Category: Lost (Page 17 of 29)

Bullz-Eye’s back with their latest TV Power Rankings!

NBC may not be King of the Nielsen Ratings just yet, but we know good television when we see it, and the Peacock has returned in full force with a dominating presence that includes the top three shows and five of the top six. HBO, on the other hand, is experiencing the opposite, with the departure of “The Sopranos,” “Deadwood” and “Rome.” Add to that the fact that our list features a whopping 10 new entries — five of which are freshmen — and you’ve got one heck of a Power Rankings shakeup. Much of this has to do with so many shows being on hiatus until next year, but whatever the cause, it’s nice to see some much-needed change to a usually familiar lineup. And, hey, don’t miss the list of our favorite shows which are currently on hiatus (and are therefore ineligible for the Top-20), our farewell to “The Sopranos,” and our stable of Honorable Mentions.

Check out the list here, then come back and let us know how we did…or if we missed any of your favorites!

TCA Press Tour: Random Announcements from ABC

* Your obligatory non-answer about “Lost”: “(The creators) would need to address where the show will head,” said ABC President Stephen McPherson. “They have not released whether it will take place with flash-forwards or flashbacks. They pitched where they’re going this year and where the next two years will take us, and I honestly think that, now that we have this specific end date, it allows them to craft that story in the next 48 episodes they want they want, and I think that running the episodes straight through will be best way to (display) that.”

* “Dance Acts” is a spin-off in the works from “Dancing with the Stars,” based on a similar spin-off in the UK. The judges have teams of dancers, competing against each other.

* Dana Delaney is joining the cast of “Desperate Housewives,” along with the already-announced Nathan Fillion.

* Harold Perrineau will be returning to “Lost” as Michael…and, on that note, let me tell you about a moment during this panel which really, really grated on my nerves:

When McPherson acknowledged that the creators of “Lost” would be making an announcement tomorrow at Comic-Con, in San Diego, several writers just went apeshit about the utter ridiculousness that they would dare to bypass the Television Critics Association gathering in favor of a “fan convention.” Um…how about the fact that the shows are about their fans and not their critics? I mean, I didn’t even blink when they said that was going to be the case. Of course the fans should hear the info first, if it’s do-able…and if that’s what the creators want to do, then what’s the big honking deal? But, no, people kept pressing and pressing, throwing out statements about the state of the newspaper industry and how their editors would be upset if they found out that breaking news was available but wasn’t going to be given to them, and so on. Finally, it reached the point where someone actually called Damon Lindelof to get his permission for McPherson to give us the news, which was that nugget about Michael coming back.

As God as my witness, I hope Lindelof has more super secret info up his sleeve for the fans. If I was a fan, and it’d been built up to me that I was going to get exclusive info when I showed up for that panel, I would be pissed if I found out that, oh, sorry, the critics strong-armed us and made us give it to them first.

I’m just sayin’, is all.

UPDATE, 12:03 PM: I spoke to McPherson in the lobby a few minutes ago, revealed myself to be as much of a fanboy as a critic, and asked if indeed Lindelof had saved some exclusive information for the Comic-Con panel. He didn’t really confirm or deny – which I’d kind of expected, since he knows full well that my peers would probably pummel him if he they read such a thing – but he did acknowledge that the Comic-Con crowd would be getting far more access to Lindelof than the TCA is, since there’s no “Lost” panel at our press tour. Therefore, I think it’s reasonable to infer – if not an ironclad guarantee by any means – that, logically, the chances of the fans getting more information than the critics are pretty good.

Which makes me happy.

Through the looking glass

While last year’s season finale ranks among the best ever cliffhangers in television history, tonight’s two-hour finale was a little rough along the edges. That doesn’t mean that Damon Lindelof and Carlton Cuse haven’t done it again, because they have, and the proof is in the number of “holy crap” moments that took place throughout the final twenty minutes of the episode. Instead of deconstructing the entire episode, however, I’ve decided to mix things up by focusing my attention on six events that everyone will be talking about tomorrow morning.

1) Sayid, Jin and Bernard’s sneak attack on the Others

I actually thought that Ben would radio his team to warn them of a possible attack after he discovered that Juliet had betrayed him, but the attack went off without a hitch. Well, sort of. Both Sayid and Bernard hit their targets dead-on, killing five of the Others, while Jin’s aim was a little off. He did manage to kill two more with his pistol before all three survivors were captured by the remaining Others: Ryan, Tom and some random dude.

