Category: External TV (Page 404 of 419)

“Heroes”: 3 questions, 3 answers

Due to the phenomenal success of “Heroes,” NBC kindly put together a teleconference with the show’s creator, Tim Kring, and two of the shows stars; their names are Ali Larter and Santiago Cabrera, but you may know them better as Stripper with the Crazy Reflection and Artist Who’s The New Nostradamus. It was a packed call, so we only had the chance to ask one question per person, but here’s what we got out of them…

Bullz-Eye: Ali, in a series that has its fair share of disconcerting moments, yours is definitely the story that’s playing out the most like a horror film.

Ali Larter (“Niki Sanders”): (Laughs)

BE: Given your history with “Final Destination,” did you slip into the role pretty easily…?

AL: You know what? I’m in a bit of fear and distress right now, but if you hold on for just one more episode, we’re gonna get a little romance, you get a little bit of cheekiness in it, and, actually, what’s amazing about this writing is that it really pushes me and makes me kind of find all different tones within our show, so…you’re getting there. That’s just the first couple of episodes. It definitely opens up to a whole new world.

BE: Oh, please let the romance be with Hiro’s buddy…

AL: (Cheekily) Maybeeeeeee…!

BE: Santiago, I’ve been blogging about the show for our site, and I have to wonder: if you had the ability to see the future, do you think maybe you’d spend maybe a little more time trying to change the events you were seeing and less, uh, kind of…whining about it?

Santiago Cabrera (“Isaac Mendez”): Well, I think it’s, uh…I think it depends whether you’re in control of it or not. I think that’s the interesting thing about the surprises that this character can have. It’s that, at the moment, he’s not conscious of what he’s doing, so it’s a pretty freaky thing, and there’s maybe that nature of, “Am I evil, is this coming from inside of me?” Or, “Why is this all happening?” But obviously, if you’re in control of it and you can put it to good use, you can do what you want with it, and that’s a different story. And I think that’s the great thing about this show: that it starts from the beginning of everyone discovering these things for the first time, and, obviously, it’ll be a process of going through each character, and it’ll take people to different places.

BE: And Tim, when I did our fall preview, I opened my comments about “Heroes” by observing, “Whoever had ‘21 years’ in the pool on when NBC would finally decide TV critics had forgotten about ‘Misfits of Science,’ you’re a winner.”

Tim Kring (creator): (Laughs)

BE: And then I proceeded to laugh out loud when I saw on your IMDB entry that you were actually a writer for that show.

TK: Oh, is that right? So that was just a lucky guess…?

BE: It was. Have you been hoarding ideas for 21 years?

TK: Actually, “Misfits of Science” is so long ago that I barely – literally – barely cannot remember what I wrote. But, y’know, I’ve had a long and varied career, so when you look back at it, there’ve been many various genres that I’ve been involved in.

BE: So it hasn’t been haunting you ever since?

TK: No, not really; I’ve just been going where the road takes me. As a writer, if you look back at your career, it’s hard to make any sense of it. It just goes where it wants to go.

Battlestar Galactica: “Exodus, Part 1”

Boy, that Ronald Moore is a sly motherf’er. Last episode ended with Callie running through the brush and gunfire in the background. This week, the show opens with the same scene and then jumps back an hour in time to show how Chief caught wind of the execution and hatched a plan to free the prisoners. I like the misdirection, but technically, Callie wasn’t running when the gunfire started. Chief ran out and knocked her to the ground before the resistance started shooting. Also, she wasn’t really in the brush…All right, I’ll stop nitpicking, but it would be a lot easier if there weren’t nits to pick.

I wasn’t sure what Boomer was going to do when she was confronted with the news that her baby (Hera) is still alive. For now, she’s still a colonial officer, but the decision to take Hera away from her mother might come back to bite the humans in the proverbial ass. Anyway, she retrieved the launch keys for the colonial ships so the table is set for a prison break…wait, that’s another show.

Is it just me, or is Doral (the younger, male Cylon) becoming the most annoying character on the show? As Brother Cavil was relating the story of the rescue, and how the humans left him there to die, Doral had this smarmy comment to say to Baltar: “Aren’t you a noble race.” Excuse me, but weren’t you about to execute a group of prisoners? Then he has the audacity to say, “Worse comes to worst, we can just nuke the city and be done with it.” Noble, indeed.

