Category: External TV (Page 335 of 419)

TCA Press Tour: Newsflash – “Moonlight” in no way resembles “Angel”!

Any similarities you may find between the two series, both of which are produced by David Greenwalt and are about a vampire who – ho, ho – moonlights as a detective, are, of course, complete coincidence. Right…?

Says Greenwalt, “My agent said in May, “You’ve got to read this ‘Moonlight.’ It’s fantastic. And I read a couple of pages and discovered it was (about a) vampire detective, and I said, ‘Not only am I not going to read this, I’m going to sue them. This is my show!’ But he kept talking to me and, eventually, I did read it, and I did fall in love with it.

“It’s vampire 2007. It’s a new ball game. You know, it’s certainly a genre show. But just some tiny examples. You know, there are no other demons, there’s no other monsters. You know, it’s not that supernatural of a world. It’s a sleek modern world, Los Angeles. And literally the vampire makeup is different, the mythology is different, and it’s a world where they really live among us. And there’s not that many of them. And the show has all my favorite things. It’s got deep heart, and big love, and funny, which I am attracted to.”

Actor Alex O’Laughlin, meanwhile, is just plain attracted to playing a vampire, so he’s quite psyched about scoring the lead role of vampire detective Mick St. John. “I’ve been kind of obsessed with the genre since I first discovered it,” he admits. “I discovered Anne Rice when I was sort of late teens. And I read the first five or six books of “The Vampire Chronicles” twice, actually, which was a little obsessive. But I loved her character development, (and) I learned so much about the mythology of vampires through her storytelling. Also, I grew up in Australia with American TV and American cinema, because we didn’t really have that much of our own, so I grew up with all of the films that you guys did; ‘The Lost Boys’ was a huge film for me when that was made, and the ‘The Hunger’ was also something that I really loved. So, yeah, I’ve always sort of wanted to play a vampire!”

Basically, what fans of Greenwalt’s previous show should be aware of is that this is a very different universe from the one in which Angel and company reside. There are comparatively few vampires in the world of “Moonlight” (“Maybe there’s a thousand or two in all of Los Angeles,” says Greenwalt, “(so) it’s a small thing”), and, as it stands right now, there aren’t trolls, demons, and whatnot wandering around.

A closing note: during the “Bones” panel, someone asked David Boreanaz if he was planning to do a cameo on Greenwalt’s new vampire-turned-detective show. “Yeah,” he said, with a laugh. “Maybe I’ll show up as the guy who kills the vampire.”

Psych mashed up

OK, it took me a while to come around to it (and with some insistence from my ex), but “Psych” on the USA Network has fast become one of my fave shows on TV. Enough so that I went out and bought the first season DVD set and ordered a t-shirt on the official site. However, the coolest thing may just be the mash-ups you can create over there as well. Here’s the third one I’ve created, entitled “Psych-O-Nuts.” It took a couple tries to get a good narrative running through, but check it out and if you dig the show as well, make one of your own and share it, too. Groovy, baby.

TCA Press Tour: Newsflash – “Kid Nation” in no way resembles “Lord of the Flies”!

Any similarities you may find between the novel by William Golding and this TV show which children are placed in a New Mexico ghost town and given the task of creating a functioning society without the assistance of any adults…? Completely coincidence!

Okay, maybe not complete coincidence.

“I don’t think any of us were unaware of ‘Lord of the Flies,'” acknowledges producer Tom Forman, who also admits that it took “six seconds” for the similarity to the book to come up. “The minute we started talking about it, we stopped and said, ‘Are we making a reality ‘Lord of the Flies’?’ and said, ‘Well, there will be elements.’ I mean, I’m not going to deny the comparison: these are kids living on their own. That said, like every reality show, there are adults off-camera waiting to step in if kids got violent. They didn’t. We didn’t have to, and that’s okay. But they had heated arguments and discussions.”

The show has already come under considerable controversy from those who rush to presume that the kids were worked like dogs for the purposes of making the show work, but Forman denies that categorically. “The kids woke up whenever they wanted and went to bed whenever they wanted,” he assures us, “and that was part of our commitment when we came up with this idea and decided to do it. We were going to follow their lead. A large adult safety net was there to make sure that if anything happened we had a contingency plan in place. But they woke up whenever they felt like it.
They set their own bedtime. And they discussed those things and debated them. So there were mornings they got up early. There were mornings they slept in. We taped whatever happened.”

Still, there was one question that was gnawing at me and, clearly, other writers as well: why weren’t any of the kids from this show up on the panel…?

“They are not here today because they would show me up on this panel,” replied Forman, sounding like he was only about half joking. “I think the moment that we introduce those kids, they should be in the limelight, not me. That’s the only reason they’re not here today. I think, almost to a one, the kids would tell you this was the best experience of their lives. I think, almost to a one, the parents agree. It’s really important to us that they went into this with an understanding of what it was going to be, both the child and the parent. And as I said, we spent a tremendous amount of time together, more than any executive producer and potential cast member in the history of reality TV, talking about what to expect from all of this. You know, there were absolutely kids there who shed tears. There were tough days for everyone: the kids, the cast, the crew. It was hard. But again, they leaned on each other, and I think they emerged stronger and smarter and wiser than when they went in and, as they all kept saying, with friends that they will know for the rest of their lives. We talk to them a lot. I exchange e-mails with every one of these kids, and they’re doing just great.”

