Category: Interviews (Page 59 of 69)

TCA Press Tour: Thursday = Comedy

One of the greatest mysteries amongst the critics here at the TCA Press Tour is why NBC’s completely kick-ass Thursday night comedy line-up – “My Name Is Earl,” “The Office,” “Scrubs,” and “30 Rock” – isn’t one of the highest-rated line-ups on any network. I mean, seriously, that’s about as solid a two-hour block as has come around in years; every single one of those four shows is must-see TV for me, so it’s nice to know that Bill Lawrence, producer of “Scrubs,” agrees with me.

“Zach flew here from New York, and I came here all the way from my house, because I could not be more proud than to be up here with these four shows,” said Lawrence. “Everybody’s saying comedy sucks right now. These are three other comedies that I actually watch regularly. So screw the ratings, man, and I’ll have it out with you outside afterwards.”

Here are a few more revelations from NBC’s Thursday night comedy line-up:

* What lessons did Tina Fey walk away with after surviving her freshman season at “30 Rock”? “I think we learned a lot about the tone of the show throughout the year and whether — you know, we want the characters to be believable enough that you still care about them but still be able to do crazy jokes with them. So I think we learned that as the year went. And think we, this year, are going to try to maybe — try to maybe do a little less, because the shows were so dense that sometimes we worried that it was almost going by too quickly for the audience. So we’re hoping to let things breathe a little bit.”

* The ever-sarcastic Lawrence got a big laugh when he said of his show’s upcoming final season, “I think this is the year that ‘Scrubs’ really becomes a big hit. We had always kind of geared our plan towards peaking in the seventh year. And now’s when we really roll out the promotional stops. You’re not going to believe some of the things we’ll be doing!”

* Braff, however, was decidedly less sarcastic when speaking of his last year as J.D.: “I think there’s something really cool about knowing it’s your last season. I mean, so many times, you know, by the time you get to the seventh season or the last, what could be the last season, you don’t know, and there’s something really invigorating about going, ‘All right. We’ve got 18 more.’ I think it’s really going to excite the crew and the cast. We’ve had almost the exact same entire crew for the entire run of the show, and you know, it’s cheesy to say, but it is a total family because we have grown up with these people essentially. I think to go in for the final 18 with knowing it’s we’re going out with a bang, we’re going out with the way Bill wants to end the show, I think, I’m really, really excited to do it.”

* Greg Garcia on the change in Earl on “My Name Is Earl”: “We were always worried about him changing too fast, the character, and so we tried to spoon it out a little at a time. But knowing where we were going to end last season with him going to prison, we weren’t afraid to go ahead and start giving him a lot of things that he wanted in life, and we did a little, you know, arc of three or four at the end where he actually started getting his life together. And the whole time, we knew we were going to take it all away from him and send him to prison, so that was kind of by design.”

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TCA Press Tour: That’s “Life”

I gotta tell ya, I’m not exactly enamored of this new show, “Life.” There’s definitely an interesting concept at hand: cop gets thrown into jail for a crime he didn’t commit, gets cleared and earns a tidy settlement sum from the department as a result, then returns to the force, where he has to play catch-up with technology while trying to figure who actually did the crime for which he’d been accused. My problem with it is that the lead character is walking that line between eccentric and obnoxious, and he’s constantly teetering. I was quite glad, then, when someone else made the observation to the cast and creators…

…and, even more so, I was glad that the show’s creator, Rand Ravich, was aware of the concern.

“Well, we are aware of that,” he admitted. “There are some quirky shows and certain quirky characters. I don’t like to think of them as quirky. I think he’s been through an experience that has made him different. I read this great movie story about when the astronauts came back from the moon, everything was different about the world, everything they saw, everything they touched, everything they tasted. It was a completely unique experience that only they could touch, and that’s how I think of the Charlie Crews character. He’s been through something so unique that he experiences the world in a completely different way, but it is relatable. I want to feel when I watch him that if I had come through this, I would like to be able to react like he’s reacting. I would be able to understand what he’s understanding and all of the traits, as opposed to being quirks, are based in relatable characteristics.”