Last week, I said that Ellen wasn’t the sharpest tool in the shed. She stole the map of the resistance rendezvous with the Galactica crew and gave it to the Cylons. She should have rewritten the map (although Tigh would have probably recognized her handwriting), but instead she just handed it over. When Starbuck’s boyfriend/husband discovered the map on one of the skinjobs, the betrayal led back to her. Did you see the look in Tigh’s one good eye when he learned the news? Ellen is in some serious trouble.

The episode ended with Admiral Adama learning that Boomer successfully retrieved the launch keys, and with the fleet readying for the rescue. By the way, how cool is it when Adama punches his desk?

“Exodus, Part 2” should be a good one.

The Office: Michael deals with death

Death usually isn’t this funny.

When Michael learns that his former boss died, it sends him into a bit of a tailspin. After he announces the news to the office, he looks for support from Pam

Michael: Did you hear the news?
Pam: You mean the news that you just announced?

This conversation ends in a hug.

Meanwhile, Jim and Karen, the pretty brunette from his new office, are in full flirt mode. Karen can’t get the chips she wants, so the duo searches hither, thither and yon for a store that carries them. At one point, Karen called a store in Montreal, speaking perfect French to the store clerk. They didn’t stock the chips, but Jim was duly impressed.

Finally, after calling the manufacturer, the distributor and the vending machine company, Jim learns that they sell the chips in the building next door. Karen lights up when she sees the bag of chips on her desk.

Is Jim finally over Pam? I don’t think so.

Back at the Scranton office, Creed informs Michael that his former boss died by decapitation (apparently, driving drunk and sliding under an 18-wheeler).

Dwight: That is the way to go – instant death, very smart.

Jan suggests that Michael give the office the day off, but he decides that it would be more appropriate to build a statue in the man’s honor – a full-size statue with moving arms. Dwight informs him that that makes it a robot.

Dwight: We better make it two-thirds scale. That way we can stop it if it turns on us.

I thought the best part of the episode was the meeting that Michael called in the conference room, where whoever was holding that stupid expanding plastic ball would have to relate a story about death. Pam was pulled out of the meeting by her ex and the two went down to the parking lot and had a little chat. It’s clear now that’s she’s warming up to him again. Another bad blind date and she’ll want to get back into something familiar. But the best line of the episode – or, I should say, the best delivery – was when Pam returned to the conference room.

Michael: Okay, we can get started.
Pam: (incredulous) You waited for me?

Dwight’s story about “resorbing” his twin brother in the womb was awesome, capped by his line…

Dwight: Now I have the strength of a man and a small baby.

Pam related a story about an aunt who was a great boxer. She was paralyzed in a fight and asked her trainer to remove her breathing tube. Ryan finally seems to be catching on to Pam’s humor, and he told the story of “The Lion King,” describing how his cousin (Mufasa) was trampled by a herd of wildebeest on a recent safari to Africa.

After Kevin goes too far (by trying to pass of the plot of “Weekend at Bernie’s” as his own story), Michael catches on and gets upset.

Michael: Do you think this is a game?
Phyllis: You did throw us a ball.

I thought it was great that Michael didn’t recognize the other two movie plots, but sure as hell knew the one to “Weekend at Bernie’s.”

Michael is fuming now, and Toby tries to talk him down by relating a story about a dead bird that flew into the window that morning. Michael furiously tries to resuscitate the bird, but it’s too late. Michael announces that there will be a funeral (for the bird) in the parking lot at 4 PM that is mandatory for the office. Pam, sensing that Michael needs closure, helps to organize the event. I loved the little casket she built (complete with little handles for the pallbearers to hold). Michael was obviously touched by Pam’s reading and her song, on which Dwight played his recorder.

In the tag, Dwight uses a fire extinguisher on the burning casket, and finally stomps out the flames. As two dockworkers look on, Dwight exclaims, “Get a broom and clean this up. You heard me. Mush!”

TV DVD QT, Vol. 2

Here we are, back again, with another bunch of shows…

The Facts of Life: The Complete Third Season – Fortunately, the show’s theme song sums itself up handily: you take the good, you take the bad, you take them both, and there you have…“The Facts of Life.” Except that instead of “good” and “bad,” you’ll want to substitute “cheesy fun” and “occasionally excruciating dialogue.” It ruins the flow of the song, but it’s far more accurate, I can assure you. By this time, the series had settled into its primary five cast members: Mrs. Garrett and her four favorite girls, Blair, Natalie, Tootie, and Jo. Ah, sweet Jo…I had such a crush on you. That must be why I recognize just about every episode here. That’s right, I watched “The Facts of Life.” You wanna make something of it…? Better you should complain about the total lack of special features on this set than my taste in television circa the mid-’80s.

