Category: External TV (Page 315 of 419)

From NewsFromMe.com’s lips to your ears…

And if the word “Skidoo” doesn’t immediately conjure visions of Jackie Gleason on an acid trip and Groucho Marx as God, then clearly you haven’t been reading Premium Hollywood enough, since we’ve talked about it here and here.

Ultimately, though, the man responsible for bringing it to my attention in the first place was Mark Evanier, the proprietor of the aforementioned NewsFromMe.com…and I’d love to tell you that the student has surpassed the teacher and that I’m more excited about this rare TV screening of the film than he is, but, then, I’m not the one who sat down and took the time to create a banner in order to advertise it to as many people on the ‘net as possible (and, he promises, there will be more banners forthcoming).

Victory: Evanier. I applaud you, sir.

UPDATE, 9:11 PM: In retrospect, perhaps I was too hasty in making my concession speech. It just occurred to me that perhaps I might be able to find another clip of “Skidoo” on Google Video to embed in this posting, so I did a search for the words “Skidoo” and “Gleason,” and I found…the entire movie! Of course, you probably won’t want to sit in front of your computer for the full 94-minute run time of the film, but at the very least, you can watch enough to decide if it’s worth your precious TiVo time to record it.

FURTHER UPDATE, 6:48 AM The Next Day: Never mind. Truman definitely beat Dewey. I came back this morning and found that the link I’d posted was dead. My guess: the Preminger estate got wind of it. Whatever the reason, you’ll now have to make do with the first nine and a half minutes of the film…well, for however long it takes it to get yanked, too, anyway:

A Brief Q&A with Zach Braff and Bill Lawrence (“Scrubs”)

In celebration of “Scrubs” returning to NBC for its seventh and final season, here’s a look at the brief but entertaining few moments I was able to spend on a teleconference with star Zach Braff and Bill Lawrence. The guys spent an hour and a half on the line, answering one question after another from reporters from hither and yon, and I was lucky enough to be the second person to get on the phone with them, but to give you an idea of how many people were on the call, by the time I got my second shot at the mike, we were at the hour and a half mark. In fact, I was the very last question of the event…but we’ll get to that in a moment.

FIRST TIME AROUND –

Bullz-Eye: Bill, what’s the status of Aloma Wright (Nurse Laverne Roberts) on the show? I know the rumor had gone around for awhile that she would be coming back and playing Laverne’s alcoholic sister, but now I’ve heard…

Bill Lawrence: Well here’s the scoop, man, and you can totally help me out with that because, you know, I have a feeling that I’m going to get a lot crap from our fan base. But, uh…so I wanted to get this story out, which is basically when I killed Aloma last year, I would never take work away from a, you know, an actress that we consider part of the family. We thought last year would be the last season. So when I killed Laverne, it was because we basically said, “Hey, what’s a good dramatic arc for the end of the year, since we’re kind’ve ending up the show?” And once we got there, we had already written the stuff, but we had been told by our studios that the show would continue for another year. So I promised her that she would come back. I don’t want people to get mad at me. She returns as a nurse named Shirley; she looks slightly different, but she still looks like the same actress. But the only thing we’re doing is that only Zach’s character thinks the two of them look alike.

Zach Braff: I wanted them…there was talk – and we haven’t done this yet – that she would be a Coquettish atheist.

BL: And then there’s a lot of talk, too, that because she’s a new character, some of the writers think that we should kill her yet again…but, this time, nobody cares.

ZB: Yeah. “Did you hear Shirley got run over by a car?”

BL: It was, “She got hit by a bus. Oh, hey, do they have any donuts?”

BE: (Laughs)

BL: So she will be back, and I apologize to people. And, hopefully, they will let it go, and she will be back as a…you know, I figured “Bewitched” had two different guys play her husband, so I can have someone as a joke come back as a different character.

BE: Zach, is there any side of J.D. that hasn’t been explored in the show yet that you’d like to see explored in the final season?

ZB: I…that’s a good question. I feel like there’s…I mean, seven years worth of sides of J.D.. I don’t know. I think we…I like it when we explore his love of Donald Faison (Turk). I think we can always have more of that.

