Category: Interviews (Page 56 of 69)

TCA Press Tour: Newsflash – “Moonlight” in no way resembles “Angel”!

Any similarities you may find between the two series, both of which are produced by David Greenwalt and are about a vampire who – ho, ho – moonlights as a detective, are, of course, complete coincidence. Right…?

Says Greenwalt, “My agent said in May, “You’ve got to read this ‘Moonlight.’ It’s fantastic. And I read a couple of pages and discovered it was (about a) vampire detective, and I said, ‘Not only am I not going to read this, I’m going to sue them. This is my show!’ But he kept talking to me and, eventually, I did read it, and I did fall in love with it.

“It’s vampire 2007. It’s a new ball game. You know, it’s certainly a genre show. But just some tiny examples. You know, there are no other demons, there’s no other monsters. You know, it’s not that supernatural of a world. It’s a sleek modern world, Los Angeles. And literally the vampire makeup is different, the mythology is different, and it’s a world where they really live among us. And there’s not that many of them. And the show has all my favorite things. It’s got deep heart, and big love, and funny, which I am attracted to.”

Actor Alex O’Laughlin, meanwhile, is just plain attracted to playing a vampire, so he’s quite psyched about scoring the lead role of vampire detective Mick St. John. “I’ve been kind of obsessed with the genre since I first discovered it,” he admits. “I discovered Anne Rice when I was sort of late teens. And I read the first five or six books of “The Vampire Chronicles” twice, actually, which was a little obsessive. But I loved her character development, (and) I learned so much about the mythology of vampires through her storytelling. Also, I grew up in Australia with American TV and American cinema, because we didn’t really have that much of our own, so I grew up with all of the films that you guys did; ‘The Lost Boys’ was a huge film for me when that was made, and the ‘The Hunger’ was also something that I really loved. So, yeah, I’ve always sort of wanted to play a vampire!”

Basically, what fans of Greenwalt’s previous show should be aware of is that this is a very different universe from the one in which Angel and company reside. There are comparatively few vampires in the world of “Moonlight” (“Maybe there’s a thousand or two in all of Los Angeles,” says Greenwalt, “(so) it’s a small thing”), and, as it stands right now, there aren’t trolls, demons, and whatnot wandering around.

A closing note: during the “Bones” panel, someone asked David Boreanaz if he was planning to do a cameo on Greenwalt’s new vampire-turned-detective show. “Yeah,” he said, with a laugh. “Maybe I’ll show up as the guy who kills the vampire.”

TCA Press Tour: Newsflash – “Kid Nation” in no way resembles “Lord of the Flies”!

Any similarities you may find between the novel by William Golding and this TV show which children are placed in a New Mexico ghost town and given the task of creating a functioning society without the assistance of any adults…? Completely coincidence!

Okay, maybe not complete coincidence.

“I don’t think any of us were unaware of ‘Lord of the Flies,'” acknowledges producer Tom Forman, who also admits that it took “six seconds” for the similarity to the book to come up. “The minute we started talking about it, we stopped and said, ‘Are we making a reality ‘Lord of the Flies’?’ and said, ‘Well, there will be elements.’ I mean, I’m not going to deny the comparison: these are kids living on their own. That said, like every reality show, there are adults off-camera waiting to step in if kids got violent. They didn’t. We didn’t have to, and that’s okay. But they had heated arguments and discussions.”

The show has already come under considerable controversy from those who rush to presume that the kids were worked like dogs for the purposes of making the show work, but Forman denies that categorically. “The kids woke up whenever they wanted and went to bed whenever they wanted,” he assures us, “and that was part of our commitment when we came up with this idea and decided to do it. We were going to follow their lead. A large adult safety net was there to make sure that if anything happened we had a contingency plan in place. But they woke up whenever they felt like it.
They set their own bedtime. And they discussed those things and debated them. So there were mornings they got up early. There were mornings they slept in. We taped whatever happened.”

Still, there was one question that was gnawing at me and, clearly, other writers as well: why weren’t any of the kids from this show up on the panel…?

