Category: External TV (Page 352 of 419)

Heroes, Week 23: Big Bang Generation

It has been, as the Delays once sang, a long time coming, but we’ve finally been witness to the long-awaited first-season finale of “Heroes.”

Was it worth the wait…?

Well, I think you have to say that, with a few exceptions (namely, the fact that several lingering questions remained unanswered), it sure as hell was.

The Mexican stand-off ended in a rather anticlimactic fashion, though Matt Parkman’s defiance when he declared that he was indeed going to keep Molly from harm was a nice moment. When Molly spoke of a Hero…and I use the term verrrrrrry loosely…worse than Sylar and said to Mohinder, “When I think about him, he can see me,” wow, that sounded creepy.

It struck me as sadly naive that, even in the midst of everything going on, Peter still trusted Nathan to do the right thing. (Of course, that thought came back to bite me in the ass later!) Mama Petrelli continues to be a real queen bitch about the future; I can’t imagine she took the events at the end of the episode terribly well. Peter’s flashback sequence with Simone struck me as a bit schmaltzy, but the scene took a dramatic upswing with that revelation that Mama Petrelli had no confidence in Peter’s abilities…and it absolutely soared when Charles said, “I know you’re there, Peter.” D’OH! There’s something perfect about a bad mother like Richard Roundtree being the one to deliver the message to Peter that he should’ve known all along.

When HRG…sorry, I mean, Noah…assured Claire that he had a plan, I almost believed him. But somehow, I don’t think his plan would’ve involved her jumping out a window from several stories up. Didn’t anyone ever tell her that you can’t run from family?

You have to give Ando credit; dude’s got balls of steel to even try to take on Sylar by himself…and Hiro’s clearly grown a pair himself, thanks to that training with his pops. The final sequence when Hiro dropped Ando off in Japan was nicely poignant, and each got at least one sweet line…

Hiro: “This man is ready.”
Ando: “You look bad ass.”

For one second, I thought the Jessica-fighting-Nikki sequence was a big ol’ dream or hallucinations until I remembered, oh, right, shape-shifter. I’m sure we all noticed that, when the episode ended, we were left with no reference to the shape-shifter’s whereabouts, so I think we can count on her return next season. Meanwhile, as the episode ended, all I could think was, “Wow, Micah and Molly sure make a cute couple…”

Sylar: “Haven’t I killed you before?”
Peter: “Didn’t take.”

Great comic book dialogue, delivered to perfection. As to the final battle, I thought Nikica jumping into the fray was an unnecessary moment…but, then, so much of her story has proven to be unnecessary that I guess it brought things full circle, didn’t it? But Hiro’s timely appearance was great, as was the way Sylar flung him away, and Claire’s pained expression as she prepared to fire the gun and fulfill her promise to Peter was rough stuff.

Damn that Adrian Pasdar. You can’t read him to save your life, and, as a result, you absolutely couldn’t predict how Nathan would act from scene to scene. As such, I never saw that ending coming. Yes, Nathan redeemed himself for a season’s worth of questionable morals by performing the ultimate sacrifice and being there for his brother until the very end. It’s a shame that we had to lose Peter, but, then, are we still to presume that he may yet survive, given his powers? I guess time will tell.

So where do we stand? Sylar is still alive, because everyone knows that a good villain can’t be killed off that easily. Mrs. Petrelli’s whereabouts remain unknown, and you can guarantee she’ll turn up…and it wouldn’t surprise me a bit if she were, in fact, in cahoots with Mama Petrelli. I’m telling you: Mama, Sylar, and the shape-shifter makes three!

And after a fantastic season, leave it to the producers of “Heroes” to tease us with Season 2 by dropping Hiro outside Kyoto, Japan, in 1671. The fall has never seemed so far away…

“Where did I lose this kid?”

Jamey is on a much-deserved vacation this week, so he asked me to step in and cover the blog. I’ll do my best to fill his considerable shoes.

I was hoping for a barnburner tonight, the kind of episode where the blog would pretty much write itself, but instead a good 35-40 minutes were devoted to AJ, my least favorite character on the show (save for Livia, but she’s been gone a while now). Normally, he’s just a whiny, spoiled kid, but now that he’s doing some of that fancy book learnin’, he’s a whiny, spoiled, depressed kid. Tony’s reaction to AJ’s spiel about the virus spray on the meat underlined his own inner conflict about his son’s future. On one hand, he has always said he doesn’t want AJ to turn out like him, but when the kid tries to branch out, he threatens to put his head through the wall.