2) Locke is still alive

This was a bit of a given, since we all know that Locke plays a major part in the good vs. evil dynamic between him and Jack. Of course, I wasn’t expecting a vision of Walt to be the thing that motivates him to live on, but Locke still seems to believe that he has a purpose on the island and he’s not about to give up now. On a completely unrelated note, I totally forgot how bad of an actor that kid who plays Walt is. It’s probably a good thing that we don’t have to see him on a weekly basis anymore.

3) Charlie talks to Penny

This is definitely one of the biggest revelations of the episode. After punching in the code to disarm whatever was jamming the radio signals, Charlie receives a video transmission from Penny. Not only does she know that Desmond is on the island and alive, but she also knows that the survivors of Oceanic Flight 815 are there as well. This will no doubt lead to the arrival of the “real” rescue team later in the show’s run. (More on this later)

4) Charlie makes the ultimate sacrifice

This one hurt the most to watch. I actually believed that Charlie was going to make it out alive (especially after him and Desmond found diving equipment for the both of them), but then that damn Mikhail had to foil our hero’s plans yet again (is that guy made out of metal or what?). When he discharged a grenade from outside the station, I actually said “What the fuck?” so loud that it woke my girlfriend in the other room. Of course, Charlie could have easily saved himself by running out of the transmission area and closing the door behind, but as we’ve learned from other season finales this week, sometimes the writers would rather make a ridiculous sacrifice instead of just being reasonable. And so Charlie, one of my favorite characters, is no longer. It won’t lead me to stop watching the show (especially now that we know only three more seasons remain), but it is enough for me to hold a three-year grudge against the writers of the show. Shame on you for killing Charlie; especially when it appears it was all for nothing. Well, I guess it wasn’t for nothing. Desmond knows that Naomi’s boat isn’t the rescue team they believed it to be, but will he relay the message to Jack and the other survivors in time?

5) Hurley the hero

Gotta hand it to the guy. Dude saved Sawyer and Juliet’s lives; not to mention the other three (Jin, Sayid and Bernard), who were being prepared for execution by Tom. When he rode on to the beach in that VW van and smashed into Ryan, it left me with the biggest smile on my face. It only got better as Sayid snapped that random dude’s neck with his legs, and then Sawyer shot Tom point blank in the chest. “That’s for taking the kid off the raft.” Classic stuff, and I’m glad that Sawyer finally seems fed up with giving these assholes countless second chances.

6) Future Jack wants back

I was saving the best for last as this is most likely the “rattlesnake in the mailbox” that Lindelof and Cuse were talking about during an interview earlier in the week. Styled as a typical flashback involving Jack dealing with some serious emotional issues, he’s driven to kill himself when he finds a newspaper clipping about a death to someone he knows. It’s never mentioned who, but that’s not really the point. By the end of the flashback, Jack calls who appears to be Sarah (his ex-wife) to meet him at the airport, but when the mystery guest arrives, it’s Kate. Yeah, that Kate. It wasn’t a flashback at all, but rather a flash-forward into the future. Jack doesn’t discuss how they got off the island, but he wants to go back. He seems to think they were never supposed to leave the island in the first place (sound a little like someone else we know?), and he’s been flying every week with the hope that he’ll crash again. So, do our survivors really get off the island, or is this future meeting all just taking place in Jack’s head?

The rest of the episode had some other great moments (like Jack beating the shit out of Ben, Kate pondering pregnancy, and Locke killing Naomi with a knife to the back), but none are worthy of serious commentary. Instead, think about this: it wouldn’t be “Lost” if they didn’t actually stay lost for the remainder of the series, so even if they do finally make it off the island in the end, it’s definitely not going to happen any time soon.

Greatest hits

If you’ve been paying any attention to the “Lost” forums over the past couple months, you’re well aware of the heated discussions taking place over whether Dominic Monaghan would be leaving the show following the final Charlie-centric episode of the season. For the time being, it looks like fans can finally put their worries aside, as the London rocker managed to make through the entire episode without even a scratch. Of course, that doesn’t necessarily mean that he’ll be alive and kicking when the two-hour season finale is all said and done, but I’ll get to that later.

