Category: Fall TV Preview (Page 21 of 27)

Is “health reasons” the same as “sick of people comparing it to ‘Angel'”?

After making an appearance at the TCA Press Tour in late July to promote “Moonlight,” the new CBS drama about a vampire turned detective, the show’s executive producer, David Greenwalt, has bailed out of the series, citing “health concerns.”

Greenwalt was one of the few remaining people on “Moonlight” who’d been there since its pick-up by CBS; the series has recast several roles since then and, for its TCA panel, had little to offer by way of a preview except for a newly-filmed sequence with the show’s lead, Alex O’Loughlin, being interviewed as his character, Mick St. John. (An interview with a vampire…geddit?!?) Still, Greenwalt seemed excited about the series during the panel, and given his track record, it’s a shame that we won’t get to see the series under his leadership.

The only possible good news? The latest rumor has Rob Thomas, creator of “Veronica Mars,” taking over the reigns of command for “Moonlight.”

Yeah, I’ll believe it when I read the actual CBS press release…

UPDATE: Never mind. The bad news is that it’s not Rob Thomas. The good news – maybe – is that the show’s new executive producer / showrunner, according to The Hollywood Reporter, is Chip Johannessen, who did a lot of work on “Millennium” and “Dark Angel.”

TCA Press Tour: While I’m technically not caught up yet…

…this is my last night in L.A. for the TCA Press Tour, and I just wanted to say that, despite the fact that I can’t adequately describe quite how much I miss my wife and daughter, this has been a tremendous experience thus far. The phrase “death march with cocktails” has been bandied about throughout my time here – and it’s not far off; I mean, Hell, I’m drunk right now! – but it’s impossible to complain about the unparalleled access I’m getting to the various stars while I’m out here. I mean, tonight alone has resulted in my having one-on-one conversations with Christina Applegate, Kyle McLachlan, Swoozie Kurtz, Christopher Titus, and others. How can you argue with that…?

Stay tuned for my coverage of ABC’s new shows, as well as my other set visits, but since I’m departing bright and early tomorrow morning, let me just say that this has been a blast for me, and I sincerely hope that my readers – however many there may be out there – have enjoyed the opportunity I’ve had out here as much as I have…and, fingers crossed, Bullz-Eye will continue to send me out here in the future!

TCA Press Tour: SET VISIT – “The Closer” / “Heroes”

Maybe some of the other TCA members are just jaded old hands, but one of the most shocking things I heard during the course of the entire 2+ weeks of the press tour came on the day that we were invited to tour the sets of various TV shows. We’d just finished being given a tour of the “Heroes” set by the stars of the show – mine was mostly hosted by Greg Grunberg, but Ali Larter, James Kyson Lee (Ando), Noah Gray-Cabey (Micah), and series creator Tim Kring were all along for the ride – and were provided the opportunity to have access to the entire cast for several minutes worth of Q&A, and we were sitting on the bus, and, suddenly, I hear someone say, “Well, I don’t know why we had to waste time with that set tour; I’d much rather have had more opportunities for one-on-one interviews.”

Are you kidding me? I’m sorry, but, to be perfectly blunt about it, that shit was awesome! Even if I’d been given the opportunity to do so, I’d totally have passed on more one-on-one time in favor of the set tour! I mean, I stood in Isaac’s studio, right on top of the painting of the apocalypse that’s on the floor. I was in Mohinder’s pad and saw the actual string-laden map on the chalkboard. Are you telling me that’s worth trading away?

RIDICULOUS!

Ahem.

So, anyway, yeah, we went on a bunch of set visits. First up was TNT’s “The Closer,” and…well, look, I don’t know about any of ya’ll, but I’ve never been on the set of a TV show, and, personally, I was astounded at the level of detail. Yeah, I know, you see the stuff on the screen when you’re watching the show, but, somehow, I just didn’t think it would look so…I dunno…real.

I got a few minutes with J.K. Simmons and G.W. Bailey; the former talked about he’d been pitched the idea of playing J. Jonah Jameson by Sam Raimi while they were working on “The Gift” together, while the latter was in the midst of reminiscing about a guest shot he did on “Benson” when he kiddingly reprimanded another writer for tapping the bobblehead – one of himself, as it happens – on his desk. (That event, by the way, led him into a lengthy discussion about the evolution of his character’s ongoing quirk of despising anyone putting anything on his desk.) Kyra Sedwick was definitely in the house, but she was so swarmed by writers that I didn’t get to talk to her solo; I did, however, lean in and get a few quotes as she responded to other people’s questions. Accordingly, she was in her character’s office as she fielded their questions, and, as I walked out the office door, I walked right into Raymond Cruz, who plays Detective Sanchez. I introduced myself, and we chatted for a couple of minutes…and when I referred to Bullz-Eye as “the guys’ portal to the web,” he immediately decided that, with a title like that, he was going to have to check it out.

I continued to wander ’round the set, walking past Corey Reynolds (Sgt. Gabriel), Robert Gossett (Commander Taylor), Jon Tenney (Agent Fritz Howard), Anthony John Denison (Det. Andy Flynn), and Michael Paul Chan (Detective Mike Tao), all in conversations with various writers, but before I could really get into conversation with anyone else, we got the call-up to head out. On our way out the door, we were provided with…well, I’ll hold off on discussing the swag I scored, mostly because I’m planning to do a whole piece about the stuff I scored during the course of the tour. But, still, it was nice stuff.