“They are not here today because they would show me up on this panel,” replied Forman, sounding like he was only about half joking. “I think the moment that we introduce those kids, they should be in the limelight, not me. That’s the only reason they’re not here today. I think, almost to a one, the kids would tell you this was the best experience of their lives. I think, almost to a one, the parents agree. It’s really important to us that they went into this with an understanding of what it was going to be, both the child and the parent. And as I said, we spent a tremendous amount of time together, more than any executive producer and potential cast member in the history of reality TV, talking about what to expect from all of this. You know, there were absolutely kids there who shed tears. There were tough days for everyone: the kids, the cast, the crew. It was hard. But again, they leaned on each other, and I think they emerged stronger and smarter and wiser than when they went in and, as they all kept saying, with friends that they will know for the rest of their lives. We talk to them a lot. I exchange e-mails with every one of these kids, and they’re doing just great.”

TCA Press Tour: Back to “Shark”

Okay, I know, I totally jumped the gun earlier by posting James Woods’ obscenely witty comments during the informal “Shark” panel, but, dammit, it was funny, and I really wanted to share them with you. So now let’s get back to the series itself and mention a few more highlights of the panel…

* In Season 2, James Woods and Jeri Ryan will be working far more closely together than ever before. Says creator Ian Biederman, “In the construct of their world, she was a district attorney and, as opposed to that, she was ostensively his boss. So he was able to bring her in on cases every once in a while, but this year she lost the election for assistant district attorney at the end of the last season. She will be coming into the team at the beginning of this year, so she will be a partner on the team.”

Yeah, yeah, whatever. When are they gonna sleep together?

“Jimmy and I are negotiating on the amount of money it will take for that to happen,” says Biederman. “If the check clears, yes, there will be a torrid love affair.” More seriously, he adds, “I think the potential is there. It will always linger there. There’s an attraction between these characters on a number of different levels. So we will just have to see how it goes. I would think it’s something that’s interesting. We’ll see how it goes. As much as Jeri is begging me, I’m going to try to be patient.” (Says Woods, “I’m working for scale this year, just on the hope.”)

* The cast is being adjusted a little bit. Actor Samuel Page, who played Casey Woodland, “had a movie he wanted to do,” said Woods, “and he had the option to stay. And Sam, he’s phenomenal. This very morning, I called Oliver Stone to ask him to see Sam for the ‘My Lai’ movie because I think he’d be great in it. It’s one of those things where he could have not taken the movie or he could have gone with us, and I said, “Sam, do what you have to do.” We can bring him back. It was written in the first episode that he’s running his father’s campaign for governor, and so on, and so on. So we have the option to have him come back as much as we want, which I’m sure we will do. And he can still pursue his movie career. Honestly we are such a tightknit family, that it was one of those things, it just worked out perfectly for him. He’s got a big career, a big career shot, and, hey, let him take it, but also will you come back to us, and he can come back and forth.

“And,” adds Woods, “we have a new addition on a regular basis, which is more of a challenge for me, like we need a new character who can come in and kind of stir me up. This young man named Kevin Alejandro, who’s terrific. We’ve had a couple scenes together so far and he’s terrific.”

* Billy Campbell, who played Wayne Callison in two episodes during the first season (including the gripping season finale), will be almost certainly be back, says Woods. “we want to keep Billy around as much as we can because — it’s just one of
those characters that’s not just a thorn in Sebastian’s side, but there’s so many issues that you bring up — miscarriage of justice, how, you know — I’m sure the Ninth Circuit Court of Appeals will find a way to let the guy off, but, hey, he only murdered about 15 women. But he does have his rights, so, you know, I’m sure that will be an issue that will come up. Just get that Thelton Henderson in there and I’m sure he’ll get out and get elected president.”

“Just a little joke, guys,” clarified Woods. “Come on…!”

TCA Press Tour: How I Met The Best Sitcom You’re Not Watching

So why did the informal panel for “How I Met Your Mother” involve only one member of the cast? Not that we’re complaining, you understand – if you’re gonna have one member, it might as well be Neil Patrick Harris – but, y’know, the absence of Cobie Smulders, Josh Radnor, Jason Segel, and Alyson Hannigan was certainly an obvious one…so obvious, in fact, that co-creator Carter Bays didn’t even wait for anyone to mention it.

“You probably read it in the paper,” said Bays. “It was just creative differences. The other four…we’ll figure it out. We’ll write around it.”

(Actually, Smulders was in London, doing Shakespeare, while Hannigan showed up later in the evening at CBS’s all-star party; no word on where Segel or Radnor were, but the former was probably working on the movie “Forgetting Sarah Marshall,” which he wrote and stars in. As to the latter, I got nothing.)