“Twenty years, he won’t crack a book. All of a sudden he’s the world’s foremost authority.”

AJ Soprano suicideDid anyone really think that AJ’s suicide attempt would be successful? Since we lost Chris last week, the odds were against another main character dying so quickly, and honestly, AJ hasn’t been able to follow through on anything. Once the cement block hit the pool floor, he freaked out, and it looked for a moment that he might somehow die accidentally at his own suicide attempt. Tony’s just-in-time arrival made for a very powerful scene. It’s obvious that he loves his kid, but at the same time AJ’s troubles are a giant pain in his ass, both at home and on the job.

How will the suicide attempt affect Tony’s work? It can only be seen as another sign of weakness (in what has become a pretty long line). Pauley’s take was priceless:

“Ask me, it’s all these toxins they’re exposed to. It fucks with their brains. Between the mercury in the fish alone it’s a wonder more kids aren’t jumping off bridges.”

Between the mercury in the fish alone“? Fucking Pauley is fantastic.

Tony talks to Melfi about the suicide attempt and she suggests that it might have been a cry for help – that subconsciously he knew that the rope was too long to keep him submerged. Tony’s reply was classic:

“Or he could just be a fucking idiot. Historically, that’s been the case.”

Regardless, Tony understands that his cursed genes have a large part to do with AJ’s troubles, so he’s empathetic to a certain point, but that doesn’t stop him from getting into it with Carmella once AJ is committed. Is it just me or does it seem like their marriage is once again holding on by a thread? I had to laugh when Tony gave her a watch (out of guilt?) after he took care of Chris’ “business affairs” in Las Vegas. Business, Carm? You sure are a trusting soul. (Or more likely, you’d simply prefer not to think about it.)

Later, in therapy, Tony starts talking about how mothers are buses and all we want to do as children is get back on the bus, but it can never happen. After Melfi says that the theory is insightful, Tony quips, “Jesus, don’t act so surprised.” It’s clear that Tony wants Carmella to accept some of the blame for how his son turned out, and this might be his way of disowning the kid. When Melfi asks if he’s ashamed of AJ, Tony replies, “Yeah, I am. Coward’s way out, right?”

Aside from this week’s depressing depression, the brewing conflict between Tony and Phil finally kicked into high gear. Once Phil rejected Tony’s asbestos-related offer, it led to T pulling a couple of jobs that were designated for Phil’s men and then to that idiot Coco accosting Meadow while she was having dessert in Little Italy. It was funny to watch Tony try to calm his daughter and wife down when you just knew that underneath the surface his blood was boiling and that Coco was about to get one serious beatdown. I wasn’t expecting Tony to go all “American History X” in the restaurant, but it was even more surprising that Coco survived the attack.

It’s clear now that Carmine’s failed peace accord will lead to further escalation, though I think his line to T – “you’re at the precipice of an enormous crossroad” – had more than one meaning. It was strange to hear Phil spouting his obscenities from the safety of his ivory tower. It’s doubtful that he’d be so bold if he were standing face to face with Tony, but even so, you could see from the look in T’s eyes that there is no going back.

With just two episodes left, there are still a number of unanswered questions: Will Tony once again hear from the two suspected terrorists? Will AJ’s stint in the hospital do anything for his outlook on life? Will Tony continue on his existential journey and finally find happiness? Will his marriage survive? And most importantly, will he survive the coming war with Phil?

Game on.

The other Chase

Is it just me or has Drama’s role on “Entourage” significantly increased during the second half of this season? Initially used strictly for comedic effect, the older Chase brother is finally coming into his own. His new NBC drama is a certified hit and he’s just been offered a part in Brett Ratner’s latest project, “Rush Hour 3.” Well, sort of. After arriving at Ratner’s bachelor pad (which is just as a sleazy as you expect), Drama discovers that a serious mistake has been made in regards to his invite. The part being offered isn’t meant for Drama, but rather the 17-year-old Tommy that plays his younger brother on the show.

Nonetheless, Drama is determined to get a part in the film; to the point that he flat out refuses to leave until the mistake has been fixed. And it is, to a degree, when Drama finagles the ominous role of the bus driver out of Ratner with the understanding that he’ll have to pay for his own airfare and hotel accommodations. Drama doesn’t see a problem in this negotiation, as he takes the good news back to Tommy with the deal that if he gets the part, he’ll have to pay for Drama’s plane ticket. A bit shady? Sure. But it was classic Drama at his absolute best.

