Category: External TV (Page 402 of 419)

Must See NBC Thursdays are back.

And I mean they are REALLY back, baby. Remember the good old days, when you’d tune into NBC at 8 PM and you wouldn’t feel the urge to turn it off ’til the 11 PM news? Okay, so you might’ve taken an extended bathroom break during “The Single Guy,” but you know what I’m saying. Well, “E.R.” might not be everyone’s cup of tea anymore, but, by God, NBC has finally put together a 2-hour block of comedy from 8 – 10 PM that’s going to be a fucking BEHEMOTH!

8:00 PM: “My Name Is Earl”
8:30 PM: “The Office”
9:00 PM: “Scrubs” (starting Nov. 30)
9:30 PM: “30 Rock” (starting Nov. 16)

Seriously, that’s the dream line-up for me…and for anyone who enjoys laughing for two solid hours. It’s about time NBC put “Scrubs” back on Thursday nights, and thank God they’re saving “30 Rock” from the ratings no-man’s-land it was experiencing against “Lost,” because it’s a really funny show. “Scrubs” is showing up a bit earlier than anticipated, possibly because “Twenty Good Years,” the Lithgow-Tambor lovefest, has been yanked and put on hiatus for the time being.

Man, I’m psyched. This is gonna be awesome.

Jericho, Episode 6: WORST. ENDING. EVER.

Oh. My. God.

I don’t think the producers of “Jericho” could’ve come up with a more annoying ending unless they’d had everyone join hands and sing “Good Morning, Starshine” over the goddamned closing credits.

But I’m getting ahead of myself.

This week’s episode begins where last week’s ends: with those missles going into the air. A few minutes later, there’s an electromagnetic pulse and the power goes out. Cut to the opening credits (such as they are), then go to commercial. When we come back, we get a title card that informs us that two weeks have passed…but, strangely, the only thing that seems to have happened in that time is that kids are now playing baseball with their cell phones. I guess that’s supposed to show us that the phones are all dead now, thanks to the EMP.

Actually, there have been a few developments in that time. The Mayor has “the flu,” or at least that’s what everyone’s being told. Robert is still majorly paranoid around his family, but he’s managed to incorporate himself into the local police force pretty well. Stanley’s crops are infested with bugs, which turns him into an instant asshole. Also in those two weeks, Dale started running with a bad crowd, though we don’t really get much clarification as to how that came to pass, and Eric is steadfastly avoiding talking with his bartender babe, even though he and his wife don’t seem to have been getting along that swimmingly.

We get more clues about Jake’s reasons for leaving town, including his dad’s key line, “You left town and a boy was dead.” We meet his former cohort, Mitch, who’s apparently started stealing horses for fun and profit, and we get a little bit more detail from the conversations between Mitch and Jake, including Jake’s comment about how “I told you I wasn’t going to rob anyone.” Oh, yeah, and Jake’s mom gets trampled by some horses, which is actually kind of a scary scene…but maybe that’s just because I have friends who are equestrians and have told me about the dangers of finding yourself underfoot of one horse, let alone several.

Okay, fine, I’ve waited long enough: what about that fucking ending…?!? Oh, CHRIST, it was bad. After spending the episode with Stanley being an asshole about not wanting to share his crops with the town, then getting all whiny and asking, “Is this what we’ve come to,” the whole town shows up and, to a soundtrack provided by the new Jakob Dylan album (which is helpfully hyped after the credits roll), helps him harvest his crop. It was so schmaltzy that I just kept smacking my forehead with my notebook, repeating over and over again, “This is not happening, this is not happening.” We got no further details about the government, making the phone call and broadcast from last week nothing more than a tease, and the last few seconds of the episode, with that brief encounter between Jake and Mitch, was in no way enough to redeem the big steaming load of dung that immediately preceded it.

Okay, Mr. Paulsen, I’m with you. “Jericho” is now officially on notice. Enough with the conflicts within the town; give me more of the big picture sooner than later, or I’m on the verge of walking.