* Star Damian Lewis, who’s not unfamiliar with replacing his English accent with an American one (he utilized the latter when he starred in HBO’s “Band of Brothers”), says it’s pretty easy to “go American,” as it were. “I like to have a couple of dialect lessons just before I start each show, but after that, I find it’s very easy. I just stay in it. I feel confident. I stay in my American accent when I’m surrounded by American people, and it’s easier for me to do that then go back and forth from English to American…” At this moment, Lewis switched back to his native accent and closed, “So, no. I find it pretty easy.” (Co-star Adam Arkin offered mock awe at the transition, saying, “I have to say that was absolutely extraordinary.”)

* Why did Lewis finally decide the time was right to make the commitment to do an American TV series? “I love this script. It always starts with the script. I met Rand, find him to be an intelligent, witty, talented, intensely annoying individual. And I trust the scripts will remain that way, will continue in that vein. I think he and Far have a great partnership going. I think it really can be an extremely interesting series. I think you can do things in longform that you often can’t do or cannot do at all in two hours of feature-film making. And I read a lot of unbelievably crappy film scripts. So it was just nice to get a decent script.” And why are there a lot of Brits over here? “Because you keep asking us. Thank you very much.”

* When someone suggested that, with all the sci-fi shows on the various networks this season, Lewis might need a power other than to change accents at will, Ravich said, “He does fly.” Arkin added, “But only five feet up. We’re keeping it gritty. Real.”

TCA Press Tour: Are You Ready For Some Football?

If not, tough, ’cause it’s time for our first NBC panel: “Sunday Night Football.”

This year brings Keith Olbermann to NBC’s football team, which seems almost designed to spark controversy. Maybe not Dennis-Miller-sized controversy, but, still, controversy nonetheless. Olbermann himself, however, thinks people might just be getting excited over nothing. “The deal is if I say something negative about Reggie Bush, I have to come back and say something negative about Clinton Portis,” he joked. “Other than that, there will be no scripting of this whatsoever. Obviously, you people have asked about this. I think controversy applies to sports. I don’t think it’s going to keep people outside of that. But it’s not going to be unfamiliar to people who have seen me doing sports before.”

* John Madden isn’t thrilled about the off-field antics by NFL players that get all the press, but he does, at least, think the League is doing a halfway decent job of trying to keep things better under control. “I think Roger Goodell is doing a great job on that,” acknowledges Madden. “And, you know, it’s a small percentage, and I’ve talked to the commissioner about this because that bothers me too. In fact, we were just talking earlier about…remember that USA Today picture on the front page that had all the guys that had been arrested? Boy, that hit right in the gut. I thought, you know, that’s not what the NFL is all about. That’s not what pro football is all about. That maybe one percent. And I think that we have to do something to get the other 99 percent out there, and I’m not saying to shove anything under the rug. I mean, take care of ’em, get ’em out, weed ’em out, do whatever you have to. But by God, it’s only one percent, and I think the commissioner agrees with that.”

* Collinsworth’s take on the matter: “Is it part of our job to continue to expose people, to hit on the ‘Pacman’ Joneses of this league? Yes. Are we going to do that? You’re absolutely right. But I really appreciate, and I’ve always appreciated, John’s trying to give a fair and balanced look at the league, you know. I mean John Madden, over the years, has made characters out of people, the Nate Newtons of the world and the guys that have exposed the fun side and what great personalities we have in this league, because you do have a mixture and a melting pot of people from all backgrounds, from all neighborhoods, from all ethnic origins that makes this league so unique.”

