Category: Movie Dramas (Page 184 of 188)

Box Office Roundup: James Bond kidnapped by “several small, well-dressed men,” whereabouts unknown

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

Did James Bond just get beaten by a bunch of penguins? Sean Connery would have sent Antarctica plummeting into the sea before suffering such an indignity.

1) Happy Feet: $42.3 million (Mark Pfeiffer, Reel Times Studios)
A monster first step out of the gate for Reel Times, surprisingly taking the top slot from the hyped-to-the-heavens “Casino Royale.”
2) Casino Royale: $40.6 million (Steve Wamsley, TSSU Productions)
Um, wow. Didn’t see this coming. Was it due to a long running time and therefore fewer screenings? Or was it because, like most Bond movies, it just wasn’t that good?
3) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan: $14.4 million, $90.5 million to date (owner: Deb Medsker, Punch and Pie Pictures)
We’re skeptical to the claims of authenticity to the stories about kids flinging poo at cars after seeing “Borat,” but if I had to choose between that and those children becoming racist, misogynist, drunk jackasses, a little flying poo doesn’t seem so bad.
4) The Santa Clause 3: The Escape Clause: $8.2 million, $51.6 million to date (owner: Jason Zingale, Seven Strangers Productions)
Tim Allen hangs in there just long enough to get blown out of the theaters when the Christmas season is officially under way.
5) Flushed Away: $6.8 million, $48.8 million to date (owner: Kristin Dreyer-Kramer, Nights and Weekends)
The power of singing slugs, that’s all we can say.
6) Stranger than Fiction: $6.6 million, $22.9 million to date (owner: David Medsker, Scary Clown Studios)
That’s good, people. Send a loud and clear message to Will Farrell – or, more importantly, his agent – that says we only want to see Farrell make a complete fool of himself onscreen. Heaven help us. Scary Clown’s first pick is a disastrous one, even if the movie’s way better than you think.
7) Babel: $2.9 million, $12 million to date (Steve Wamsley, TSSU Productions)
Sleeper pick of the draft so far.
8) Saw III: $2.8 million, $74.6 million to date (Steve Wamsley, TSSU Productions)
If a girl wants to take her back to her house and show you her “rack,” run like the wind.
14) The Return: $1.7 million, $6.8 million to date (owner: Bill Clark, A Don’t Call Me Shirley Joint)
The biggest disappointment of the season so far, though it has unlikely company…
15) A Good Year: $1.6 million, $6.4 million to date (Nights and Weekends)
We blame the Benny Hill bit for thoroughly confusing everyone as to what kind of movie this was trying to be. But anyone who wants to put Abbie Cornish in their next movie has our blessing.

Gone from the list: Harsh Times. (TSSU). Hmmm, maybe “Snoop Dogg’s Hood of Horror” was the way to go after all…

Current standings:
1) TSSU Productions: $130.6 million
2) Punch and Pie Pictures: $90.8 million
3) Nights and Weekends: $55.2 million
4) Seven Strangers Productions: $51.6 million
5) Reel Times Pictures: $42.3 million
6) Scary Clown Studios: $22.9 million
7) A Don’t Call Me Shirley Joint: $6.8 million
8) What’s All This, Then?: $390,000 (“Fast Food Nation,” limited release)

Next week: Scary Clown unleashes its best weapon in “Déjà Vu,” Punch and Pie release “Deck the Halls,” TSSU opens “Bobby” in wide release, and Seven Strangers cover both ends of the intelligence spectrum with “Tenacious D in: The Pick of Destiny” and “The Fountain.” The web site projects that “The Fountain” will make $48 million. Not a chance.

“Mumble mumble mumble . . . more cowbell, Sharon!”

Christopher Walken will soon be eating bats, snorting fire ants, and dropping acid in a theater near you. According to ABC News, Walken has signed on for a cameo role as Ozzy Osbourne in the upcoming Motley Crue biopic “The Dirt,” based on the 2001 book by the same name:

“The Dirt: Confessions of the World’s Most Notorious Rock Band” set new limits in tell-all confessionals. The 448-page tome catalogues the drug and alcohol abuse, nasty infighting, and sex parties of Neil and band mates Tommy Lee, Mick Mars and Nikki Sixx.

The film, announced in April, is now in preproduction and is expected to be released in 2008 by Paramount and MTV. It’s been billed as a true-life version of “This Is Spinal Tap.”

If that’s the case, we’re particularly looking forward to the scene in which Vince Neil and his bandmates (each of whom will be played by unknowns) prance around their eighteen-inch model of Stonehenge onstage…assuming, of course, that they succeed in actually finding the stage in the first place.

[Thanks to Defamer for the link]

Heath prepares to get jokey with it

In a brief interview with Newsarama.com, Heath Ledger speaks of his upcoming role in the next “Batman” flick as the Joker. Turns out he’s not really in the know on the “Batman” mythos, and he’s thinking that might work to his advantage. “I never despised (comics),” he explains, “but I was never one to read them. I never sought out the films, but I would sit down and enjoy them. So because of that, I really feel that I’m not carrying much pressure.” He has, however, been handed a copy of “The Killing Joke,” which is – even for non-comic fans – one of the single best Batman stories ever.

Here’s hoping he takes a cue from the Joker’s portrayal in that story…and not from Jack Nicholson’s over-the-top take in Tim Burton’s “Batman.”

“The Birds”: Now with 200% more explosions!

In yet another sign of the coming apocalypse, Cinematical has announced that Michael Bay intends to remake Alfred Hitchcock’s classic, “The Birds.”

Naomi Watts is rumored to be under consideration for the role originated by Tippi Hedren, and while Watts is more than capable of handling the job, we still can’t help wondering two things:

1. Which executive producer is going to tackle Bay’s inevitable question about “How do we get all these damn birds out of the movie?” and

2. What convoluted plot device (not to mention prickly negotiations with the ASPCA) will Bay employ in order to arrive at the film’s inevitable climactic moment involving thousands of birds falling from the sky while simultaneously exploding into glorious, blazing, feathered fireballs?

We’ve seen Hitchcock, Mr. Bay…and you, sir, are no Hitchcock.

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