Every man for himself

Sawyer has continually proven himself as one of the more interesting characters on the island (along with Sayid and Hurley), and though tonight’s episode didn’t reveal anything particularly special or groundbreaking, it still delivered some of the best material of the new season. That’s saying a lot considering this wasn’t even that great of a Sawyer episode, but we did learn quite a few things about our favorite Cajun conman. Like how that woman he last conned (Cassidy, played by “Deadwood”’s Kim Dickens) had him sent to prison, and how that very same woman gave birth to the couple’s love child.

I’m still not entirely sure what to believe on the while kid front. While giving Sawyer a daughter would certainly make his back story that much more intriguing, I have a sinking feeling that Cassidy was just conning Sawyer out of his newly acquired bank account. You know, the one that he got (along with his freedom) for helping the prison warden track down the whereabouts of $10 million stolen by another inmate. When asked what they should do with the money, Sawyer tells them to put it in an account under the name Clementine Philips. I don’t remember Cassidy ever telling him what the baby’s name was, but who else could it be?

Back on the island, Sawyer is hatching a plan to get him and Kate out of the zoo cages – especially now that the Others seem more concerned with their dying friend, Colleen – but he must have forgotten all about the surveillance cameras, because his plan is quickly thwarted. In return, Sawyer gets a little torture (mad scientist style) and is implanted with a pacemaker that will kill him if he gets too excited. Strapped with a heart monitor to keep track of his beat, Sawyer is sent back to his cage and warned not to mention anything about it to Kate, for she would be forced to suffer the same fate.

Meanwhile, Jack is brought in to operate on Colleen, but when she goes in to cardiac arrest and there is no crash cart to revive her, she dies. This sends her dumbass boyfriend (who Sawyer wittily referred to as Chinatown for his bandaged nose early on) into a frenzy, beating the shit out of Saywer until Kate confesses her love for him. Later on, when Sawyer brings it up again, Kate says it was just to protect him, but we know how she really feels. It doesn’t really matter, since Sawyer seems to have proven his love for her to the Others. And honestly, I think that’s all that matters right now. Oh right, and apparently Jack now knows why he’s really on the new island. He’s been brought to the Others’ camp to perform spinal surgery on none other than Benjamin himself.

In any event, Sawyer soon discovers that the pacemaker isn’t even real, and Ben informs him (while showing just how far away from the old island they really are) that the “only way to gain a conman’s respect is to con him.” Very smart, Ben. Very smart indeed. Unfortunately, he goes on to explain that while Sawyer is pretty good at what he does, the Others are much, much better. There goes that well-earned respect right out the window!

And in other news, it seems that Desmond’s newly gained powers are pretty worthless. Just kidding, but seriously, is predicting a rain storm the best he can do? Charlie doesn’t seem to think so, and that look in his eye makes me think that he Desmond might be gaining a couple new allies over the coming weeks. Charlie, Hurley and the newly introduced Paulo (played by Brazilian sensation Rodrigo Santoro) will no doubt join ranks with the super powered Scot and form a cool little group of their own. Say goodbye to the Terrific Trio, and hello to the… Fantastic Four? Oh wait, that’s already been taken.

Prison Break: I must…suspend…disbelief!

All in all, I thought this was a pretty ridiculous episode. Would a man with one good hand be able to pull a switcheroo with a bag full of money without anyone noticing? What are the chances of a guy getting his foot caught under a log in a stream? Between T-Bag’s unlikely theft of five million dollars – five million! – and Sucre’s ability to bend the laws of physics, the writers are really stretching the limits of reality.

But there were some nice surprises. It turns out I was dead wrong with my prediction that Agent Evil was going to save Sara. Turns out she doesn’t need saving, she just needs some conveniently placed bug spray. She is one tough cookie.

Agent Evil is back to being evil, so all is right in the “Prison Break” world. He’s in cahoots with Agent Mahone, who turns out to be more of a mercenary than an actual FBI agent. Mahone’s instructions are to kill all of the escapees, which certainly raises the ante for this season. When he murdered Tweener in the last episode, I gave up any hope of a Tommy Lee Jones-in-“The Fugitive” vibe, but maybe it’s more interesting this way.

I bought Sucre’s act in the garage and really thought he was going to take off with the money. Of course, when Scofield ran into him in the forest, it was clear it was all an act (even though at first they tried to make it seem like Scofield was going to attack him). That was a nice moment of friendship – that is, until they opened up the bag. Crap, outsmarted by the hick again!

