Category: External TV (Page 290 of 419)

Review: “John Adams” – Episode 3

When we last left John Adams, the Declaration of Independence had been signed, but now that we’re back, it’s time for him to head over to Paris – with his son, John Quincy Adams, in tow – in order to assist Benjamin Franklin in establishing a treaty with France so that they will assist America in its efforts to battle against Great Britain.

John’s initial announcement of his impending departure goes over poorly with Abigail, given that he’s only just returned from an expedition, but as those of us who’ve ever found ourselves as part of a couple can appreciate, her reaction is one which begins with utter infuriation but concludes with concern that he’s packed properly for his trip. The two Johns soon get aboard the ship to head to Paris, and there’s a humorous moment where young John Quincy lies in his hammock and continues to do his lessons while his father pukes his guts out. (Some people just can’t handle the motion of the ocean.) Things quickly get dramatic, however, as the ship encounters a vessel on its way from Great Britain, resulting in a oceanic battle with guns and cannons blazing. Certainly the most profound moment from a character standpoint occurs when Adams ignores the demands of the ship’s captain and joins the battle, but it leads to a disconcerting sequence where one of the hands is struck by a cannonball and requires immediate surgery. Note to self: if I’m ever time-traveling back to the 1700s, avoid any injury that might result in amputation.

Upon their arrival, the Adams boys meet up with Benjamin Franklin, and while John Quincy begins the matter of his further education, his father quickly learns that his erratic temperament has no place in France. Franklin first announces that a tentative treaty between France and America has been signed, thereby making Adams’ sea voyage predominantly unnecessary, but when Franklin discusses the specifics of the treaty, Adams immediately gets out of sorts, demanding more. It’s not an attitude which sits well with the French, and it’s made worse by the fact Adams hasn’t bothered to learn a lick of the language. The audience clearly sympathizes with Franklin in the scenes where he chastises Adams for his poor ambassadorial methods, and it’s even harder to treat Adams as a good guy when he continues to fly off the handle on these matters. Again, Tom Wilkinson’s performance as Franklin is wonderful, interspersing Franklin’s well-documented wit with his knowledge of politics and infuriation at Adams’ refusal to pay him any heed.

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It’s official: CBS has canceled “Jericho.” Again.

I’m not surprised, of course, but nor am I any less sorry about it.

CBS Entertainment President Nina Tassler just released the following statement: “The March 25th episode of Jericho will be the series finale. Without question, there are passionate viewers watching this program; we simply wish there were more. We thank an engaged and spirited fan base for keeping the show alive this long, and an outstanding team of producers, cast and crew that went through creative hoops to deliver a compelling, high quality second season. We have no regrets bringing the show back for a second try. We listened to our viewers, gave the series an opportunity to grow, and the producers put a great story on the screen. We’re proud of everyone’s efforts.

Clearly, the fact that I stopped blogging the show had absolutely no effect on its low ratings, but I still feel bad about it. (It was one of those situations where circumstances prevented me from blogging one week, and it just snowballed.) These episodes of Season 2 were consistently strong, powerful, and packed with both plot development and action, but, ultimately, if America would rather watch lesser programming, that’s their choice.

It’s the wrong choice, of course, but you know what Doris Day sang: “Que Sera, Sera.”

Do I think the Sci-Fi Network will consider picking it up for a third season? No, not really. I mean, I’d love it if they did, but when a show has been rescued from oblivion once and still can’t get its ratings up, you’re clearly dealing with a situation that isn’t going to be remedied by moving the program to another network. But at least you can’t say the series didn’t go out the same way it began: with a bang.

Lost 4.8 – Meet Kevin Johnson

If you were sad to see Michael go at the end of season two, well, tonight was your night. If you were like me, however, and felt like his departure couldn’t come any sooner, then you were probably cursing the TV gods for bringing him back. In what quickly became a special “Lost” version of “Where Are They Now?,” tonight’s episode did little more than run through what Michael has been up to since leaving the island. It was a major departure from the basic narrative structure of the series (though they’ve done something like this once or twice before), and it was easily the worst episode of the season.

After failing to commit suicide by driving his car into a dock container (is that really the best he could come up with?), Michael goes to visit Walt at his mother’s house. Unfortunately, Walt won’t talk to his father after what happened on the island, and so Michael tries to kill himself (again) using a gun he swapped Jin’s watch for at a local pawnshop. Before he can pull the trigger, though, Michael is visited by an unexpected guest in the alley. It’s Tom (AKA Mr. Friendly), and he doesn’t waste any time in letting Michael know that Ben has been keeping tabs on him since his departure. He also insists that Michael can’t kill himself because “the island won’t let [him].”Nevertheless, being the sorry-ass idiot that he is, Michael decides to test this theory out, and the gun jams.

