Category: Movie DVD Quicktakes (Page 39 of 41)

Meeting Resistance

A grim but necessary piece of reportage, this video documentary is constructed largely from interviews of insurgents in Iraq, who calmly discuss their willingness to kill American soldiers and suspected Iraqi collaborators in a nationalistic and religiously inspired struggle to avenge the invasion of their country and, perhaps, end the American occupation. Journalist filmmakers Steve Connors and Molly Bingham take a genuinely dispassionate view that will unnerve many, but only the most rabid neoconservative could see this detailed, well-produced documentary as in any way a defense of the insurgency.

Indeed, there is no effort to pretty up the details. One interview subject, discussing Americans maltreatment and torture of detainees, says that he wouldn’t wish such pain even “on a Jew.” Later, gruesome footage of the desecrated bodies of murdered American paramilitary contractors being dragged through the streets of Fallujah is included. (That American-led reprisal by some accounts killed as many as six thousand civilians). The insurgents onscreen repeatedly discuss the need to prevent civilian casualties though, clearly, many insurgents disagree with that need and, in any case, everyone on camera seems to live in a culture more concerned with “honorable” death than with preserving life. While the act of interviewing insurgents necessarily involves concealing the identities of the subjects through various means, “Meeting Resistance” succeeds in giving the terrorist struggle against the U.S. military occupation an all too human face that is, otherwise, completely invisible to most Americans.

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Typhoon

This globetrotting South Korean action fest from writer-director Kwak Kyung-Taek is said to have the biggest budget in the history of that nation’s film industry, and it certainly shows as both the ocean and landlocked action sequences are elaborate as can be – lots of stuff blows up real good and the rest of it gets really soaking wet. But, as is so often the case with bloated action pics, the film has more serious problems when it comes to issues like story and acting.

“Typhoon” brings us Korean superstar Jang Dong-Kun as Sin, a North Korean refugee turned modern day pirate on an insane mission of nuclear revenge against the entirety of Korea. Opposing him is Lee Jung-Jae as a stalwart South Korean agent. Bringing some pathos to the story is Lee-Mi-Young, affecting as his gravely ill, long lost sister. The story, simple as it is, comes across as something of a mess to this non-Korean – a problem that’s likely been made worse by some sound problems on the DVD during a lengthy, unsubtitled and all but unintelligible English language section, as well as by the fact that the version on the Genius Products release has been cut down by 16 minutes from the original 124 minute release. Another problem is that Lee Jung-Jae’s agent is one dull, super-stoic action-hero. Fortunately, Dong-Kin brings lots of crazy emotion to the party as an ultraviolent, revenge crazed, ex-cannibal Jack Sparrow on meth, who we are invited to sympathize based on his tragic childhood and the fact that the really does love his sister. “Typhoon” doesn’t even begin to hang together, but thanks to a ton of action and shameless emotion, it’s usually not dull.

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Cleaner

After directing some of the worst films of the past decade (“The Covenant,” “Exorcist: The Beginning,” “Mindhunters”), Renny Harlin delivers a welcome return from the basement with “Cleaner,” a by-the-numbers thriller that, while totally predictable, succeeds thanks to a solid cast. Samuel L. Jackson stars as Tom Carver, a former cop who now makes a living cleaning up crime scenes. When Tom is called in to sterilize a home following a suburban shooting, however, he’s surprised to discover that in erasing crucial evidence, he’s unknowingly become an accomplice to the much-publicized murder of a wealthy community leader. Though Jackson is more timid in this film than usual, it’s exactly what’s required of the role. The veteran actor has a pretty good track record when working with Harlin, and while the final product isn’t always a slam dunk (see: “Deep Blue Sea”), it’s usually at least fun to watch. The rest of the cast (including Eva Mendes and Luis Guzman) also deliver safe performances, with the exception of Ed Harris, whose onscreen relapse into his “Gone Baby Gone” character fails to retain even an ounce of surprise in the film’s ending. It’s not like you won’t see it coming on your own, but had the journey there been a little less predictable and “Cleaner” could have been even better than the average thriller it seems so comfortable being.

Click to buy “Cleaner”

Cassandra’s Dream

Over the past three decades, Woody Allen has written and directed a new full-length feature almost every year. If you don’t think that excuses a poor outing every once in a while, you clearly have no idea how hard it is to make one good film. Unfortunately, Allen has been in a rut for some time, and though “Cassandra’s Dream” marks his third consecutive film to take place in London, it lacks the focus of his first (“Match Point”). The film stars Ewan McGregor and Colin Farrell as a pair of brothers with ambitious plans for the future. Ian (McGregor) dreams of becoming a big shot real estate investor, while Terry (Farrell) just wants to make a better life for him and his girlfriend. When both run into money problems, however, they look to their successful uncle Howard (Tom Wilkinson) for help. He’s more than willing to loan them the money, but first, they have to do him a favor: murder a fellow associate who plans to rat Howard out for his questionable business ethics. Much like “Before the Devil Knows You’re Dead,” Allen’s latest film is a second-rate thriller disguised as a masterpiece. Though McGregor and Farrell both deliver solid performances, the story goes nowhere due to Allen’s inability to develop his characters beyond their one-dimensional relationships. It’s too bad, because while “Cassandra’s Dream” definitely has potential as a film, it would have worked better on the stage.

Click to buy “Cassandra’s Dream”

Grace Is Gone

We’ve all seen John Cusack play the sad sap before, but in the Iraq War-influenced “Grace Is Gone,” it’s a different breed of his trademark character. In the film, Cusack plays Stanley Philips, the down-to-earth manager of a retail store who’s just learned of his soldier wife’s death overseas. Unable to tell his two daughters the truth, he packs up the car and takes them on a road trip, hoping that by the time they return home, he’ll have healed enough to break the news. Written and directed by James C. Strouse, “Grace Is Gone” is an incredibly light drama that, despite its subject matter, doesn’t really have a political agenda. Instead, it just uses the situation as a means of telling a simplistic, yet effective story about one man’s emotional journey.

Though the film garnered two Golden Globe nominations for Clint Eastwood’s work on the soundtrack, Cusack’s phenomenal performance was completely overlooked. Much of this has to do with the fact that very few people were given the opportunity to see it, and while I’m not exactly sure why “Grace Is Gone” never received a wider theatrical release, it’s safe to assume that it had something to do with the Weinsteins’ poor marketing skills. This isn’t the first time the brotherly duo have screwed the pooch on a great film, and while I commend them for having the balls to invest millions of dollars into risky projects (*cough* “Grindhouse” *cough*), it means absolutely nothing if you can’t market it correctly.

Click to buy “Grace Is Gone”

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