Category: Interviews (Page 33 of 69)

TCA Tour: The CW Executive Session

Dawn Ostroff, President of Entertainment for The CW, just took the stage for her executive session, during which time she had these things to say:

* After a year which found some pretty impressive increases in the number of young women viewers (77 percent on Mondays, 26 percent on Tuesdays), they’re going to try and build on that momentum and make their schedule more cohesive. They’re viewing themselves less as a network and more as a magazine, where people come to see what’s going on in the world. That perhaps would explain why I always feel so horribly out of touch whenever I tune in.

* The CW has stepped away from sitcoms at the moment because they can’t seem to find any which are “loud enough or noisy enough to get the attention that we get from our drama and reality shows.” In fact, they didn’t have a single sitcom in the running this season.

* Why the move of “Smallville” to Friday nights? “We felt it was the best way to open up the night,” she said, since Fridays had previously been more of a standalone night for the network. Is this the last season for the show? “I hope it isn’t. Zod is going to be the big villain this season, and Clark has to save the world, or we’re all going to be kneeling before Zod.” She says the cast and producers are excited, and she has high hopes that the show will stay on the air for awhile.

* What about seeing Michael Rosenbaum return as Lex Luthor, since he’s still talked about constantly? “I don’t know if we really had a conversation with Michael, but I think the talk was to keep the character alive and make his presence felt.” She I don’t know if (a return) will happen this season.”

* Similarly, the hope is that “Supernatural” will also continue. “Eric Kripke has done a great job creatively, and the show’s gotten better every year.”

* What does she say to a 35-year-old guy who wants to know what he can find on the network? Her response was to reel off most of The CW’s lineup and suggest that guys watch almost all of them, even “America’s Next Top Model,” even if they don’t necessarily want to admit it. But with that said, she also defended their decision to be specific about the demographic they’re courting…which is good, because, wow, talk about a total cop-out of an answer. (A 35-year-old guy can find something to watch anywhere if he doesn’t want to admit that he watches it!)

* The much-hyped “Gossip Girl” spin-off that never got off the group has now officially been given the status of “not likely.”

* “Body Politic,” the pilot which took a look at Washington politics through the eyes of up-and-coming staffers, is officially dead.

* How about a “90210” crossover? “Technically, we could do that,” she said, “because both shows are shot in L.A. I think down the road, after ‘Melrose’ gets up and running, we would consider that. It would be a big event for us.”

* As far as Mischa Barton’s health, the only real concern was that she was ready for production…and she was. “We’re happy that she’s better,” said Ostroff, “and what went on in her personal life is her business.” A question about the fact that she looks heavier in current photos than she did in the original presentation we saw for “The Beautiful Life,” asked in the context about whether re-shoots would be required, was met simply with assurances that “she looks great.”

TCA Tour, Day 3: “Head Games”

I walked into the panel for the Science Channel’s new game show, “Head Games,” with considerable excitement. In earlier drafts of the schedule for the TCA Press Tour, we’d been told that the show’s executive producer, Whoopi Goldberg, would not be in attendance, but somewhere along the line, plans changed and Goldberg apparently decided that she would be able to make it to Pasadena. I’m still very much the kind of critic who gets excited about big names being in attendance for the tour, and although Whoopi might not have been the most famous Comic Relief host to turn up that day (a few hours later, Robin Williams had a panel for his upcoming HBO stand-up special), c’mon, she’s still Whoopi! Plus, the host of “Head Games” is Greg Proops, and I’ve been a fan of his since his days as a regular on the original British version of “Whose Line Is It, Anyway?”

So why, then, did I walk away disappointed?

Because, frankly, Whoopi was a grouch.

Believe me, I’m still very excited about the series itself, and it’s impossible not to get behind Whoopi’s personal mission to inspire more people, especially women and girls, to share her love of learning, but did she really have to start out by insulting us?

“I’m sure most of you had no idea that if you put a gummi bear in a test tube, what would happen to it,” she said. “I’m pretty sure none of you knew that a flea can jump with a velocity higher, faster than a shuttle. Now, you can sit there and be cool because I know you’re all from L.A., but you didn’t know this, and you know you didn’t.”

Well, I’m not from L.A., so maybe that’s why I did know the thing about the flea. But when someone tried to remind her that quite a lot of people in the room weren’t actually from L.A., she replied, “Wherever you’re from, you were not into this, but I want you to be into this now.” Why all the insistence that we’re not into science? Is it really so hard to believe that TV critics might actually have interests outside of television?

What really got me, though, was her rather snippy response to a question that was clearly intended to be funny. Someone asked her which member of the “View” team could most do with a lesson in science from “Head Games,” and she replied, “I am not here…you know what? I know that’s supposed to be a provocative question, but I’m here to talk about my science show, which is separate from ‘Whoopi Goldberg, producer.'” A beat. “Also, Academy Award winner, Grammy winner…”

I guess you have to give her some credit: it’s not easy to make a joke within seconds of seeming to have no sense of humor.

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TCA Tour, Day 3: “Bored to Death”

HBO’s “Bored to Death” panel wins the award for Most Likely To Make Me Want To Watch My Advance Screener When I Get Home, but, then again, it’s already a testimony to how freaking busy I was before I left for California that I couldn’t find the time to check out a series that features a triple-threat cast of Jason Schwartzman, Ted Danson, and Zach Galifianakis. When the panel kicked off with this trailer, however, I knew that, even though much of my pre-TCA time was spent trying to help my wife put together our daughter’s 4th birthday, I’d clearly spent that time poorly.

By the way, that was obviously a joke about spending my time poorly (the party was a huge success), but I’m completely serious about wanting to watch the screener as soon as I get home. In addition to the trailer, though, every single person on the panel was hilarious…even Schwartzman, who appeared via satellite due to filming commitments on “Scott Pilgrim vs. the World.”

