Category: Movie DVD Quicktakes (Page 7 of 41)

The Warlords

You’d think that having three of the most bankable movie stars in Asia (one of which is also a pretty big name in the U.S.) would be enough to get any film imported overseas, but it’s taken nearly three years for Peter Ho-Sun Chan’s “The Warlords” to arrive stateside, and quite frankly, it’s easy to see why. Set towards the end of the Qing Dynasty, the movie stars Jet Li as Pang Qingyu, a military general who barely survives a massacre of his fellow soldiers by playing dead. After he’s nursed back to health by a beautiful villager (Jinglei Xu), Pang convinces a group of bandits led by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro) to join the royal army and fight against the Taiping Rebellion with the promise of freedom and wealth. But when a web of political deceit threatens to break up the trio’s blood oath, they must decide what’s more important: their loyalty to one another or their lives.

If only the film was a little more engaging. While Ho-Sun Chan’s gritty action sequences are beautifully captured, he has no idea how to handle his characters outside of battle. They’re barely developed over the course of the movie, and though we do get a glimpse of how the emotional exhaustion from fighting for so long begins to affect their relationship, it’s steeped in so much melodrama that it saps the life out of the story. The three leads do a good job with what little they’re given to work with, but they don’t click the way that blood brothers probably should. Then again, you’re never really given a good reason why they’ve taken this oath to begin with, so it’s not too surprising when they fail to protect one another as promised. Heck, they don’t even seem like to like each other, and when that relationship is the heart of your film, it’s pretty much doomed to fail.

Click to buy “The Warlords”

A Single Man

Renowned fashion designer Tom Ford must have been chomping at the bit to make his jump into feature films, but he was smart to hold out for the right project, because it’s hard to imagine a directorial debut more perfect than “A Single Man.” Based on the novel of the same name by Christopher Isherwood, the film take place over the course of a single day as middle-aged college professor George Falconer (Colin Firth) contemplates suicide following the death of his longtime partner, who was killed in a car accident eight months prior. George spends the day reminiscing about the past, putting his affairs in order, and even enjoying a dinner date with his childhood friend (Julianne Moore) without anyone the wiser, but when one of his students (Nicholas Hoult) takes a sudden interest in his well-being, George begins to rethink his fatal plan.

Admittedly, not a whole lot happens over the course of the film’s 99-minute runtime, but it’s so visually stunning that the anemic plot isn’t a big problem. With Ford’s background in fashion, it shouldn’t come as much of a surprise that the ‘60s-era costumes and production design are flawless, but Eduard Grau’s cinematography is the real treat, transforming the movie into a perfume ad come to life that beautifies the style and sophistication of the period. Colin Firth also delivers a career-best performance as a broken man struggling to get through the day without falling apart in front of his friends and colleagues, and Moore and Hoult offer ample support in limited roles. Though the movie does drag a bit during its final act, “A Single Man” is a poignant drama about love and loss that will serve as the perfect calling card should Ford decide to quit his day job and focus on filmmaking.

Click to buy “A Single Man”

Rock ‘n Roll High School

Ultra-canny low-budget producer Roger Corman originally wanted to make “Disco High School.” Thank the rock gods hipper heads prevailed. Directed by Allan Arkush with assists from Jerry Zucker and Joe Dante, 1979’s “Rock ‘n Roll High School” is the cartoonish tale of the literally explosive results of the arrival of original punk rockers The Ramones at Vince Lombardi High. Free spirited hipster Riff Randle (P.J. Soles) and her straight-arrow best pal Kate Rambeau (Dey Young) must evade fun-hating Principal Togar (Mary Woronov) if they are to party down with two-chord musical geniuses Joey, Johnny, Dee Dee and Marky Ramone. Meanwhile, besotted but romantically inept football player Tom Roberts (Vincent Van Patten) enlists the aid of strangely suave ultra-dork entrepreneur Eaglebauer (Clint Howard) to woo Riff, unaware that the bespectacled but equally adorable Kate is the one carrying a torch for him.

It’s even sillier and messier than it sounds, but it all comes together, more or less, because of the likable chaos fostered by Arkush, a dominating performance by actress/performance artist Woronov who gets the film’s best lines — “Does your mother know you’re Ramones?” — a generally amazing cast, and, most of all, the music and presence of the aforementioned Ramones, three of its four members now sadly deceased. Featuring lots of performance footage — alas, in very low-fi monophonic sound — this is a big, sloppy kiss to the rock and roll spirit. It may not be the funniest comedy ever made, but it’s close enough for punk.

Click to buy “Rock and Roll High School”

Mary and Max

Falling somewhere between Nick Parker’s charming “Wallace and Gromit” shorts and Tim Burton’s more adult stop-motion films, the 2009 Sundance hit “Mary and Max” is a hilarious and poignant tale about two very different people from separate sides of the world. Eight-year-old Mary Daisy Dinkle (voiced as a child by Bethany Whitmore and as an adult by Toni Collette) has no friends in her hometown of Melbourne, Australia, so one day she randomly selects a name out of the United States phonebook and writes them a letter to ask where babies come from.

That person is Max Jerry Horowitz (Philip Seymour Hoffman), a 44-year-old overweight New Yorker who also has no friends apart from the imaginary one he created as a kid. Against his better judgment, Max decides to answer Mary’s question, thus jumpstarting a 20-year long pen-pal friendship that explores everything from love, religion, and even mental illness. Though the film is told in a storybook manner with narration by Barry Humphries, “Mary and Max” has some surprisingly mature messages at its core. Mary may only be a child, but that doesn’t stop Max from speaking bluntly, which as we later learn is a result of his Asperger’s Syndrome. Pretty heavy stuff for Claymation, but thanks to a wonderful script by director Adam Elliot and key performances from Whitmore and an unrecognizable Hoffman, this is one animated film that every adult fan of Pixar should rush out and see.

Click to buy “Mary and Max”

Mystery Team

What if Encyclopedia Brown never grew up? That’s the general idea behind “Mystery Team,” the debut feature from internet sketch comedy troupe, DERRICK, about a group of teenage detectives still solving the same pedestrian mysteries that they were at age seven. There’s Jason (Donald Glover), master of disguise and leader of the Mystery Team; Duncan (D.C. Pierson), the boy genius; and Charlie (Dominic Dierkes), the strongest kid in town. The only thing is, Jason’s disguises aren’t very good, Duncan’s so-called knowledge comes from a book of “1001 Wacky Facts,” and Charlie isn’t so much strong as he is unbearably dim-witted. But when a neighborhood girl hires them to solve the case of her parents’ murder, the Mystery Team take on their very first adult crime set in the dangerous world of sex, drugs and swear words.

One of the more buzzed-about films coming out of 2009’s Sundance Film Festival, “Mystery Team” all but vanished from the public eye after its premiere, instead earning a limited theatrical release before finally getting dumped onto DVD. So what went wrong? For starters, the film simply isn’t as good as some may lead you to believe, with only a handful of funny moments scattered throughout 94 minutes of juvenile toilet humor and long stretches of tedious plot development. Donald Glover (easily one of the best things about NBC’s “Community”) is certainly amusing as the leader of the group, but his fellow co-stars never earn a single laugh. Maybe the guys of DERRICK are better off sticking to what they know best, because while “Mystery Team” might have made for a hilarious short, the laughs are too few and far between to warrant a full-length feature.

Click to buy “Mystery Team”

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