Whether or not this means Tom was actually telling the truth is a moot point, because after seeing footage of the wreckage on TV, Michael is quick to agree to go undercover and play hero to his “friends.” Given a new identity (Kevin Johnson) and a job as a deckhand on the freighter, Michael’s first day on board brings him a present from Ben. It’s a giant fucking bomb, but after activating it, he discovers that it doesn’t quite work. Instead, Ben wants Michael to simply sabotage the ship so that it will never reach the island, but when Michael relays his tale to his fellow Losties, Sayid turns him over to the boat’s captain as a traitor.

Now, you’re probably asking yourself, “Is that it?” In so many words, yes, it is. There was also a brief subplot involving Ben’s sending away of Alex, Karl and Rousseau to the island’s Temple station, but after Alex’s beau and mommy were gunned down in the jungle, who actually thought it was the freighter folk doing the shooting? It’s obviously Ben’s people doing what they do best – killing innocents – and I could give a rat’s ass what happens to his daughter. Get back to the good stuff already!

In the end, I don’t believe there was a single thing the average viewer actually learned from watching this episode, aside from the revelation that writing a character off a show and then bringing him back is never a good idea. I mean, did we really need Michael to return? Ben’s spy could have just been some random dude they’ve never met before – at least then we wouldn’t have to sit through an entire episode filling in the gaps. I have faith (little as it may be) that the writers know where they’re going with this angle, but if Michael doesn’t make it out alive this season (and part of me wishes he won’t), I’m going to be pissed off. It’s ultimately lose-lose, but if I had to choose, I’d rather waste a single night than put up with that whiny bitch for the rest of the series.

Britney Spears on “How I Met Your Mother”?

C’mon, you know you want to see some clips, don’t you? Let me know what you think, not only about her appearance but about the show itself. I’ve long been a fan of the show, and I’m on pins and needles waiting for the 3rd season pick-up. I haven’t even had a chance to watch these clips yet myself, but all I know is that if Britney’s guest shot brings enough ratings to the show to get it a Season 3, then I’m all for it. But, say, why don’t we both go watch the clips right now?

WMV: Clip 1 and Clip 2

Flash: Clip 1 and Clip 2

MP4: Clip 1 and Clip 2

Post-viewing opinion: Okay, A) she’s looking way cute, and B) her last line in that second clip made me laugh out loud. This definitely doesn’t look like the train wreck it so easily could’ve been, but, then, I pretty much trusted the producers of the show from the get-go. I’m just glad that Britney seems to have been able to step up to the plate and play at their level…well, based on these incredibly short clips, anyway. We’ll see the full product on Monday night.

Review: “John Adams” – Episodes 1 & 2

Historical dramas are a dodgy proposition to pitch to the mainstream. True, Showtime has been doing all right with “The Tudors,” but let’s face it: the success of that series has ultimately been as much to do with audiences eating up the soap-opera aspects of the storyline as it is to do with the actual historical events contained within. Since HBO’s new 7-part miniseries, “John Adams,” can’t possibly compete on the same level (nor would its producers have any interest in attempting to do so), it’s evident why the network has felt obliged to promote the work everywhere possible, up to and including every single Netflix envelope that’s gone out in the past few weeks. The good news, however, is that if people actually take a chance and tune in, what they’ll find is an enthralling program which will, fingers crossed, inspire Americans to sit up and take proper notice of their history.

Paul Giamatti and David McCullough at the Virginia premiere of John Adams
Paul Giamatti and David McCullough
at the Virginia premiere of “John Adams”

Based on David McCullough’s 2002 biography, “John Adams” provides a detailed examination of the life of America’s second President, with the title character played by…Paul Giamatti? Giamatti might seem on the surface to be an odd choice for the role of John Adams, since he’s known more for the comedic rather than the dramatic and hasn’t done all that many period pieces; the only ones that leap immediately to mind are “The Illusionist” and “Cinderella Man,” and both of those take place in the 20th century, so they’re not really stepping that far back in time. You’d never know of his lack of his experience from his performance here, however. The phrase “acting tour de force” doesn’t begin to describe how substantially Giamatti owns the role of John Adams; it’s a measured performance, showing a man who loves his wife and family but struggles to find a way to keep them close while building a new nation.

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