Category: Movie DVD Quicktakes (Page 35 of 41)

Meet Bill

When you see as many movies as I do, it’s easy to understand why some films are released in theaters, while others are relegated to DVD, but I must admit that “Meet Bill” – which left the film festival circuit without a major studio’s backing – threw me for a loop. The movie has everything that makes an independent film marketable these days, and more importantly, it’s actually good. Aaron Eckhart stars as Bill, a successful businessman who hates his job has a wife (Elizabeth Banks) who is cheating on him with the local news anchor (Timothy Olyphant). When he’s forced into participating in a mentorship program with his former preparatory school, Bill is matched up with a smug teenager (Logan Lerman) who ends up mentoring him on how to turn around his life. Though the story goes south midway through the film, the performances help to keep it afloat – namely Eckhart, whose nuanced portrayal of the title character is alone worth seeing the film. Additionally, Jessica Alba’s role as a sexy lingerie saleswoman may seem completely pointless (in fact, her introduction marks the beginning of the story’s downfall), but it’s some of the actresses best work to date. Supporting turns by Kristen Wiig and Craig Bierko are also enjoyable, as is the dark comedy peppered throughout the script. “Meet Bill” may have been considered a failure by some, but one could only hope that all direct-to-DVD releases were as good as this.

Click to buy “Meet Bill”

Icons of Adventure

Starting in the late fifties and on through the seventies, England’s low budget Hammer film studios became known for a series of profitable reboots of classic gothic horror franchises, but the busy film studio actually produced all kinds of movies. This two-disc set gives us a mixed-bag of thrillers bringing the mean, lean, and graphic (by early sixties standards) Hammer touch to pulpy adventure yarns as well as featuring the considerable acting skills of go-to bad guy/monster man Christopher Lee as the chief villain of three of the four pictures.

The set gets off to an unfortunate start with “The Pirates of Blood River” — an insufferable bore thanks to some plodding pacing and an insipid performance by leading man Kerwin Matthews — Lee’s bad guy pirate, no Jack Sparrow, can only do so much. Fortunately, there’s more of Lee, actual ships, swordfights, and all-around piratical fun in “The Devil Ship Pirates.” The second disc brings us a pair of politically and ethnically suspect flicks set in English colonies. “The Terror of the Tongs” is a casting nightmare from the point of view of ethnic sensitivity, with innumerable Hong Kong Chinese characters played by English, French and, in one shocking instance, an actual Chinese actor. (Burt Kwouk – Kato from the original “Pink Panther” films — who, naturally, is killed five minutes into the movie). Still, it’s a surprisingly nasty and perversely entertaining film with some amazing low-budget production values and another strong bad guy performance from Christopher Lee (no relation to Bruce), speaking perfect English in a sort of practice run for his later performances as super-unPC villain Fu Manchu.

If “Terror” is the set’s Harold, “The Stranglers of Bombay” is it’s Anglocentric Kumar. It’s an fitfully entertaining, occasionally creepy tale of a stalwart British officer (Guy Rolfe) fighting Indian thuggees – those fanatical, kill-crazy bad guys who tried to overrun British India in “Gunga Din,” tried to off Harrison Ford and friends in “Indiana Jones and the Temple of Doom” and who, led by Leo “Rumpole of the Bailey” McKern (!), viciously tried to take Ringo’s famed ring finger, in “Help!”

With four commentaries – three of them featuring Hammer standby screenwriter Jimmy Sangster — this is a must for those obsessed with the famed studio’s history, but definitely optional for others. (Only one commentary, “Terror of the Tongs” is all that engaging, even by film geek standards.) Still, there are worse ways to while away a series of weekend afternoon. For all their flaws, these movies are far more noble time-wasters than most of today’s multiplex potboilers.

Click to buy “Icons of Adventure”

Heroes of the East

Cursed with a misleading English title and a narrative flaw or two, this remarkably little known 1979 Hong Kong comic action fest is nevertheless an absolute must for serious martial arts fans and a treat for the rest of us. The young Gordon Liu (cruel tutor Pei-Mei from “Kill Bill: Volume 2”) stars as Ah To, a young man in an arranged marriage with the pretty Kung Zi (Yuzo Mizuno), recently returned from her native Japan. After some initial fretting, the two prove more than compatible. Actually, it turns out they may have a little too much in common — they are both martial arts experts and excessively proud proponents of their respective nation’s martial arts styles. Though frequently compared to “The Taming of the Shrew,” the first hour plays more like an early sixties sex comedy, only with comic physical jabs replacing the verbal sparring.

