Category: External TV (Page 324 of 419)

Pilots Revisited: “Journeyman”

I’m not sure how I did it, but, somehow, I managed to watch the screener for the pilot of “Journeyman,” write about it in Bullz-Eye’s fall preview, and focused on the similarity to “The Time Traveler’s Wife” without naking the obvious comparison to “Quantum Leap.” Maybe it’s because I never really watched the Scott Bakula time-travel drama very often, but it just never occurred to me…which, in retrospect, makes me feel like a complete idiot, because the similarity – a guy travels back and forth through time, each time following a particular individual, never knowing where his next trip is going to take him – is undeniably there.

In a word, D’oh!

The pilot is definitely strong, offering up the premise as well as the mystery surrounding it – why is Dan Vasser (played by Kevin McKidd) jumping through time, and what does his supposedly-dead ex-fiancee, Livia (Moon Bloodgood), have to do with it? – as well as setting up an explanation for how he could possibly convince his wife, Katie (Gretchen Egolf), that he really is jumping through time. In the second episode, “Friendly Skies,” we get more of a glimpse as to how quickly this abrupt disappearing problem of Dan’s is on its way to ruining his marriage, even if Katie does know what’s happening to him. We also see that not only are the producers planning to continue using music to help set up the various eras to which Dan travels but, more importantly, they aren’t afraid to steer away from the most obvious selections. Sure, when he pops back to the ’70s, it’s all about listening to disco on an 8-track player, but trips to the ’80s and ’90s bring songs from The Psychedelic Furs and Freedy Johnston. (On a side note, it’s clear that, during the aforementioned ’70s visit, the crew had a hello f a lot of fun reminiscing about how much fun it used to be when flying the friendly skies.)

“Studio 60” might’ve been a poor fit for the post-“Heroes” timeslot, but “Journeyman” still looks as strong now as it did when we first checked it out…and, better yet, the ongoing romantic aspect of the show seems poised to grab a larger female audience than your average sci-fi drama.

Here’s a teaser:

Pilots Revisited: “Life”

There are three big reasons to take another look at “Life,” NBC’s new police drama…but, first, here’s the premise in a nutshell:

Charlie Crew is a cop who’s arrested for a crime he didn’t commit and sent to jail for 12 years before he’s cleared; upon his release, he scores not only a considerable amount of financial compensation for being wrongly jailed but, additionally, gets himself put back on the force, mostly so that he can quietly continue to find an answer to question of who did commit the crime of which he was accused.

There, that’s out of the way. Now, on to those three big reasons to take another look at the show…

Actually, the first one’s as much a matter of principle as anything. The role of the lawyer who helps Charlie overturn his conviction was played by Melissa Sagemiller (Gayle Bishop on “Sleeper Cell”) in the pilot but is now played by Brooke Langton (Samantha Reilly on “Melrose Place”); frankly, though, the character doesn’t really get a lot of play in the pilot, so the difference between actresses is mostly negligible.

The second reason, however, is definitely worth discussing. In the fall preview, I said of Charlie Crews that he “comes across as one of those characters who’s straddling the line between eccentric and annoying, and he tends toward the latter more often than he ought to, which is troublesome.” It’s notable that they’ve re-cut the pilot to chop out a few moments here and there to attempt and remedy this problem, though I couldn’t help but notice that one of the cuts was, in fact, one of the moments that made me laugh. (When Charlie arrives at his first crime scene after returning to the force, he walks up behind two officers who are discussing things they’ve heard he’d done, and he promptly interrupts them with his own “I heard he…” moment.) Overall, the quirkiness is still there, but as we progress into the second episode – “Tear Asunder” – there’s a definite attempt to focus more on Charlie’s attempts to solve the mystery of who committed that 12-year-old crime and less on his being so bizarre. In fact, on that front, they even slide in a moment which indicates that he was completely and totally normal before he went into prison, so one presumes that they’re going to further explore the events that occurred during Charlie’s stay behind bars.

Lastly, the third reason to take another look at “Life” is that, at least based on the second episode, they’re starting to do more with Adam Arkin’s character. Arkin plays Ted Early, a former inmate who knew Charlie when they were both in the clink together; apparently, Charlie saved Ted’s life in prison and, as a result, Ted’s now serving as Charlie’s financial advisor. The pilot had a brief but funny moment tagged onto the very end, where Charlie buys an orange grove – complete with tractor – and Ted decides to take Charlie up on his offer to drive the tractor. Suffice it to say that Mr. Early probably hasn’t been called Farmer Ted a great deal, and his actions while behind the wheel of the tractor result in a plot thread which is picked up in “Tear Asunder” to great effect.