So now T-Bag is a millionaire. He’s so smart, he can steal the money from a genius, but he’s so dumb that he’s going to head back to his ex’s place to confront her. All he has to do is drive to Mexico – buy a bungalow on the beach, ice down some beer in a bucket – and he’s got himself the Corona commercial that everyone wants when they retire. Instead, he’s going to go to the one place anyone would think to look for him. What a joke.

It looks like Lincoln has a few brain cells after all. Setting up the fight to free LJ seems like a playcall from his brother’s playbook. So Agent Evil has lost LJ, which means finding Sara is now doubly important. So far, we have the following code:

RENDEZVOUS/SUNDOWN/HOT/??????????

Where do we go from here?

Heroes, Week 5: Yesterday When I Was Mad

I begin this week with a complaint: although I’m as much of a sucker for reading spoilers as the next guy, I like to have the option to read them, not have them thrust upon me as has been happening in the previews for the following week’s episode of “Heroes.” Yeah, I know, the whole point of the preview is to tease you about what to expect, but the ones for “Heroes” seem to give away major surprises and developments instead of just offering the teasing lines immediately before the surprises and developments. Like, the whole “save the cheerleader, save the world” thing was given up long before future-Hiro uttered the line at the beginning of this week’s episode. It just pisses me off, that’s all I’m saying. But, then again, even the fact that we saw someone shoot into the air in last week’s preview didn’t damage the sheer coolness of Nathan shooting upwards, into the clouds, and – it sounded like – breaking the sound barrier in the process; that was definitely still very much a “holy shit” moment. (By the way, did I miss it last week when they revealed that they’d taken Nathan rather than Niki? All I heard Claire’s dad say was “take one of them”; I never heard him say which one…but the show acted as though we were supposed to have known that he’d taken Nathan.)

So Alias Boy…sorry, I mean Matt…more than makes up for his brief appearance in last week’s episode by, if my calculations are correct, getting more screen time this week than any other character. Surely his wife’s gonna get pissed off when she finds out that he really IS getting inside her mind. (Is it me, or does she look like an older Katie Holmes?) Based on his mother of a headache toward the end of the show, it looks like Matt’s gonna end up crazy sooner than later if he doesn’t figure out how to reign in his abilities.

By the way, the subject line is partially a reference to that, but also to Claire feeling a bit of remorse for running the QB’s car into a wall. She finally opens up to her dad…sort of. About the rape, not about her abilities. Well, if nothing else, we’ve confirmed that no matter what his ulterior motive in all this turns out to be, he’s clearly still got a lot of love in his heart for his adopted daughter…or else she’s so crucial to his endgame that he’ll do anything to protect her. And Niki…sweet, sweet Niki…doesn’t get much forward motion in her arc ’til the end of the episode, except to discover that she had hot monkey sex with Nathan and doesn’t remember a thing about it. Oh, well, she can always order a copy of the DVD…

So exactly when did Hiro learn all that English? Finally, he gets Ando to help him with a phone call to Isaac, but, still, when he’s chatting with Nathan at the diner, it’s clear that he’s fluent enough in speakin’ American to be able to get his point across to Isaac…so why did he insist on speaking solely in Japanese when he called him? Nerves…? As long as we’re talking about the dynamic duo from the land of the rising sun, dammit, we were thisfuckingclose to seeing that Niki / Ando romance kick off…and, by God, I’m not giving up hope yet; there was a spark, I tells ya! As far as Hiro’s new buddy, I have to say, I never would’ve thought that he and Nathan would meet up so soon, let alone that Nathan would be amused with him rather than annoyed by him.

I noticed this week that at least one of the supposedly big reveals of the episode was pretty anti-climactic, that being when Peter finds Isaac’s painting of Claire; I mean, it’s not like we didn’t witness Isaac painting it last week…but they played it like it was something we’d never seen before. Rule of thumb, people: if it’s not a new revelation, it’s not cut-to-commercial worthy…!

If it was me, I think I would’ve ended the episode with Niki’s husband creeping around the corner…but, overall, it was a solid episode with lots of new info.

Funniest line: “That hurt more than I thought it would.”

Most chilling line
: “Hollow him out; take everything.”

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