Early on, the action is nearly dominated by the spunky, hyper-talented Yuzo Mizuno — think a young Shirley MacLaine as a comically destructive martial arts virtuoso. Still, “Heroes” ultimately turns out to be Gordon Liu’s show, and quite a show it is as the reluctant Ah To must face a herd of angry Japanese martial artists who have come to defend their nation’s honor. Martial arts trained director Lau Kar-Leung’s good natured action rom-com – something of a (biased) plea for mutual respect between the Chinese and Japanese peoples – turns into a more traditional series of increasingly stunning action set pieces that concludes with a real bang as Ah To at last faces his romantic rival, a treacherous ninja (Kurata Yasuaki) who throws the ninjitsu book at our hero. It’s a stunning conclusion to a real whiz-bang of a late period Shaw Brothers martial arts extravaganza. Also, with relatively little in the way of anything like serious violence (for the most part the characters aren’t really trying to hurt each other) and only some very mild sexual innuendo, “Heroes of the East” is also appropriate for younger martial arts fans.

Click to buy “Heroes of the East”

Summer of ’04

Mirjam (Martina Geddick) and André (Peter Davor) aren’t the kind of parents who worry that their typically sullen fifteen year-old son (Lucas Kotaranin) is likely having sex during their summer trip with his mature-for-her-age but nevertheless not yet thirteen year-old girlfriend, Livia (Svea Lohde). On the other hand, mother Mirjam starts playing the responsibility card when Livia, who has some disconcerting ideas about relationships, strikes up a sudden close friendship with a handsome grown-up (Canadian television actor Robert Seeliger, speaking fluent German). Before you can say WTF, Mirjam finds herself acting on her own attraction to the stranger. If nothing else, events play out believably and the upper middle class European milieu feels right-on (including some ironic U.S.A.-bashing) – up to an ending that’s supposed to be an emotional sucker-punch, but which plays more like an earnest attempt to imbue 97 minutes of well-realized, though apparently pointless, über-realistic banality with something like meaning.

A lot of critics use the word “thriller” to describe this meticulously achieved slice of upscale life from director Stefan Krohmer and writer Daniel Nocke. That’s stretching the definition, but “Summer of ’04” mostly fails without regard to genre. A moment of suspense, some hot but relatively discrete onscreen sex between consenting adults, and an unexpected revelation aside, the problem with this well-acted, character-driven film is that these five people feel very real, but they’re still lousy company. It’s not that they’re largely unsympathetic, it’s that they’re mostly uninteresting. See “The Ice Storm” instead.

Click to buy “Summer of ‘04”

The Sword in the Stone

“The Sword in the Stone” is one of Disney’s lesser-known animated features, and probably with good reason. It’s just not a very interesting or charming film, and pales in comparison to fare like “The Jungle Book” and “Alice in Wonderland.” It tells the tale of Wart, a young boy living in merry old England. He is, of course, an unnamed young King Arthur, and the movie purports to tell of his first meetings with Merlin, and how he came to pull the sword from the stone. Problem being is that it’s all something of a washout. The bulk of the film is spent with Merlin turning Wart into various critters – a fish, a squirrel, and finally a bird – in order to teach him something about survival. Each sequence takes up a good ten minutes of the 80-minute film, and there’s a song to go along with each transformation. Most of the music isn’t very good and the film didn’t produce even a single classic Disney tune that we all still hum to this day. Further, Wart never has a British accent, and indeed most of the voices in the film border on the unconvincing. Merlin is really the lead, but he’s such a goofy old fuddy-duddy it’s tough to take any interest in what he’s trying to accomplish with the boy. Really the only reason to watch “The Sword in the Stone” is for the animation, which is up to the usual high standard of the era (the film was released in 1963), and one sequence in the third act in which Merlin battles a witch named Madam Mim is probably the only highlight of the otherwise bland tale – but even that can only be admired for the animation, because, unsurprisingly, the entire scene consists of the two characters turning into various critters. By the time Wart/Arthur pulls the sword from the stone, you’ll be pulling out that dusty old disc of “Excalibur” that you haven’t watched in several years.

Click to buy “The Sword in the Stone”

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