Category: Movie Comedies (Page 6 of 195)

Horrible Bosses Blu-ray extras: a lesson in comedic economics

Click here to read our review of “Horrible Bosses”

The thing about people who are naturally good at making people laugh is that they often lose sight of when it’s time to drop the mic and walk away. Now take a movie like “Horrible Bosses,” which is 96 of the funniest minutes you’ll spend this year or any other. For a movie so packed with humor and wit, there is surely something just as awesome that didn’t make the cut, right?

Well, maybe. The truth is, we have yet to watch the extended version of the film (it’s eight minutes longer, and if we knew where those eight minutes were, we’d go straight to them), but if the deleted scenes in the Special Features section on the Blu-ray are any indication, the makers of “Horrible Bosses” left nothing in the bag, as it were. There are a couple of alternate openings, neither of which is as good as the one in the final film, and we get to hear the full recording of Kurt’s tryst with Nick’s boss’ wife (hint: it doesn’t take long). The only other scene worth the film it’s printed on is Colin Farrell at the supermarket, accosting the pharmacist (a snippet of which you can see in the closing credits of the movie). There are featurettes on working for horrible people and how much fun it is to play mean, but the general tone of the featurettes is pretty dry. This is a movie worth owning, no question, but don’t expect the bonus features to serve as the motivation for the purchase. They’re really just a pleasant addition.

Of course, we may change our minds on that once we’ve seen the Totally Inappropriate Edition of the movie, but we’re betting against it. ‘Unrated’ tends to mean ‘overrated’ when it comes to these things.

BLU-RAY REVIEW: Submarine

Hype isn’t an easy thing to manage, and in some cases, it can even prove to be downright deflating. That’s the biggest issue at the center of Richard Ayoade’s directorial debut, “Submarine,” which fails to live up to the impossibly high acclaim that it earned on the festival circuit. Based on the novel by Joe Dunthorne, the film tells the story of Oliver Tate (Craig Roberts), an eccentric teenager who becomes smitten with feisty pyromaniac Jordana Bevan (Yasmin Paige) and sets his mind on losing his virginity to her. But while his new love life is going just swell, Oliver’s parents have hit a rough patch in their marriage, and when he discovers that his mother (Sally Hawkins) has been fraternizing with her ex-boyfriend (Paddy Considine), a new age mystic who happens to lives next door, Oliver takes it upon himself to intervene.

A quirky coming of age tale that skews more towards drama than comedy, “Submarine” falls somewhere between the whimsy of Wes Anderson’s oeuvre and the dry cynicism of a Noah Baumbach film. That’s not to say that the movie is particularly dark or somber, but the comic moments aren’t nearly as prevalent as some would lead you to believe. What the film does do well, however, is deliver an incredibly realistic depiction of what it’s like to be a teenager in love, thanks largely to the likeable performances of Roberts and Paige. The adult actors are also really good in their respective roles, although Considine’s character lacks the depth that he had in the novel. That’s partly because writer/director Ayoade has cut out some of the book’s less important subplots, and while that makes the movie a lot more focused as a result, it comes at the cost of a few of the story’s bigger payoffs. It’s a solid debut by Ayoade regardless, who thrives from the freedom of being able to experiment with a variety of styles, but for a movie as buzzed about as this, “Submarine” really could have been better.

Click to buy “Submarine”

This Weekend at the Movies: Transform Your 4th of July, Hanks Style

There are big weekends, and then there are MASSIVE weekends. The release of a new Michael Bay movie, the third film in the TRANSFORMERS franchise at that, makes this a gigantic weekend. But if robots aren’t up your alley, maybe Tom Hanks is. If not them, perhaps Selena Gomez. If none of those, screw you!

Transformers: Dark of the Moon

When director Michael Bay was out stumping for the first Transformers film, he said that he’d love to make a small, character-driven film, just for a change of pace, but that he can’t help but make these huge gigantic movies because he’s afraid they’ll just stop making them. And while that seems absolutely insane with summer blockbusters trying to outdo each other year after year, there doesn’t seem to be any bigger movie this summer than Transformers: Dark of the Moon. Sporting a relatively modest Rotten Tomatoes score of 36% (the first scored 57, the second a mere 20), reviews tend to be on the side of “it’s fun, sure, but c’mon, robots?” Though even the negative reviews mostly note that the climax – a nearly hour-long rampage through downtown Chicago – is staggering to behold. And in 3D. In a relatively modest summer at the box office, with few breakaway hits, this could be one of the few huge ones.

