could have used a little more follow-through. They’re not wrong in decrying the unpleasant (read: violent) shift in tone that the industry has undergone (slapping, choking, “Say you’re a dirty whore,” etc.), but they also didn’t go out of their way to find anyone who might challenge their preconceived notions on the subject, either, nor did they discuss the possibility that the industry is a reflection of society, not the other way around.

There is a great movie to be made on this subject, because there are questions here that deserve answers. “The Price of Pleasure,” though, isn’t it. Ironic that, had they been as aggressive as the material they’re trying to eviscerate, they would have been much more successful.

Click to buy “The Price of Pleasure”

A Chat with Lisa Cholodenko, director of “The Kids Are All Right”

Lisa Cholodenko isn’t a household name as writer/directors go, but that may change somewhat after her latest film, “The Kids Are All Right,” which was released smack in the middle of the summer, and came out on DVD and Blu-ray last week. The movie features three of our greatest actors – Annette Bening, Julianne Moore, and Mark Ruffalo – doing some of the most astute work of their careers. Expect the movie to snag some Oscar nominations for one or more of the trio, and if there’s any justice, Cholodenko and co-writer Stuart Blumberg will be nominated for Best Original Screenplay as well.

The movie is blisteringly funny while at the same time painfully honest. It tells the story of a lesbian couple (Bening and Moore) who’ve been together for 20 years and raised two children (played Mia Wasikowska and Josh Hutcherson) who are now at an age when they’re interested in meeting their sperm donor (Ruffalo). Human comedy ensues with unexpected results. “The Kids Are All Right” is one of the best movies of the year, and Cholodenko, whose previous films include “High Art” and “Laurel Canyon,” is a huge factor in its success. Now you might be thinking that a movie about two lesbians and their kids isn’t exactly what you’re looking for. If so, you’re exactly the person who should see this film, because it’ll change your ideas of what makes a family in this day and age. And it will make you laugh – loud and hard.

Cholodenko took some time out to talk to Bullz-Eye on the occasion of the film’s home video release and after some introductory chit-chat we discussed the lesbian right, gay porn, and new meanings for the word “tribe.”

lisa_cholodenko

Bullz-Eye: “The Kids are All Right” was like this oasis of reason in an ocean of CGI and fart jokes this past summer. Do you get frustrated when you look around see the types of movies that rake in the big bucks these days?

Lisa Cholodenko: I wish we would kind of go back to the time where there were more interesting, idiosyncratic human kinds of comedies and dramas, and not such the kind of broad and farcical, box office driven fare, but that’s where we are right now, so, I just accept it, and I’m glad that there’s space for films like this.

BE: Well, so am I. There was some fairly vocal criticism of the film from the most unlikely of places – the lesbian community. Where do you think that kind of outrage comes from and, outside of raising awareness for the film itself, does that kind of anger serve any worthwhile purpose for a thoughtful movie like this?

LC: I keep referring to them as the lesbian right (chuckling), and I think that in any kind of group there’s going to be a contingent of people that are more extreme in their views of things, and more politicized and so, I think there’s room for everybody, and I don’t have a problem with that. It’s gets a little tedious speaking to it – not to you – but when I’ve heard it in Q & A’s and stuff, but I’m sympathetic. There’ve obviously been no great representations of lesbians in cinema, or certainly there hasn’t been in a long time, and it’s kind of an old school doctrinaire, “Oh of course the lesbian goes off with a man.” But if you look at the film with any kind of care, it’s really not about that at all.

BE: No, no, it isn’t.

LC: She really goes off with her partner. So it gets a little knee-jerky and tedious for me, but I’m sympathetic that there’s no representation, and with starvation sometimes you get a lot of mixed feelings.

the_kids_are_all_right_1 Julianne Moore and Annette Bening

BE: Well, here’s a weird question, and you gotta help me out here, because it was the one thing in the whole movie that baffled me. Lesbian couples watching gay male porn to get in the mood. Is this common? Is this something that I’m just totally unaware of?

LC: You know, I don’t know because I’m not a social scientist. I just thought, you know, different strokes for different folks, and it’s always fascinating to find out what people do to turn it on. Stuart [Blumberg, co-writer of the movie] and I stumbled on that idea, and wrote a scene, and laughed and I said, “No, it’s too risqué,” and he said, “No it’s not. It’s funny. It’s great.”

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