Category: Movie Dramas (Page 50 of 188)

“Let Me In” — the red band trailer

Don’t get too excited, it’ s just a touch more violent and scary than the green band trailer which has been circulating the last day or so. In fact, I swear I’ve seen green banders scarier and more violent than this.

In any case, assuming “Let Me In” doesn’t stray too far from the excellent prior film version of John Ajvide Lindqvist’s novel, “Let the Right One In,” and it looks pretty similar, this will not be a mega-gorefest, at least save for a few very crucial moments. Take a look.

The general consensus on this is that it doesn’t look bad. It doesn’t, but will it justify its existence beyond being the movie that people who refuse to read subtitles will watch? Working with a script by the very talented TV veteran Drew Goddard on “Cloverfield,” director Matt Reeves left me partially cold. How much better — or worse — will he do with his script? Only one way to find out.

H/t Filmofilia.

Post Comic-Con movie news

I’m still recuperating a bit from last weekend’s insanity at Comic-Con and a busy week looms ahead, but the recent film news is just a little too interesting to ignore/gloss over.

Mike Fleming broke the news this afternoon that Daniel Craig has signed on the line which is dotted to play the male lead in the upcoming American film version of “The Girl With the Dragon Tattoo.” In case you never set foot in your local Barnes and Noble outlet, that’s the first novel in so-called Millennium Trilogy of mystery thrillers by the late Swedish author/political activist Steig Larsson. The series is becoming a sort of adult/non-geek HarryPotter for the Trader Joe’s set and the first U.S. film of it has attracted the powerhouse twosome of writer Steve Zallian and director David Fincher.

Judging from having seen the solid, but not excessively over-awesome, Swedish film version of the novel (which I’m really going to have to try and read at some point), Craig is probably a much better choice than the earlier floated Brad Pitt for the part. 007 or not, it’s just easier to see Craig as a down on his luck journo. Also, as Fleming points out, this puts Craig in the unique position of having at least two and, if you count a potentially huge “Cowboys and Aliens,” possibly three franchises to keep busy and well-compensated. Craig is not only an extremely good actor, he’s apparently got some very good agents.

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Weekend box office: The “Inception” brain caper goes according to plan; “The Sorceror’s Apprentice” gets a swat in the tuchas

Those of us speculating on the possibility of a surprise in either the high or low direction for “Inception” early on Friday (okay, that would mainly be me), have now been silenced by the weekend estimates. They appear to have come down on the highish side of what the professional prognosticators expected, even if some of them were confessing to uncertainty. (Where did I read that? It’s gone now from where I thought I read it but maybe my dreams are being manipulated by a crack team hired by a Japanese billionaire who hates Nikki Finke.)

Joseph Gordon-Levitt in So, no, Christopher Nolan’s highly praised but also controversial science-fiction thriller film for Warner Brothers is officially not “too smart” or too not-franchise-associated to be a hit, if an estimated $60.4 million is enough to constitute a hit these days for a $200 million film. It’s also worth noting that it managed this without an artificial boost from inflated 3-D ticket prices. I wonder if some math whizzes out there can compare this to the “disappointing” $77 million opening for “Avatar.” Anthony D’Alessandro points out this is the strongest North American opening ever for a Leonardo DiCaprio-headlined movie, which includes “Titanic.”(That box office stinker only made about $28 million domestically it’s first weekend.)

Still, as always, the question remains “legs” and how the word-of-tweet-facebook update-txt-mouth goes. The L.A. Times reported that the film scored a B+ on Cinemascore, reportedly dividing the audience by age with under 25-ers giving it an A and us oldsters giving it a B-. So are middle-aged filmgoers more discerning or younger ones more open to real genius? (Hey, politically, I tend to agree more with under-25 years olds more than people my own age who mostly loved Ronald Reagan, who I believe peaked in “Storm Warning” with Ginger Rogers.)

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A trailer for a Sunday morning: “Miral”

Artist turned director Julian Schnabel managed to make a film about a man with one of the most terrifying illnesses I can imagine into a genuinely uplifting experience with 2007’s “The Diving Bell and the Butterfly.” Now he takes on probably the most single most contentious issue in all of world politics, Israel-Palestine, in “Miral.”

Take a look at this French trailer for the English-language film, written by Palestinian-Italian journalist-author Rula Jebreal, adapting her own novel. “Miral” stars a slightly de-glammed Freida Pinto of “Slumdog Millionaire” and Arab-Israeli actress Hiam Abbass.

“The Diving Bell and the Butterfly” ran the risk of being a drippy in terms of being a bit of rather conventional arthouse fare/Oscar-bait, but he was quite adept at transcending that at every turn there. Let’s hope he and writer Jebreal — working in, or being translated into, English — pull off the same trick here.

Clearly, the film-makers are hoping for a large audience for “Miral.” Considering the subject matter and what looks like an honest but evenhanded treatment of the ultimate hot-button topic, I kind of hope they get it; I also hope all my Jewish relatives see it. I hate to say it, but too many people — and not only Jews — have allowed support for Israel to become translated into what I see as a near complete lack of awareness of the humanity of Palestinians.

H/t /Film. (I have to say I’m not sure I agree with Brad Brevet about the Tom Waits song at the end. Maybe it’s a bit of cultural stereotyping on my part, but when I think about the problems of a teenager in modern day Palestine/Israel, I don’t think of Waits’ bluesy tones, so popular among middle-aged ex-bohos in L.A. and New York.)

Another weekend trailer: “Sometimes fate is like a small sandstorm…”

Also, sometimes “life is like a river.” I’ve heard that too.

Although I liked “Amores Perros” well enough, I was irked by “21 Grams” and downright irritated by “Babel.” From the sound of it, if I see it at all, I’m likely to really hate “Biutiful,” as it seems that the films of Alejandro González Iñárritu are increasingly pretentious slogs where he mistakes merely inflicting misery on his audience for art. The film really divided audiences at Cannes and considering my reactions to the past films, it’s not promising for me. Which is not to say I think his movies are all bad, and this trailer does an outstanding job of reminding you of the good, as well as the uselessly morose.

Some beautiful images. Really. Also, re: the annoying but well delivered narration, kudos to Javier Bardem for almost completely losing his Spanish accent so quickly in just a few years. As I recall, it took Antonio Banderas a couple of movies to even be understandable. Nevertheless, I’m not looking forward to this one.

H/t Anne Thompson.

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