I know I wasn’t the only critic in the house to be completely psyched about this panel, and, certainly, Harris, Bays, and Bays’ fellow co-creator, Craig Thomas, left everyone laughing.

* Earlier in the morning, Nina Tassler indicated that the show would finally, finally begin to get around to answering the question as to who the mother of Ted’s kids is, but one of the other reporters asked what all us were more or less thinking: “How much can you hint around before it starts to get annoying?”

“That’s the question we hope to answer,” said Thomas. “In episode one (of the third season), we’re going to see…basically, it’s going to be the biggest connection to the sort of larger search for the mother; episode one will show that we have not forgotten the title of our show, in a very exciting way.”

Bays also confirmed that, much as longtime fans have theorized, there have indeed been hints in previous episodes which will, in retrospect, become notably important. “Yeah, the thing that we love to do…sometimes, we plant things intentionally. Sometimes, little things grow out of…we’ll write one joke in season one, and that will turn into a entire episode in season three. So yeah, I think everything’s up for grabs. It’s in there.”

* The fantastic mall episode – which brought us the wickedly insidious Robin Sparkles song, “Let’s Go To The Mall” – was written by Kourtney Kang. The reason for Robin being Canadian occurred organically – Smulders is from Canada as well – but the writers have had to start taking it easy on the jokes about our neighbors up North. “It’s such filthy luctre for writers,” says Bays. “At first, it was just like, ‘We’ll just throw in a joke about how she’s Canadian,’ and we just couldn’t stop ourselves. And in every episode, we’re just making fun of it.”

Craig Thomas clarified the situation a bit more. “We approached Cobie and we said, ‘We’re going to make Robin Canadian. We’re going to do some comedy about that, but it’s going to be really smart. It’s going to be, like, our smart way of, like, showing the absurdity of American culture.’ And we didn’t do that even one time. We just completely sold her out immediately.”

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TCA Press Tour: “Cane” raises the bar on quality drama?

Would you accept an answer of “probably”? I haven’t seen the show yet – the CBS pilots arrived not long before I left for L.A., so I wasn’t able to check ’em all out – but based on the star power of the series (Jimmy Smits, Hector Elizondo, Rita Moreno, and Nestor Carbonell) and the feel of the material shown in the preview clip, it sure seems like it’ll be great.

“Cane” is the creation of executive producer Cynthia Cidre, who’s more or less writing from experience. “I’m Cuban, I have done two pilots for them previously, (and) I’ve done Cuban shows before,” she explains, “and (Nina Tassler) said, ‘You should write about what you know.’ And my father was in the sugar business in Cuba; he was a sugar chemist.”

As far as the pulling-together of such an impressive cast, producer Jonathan Prince explains it away with one simple phrase: “If you write it, they will come.”

“Cynthia wrote a beautiful pilot,” said Prince, “and the commitment from CBS to give it the production value it needed, we kept saying we really want to do something big and epic and felt like it wanted to get bigger each week. So the first cast member to come on board was Jimmy. And Jimmy came on board early enough that he could help us shape the vision and the script, and so then a good script got greater. And suddenly, I guess — the most fun about the casting process is this: Who will be Jimmy Smits’ wife? Who will be his adoptive parents? And as you begin to look at lists, you guys know how it works. Some casting director gives you a bunch of lists, and suddenly the list is Hector Elizondo. You say, ‘Well, he would never do this. He would do this show? Oh.’ Or Rita Moreno. ‘Rita Moreno wouldn’t do this show. She would do this show? Oh, sure.’ And then you get surprises. We had never met Paola. We had never met Lina. We knew Nestor’s work. I’d never met Eddie. He came in and auditioned on a weekend one day. It’s not the way it sounds. He was charming and blew us away. I’d never met Michael. So some of them were complete surprises. Others, Cynthia and I kept — we would go home at night, thinking, ‘We got Hector.’ It was crazy. But Jimmy led the way by, I think, example, but also helping us create a better script for these roles. One of the people who is not up here today is Polly Walker, who is a British actress. If you watched the show ‘Rome,’ you would know who she is. She plays — it’s a small part in the pilot, (but) it’s a very large part in the series. She plays a woman who is having an affair with Nestor’s character. She plays the nemesis. She plays Ken Howard’s daughter. When she signed on, it was sort of like — it was icing on the matza. It was like, ‘This is crazy.’ So the cast got better.”

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