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TCA Press Tour: A Mad, Mad, Mad, Mad Party

There’ve been a lot of fun evenings provided by the various networks thus far on this press tour, but my personal favorite has probably been the one by American Movie Classics. It took place at the famous Friars’ Club, in Beverly Hills, and, in keeping with the theme of AMC’s new series, “Mad Men,” the waitresses wore short black dresses and bouffant wigs, offering up Old Fashioneds for the attendees. (I myself had several, and it may well now be my new drink of choice.) I didn’t really get to explore the club a great deal – the upstairs level was cordoned off after a short while in order to make a haven for the “Mad Men” cast – but I did pop up briefly and see the famous pool table on a bed of sand, so the members can smoke without incident, as well as several walls worth of photos of members. (In particular, I saw George Burns’s photo, which made me grin.)

I ended up speaking with “Mad Men” cast member Vincent Kartheiser for a few minutes – you probably best remember him as Angel’s son, Conor, on “Angel” – as he gnawed on a cigar and mused about things were better back in the ’60s for “guys like us.” I think he was kidding…but, then again, he seemed vaguely tipsy as, moments later, he spotted the absence of a drink in my hand and literally demanded that I remedy the situation. “Drink up! It’s free, right?”

True, that.

I also had a chance to speak with Charles Collier, AMC’s Executive VP and General Manager, and I had only one question for him: “How does a network called American Movie Classics reconcile itself with airing a film like ‘Catwoman’?”

Thankfully, Mr. Collier took it in the good-humored spirit in which it was intended, clapping me on the shoulder and saying, “I’ve got an on-the-record answer for you and an off-the-record answer for you.” Well, of course, I’m not getting myself in hot water by providing you with the off-the-record answer – although, to be fair, it was highly innocuous as off-the-record answers go – but as to the on-the-record one, basically, he said it helps the network fill out programming for things like, say, a Halle Berry week or a Sharon Stone week.

“Or,” I helpfully suggested, “an all-kitsch week?”

“Absolutely,” he said, with a grin.

The evening’s entertainment, by the way, was provided by Jeff Goldbum, who performed piano within a jazz quintet. There’s something markedly surreal about seeing the lanky Goldblum bouncing away at the keys as he bops his way through covers of TV themes like “77 Sunset Strip” and “Bonanza,” but they sure sounded good.

Naturally, a few people said something to the effect of, “Well, now that ‘Raines’ has been cancelled, at least he’s got the music to fall back on.” Well, that’s true. On the whole, though, I’d rather have “Raines” back. That show absolutely didn’t get a fair shake. I know it’s because people couldn’t figure out what was different between it and a show like, say, “Ghost Whisperer,” but, still, there was so much more to it that should’ve been explored. I’m still pissed it got buried as a mid-season replacement rather than be given a fall berth.

Oh, well. Too late now. Goodnight, everybody!

TCA Press Tour: USA! Sci-Fi! Bravo!

I’ve gotta give the USA Network their props: ever since they picked up that new slogan of theirs – “Characters Welcome” – they’ve really come up with some enjoyable series. “Monk” is great, of course, and “Dead Zone” is about ten times better than you’d ever have thought it’d turn out to be…and while I tend to find “Psych” annoying more often than not (it’s a great premise, but I just think that James Roday plays his character as obnoxious to the Nth degree), I’m really loving the network’s latest original, “Burn Notice.” But, then, what’s not to like about a series which includes Bruce Campbell in its cast, right?

Coming soon to the network is another series which looks like it’s got a lot of potential, possibly because it’s another series than seems to effortlessly blend comedy and action: “In Plain Sight.” Plus, in what’s turning into a very pleasant trend, it’s another series with a strong female lead. P.S. She’s cute, too!

Says Mary McCormack, who plays said heroine, “It’s a great tomboy role and I’ve been looking for it forever and ever and ever, so I’m thrilled with that and I can’t wait to beat a bunch of people up, but she’s not always good at it, which I think is really refreshing. I think she’s not a superhero, which is what I love about David’s writing: that he wrote sort of how an actual person might fight or, you know, an actual person in that job might be called upon to use their physical side, but she’s not always good at it, which I love. It’s sort of how David manages somehow to keep it based on reality, which is so refreshing, I think.”

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