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TCA Press Tour: Why Mike Farley isn’t a cast member on “Nashville,” I’ll never know…

Here’s how they introduced Fox’s new docu-soap, “Nashville”: “A high-stakes drama, it features an attractive cast of dreamers and dream makers in Nashville, Tennessee. The unique new series follows a vibrant group of young people as their hopes, lives, and loves unfold in a town that can make or break you.”

Wow.

I don’t care.

Okay, no, sorry, I guess I do. Or, at least, as a music fan, I guess I’m supposed to, anyway. The thing is…and I think the man referenced in the subject line of this posting would agree…that no matter how this series pans out, it’s not gonna be anywhere close to the reality of what it’s like to be a struggling musician. I mean, just about everyone on the panel for this show was pretty. And by that, I mean that you know someone at Fox determined at some point how unattractive was too unattractive, and that the music you’re gonna hear is gonna be about as mainstream as humanly possible. And because of these factors, I just don’t see what this show is going to offer me that I can’t experience vicariously by talking to, say, Mike Farley. Or, for that matter, about 3/4 of the bands who are my friends on MySpace.

Still, I’ll give credit to contestant (or whatever they’re calling them) Jamey Johnson, who, when the panel was asked if they’d seen the film “The Thing Called Love” and how accurate it was, replied, “That movie was pretty authentic. I think it had a great plot to it, but by and large, you just don’t move to Nashville and get everything handed to you. You’ve got to work for it, you know. I think that movie kind of depicted that, but it didn’t really show how long it takes. I know guys that have been in town for seven or eight years and they’re just now getting their first song cut.”

Yeah, but why do I suspect that this show won’t take nearly that long before every member of its cast ends up with a record deal?

Sorry, I don’t really have a lot to say about this show that’s particularly complimentary, I realize. I mean, I’ll check it out and see how the first episode plays, but I’m going in with the reasonable presumption that it will in no way live up to the actual reality of the life of struggling musicians in Nashville…and I’m betting I’ll be right.

TCA Press Tour: “House” remains a very, very, very fine “House.” (Surely you saw that coming.)

I’m not sure if Dr. House is actually an anti-hero, given that, even with his terribly irascible manner, he still manages to save the day far more often that not. Still, he’s a drug addict with a nasty temper who makes decisions based less on a will-the-patient-live-or-die mindset and more of a I-just-want-to-know-if-I’m-right mindset, and that’s not exactly the kind of guy who find yourself rooting for, per se. In fact, it’s a minor miracle that it took a full three seasons for his team of doctors to abandon him out of sheer frustration with his methods.

As the show enters its fourth season with a few Emmy nominations in hand, it sounds as though things are going to continue to go great guns. At the very least, it looks like everyone’s back in tow to some extent: although their characters had all tendered their resignations by the end of Season 3, Omar Epps, Jennifer Morrison, and Jesse Spencer were all on the panel.

Producer Katie Jacobs admitted, “We struggled with how to sort of do exactly this. The truth is, everybody is back eventually, and everybody is back having changed and in different capacities. And, you know, it’s also sort of organic, so we only know where it’s going to a point. For us, for me, it’s the most exciting season we’ve started off so far because it feels very organic. You know, the last two seasons we’ve done an arc — season 2, season 3 we started out with arcs that involved other characters as a way to explore more deeply House’s character. But I think that their three-year fellowship, and all in different ways, has sort of naturally come to an end.

“In the first episode,” she explains, “House is alone, and House is trying to solve cases by himself. Of course, Cuddy is pissed and Wilson thinks he’s losing his mind. And Cuddy will insist that he hire a new team…but he will do it in a very House-ian way. Over the first bunch of episodes. he’s going to call in all the candidates, all the resumes on his desk — 40, I think it is, a large number — and we’re going to see who survives. We’re going to play a ‘House’ version of “Survivor” and see what candidates really will make the best part of House’s team. And House is going to give all the candidates numbers; because he can’t remember their names, they’re actually going to wear running numbers!”

Meanwhile, the trio of actors formerly known as House’s team remained pleased to be on the show, even if they really have no idea where they stand at the moment.

Morrison says that they found out about their characters shuffling off the show when “they told us all that they wanted to talk to us over lunch one day, which does feel a little bit like being called into the principal’s office. But they were fantastic and let us know what they were planning on doing.

Spencer corrected her. “Well, they didn’t actually know, though, did they? Well, I mean, they told us that we were coming back, but they didn’t know at that time in what capacity we were actually going to come back. And we are still not entirely sure. (But) we know we are back.”

Jacobs hinted, however, that just because we see them doesn’t mean they’re actually there. “(House) thinks he sees them. And Wilson is saying, ‘You know, you’re just feeling guilty, and you’re out of your mind.’ And Chase is working in Arizona in a hospital and Cameron’s with him. And Foreman is at Mercy Hospital running his own diagnostic
department. And we have fun with that as well. I definitely don’t mean to be coy, but I don’t want to spoil it for you entirely.”

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