HBO’s nutshell synopsis of the series…or, at least, the opening paragraph of the press release for the show, which generally tends to be about the same thing…reads as follows: “Jonathan Ames, a young Brooklyn writer, is feeling lost. Heʼs just gone through a painful break-up, thanks in part to his drinking, canʼt write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies – moonlighting as a private detective – because he wants to be a hero and a man of action.” The idea of Schwartzman as a man of action is funny enough in and of itself, but then you’ve got Danson as the aforementioned magazine editor, Galifianakis as Ames’s eccentric best friend, and a premise (and cast) which lends itself to high-profile guest stars. Basically, if this show isn’t a hit, then it’s at least destined to be remembered as one of the greatest cult sitcoms of all time.

Oh, and did I mention that Jonathan Ames is actually a real person? True story. He’s apparently a rather prolific author, in fact. (My apologies: I wasn’t familiar with him before this.) Having listened to him chat during the panel for “Bored to Death,” I think it’s fair to say that the stars of the shows are going to be in good comedic hands. Personally, I was convinced of this when he was asked to explain why the show – which would appear on the surface to be anything but boring – was given a name which so readily offers journalists a chance to fire back with snarky punchlines.

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TCA Tour: CBS Executive Session

Nina Tassler, President of CBS Entertainment, has honored us with her presence this morning at CBS’s TCA day, and during her executive session, she provided us with the following tidbits:

* When word leaked out – that’s hardly the right phrase, since it was actually included in a network-provided schedule, but we’ll go with it, anyway – that there would be a “Mystery Panel” today, hopeful (perhaps overly optimistic) critics began theorizing that it would be for “The Late Show with David Letterman.” As it turns out, it’s actually for CBS’s upcoming revival of “Let’s Make A Deal,” which Nina briefly detailed for us. It’ll be hosted by Wayne Brady and will premiere on October 5th. And, yes, Monty Hall is involved, but only as an executive producer. Come on, though: an old pro like that surely won’t be able to resist rearing his head onscreen once in awhile. I think we can count on him to show up during Sweeps Week, at the very least.

* Of NBC’s great Jay Leno experiment, she says, “Whatever ratings they get, they’re going to declare victory, so it really doesn’t matter.” As far as CBS goes, however, they’re going to stick with the successes of their 10 PM dramas. (Good plan.) She also got a laugh when she admitted that she thought that NBC’s announcement that Conan O’Brien was the new king of late night “seemed premature.”

* Rocky Carroll will be a recurring character on the new “NCIS: Los Angeles,” but Pauley Perrette will be guesting in the show’s second episode.

* There are nine more “Flashpoint” episodes yet to be aired, and they’re still happy with the way the arrangement of airing a Canadian-produced series on American TV. As such, “The Bridge” will be turning up on CBS in the near future as well. But there are no plans yet to produce any further “Flashpoint” episode, although she says they reserve the right to do so.

* As far as “Harper’s Island” goes, it had some online traction and appealed to a niche audience. “The challenge is to find something that can appeal to niche but that has a broader appeal as well,” she said. She was happy with the series, but “it just didn’t grab on to a bigger audience.”

* Apparently, “CSI” fans’ biggest issue with Laurence Fishburne was that he needed to look “more comfortable in his clothes.” You will be pleased to learn that this is being taken care of.

* No plans for any more “Million Dollar Password” at the moment.

* Her one-liner about Ben Silverman’s departure from NBC: “”I’m really just a D girl, so I wouldn’t comment.”

TCA Tour, Day 2: “Doctor Who”

There are no two ways about it: it’s a great time to be a fan of the “Who”-niverse. Not only did the awesome “Torchwood: Children of Earth” miniseries blow away BBC America ratings records, thereby almost certainly insuring that we will see more of Captain Jack and company in the future, but we’ve just been witness to another great “Doctor Who” saga (“Planet of the Dead”) and will have two more coming up in the next few months, with “The Waters of Mars” premiering in the fall and the inevitable Christmas episode arriving…well, you know, somewhere around Christmas, probably. In fact, there’s really only one thing to be sad about: the imminent departure of The Tenth Doctor, otherwise known as David Tennant.

Oh, dear, I’m already starting to get sad about it. Let’s switch gears, then, and talk about how Tennant came to be The Doctor in the first place.

“I first met David when we did ‘Casanova’ together for the BBC,” said “Who” reinvigorator Russell T. Davies. “I remember doing rehearsals, and we used to make ‘Doctor Who’ jokes, which amused us. So he was already there in a way. When you work with these great actors, when you find a great actor, you just cling to them. They’re just so limitless and inspiring. So when it came to putting it together and writing it, we talked surprisingly little about it, really, didn’t we?”

“You just wrote it,” confirmed Tennant. “That was it, really. I just got the script and did it.”

So what was Tennant doing that was different from the other actors who were under consideration?

“He’s a great kisser,” replied Davies, before getting serious. “Actually, I’ll tell you what: it was the ‘Casanova’ audition, because that’s when I sort of thought, ‘Oh, my lord, that’s someone I want to spend many years working with.’ He had auditioned for ‘Casanova,’ and, you know, playing the world’s greatest lover, everyone came in and gave us very heavy and very serious would-be romantic portrayals. And David could just dance over dialogue like…”

At this point, Davies turned and addressed David directly. “I think you’re one of the few actors who understands that dialogue is sort of irrelevant,” he said. “You throw it away and you rattle across it with real speed, and it’s all going on underneath. You get the humor and the comedy, and there’s not many actors who do that. They take it very seriously. And I like stuff on the lighter end, no matter how dark the actual stuff is. It has that throw-away quality to it, and I love that.”

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