The idea for tonight’s episode was a great one. Simply entitled “Greatest Hits,” we were treated to five flashbacks from Charlie’s past that he deemed the best moments of his life (an idea that he no doubt got from Naomi when he heard about the release of a Driveshaft “Greatest Hits” album released in the U.K.). In order from bottom to top they included 5) the day his band first heard their single on the radio, 4) learning how to swim with his dad, 3) receiving his brother’s coveted “DS” ring, 2) being called a hero after saving a woman from a street mugger, and 1) meeting Claire for the first time. The last one was probably a bit obvious, but it had an even greater impact as we watched him say his goodbyes to Claire and the baby. He didn’t exactly tell her where he was going, and it was probably for good reason, too.

You see, Desmond’s had another one of his visions, and this time it involves Claire being rescued by a helicopter. Great news, right? Well, sort of, but in order for the former to happen, Charlie must die. The key to his death lies in yet another hatch (this one underwater) called The Looking Glass, which involves him diving underwater and up into the hatch to flip a switch. Jack doesn’t want him to go on a silly suicide mission, however, and so the plan is called off. Of course, that’s before Carl (remember him?) paddles to shore with news that the Others won’t be arriving the next day as planned, but rather that night. With his plan to blow up the Others (with a shitload of dynamite, no less) still not completed, Sayid suggests that they blow up the TNT by shooting it instead. The rest of the survivors can then make their way to the radio tower and attempt to pick up a signal with Naomi’s SAT phone. This leaves only three survivors on shore, and it’s the group’s best shooters: Sayid, Jin and… Bernard? Okay, I didn’t see that coming.

Nevertheless, Jack leads the rest of the survivors to the radio tower while Sayid, Jin and Bernard prepare for the arrival of the Others. Meanwhile, Desmond and Charlie set off in search of The Looking Glass (which Sayid so brilliantly realizes is marked off by that random cable in the middle of the beat), and as was expected, Desmond offered to take Charlie’s place. I actually thought Charlie was going to take him up on the offer as well, but instead he just whacks him over the head with an oar and dives into the water.

Surprisingly, however, Charlie makes it to the opening of the hatch, but while he’s busy celebrating, a group of women Others surrounds him with guns. Not exactly what Charlie was expecting, but at least it means he has a fighting chance at making it to the next season. I’m personally glad to see him alive, but the wait isn’t over just yet.

As ABC releases its fall schedule, Geico ad executives continue to pinch themselves and give each other high-fives

Yep, ABC’s released their 2007 – 2008 schedule, and, as you probably guessed from the title of this posting, the biggest focus isn’t on how good or bad the new shows look but, rather, how lazy it looks for the network to have picked up a series that’s inspired by a series of commercials. Don’t get me wrong, I absolutely laugh every time one of those commercials is on, but that doesn’t mean I want a half-hour series based on them…especially not when it means that “The Knights of Prosperity” gets cancelled and “The Thick of It” – starring Michael McKean, Oliver Platt, John Michael Higgins, and Alex Borstein – is passed over for pick-up. (How does that happen, anyway? The pilot was directed by Christopher Guest, fer crissakes!)

But that’s enough complaining for the moment. This is intended as an educational post, not a bitter diatribe. (Besides, there’ll be plenty of time for that sort of material in our Fall TV Preview!) So let’s take a look at how the fall schedule will look…and, uh, let’s also clarify that we’ll probably still end up getting snarky along the way.

MONDAY

We begin with more of that star-dancing crap at 8:00 PM…an hour and a half of it, apparently, since it isn’t until 9:30 that we’re scheduled to see the new Christina Applegate sitcom “SAM I AM.”

Sam I Am” – When a terrible accident leaves Samantha “Sam” Newly in a coma for eight days, she wakes up with no recollection of any past experiences, memories or events. Faced with amnesia, Sam must start over. To her dismay she discovers that she wasn’t a particularly honest, good-hearted or loving person. In fact she was self-involved, narcissistic and devoid of real relationships – essentially a bitch. Sam must now struggle with her desire to be good and her temptation to be…not so good. Finding the line between good and evil is never easy.

Um…that’s a comedy? Well, anyway, after that, 10 PM finds another season of “The Bachelor,” which means we can’t get to Tuesday night soon enough.

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