Category: Fall TV Preview (Page 20 of 27)

Sooooooo…did you watch Fox’s “Nashville” on Friday?

That’s okay, neither did anyone else.

Ouch.

Sorry, but it’s true: Fox scored a 3rd-place finish on Friday, and the premiere episode of the so-called “docu-soap” about the life of several aspiring country singers trying to get their big break in Music City, USA – which aired this past Friday at 9 PM – scored a lowly 1.0 rating amongst adults aged 18 – 49, which is precisely the demographic that was supposed to be excited about the show.

To put this in a little better perspective, “America’s Funniest Home Videos” scored a 1.8 in the same timeslot.

Ouch again.

Frankly, though, we’re not even remotely surprised…and, if anything, we’re a little too gleeful about the show’s failure. We said all along that the show was a ridiculously airbrushed representation of your average struggling performers in Nashville, with every one of its cast members way prettier than most people who are out there trying to get a recording contract. And, then, when we finally saw the first episode of the show, we couldn’t believe how incredibly contrived it felt. It’s from the same people who brought you “Laguna Beach: The Real Orange County,” so our standards weren’t that high to begin with, but “Nashville” hit new lows with lines that felt fake, forced, and straight out of a grade-Z drama.

Stay tuned for a cancellation announcement any day now. It’s one thing to pull in low ratings on a Friday night, but it’s quite another for a brand-new show to turn in a showing that’s less than the numbers a “Bones” re-run pulled in the same spot a few weeks back.

If you’re curious, though, here’s what you’re missing:

Hail Satan…um, I mean, let us further praise “Reaper.”

They’re watching you.

And you’d better be watching them.

But just in case you didn’t see my write-up on The CW’s new drama, “Reaper,” in Bullz-Eye’s Fall TV Preview, let me throw it out here for the PH readership as well…

Reaper (Tuesday, September 25 @ 9:00 PM, The CW)
Starring: Bret Harrison, Tyler Labine, Ray Wise, Missy Peregrym, Rick Gonzalez, Valarie Rae Miller, Donavon Stinson, Andrew Airlie.
Producers: Michele Fazekas, Tara Butters, Mark Gordon, Deb Spera and Tom Spezialy.

Network’s Description: For the first 20 years of his life, Sam wondered why his parents went so easy on him. Whether it was school, sports or career choices, Sam’s mom and dad always let him get by with the least possible effort. As a result, Sam skipped college, took a dead-end job at the local Work Bench home improvement store and now wastes endless hours playing video games. Everything in his slacker world changed the day Sam turned 21 and discovered the ungodly reason his parents let him slide: they sold his soul to the devil before he was even born.

Though his guilt-ridden parents try to explain the circumstances that led them to the forfeit his soul, Sam can’t wrap his mind around what is happening to him. He’s always been the under-achieving son, while his younger brother Kyle was pushed to get straight A’s, excel at every sport and join every club. Kyle resents the easy ride Sam has enjoyed, and Sam can’t help but feel jealousy over Kyle’s achievements. What neither brother realizes is that their lives have been shaped by forces they can’t yet begin to understand.

When Satan himself drops by to personally explain that Sam must now serve as his bounty hunter, tracking down evil souls that have escaped and returning them to Hell, Sam refuses to accept his bizarre fate. After getting just a glimpse of Satan’s temper, however, Sam realizes that breaking a deal with the devil has consequences that are very, very bad. Still, Sam is fascinated by the devil’s charm and his flattering insistence that Sam is full of untapped potential.