BL: Also, the…Zach’s already doing it, even though he’s not saying it, which is that I think that this show…the ending of this show will be unsatisfying for people if they don’t feel like his character has finally grown up, you know? And, you know, one of the things that’s tough about being lucky enough to go on this long is that you can only do the young kind of man child who hasn’t matured yet for so long before Zach’s coming to me and being, like, “Bill, I’m…you know, my character is 30 years old now. I think he might not wear cartoon t-shirts or jammies to bed.” And, so, we’re trying to make him a little more mature.

BE: Thanks.

After Braff and Lawrence had been answering questions for an hour straight…including several from Jewish publications, which amused Braff to no end… the conference moderator – that would be the lovely Carol Janson – came on the line and asked the operator how many questions were left in queue. When it was confirmed that a mere seven questions remained, Ms. Janson asked the guys if they were willing to answer the final seven questions…and, God bless ‘em, they were game.

Continue reading »

Prison Break: “Interference”

The longer that Linc goes without telling Micheal about Sara’s death, the more trouble it’s going to cause down the line. Linc’s probably smart not to break the news, as it would probably cause Michael to flip out and that would jeopardize L.J., but Michael is going to see the omission as a betrayal.

The creators took another shot at Sarah Wayne Callies by having Susan make a reference to Linc losing his head and then saying there’s “a bad joke about Sara in there somewhere.” I think this a cheap attempt at humor and I don’t find it realistic that Susan would make this comment let alone kill Sara in the first place. It’s too big of a risk that Michael will find out about her death and refuse to help the Company. The bottom line is that the creators wanted to kill off Sara and this is the best they could come up with. Regardless, expect some serious vengeance when Michael discovers the truth.

The escape plan is coming together…sort of. Michael wants to break out during the day (nice twist!), only his plan runs into a snag when one of the guards spots Michael watching him through a binocular lens. With his cell locked up, Michael must now figure out how to break the chains (or come up with Plan B) within 24 hours.

I’m not sure what the point was of Sucre taking on the role of drug smuggler nor is it clear how the drug kingpin makes any money off the prisoners. Isn’t there a fixed amount of money flowing around Sona? So when drugs go in, where is the new money coming from? And where is it going? Luchero has a bundle, but I just don’t know how these customers are coming up with the cash. And how can the kingpin afford to give Sucre $5 K for that little bundle? I’m confused.

Linc’s expression when Sofia took off her shirt on the beach was pretty funny. Is this a sign of a new romance? She seems to be fully in love with Whistler (and is willing to go to great lengths to break him out), but if he betrays her somehow, it will be easy for her to run into Linc’s big arms.

T-Bag’s story progressed a little when he stole the heart of Luchero’s whore. He may have overstepped his bounds, but I think she’ll help him at some crucial point in the future. He also has Mahone running a tab for his drugs, so expect him to leverage that debt sometime soon.

Finally, there’s a new prisoner and Star Trek fans will recognize Dominic Keating from his role as Malcom Reed on “Enterprise.” He’s English, and I’m not sure what accent his character is supposed to have, but he shed some light on Whistler’s past when he said that he met Whistler when he was “with the ambassador.”

It looks like the gang will have to try to use the guard’s coffee cup against him. I’m not sure how Michael plans to do it, but something tells me he’ll find a way.

Friday Night Lights: “Are You Ready for Friday Night?”

My apologizes to those readers expecting this post earlier, but I was out of town this weekend and was unable to watch FNL until last night.

Anyway, I thought this episode felt more like the ol’ “Friday Night Lights,” and a lot of that had to do with the return of Riggins. He made cameo appearances in the first two episodes, but this week the show focused more on Riggins and his personal struggles with alcohol. That sounds dark and all, but Riggins is funny as hell when he’s drinking.

I wondered in last week’s blog whether or not Riggins would pull Lyla to the dark side or if she’d bring him to the light, and I thought the writers did a nice job of handling the first battle fairly quickly. He has an apparent religious experience at her church and then, after being let in by “Little Garrity,” he tries to make a move on Lyla because he says that when he’s with her, he feels “closer to God.” By the end of the episode he’s sipping a roadie as he and Jason drive to Mexico for some experimental spine surgery. Awesome!

It looks like Coach Taylor is on the verge of returning to Dillon. The Panthers won their opener, but based on Matt’s outburst after the game, it’s clear the team is pretty fractured. I’m not sure how Buddy intends to expel the current coach, but after his “I don’t have time to take advice from the team mascot” comment he had for Jason, I’ll be glad to see him go. I thought it was really cool the way they shot the scene with Coach Taylor seeing the stadium’s lights and deciding to stop to watch the end of the game.