Blue Thunder: The Complete Series – Did the world really need a series based on the Roy Scheider film about a hi-tech police helicopter? Well, considering that a fair amount of stock footage was recycled from the film and that, instead of Scheider, the series starred Dana Carvey, Dick Butkis, and Bubba Smith, I’d say, no, it did not…which would probably explain why it only lasted eleven episodes. Not even a cool theme song and James Farentino in the lead role of Frank Chaney…in no way to be confused with Scheider’s character of Frank Murphy, of course…could save this show from a quick demise. In a nutshell, it’s no “Airwolf.”

Three’s Company: Season Eight – Otherwise known as the last season of everyone’s favorite farce…and I’m sure you’ll be as shocked as I was to discover that there are a fair amount of misunderstandings and ensuing wacky hijinks contained within the plots of these 21 episodes. Only diehard fans will have stuck around for all eight seasons of the series, but the special features – bloopers, reminiscences of John Ritter, and the 30th anniversary special – will thrill that particular demographic to no end.

That ‘70s Show: Season Five – Hey, everybody! Donna and Eric are back together! Some would say the funniest thing about this season is that every single episode is named after a Led Zeppelin song (if you don’t believe me, check out the official episode guide and see for yourself ), but I love this show. It’s a great ensemble. The special features on these sets, however, have dropped off dramatically since the show went off the air; there’s not even a single audio commentary! But on the other hand, Donna wears a Catholic school uniform for most of the season, so, to come full circle, let us return to the “Facts of Life” theme song. You take the good, you take the bad…

Fish biscuits: they do a body good.

Another week, another disappointing episode. I’m sick of complaining about the ups-and-downs of each season, though (since I know the writers will surely make up for it in the end), so I’ll get right to the commentary. Tonight’s flashback was for Jin and Sun, and aside from the usual behind-the-back secrecies, nothing new was disclosed. Oh, except for the fact that Sun was sleeping with that bald Asian dude (Jae) from last season. And seeing as how they’ve only been on the island for three months, it’s still possible that it could be his baby. Not that it matters. After Jin was sent to kill him by Sun’s father, he decided just to scare him into leaving the country. Of course, Jae didn’t take too kindly to the threat, and instead chose to leap from the building to his death. Nice.

Back in present day, Sun and Jin are still hanging out with Sayid on the sailboat, awaiting their rendezvous with Jack and Co. When Sayid notices track marks on a nearby island, however, he plans an ambush on the Others. Unfortunately, it doesn’t exactly go according to plan, and while Sun is temporarily kidnapped (along with the boat), she manages to get out alive. On a side note, it’s good to see Jin finally taking a more aggressive approach to life on the island. He’s obviously capable of being a physical threat, and Daniel Dae Kim has proven himself a capable actor. Just let the guy learn some damn English so he can go places without needing Sun around to translate.

Meanwhile, the Others have put Kate and Sawyer to work breaking up large rocks. There doesn’t seem to be any discernible reason as to why they’re doing this, but some annoying guy says that he’ll shoot them if they don’t. Okay… But seriously, don’t any of these people realize that the Others have built their “empire” based on empty threats? They’re not going to kill you. If they wanted you dead, they would’ve done it months ago when you began poking your nose in places that weren’t yours. Either Sawyer knows this, or he just doesn’t care anymore, because he managed to make a pretty successful play for control by beating up a couple of the goons and stealing a rifle. He must’ve forgot that Kate was with him, though, because she always manages to botch up a good coup d’etat by getting in the way. Oh well, at least he knows all of their strengths and weaknesses now; except the fact they’re watching them via surveillance cameras.

And while I wasn’t at all upset that Kate and Sawyer were given more to do this week, I absolutely hated seeing Jack again. I understand that he’s the main character and all, but the next time you pick a main protagonist, could you please (please) make him a little smarter? I mean, really, how many times are you gonna call Henry Gale’s bluff (I just can’t get use to calling him Ben) before you finally just give in? He knows everything about you. Everything. And no, we don’t know why just yet, but I’m sure the writers will be ready to tell us as soon as they’ve figured it out themselves. Any more questions?

And finally, a new character alert: Paula Malcomson (Trixie of “Deadwood” fame) made her first appearance on the show tonight as Colleen, a tough-girl Other who was shot by Sun on the boat. It was just a gut shot, though, so I’m confident that she’ll be back. Then again, we’ve seen plenty of other characters die the same way…

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