Armed with a constantly changing series of vessels — starting with a Dirt Devil mini-vacuum — to collect the escapees, Sam finds that his new line of work is dangerous and frightening, even with the goofball help of his friends and co-workers Bert “Sock” Wysocki and Ben, along with Sock’s former-girlfriend-turned-paralegal, Josie. Sock has been Sam’s closest friend and slacker role model for many years and was the first person Sam turned to with the news about his gig with the devil. A perennial adolescent who attended high school on the six-year plan, Sock is perfectly happy with his life and his job at The Work Bench, where he is a thorn in the side of the assistant manager, Ted. Sock thinks Sam’s news is totally cool, and is happy to help with Sam’s assignments from Hell. Ben, on the other hand, immediately grasps the seriousness of Sam’s situation. A college student and the son of a reverend, Ben is also on board to help, but he knows that dealing with the devil is no game. Sam knows he’ll have to go to great lengths to hide his new identity from the person who matters most in his world: his smart and pretty co-worker Andi. Trapped by his lack of self-confidence, Sam has loved Andi from afar, despite Sock’s constant urging that he ask her out. Andi had gone away to college, but came home to her mother and her job at The Work Bench after her father died. Now she’s stuck in a safe job and a safe friendship with Sam.

Though his life has suddenly turned weird and scary, Sam is surprised to find that he somehow feels good about his newfound “mission” — removing evil-doers from the world and sending them back where they belong. Back when nothing was expected of him, Sam never had to push himself to achieve. Now, with his friends and his trusty vessel-of-the-week at his side, Sam is ready to face his destiny as the Reaper.

The Buzz: Based on two weeks at the TCA press tour, it seems as though virtually every critic who’s watched this show has fallen in love with it from the get-go. It plays like a guy’s version of “Buffy the Vampire Slayer,” and Ray Wise’s demonic grin as The Devil is as good as the personification of evil gets. The fact that Kevin Smith directed the pilot adds seriously to its indie cred, too.
Pilot Highlight: Ray Wise’s sudden and dramatic change in tone and facial expression when Sam informs The Devil that he’s not gonna do any more of this soul-catching stuff.
Casting Caveat: Nikki Reed, who originally played the object of Sam’s affections, has been replaced by Missy Peregrym.

Bottom Line: Best show of the 2007 season on any network. Even factoring in that it’s an hour long rather than 30 minutes, it’s still probably about ten times funnier than any of the season’s new sitcoms. This ringing endorsement has been brought to you by the same person who envisioned a bright and prosperous future for “The Knights of Prosperity” and “Studio 60 on the Sunset Strip,” of course, but it’s no less heartfelt for that track record.

If you need a reason to tune in to the “Family Guy” season premiere…

…will this promo poster do?

The episode airs on Sunday, Sept. 23, at 9:00 PM, and it’s a special one-hour episode. Here’s Fox’s official description of the proceedings:

After the Griffins lose power, Peter entertains the family with the greatest story ever told…the story of Star Wars! After Princess Leia (Lois) comes under siege by Darth Vader (Stewie) and his evil Storm Troopers, C-3PO (Quagmire) and R2-D2 (Cleveland) escape to find the only person who can help the Rebel Alliance. On their quest thorough the desert planet of Tatooine, C-3PO and R-2D2 find extra help in Obi-Wan Kenobi (Herbert), Luke Skywalker (Chris), Han Solo (Peter) and Chewbacca (Brian) and head back to battle the Death Star in an epic intergalactic fight to the death in the “Blue Harvest” episode of FAMILY GUY.

Of course, you know they’re gonna hear it from the cooler-than-thou crowd that’ll turn up their noses and say, “‘Robot Chicken’ did it first, AND they had George Lucas’s approval!” But, hey, “The ‘Star Wars’ Holiday Special” doesn’t have George Lucas’s approval, either, and I’ll still watch that.

(Well, once every four or five years, anyway. It takes at least that long to get Carrie Fisher’s musical tribute to Life Day out of my head.)

Bullz-Eye’s 2007 Fall TV Preview

I’d just like to begin by stating for the record that, in Bullz-Eye’s 2006 Fall TV Preview, I made the following statement about “Heroes”:

“The premise is fantastic, and the gradual unfolding of the various stories will keep viewers coming back week after week. This is gonna be the water-cooler show of the season.”

That’s right. I’m Nostradamus.