Larry Crowne

I was always disappointed that Tom Hanks didn’t direct another movie after That Thing You Do, one of the most assured directorial debuts and a very fine music film that also, miraculously, gave us one of the greatest pop songs of all time. And while Larry Crowne is kind of taking a beating in the press, scoring lower than Dark of the Moon on Rotten Tomatoes, I know I’m not the only one perfectly happy to head out for a new Tom Hanks movie. This one concerns a middle-aged man (Hanks) who, after getting fired from his job for having never gone to college (which seems like a bad reason to fire somebody, but I guess we’ll see), sets out to do just that. And maybe kiss Julia Roberts in the process. MAYBE.

Monte Carlo

In a plot that could ALMOST be a screwball comedy, Selena Gomez is mistaken for an heiress and taken on a whirlwind tour of, you guessed it, Monte Carlo. The difference is that Selena Gomez plays two roles. And that the movie also provides a launching pad for a new hit single. Claudette Colbert would have none of that. NONE OF THAT.

Stay tuned next week for an ensemble comedy with a great cast, and a family “comedy” with Kevin James.

This Weekend at the Movies: Mutants, Mutants, Mutants

I’d be inclined to declare this whole weekend a massive multiplex fail if it weren’t for the fact that the only major release is actually getting really great reviews. And if you’re looking for something a little more low-key, this weekend is absolutely booming with opportunities provided you live in New York or Los Angeles. So onward we press into summer!

X-Men: First Class


Aside from its surprising ability to draw in very talented actors (its cast includes James McAvoy, Michael Fassbender, Jennifer Lawrence, Kevin Bacon, Oliver Platt, and January Jones), my hopes for this film were unfathomably low until a couple of weeks ago, when word got out that Matthew Vaughn’s fourth feature (he previously directed Layer Cake, Stardust, and Kick-Ass) was actually really, really good. I don’t know why it surprised me so; after all, I liked all of his films to varying degrees, but it seems like, at least this once, a film slipped through the famously rigorous Fox development process. Currently boasting an 87% on Rotten Tomatoes, which is better than any superhero movie has faired since the 2008 one-two-three punch of Iron Man, Hellboy II, and The Dark Knight, X-Men: First Class is poised to make a big dent this weekend both culturally and financially. I’ll be wading through the masses tomorrow to find out for myself how it holds up. Join me!

Hit the jump to see what else is coming out this weekend in limited release, including one of my favorite films of the year thus far.

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This Weekend at the Movies: A Second Hangover, Animals Do Battle, and the Palme d’Or Winner

Memorial Day weekend used to mean the start of the summer movie season, but by now we’re already in full swing! Nevertheless, the studios have seen fit to give you two sequels to two massively popular films. And maybe some artsy stuff for the coasts.

The Hangover Part II


And yes, they’re going roman numeral style. This is some classy stuff right here. I saw this on Monday, and while there are a lot of funny moments with the same gang (Bradley Cooper, Ed Helms and Zach Galifianakis), you will be shocked at how incredibly similar it is to the first. Way beyond the even standard “same premise, different locale” set-up you would expect. It robs it of some of the insanity the first, which I loved, had in spades. Rotten Tomatoes has it at a 32% fresh rating. Nevertheless, it opened to a whopping $10 million on midnight showings alone last night. With a five-day weekend in which to run rampant (Monday’s a holiday!), this is going to do some serious damage at the box office.

Kung-Fu Panda 2


Once known with the much sillier subtitle “The Kaboom of Doom,” this one seems to do what a good sequel should – offer the same delights as the original in a new package. It boasts a 75% fresh rating on Rotten Tomatoes, and while some critics fault it for hewing too closely to the original, many were too swept up by its charms to care. Kung Fu Panda became unexpectedly beloved upon its release, and many cite it as one of Dreamworks’ few great films. It’s hard to imagine those fans, and their kids, won’t come to see this in droves.

The Tree of Life


While the latest film from Terrence Malick certainly won’t make the same imprint at the box office as the previously-mentioned films, this is the film event for cinephiles this weekend. That is, if you live in New York or Los Angeles. I have my ticket to the midnight show tonight, and could not possibly be more excited. If you live elsewhere, don’t fret – you’ll be able to see the Palme d’Or winner within the next few weeks, as Fox Searchlight rolls it out across the country. Click here to see when your city is getting it. And although this doesn’t have the mass appeal of your kung-fu pandas or your 30-something frat boys, I wouldn’t be surprised to see some of that Cannes buzz fuel it to a respectable hit for Fox Searchlight.

Beyond that, New York gets two art house release – Tuesday, After Christmas, a sparse study of infidelity that received solid reviews when it premiered at last year’s Cannes Film Festival, and United Red Army, an epic about a revolutionary group in Japan in the 1970s.

Next week, it’s all about the X-Men back on the screen again, while at least a couple of cities will get one of my favorite movies of the year so far. Stay tuned!

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