Anyway, it’s good to see Buddy get a purpose in his life again, and he had a great line when Riggins said that he passed out at practice because he was hungover:

“Son, don’t you ever say that again. I’ve seen you play many times hungover and you always played like a champ.”

That’s classic Buddy for ya.

Once Eric heard that Tami slapped Julie after pulling her out of a boy’s car, his decision to return to Dillon was pretty easy. He obviously isn’t very happy with his role at TMU and it’s clear that his family is falling apart without him around. I thought it was a smart (yet sly) move for Buddy to play the family card with Eric, but it definitely worked.

The Matt vs. Smash conflict feels a little forced to me. Smash’s problem is his big mouth. I don’t think Matt cares (that much) that the team is going to a more run-oriented attack, but Smash was able to paint Matt’s concerns as jealousy, diverting the conversation from the real problem: his ego. I think Matt’s outburst after the game has more to do with his anxiety over losing both his mentor and his girlfriend back-to-back and less to do with Smash’s increasing celebrity.

The Matt and Carlota romance is heating up a little bit, though I’m not sure that she knows it. The conversation about Matt’s laundry was hilarious.

Lastly, the show’s darkest storyline continues to move forward, albeit quite slowly. The episode began with Tyra and Landry waking up after their first night together and Landry’s dad (Old Yeller from our “24” blog) seemed to be pleased to see her exiting his bedroom window. I thought it was a really sweet moment in the restaurant when Tyra explained to Old Yeller why she liked Landry, and I think that by having to defend him, she realized why she likes him so much.

The missing watch is still an issue, but I have a tough time believing that it’s on the body. Landry would have had to put the watch in the body’s pants pocket and even then I don’t know that it would survive a trip down the river. If it does turn up on or near the body, it will be interesting to see if Old Yeller is the type to protect his son (by covering the killing up) or hang him out to dry.

In the end, I just don’t see Landry going down for this.

Heroes 2.5 – Enter Kristen Bell!

My Two Dads go their separate ways as Matt teams up with a new partner: Nathan. Still, Suresh made sure to give Matt what for before he hit the road. Matt’s dad seemed like he was gonna be a bit of a wuss, based on how he was acting once his son got the shotgun away from him, but he certainly proved to be a Nightmare Man before long, picking the worst fears out of the minds of both Matt and Nathan and forcing them to believe that they were living it. It took me a second to realize that, in addition, he was also forcing them to battle each other; that was pretty damned cool…and very comic-book-y. (I love it when they do stuff like that.)

Peter’s being stalked by Kristen Bell? Wowzers! And she’s clearly a bad-ass, what with her indifference to killing. Loved the shrug-off, “What’s the big deal?” So do you think her “sorry, Daddy” comment was being sarcastic, or will we really discover that she’s the daughter of another character…and, if so, who will it be?!? Dunno when she’ll finally find her target but…oh, geez, I guess I’ll restrain myself from making a joke about how there’s sure to be real electricity between them. I was glad to see that the opening of Peter’s so-called “memory box” didn’t result in a sudden influx of recollection, but I loved the way he channeled Isaac’s power. We just haven’t seen nearly enough eye-whites this season, dammit.

Monica’s dialogue with her co-worker couldn’t have been much more clichéd, but the horror on her face when she found that she couldn’t stop herself from playing piano, watching her fingers move faster and faster across the keys, was palpable, as was the excitement once she got the hang of her powers and did up the Double Dutch. I didn’t expect to see Mohinder pop up on her doorstep, though. I’m still disappointed that Nichelle Nichols is getting such a light load as Nana, though…but I’m led to understand – from Tim Kring himself, no less – that her character will come into her own eventually. Sooner than later would be preferable, however. (The fact that Nichols is scheduled to do a conference call on Thursday bodes well for the immediate future, methinks.)

The whole Hiro-in-feudal-Japan story has descended into boredom for me, and I don’t think it’s just because I didn’t find the whole leaving-scrolls-in-the-sword-for-Ando thing plausible. They really need to hurry up and bring him back to the present.

Says Stephen Tobolowsky, “It’s easier to ask forgiveness than permission.” Boy, if that’s not the official slogan for The Company, it damned well should be. Nikki sure as hell made a dramatic entrance, didn’t she? I’m understandably skeptical that they can really sure her of her Jessica side, but time will tell, I reckon.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