And, like that famous French forecaster of the future, I get at least as many wrong as I get right, like, for instance, these:

1. Ugly Betty: “Expect fans of the original show to be horrified at this poor translation. In fact, it’s hard to imagine that anyone other than girls on the cusp of pubescence or desperately single women in their 20s and 30s will be able to stand this for even 30 minutes. Oh, and did I mention that it’s an hour long?”
2. Studio 60 on the Sunset Strip: “Best cast on television, hands down… and to have their dialogue written by someone who’s arguably one of the best scribes in the medium? I’m sold. And America will be, too.”
3. Twenty Good Years: “‘Arrested Development’ proved that (Jeffrey) Tambor doesn’t draw the ratings, but Lithgow does. It might not be a huge hit, but count on it doing well enough to stick around for a few seasons.”

Oh, well. At least I was right about “Happy Hour.”

This year’s crop is another blend that’s heavy on drama, light on comedy, and thankfully light on reality shows – well, unless you’re Fox, that is – but, as ever, we must provide the following caveat to the feature that follows:

What we’re offering are our impressions and opinions of what are essentially “rough drafts” of the season’s new shows. Mind you, most aren’t very rough at all — indeed, some may actually look identical when they make their official network premieres — but, nonetheless, it’s not unheard of for producers to retool and recast their shows between the filming of the original pilot and the actual premiere of the series. Actually, this year, it’s closer to the rule than the exception, but we’ll get to that in a moment.

Basically, the moral is this: use our descriptions as an approximation of what will end up on the air, not as The Gospel According to Bullz-Eye.

And now that that’s out of the way, let’s warm up the set and head over to the homepage for Bullz-Eye’s Fall TV Preview.

There’s quick on the draw…and then there’s Fox.

I just finished writing my Fall TV Preview piece for Bullz-Eye, only to find that Fox has already canceled the first-debuting of its new series, “Anchorwoman,” after only one episode!

Well, since I guess there’s no point in including it in my preview now, here’s what I HAD written about the show…

Anchorwoman (Wednesday, August 22 @ 8:00 PM, Fox)

Starring: Lauren Jones, Phil Hurley, Annalisa Petralia, Dan Delgado, Michelle Reese
Producers: Brian Gadinsky, Josh Bingham, Chad Damiani, J.P. Lavin
Network’s Description: Phil Hurley is the owner of a middle-market Texas news station, KYTX Channel 19. Willing to do anything to get viewers to tune in to his newscasts in a highly competitive local market, Phil has shocked the station and town of Tyler, Texas, by bringing in a gorgeous model and ex-WWE diva with no previous news experience to be his next anchorwoman. Former Miss New York and über-vixen Lauren Jones packs up her Versace dresses and heads to Tyler to start a new career. Can this bombshell make it as a serious reporter? Will she save KYTX, or make it the laughingstock of the Lone Star State? Lauren wants to show everyone she’s no airhead, and this is her big chance to prove she’s more than just a pretty face. The entire newsroom thinks the boss has made a giant mistake. Reigning anchor Annalisa Petralia is not about to lose her Queen Bee status to some L.A. hottie. News Director Dan Delgado is fit to be tied, fearful his beloved journalistic standards will go out the window. Michelle Reese, a hard-nosed reporter bound for CNN, will take no prisoners. Lauren has a big job in front of her as she struggles to fit in with her news team and an unfamiliar town.
The Buzz: Given that this is the network that brought you Paris and Nicole living “The Simple Life,” Fox is as good a place as any for this “reality sitcom.” As you watch the show, though, and see how completely and totally clueless Jones is when she arrives at KYTX, you can’t help but feel that the percentage of actual reality within “Anchorwoman” is pretty slim.
Pilot Highlight: The frustration and unabashed disgust of the KYTX crew as they watch Jones flail and fumble her way through her trial run at the news desk, a train wreck which ends with her blowing a kiss at the camera.
Bottom Line: There are laughs here, but this feels like something that’s been sitting on a shelf for several years rather than a new series. It’s probably starting early because Fox expects it’ll end early as well.

Will’s official score for calling the fall season: 1 for 1.

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