Category: External TV (Page 346 of 419)

Snap, crackle and sizzle

If there’s one thing “Entourage” is notorious for, it’s setting up potentially earth-shattering events and then brushing them off as if they never happened. The latest offender occurred as a result of last week’s episode, when Eric and Vince came to a standstill on their decisions about Walsh’s early cut of “Medellin.” Everyone (including myself and pinch blogger Jamey Codding) seemed to think this meant the two friends would finally clash, but it never quite came to fruition.

It’s the day after, and Eric’s opinions on Walsh’s cut haven’t changed one bit. He’s got a few changes he’d like to discuss with the director, but when he goes to see him at his post-production hideout, Walsh doesn’t take too kindly to Eric’s notes. It’s not that Eric thinks the film is bad (he does think it’s too long), but rather that it still needs some serious molding, especially after an editor shows him a slick trailer for the film that would surely get people to theaters. When Walsh informs Eric that he’s already submitted the film to Cannes (the French Sundance), however, Eric gets paranoid about the possibility of it getting rejected and turns to Ari for help.

Ari suggests he go see big-time producer Harvey about the possibility of buying the rights to the film (who would refuse to release Walsh’s cut of the film in theaters and re-edit the film to their liking), and despite their differences in the past, Harvey offers Eric $25 million for the film. When Eric tells Vince the good news, he gets a little of his own: the film was accepted into Cannes, and Vince thinks they’ve got a shot at s much better deal if they bring the film to the festival on their own. Boy is Harvey going to be pissed.

Speaking of Vince, he spent of the episode doing what he does best: being a celebrity. After a happenchance run-in with some hot chick on the road, Vince joins her to go chill at Dennis Hopper’s place where the man himself chats about his time on the set of “Apocalypse Now” and turns on Vince to betting on soccer matches. After nearly losing $100,000 to an 11th-hour missed penalty kick by Rudd van Nistelrooy (a match which couldn’t have conceivably aired any later than 2006, since van Nistelrooy no longer plays for Manchester United), Vince dodges a bullet when the guy who was supposed to place the bets fails to do so in favor of some much needed rest.

And while Eric is busy trying to save his ass, and Vince is off betting money he doesn’t have, Turtle joins Drama for a promising double date with two older (but supposedly sexy) women friends of his. When they arrive at Donna Davine’s place, however, Turtle discovers that the friend in question is Marjorie, a chubby and overly spunky gal who he most certainly doesn’t want to bang. He agrees to take one for the team, though, and comes out on top in the end. Just as the quartet prepares to split up and have a little fun, Donna (the good-looking one) decides she’d rather be with Turtle, leaving Drama to fend for himself against “the best rimjob in town.” Everybody now: “Ewwwwww!”

Because Fox hasn’t screwed over fans of “Drive” enough…

…now they’ve decided not to run the Nathan Fillion series’ last episodes on the 4th of July as promised; instead, they’ve moved them to run on Friday the 13th.

Sure, why not? After all, the show’s had such crappy luck, why not end it on a day that’s universally considered to be the absolute unluckiest?

(Actually, the odds of people actually seeing the show probably increase tenfold by not airing it on a national holiday, but, dammit, we’re still pissed about Fox’s unceremonious yanking of the show in the first place…)

Don’t look for the director’s cut on the DVD

Credit where credit is due: HBO may not get it right every time (“Deadwood” and “Carnivale,” RIP), but they’re rolling right now. A dubious finale for the network’s most popular series coupled with the decision to roll out two new series on its heels (“John from Cincinnati” and “Flight of the Conchords”) could’ve spelled disaster, but not only are “John” and “Conchords” flashing some great promise, one of HBO’s few remaining tent poles is jamming too. Looks like this new season of “Entourage” is going to be a blast.

We’ve all been crying for more from Turtle and Drama, or more accurately, something for Turtle and Drama. When they’ve got something to do (Drama’s road rage, Turtle starting up his management company), the dynamic duo make for excellent comic relief. But when they’re running around with no real direction or purpose, they get stale. Fortunately, Drama’s got plenty going on right now. In fact, he’s the only Chase brother bringing in any bank, the success of “Four Towns” finally giving him a taste of life in the upper crust. And who cares if he’s spending it all on cutlery and Ikia chandeliers, not to mention a brutal mortgage payment? He’s there for his little bro when it comes time to throw a coming home party, and once Drama padlocked the bathroom and moved the couch out of the living room, the place was ready. But leave your shoes at the door, oh, and hit the porto-potty in the hallway if you need to take a leak. Awesome. Even better was Drama’s instantaneous reaction when Vince and E left early to finally see Billy’s first cut of the movie: “I’ve got an announcement: get the fuck out! I’m serious, the party’s over – GETTHEFUCKOUT!”