TCA Press Tour: Back to “Shark”

Okay, I know, I totally jumped the gun earlier by posting James Woods’ obscenely witty comments during the informal “Shark” panel, but, dammit, it was funny, and I really wanted to share them with you. So now let’s get back to the series itself and mention a few more highlights of the panel…

* In Season 2, James Woods and Jeri Ryan will be working far more closely together than ever before. Says creator Ian Biederman, “In the construct of their world, she was a district attorney and, as opposed to that, she was ostensively his boss. So he was able to bring her in on cases every once in a while, but this year she lost the election for assistant district attorney at the end of the last season. She will be coming into the team at the beginning of this year, so she will be a partner on the team.”

Yeah, yeah, whatever. When are they gonna sleep together?

“Jimmy and I are negotiating on the amount of money it will take for that to happen,” says Biederman. “If the check clears, yes, there will be a torrid love affair.” More seriously, he adds, “I think the potential is there. It will always linger there. There’s an attraction between these characters on a number of different levels. So we will just have to see how it goes. I would think it’s something that’s interesting. We’ll see how it goes. As much as Jeri is begging me, I’m going to try to be patient.” (Says Woods, “I’m working for scale this year, just on the hope.”)

* The cast is being adjusted a little bit. Actor Samuel Page, who played Casey Woodland, “had a movie he wanted to do,” said Woods, “and he had the option to stay. And Sam, he’s phenomenal. This very morning, I called Oliver Stone to ask him to see Sam for the ‘My Lai’ movie because I think he’d be great in it. It’s one of those things where he could have not taken the movie or he could have gone with us, and I said, “Sam, do what you have to do.” We can bring him back. It was written in the first episode that he’s running his father’s campaign for governor, and so on, and so on. So we have the option to have him come back as much as we want, which I’m sure we will do. And he can still pursue his movie career. Honestly we are such a tightknit family, that it was one of those things, it just worked out perfectly for him. He’s got a big career, a big career shot, and, hey, let him take it, but also will you come back to us, and he can come back and forth.

“And,” adds Woods, “we have a new addition on a regular basis, which is more of a challenge for me, like we need a new character who can come in and kind of stir me up. This young man named Kevin Alejandro, who’s terrific. We’ve had a couple scenes together so far and he’s terrific.”

* Billy Campbell, who played Wayne Callison in two episodes during the first season (including the gripping season finale), will be almost certainly be back, says Woods. “we want to keep Billy around as much as we can because — it’s just one of
those characters that’s not just a thorn in Sebastian’s side, but there’s so many issues that you bring up — miscarriage of justice, how, you know — I’m sure the Ninth Circuit Court of Appeals will find a way to let the guy off, but, hey, he only murdered about 15 women. But he does have his rights, so, you know, I’m sure that will be an issue that will come up. Just get that Thelton Henderson in there and I’m sure he’ll get out and get elected president.”

“Just a little joke, guys,” clarified Woods. “Come on…!”

It ain’t over til the short Irish guy sings

It seems I was getting a little ahead of myself when I declared the fourth season of “Entourage” as one of the best yet. It’s true, the season has been amazing after that overly long (and ultimately eventless) junior year, but enough already with the whole Eric/Walsh blowout. I get that Walsh is a giant prick and Eric is sick of putting up with his crap, but it’s Hollywood – you’re making shit tons of money for doing very little (especially Eric), and yet you still can’t grin and bear it like everyone else? Has Eric ever thought that maybe Walsh doesn’t enjoy working with him? Of course not, because he’s too busy bitching and whining about why he doesn’t like Walsh, how Walsh has screwed up “Medellin,” and how he’s already peaked as a director.

As a favor to Vince, however, Eric has bailed out of his producing duties (which he’ll still get paid for, though) on the new Chase/Walsh collaboration, and will simply operate as Vince’s manager. This is probably a good move for all three of them, but if Eric ends up being right about Walsh, the audience is going to be forced to side with him in every future decision he makes and, well, that wouldn’t be good.

Hopefully, this won’t get in the way of Ari signing Walsh, but I doubt it will since Vince has still agreed to star in the film. Ari, meanwhile, has more important things to worry about when Lloyd up and leaves the agency in the middle of the workday. His reasoning? His boyfriend, Tom, just broke up with him, and he’s simply too depressed to carry on. After a clueless replacement screws up a call from Eric, Ari goes looking for Lloyd in an attempt to get his all-star assistant back in the game. It doesn’t work, however, and Ari is forced to make a visit to the ex to patch things up. What he discovers when he gets there, however, is that the reason Tom broke up with Lloyd isn’t just because of his long work hours (as Ari was told), but because he cheated on him. Ari, always prepared to lie to get what he needs, convinces Tom that Lloyd was with him the night in question, and presto, Tom takes back Lloyd, and Lloyd comes back to work. You gotta love Ari Gold sometimes; the guy knows how to get things done.

And in a very unsurprising turn of events, Drama and Turtle stayed as far away from the main action this week in order to go off and do their own thing. Turtle’s cousin, Ronnie, is in town with a possible investment opportunity involving a Sandy Koufax baseball jersey up for auction. He doesn’t have enough money to seal the deal, though, and so he goes to Turtle for the other half. With rumors swirling that Koufax could kick it any day, it’s the perfect time to swoop up some rare personals to turn around and sell for some serious profit. Unfortunately, after Ronnie bails and Drama steps in to pick up the financial slack, the pair wins the jersey only to discover that the rumors are false. Big surprise, there, and yet another complete waste of time for the comedic duo.

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