I’m still not 100% sure that “Life” is going to find an audience, but, even so, kudos to the producers for steering their boat into slightly less murky waters.

Here’s a teaser:

Quickhit review: “K-Ville”

Our main TV reviewer, Will Harris, put together a terrific preview of the fall season for Bullz-Eye, but I thought I’d chime in on a few of the premieres and see if we can get some discussion going about the new season.

“K-Ville” follows a New Orleans cop Marlin Boulet (Anthony Anderson) and his mysterious new partner Trevor Cobb (Cole Hauser) as they try to navigate the crime-filled streets of a city on the rebound. Anderson had a nice stint playing Antwon Mitchell on “The Shield,” and after a start in comedy, his career has taken a decidedly dramatic direction. To this point, Hauser has done mostly supporting work in films, but is now taking his quiet confidence to the small screen. The show looks a lot like a Bruckheimer film and the two lead characters have a nice dynamic. The backdrop of New Orleans is a gritty one, so the series needs to be careful to keep itself completely realistic. (SPOILER: The whole running-up-and-wrapping-a-chain-around-the-leg-of-a- helicopter-so-it-couldn’t-take-off routine didn’t really work for me.) I’m not sure the world needs another cop show, and one wonders if the country is willing to re-live the depression of Katrina on a weekly basis, so the series seems to be doomed from the start. Still, the cast is good, the writing is decent and the premiere was enjoyable (if a bit heavy-handed), so it has a shot. I’m going to take it week-to-week.

So, what did you think?

If you missed the premiere, Fox is re-airing it tonight at 9 PM…and if you miss that, too, there’s always this teaser:

Prison Break: “Orientacion”

After a season of being on the run, some fans of the show complained that they missed the overwhelming claustrophobia of the first season. Well, to put it succinctly, it looks like the old “Prison Break” is back.

When last we left them, Michael, Mahone, T-Bag and Bellick were all sent to Sona, which is Panama’s toughest and most ruthless prison (of course). I had to laugh when that cat at the American embassy painted an overly bleak picture for Linc. He said that Sona was “the worst of the worst,” that “the guards had pulled out” and are now just “keeping a perimeter.” Good grief.

With Lincoln exonerated, I was curious to see how the show would be able to reinvent itself, and it looks like Michael’s new mission will be to break a very important person (Whistler?) out of Sona. He only has a week to do it, so assuming one episode per day, this new storyline might only eat up a third of the season. Whistler is probably the guy that Bellick spoke to in the basement. Speaking of Brad, how disturbing was it to watch him walk around in those tighty whities?

Mahone wants to help Michael, if only to get Michael to testify on his behalf once the two are out of prison. Since Mahone killed his pops, Michael isn’t too keen on the idea, but he might not have much of a choice given how badly the cards are stacked against him. T-Bag seems to have already wormed his way into the good graces of Luchero, a Panamanian drug kingpin who runs the prison. By the way, Luchero is played by Robert Wisdom, who was terrific as Major Howard “Bunny” Colvin on “The Wire.” It will be fun to watch him play such a cartoon-ish character.

It looks as if the roles of LJ and Sara will once again be to coerce the brothers into working for the unseen powers that be. I get the feeling that Michael and Sara won’t be able to truly be together until the series finally comes to an end, whenever that is.

It also appears that two or three new women will have major roles this season. There’s the woman that Linc met at the bar, the prostitute that dressed up as a nun, and the woman outside the prison who was looking for the notes from the guy in the basement. (They’re all brunettes, by the way.)

And there’s still the question of all that money which, if I remember correctly, is sitting in a lagoon under a few feet of water.

So we’re off. Do you like the new direction of the show or do you wish they had wrapped everything up at the end of last season? I’m not sure how I’d answer that question, but so far, so good.

So much for getting the jump on my “Heroes” blog…

With the second-season premiere of “Heroes” scheduled for next Monday at 9 PM, I had hoped I’d be able to provide you with a few teasers of what the episode contained, since NBC generally sends out advance screeners of its season premiere.

Not so, however, for “Heroes.”

I approached the network and asked if I should be expecting a screener, or if NBC wanted the critics to be watching the season premiere for the first time along with the rest of America.

“Actually,” responded a network spokesperson, “we are not sending the ‘Heroes’ premiere (or) early episodes out for review. The producers want to hold it back and allow viewers to be completely surprised. ”

Disappointing…but not entirely surprising. And, hey, it actually makes me even more excited for Monday to get here, so how can I really complain?

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