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TV DVD QT, Vol. 9

Dante’s Cove: The Complete Second Season / Noah’s Arc: The Complete Second Season – Oh, my. Well, given that the former airs on Here! and the latter on Logo, it’s no surprise that both of these series are, in fact, gay dramas…not, as you knew I’d say at some point, that there’s anything wrong with that. “Dante’s Cove” actually looked mildly interesting, given its reference to “sexy and supernatural residents,” but even that description couldn’t keep me watching after one male lead mounted another from behind in the kitchen. Dude, this isn’t gay drama; it’s gay softcore. “Noah’s Arc,” thankfully, proved to be a more straightforward relationship drama, albeit one with gay characters, and I’m sure that gay viewers probably really enjoy it. Me, I was out after about the third guy-on-guy French kiss. Given that Bullz-Eye received these sets, I think we have to presume that some publicist somewhere saw our slogan, “The Guys’ Portal to the Web,” and said, “Hey, I got some guys for you…” Uh, no, you don’t.

Everybody Loves Raymond: The Complete Eighth Season – In Season 8, Robert and Amy are now married, which means we continue to get enjoyable guest appearances from Amy’s parents (Fred Willard and Georgia Engel) and brother (Chris Elliot); Katherine Helmond also makes another appearance as Debra’s mother in one episode. But as long as we still get Ray, Debra, Robert, Amy, Frank, and Marie, who cares who guest-stars, right? We referenced this last time, in our “King of Queens” write-up, but you really have to applaud Ray Romano and his crew for maintaining the quality of the “Everybody Loves Raymond” DVD sets even after the show’s gone off the air. There are audio commentaries, deleted scenes, and so forth. Nice work, people.

Hogan’s Heroes: The Sixth and Final Season – In the show’s very last episode, we discover the heretofore-unrevealed historical fact that Colonel Klink was actually in Hitler’s bunker with the Fuhrer and Eva Braun…and he might’ve been saved, but Sergeant Schultz kept claiming that he knew “nussink.” Okay, just kidding. The last episode of “Hogan’s Heroes” isn’t discernibly different from the first episode: Hogan and his boys once again outwit TV’s most loveable Nazis. But…no special features? Why, those schweinhundts!

Mission: Impossible: Season 2 – It sure took Paramount long enough to get around to releasing the second season of this show…not that the delay was spent putting together any extras. (It’s totally devoid of special features.) Frankly, you’d think they would’ve put this out at the same time as Season 1, since this is the beginning of the series’ iconic line-up: Peter Graves, Barbara Bain, Martin Landau, Peter Lupus, and Greg Morris. There’s no explanation as to what happened to Dan Briggs (played by Stephen Hill), the original leader of the M:I team, but as Season 2 opens, the group is led by Jim Phelps (Graves). Maybe he got taken out by one of those self-destructing messages…?

Stargate: Atlantis: Season 2 – Honestly, I have no idea how long this has been sitting around my house. It showed up awhile ago mostly because no-one else wanted it, and my attempts to watch it have proven futile because, well, I never saw the first season. (I believe I had this same problem with a later season of “La Femme Nikita,” if memory serves.) Anyway, fans of the show will love the inordinate amount of special features; I mean, I can’t even get into it, but even *I* have to admire a series set that offers audio commentary on every single episode, not to mention several featurettes.

That ‘70s Show: Season Six – More solid ensemble comedy from a sitcom that never seems to get the respect it deserves…but, then, I say that every time I write up a season of this show. But here are two things that might sell you on Season Six: guest-star stints from Brooke Shields, Allyson Hannigan, Shannon Elizabeth, and Jim Gaffigan, quite a few special features, including three audio commentaries (though, notably, none from any of the show’s stars; they’re all from director David Trainer) and featurettes focusing on Red and Kitty Foreman, a.k.a. Kurtwood Smith and Debra Jo Rupp. Throw in plot arcs involving Kelso getting Elizabeth’s character pregnant, Fez’s marriage of convenience to Eric’s sister, and the constant discussion of the real marriage between Eric and Donna, and you’ve got another fine season of “That ‘70s Show.” Honest.

HBO moves on

With the series finale of “The Sopranos,” HBO is facing a crossroads. I’m not sure what percentage of the network’s subscribers were mainly (or only) interested in Tony Soprano and his family, but it has to be significant. HBO is aware that they need to quickly develop more good programming if they hope to keep the train going down the tracks.

Their first hour-long effort is “John from Cincinnati” (from “Deadwood” creator David Milch). The series revolves around San Diego family of surfers as they encounter a strange visitor, who acts as if he might be from another planet. In just two episodes, Milch has introduced a bevy of interesting characters and, as far as the language and dialogue goes, the show actually has a very “Deadwood” feel to it. There are a number of familiar faces in the cast, including Rebecca De Mornay (who is excellent as the family’s matriarch), Ed O’Neill, Luis Guzman and Luke Perry.

In the half-hour comedy category, “Flight of the Conchords” follows Jemaine and Bret, two aspiring musicians from New Zealand, as they navigate New York City. It’s a musical of sorts, as the duo occasionally break out into quirky songs that relate to whatever is going on in their life. The premiere was quite funny, especially the song Jemaine sings to a girl at a party. If the Barenaked Ladies had developed a sitcom (and never released “One Week,” which made them too popular) and enlisted Wes Anderson to direct, it might have turned out like this.

So far, so good.

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