Meanwhile, Vince and Eric join Ari for a meeting with Yair Marx, a potential financer for “Medellin,” and while things don’t get off to a great start (the guy wants Sylvester Stallone to play Pablo Escobar’s dad), Marx respects Vince’s passion to make the film his way. Negotiations are put under even more stress when Vince receives a phone call from Marx’s wife, Nika, asking him to meet her in private. Cautious that the secretive meeting his meant more as a means to seduce him than for business, Vince brings Eric along, and boy do things not go well. Aside from picking on Eric a handful of times throughout the course of the short chat (did anyone else see her whack him in the head with her purse on the way out?), Nika leaves the meeting completely unimpressed.

Fortunately, that doesn’t seem to change Yair’s mind about financing the film, and he invites them all to dinner to celebrate, delivering the $60 million check disguised as dessert. Of course, there’s only one catch: Yair wants Vince to apologize to Nika by fucking her “like a superstar, while I stay down here and play billiards with your friends.” Wow. Vince has obviously dealt with a situation like this before (though his earlier discussion with E about their 10th grade science teacher was a bit creepy), but I can’t see him going through with it. Especially since next week’s previews seem to indicate that they’re still looking for money to begin production.

TV DVD QT, Vol. 8

King of Queens: 8th Season – Let’s start with this one, since the show just went off the air this week. As with its previous season sets, it remains disappointing that we’re not getting any special features whatsoever, especially since its cousin, “Everybody Loves Raymond,” is also on its eighth season on DVD and it’s filled with audio commentaries and deleted scenes. The comedic trifecta of Kevin James, Jerry Stiller, and Patton Oswalt certainly makes the show worth watching, but with no special features, the temptation to stick with the syndicated reruns is pretty high.

Wings: Season Four – And, hey, speaking of sets with no extras, welcome back to “Wings”! I’m going out on a limb and guessing that you probably don’t remember how the third season ended, but the gang – Joe, Brian, Helen, Roy, Fay, and Lowell – were on a plane, preparing to crash. Well, not to give anything away, but they all survived. “Wings” is one of those sitcoms that’s just…okay. There’s nothing wrong with it, and you’re always guaranteed to laugh several times during an episode, but it’s pretty much a mainstream affair, i.e. always safe, never edgy. Worth noting: Kirstie Alley appears in one episode as her “Cheers” character, Rebecca Howe. No special features. Again.

Martin: The Complete Second Season – Martin Lawrence can be a very funny man, and, as a result, his sitcom could be a very funny affair at times…but, almost without fail, the funniest moments are almost never when he’s trying to play characters other than himself. Maybe it’s just the painful memories of the “Big Momma’s House” movies, but Lawrence always seems like he’s trying too hard when he’s portraying Sheneneh Jenkins, Jerome the Pimp, or whichever alter ego he’s stepping into. “Martin” is invariably at its best when it’s just Lawrence and his ensemble cast: Tisha Campbell, Carl Anthony Payne II, Thomas Mikal Ford, and Tichina Arnold. Plus, “SNL” alum Garrett Morris was still kicking around the show at this point, playing the owner of WZUP, where Martin worked. Too bad there are…everybody now!…no special features.

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Is it too late to save “Jericho”?

Well, if we’re using the stats based on how many shows have been cancelled versus how many shows have been put back on the air after they were cancelled, then the realistic answer would have to be, “Probably.”

But, then again, I’m one of the people who participated in the “Save ‘Angel'” campaign after it teetered on the brink of cancellation at the end of Season 4. Now, since I’m the proud owner of that show’s 5th season on DVD, that’s proof enough for me that, yes, sometimes making your opinions known to the network really does make a difference…and, as such, the very least I can do for “Jericho” is to trumpet the details of the various campaigns that are being established to try and save it from permanent destruction.

Merrick, a regular contributor to Ain’t It Cool News, has put together a hell of post for that site where he does the same thing…which means that mine will inevitably pale in comparison, especially since most of what I’m going to post comes straight from his text. But since we’re all working toward the same means, I hope he won’t mind…

* Click here to sign the petition to save “Jericho.”

* Click here to visit Jericho Lives, a site that’s dedicating itself to keeping the show alive.

* Click here to check out the “Nuts” campaign, its name inspired by the defiant cry from the show’s season finale.

I think those are the biggies…though if you’ve never watched the show and want to find out what it’s all about before committing to anything, the Wikipedia entry for the series is decidedly comprehensive.

All I’m saying is, it can’t hurt to try, and it won’t take much of your time, either. So let’s all keep our fingers crossed, shall we?

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