Category: Movie Dramas (Page 38 of 188)

Late night trailer: “For Colored Girls”

Tyler Perry adapts Ntozake Shange’s 20 part “choreopoem” and Tony winning Broadway hit of 1975, “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuff.” Judging from what’s below, I’m not sure that this will work as Perry’s bid for artistic respectability.

Seen Your Video: Music video directors who made the jump to the big screen

music_video_directors

It was not along ago that there were only a couple paths to the director’s chair on a studio lot. Many went to film school and did time toiling for Roger Corman, while others jumped over from another profession within the industry. (Joel Schumacher, for example, began as a costume designer.) In the ’80s, there suddenly was a new way to get into the game – use a music video as your calling card.

Now, of course, we’re at the point where people receive job offers after posting a clip to YouTube (Lasse Gjertsen, who made the live stop-motion clips “Hyperactive” and “Amateur,” has received several offers of employment, but has turned them all down), and the music video path is now a well-worn road. Indeed, there are two movies coming out in the next few weeks (“Never Let Me Go” and “The Social Network”) that were helmed by men who got their start telling rock stars to act like rock stars, which inspired us to take a look at the more prominent directors of the music video world and track their success. The lesson we learned: even when someone has so many small successes, it only takes one big disappointment to kill them. (Big, big shoutout to the good people at the Music Video Database for helping to clear the cob webs, as well as opening our eyes on just how prolific some of these directors were.)

Julien Temple

You know it’s a Julien Temple video when: The entire piece looks like it was filmed in one giant tracking shot. (Look closer – the edits are there.)
Breakout video: ABC’s “Poison Arrow,” and the short film “Mantrap” the band made in conjunction with their (spectacular) album The Lexicon of Love.
Big screen debut: Temple is the only one on this list whose feature film debut came before his music video debut, though some would argue – and we wouldn’t disagree – that the movie in question, the Sex Pistols “documentary” “The Great Rock ‘n Roll Swindle,” is actually just a long-form music video.
Best Temple video you never saw: Paul McCartney, “Beautiful Night,” from Macca’s Flaming Pie album. Gorgeous, and the tune is a good one, too.

Russell Mulcahy

You know it’s a Russell Mulcahy video when: Dozens of extras are wearing body paint, or when a prop nearly kills Simon Le Bon. In slow motion.
Breakout video: Mulcahy was arguably the first “name” director of the music video world, helping clips for Ultravox, Kim Carnes and the Tubes – and, let us not forget, the Buggles’ “Video Killed the Radio Star,” the first video MTV ever played – but it was the clip for Duran Duran’s“Hungry Like the Wolf,” along with the other videos he shot for the songs from Rio, that made him a household name…with music geeks like us, anyway.
Big screen debut: “Razorback,” a monster movie about, yep, a bloodthirsty Australian pig. Mulcahy’s luck on the big screen changed two years later when he made the cult classic “Highlander”…then lost some luster when he made “Highlander II: The Quickening.”
Best Mulcahy video you never saw: “The Flame,” the overlooked third single from Duran Duran spinoff group Arcadia. Le Bon is in full Barry Bostwick mode as he attends a fancy dinner party and the hosts try to kill him Agatha Christie-style.

To read the rest of the article, click here.

It’s a brand new week and never too early for movie news!

* Sofia Coppola’s latest, “Somewhere,” won the highly prized Golden Lion award at the Venice Film Festival. The problem, if there is one, is that she is a current friend and former flame of Jury President Quentin Tarantino. I have to admit that I had forgotten they’d ever been a “thing,” but many do remember and there’s been some grumbling to the effect that the movie isn’t all that “fucking great.” It ain’t the crime of the century, but I guess Tarantino should have recused himself. Speaking for myself only, I find that I tend to be either more harsh or more enthusiastic about friends’ work.  As for Monte Hellman, Tarantino’s hardly alone in praising the maverick writer and director.

* Someone took Stanley Kubrick’s ultimate trip with way too much chemical enhancement over the weekend at the American Cinematheque’s Egyptian Theater in Hollywood. I have a story about that I’ll tell you sometime. In the meantime, protective measures may be in order.

2001-a-space-odyssey-ape

* So, if Al Pacino, Joe Pesci, and Robert DeNiro are going to be in a film by Martin Scorsese, naturally it’s called “The Irishman.” Daniel Day Lewis, Brendan Gleeson, and Pierce Brosnan need to make a film called “The Italian” with Neil Jordan directing.

* Good. L.A. needs all the love letters, cinematic and otherwise, it can get. Naturally, all the lead actors are from foreign lands (Christopher Plummer is Canadian, but he feels like he’s from actual overseas), though I’m not sure about the characters. One of the things I loved about “A Single Man” was the way it depicted the European’s love affair with a town that U.S. natives mostly don’t seem to get.

* Woody Allen has stepped in to a long-running rumor-created fracas. France’s acting first lady, Carla Bruni Sarkozy, apparently did just fine in “Midnight in Paris.”

Mickey Rourke scares small children * Mickey Rourke’s latest gig appears to be playing notorious mob killer Richard “the Ice Man” Kuklinski. I think this is a close to making a true family film as Rourke may ever get, next to “Iron Man 2.” The man’s face doesn’t only scare small children, it scares me.

RIP Claude Chabrol and Kevin McCarthy

Two notables passed away yesterday, each of whom deserves more than a mention.

Claude Chabrol was the member of the French New Wave most commonly compared to Alfred Hitchcock, though he arguably influenced most of the directors in the movement to a greater or lesser extent. I’m not sure how this happened, but I can barely remember seeing anything by Chabrol, though I know I’ve seen at least one or two of his acclaimed movies at some point, even if I can’t name them specifically.

Anyhow, if the embed below doesn’t cure my cine-amnesia, it does make me want to cure my shameful filmic omission. Yes, this trailer is entirely in French but, believe me, this is the kind of work where you don’t need to understand a single word (and I barely do).

The web’s master Chabrolian, Ray Young, has a great remembrance up and MUBI has a lot more.

Kevin McCarthy was a highly reliable, stage and movie actor with some notable film credits, including playing Biff in the film version of Arthur Miller’s “Death of a Salesman,” and scads of TV work — he has over 200 credits on IMDb. Still, as this very short E! obituary indicates, he’ll forever be associated with one particular film classic which, at the time, didn’t appear to be much more than another B science fiction flick. How little we know.

Trailer for a Sunday — “Hereafter”

I would very much like to believe in an afterlife. I fear, however, that for me the evidence is simply not there. I’d go into it further, but I don’t want to bum you and myself out. That’s why I find even the scariest ghost story or after-life derived thriller an inherently reassuring experience in some sense. If any extant writer and director pair could persuade me for a couple of hours to forget my disagreements and just go with the supernatural flow, Clint Eastwood and the increasingly busy Peter Morgan (“Frost/Nixon,” “The Damned United”) would seem to have a decent shot at it.

Not that it really matters to me for a movie like this, but I have seen more believable and/or impressive effects.  Otherwise, well, I’m not sure what to think from this trailer which looks rather trite, but I’ve come to export more from Eastwood and Morgan. I hope I get it.

H/t Movieweb.

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