Category: External TV (Page 285 of 419)

Battlestar Galactica: “The Ties That Bind”

Wow.

As I was watching this episode, I couldn’t help but think that it felt a lot like filler. Much of it was dedicated to ho-hum storylines like Lee adjusting to his new job, Cally dealing with the difficulty of motherhood and, of course, the grumpy, unbelieving underlings on Cara’s new ship, the Demetrius.

But then it happened. The gritty Cally (whom I’ve always liked, even though she was tough to watch for much of this episode) followed Galen to the weapons locker and managed to learn the truth about the three newly aware skinjobs. Suddenly, the secret was out. It was quite the moment, though I question Tigh’s decision to leave a note for a super-secret meeting where an obviously suspicious Cally could (and did) find it. Several questions jumped to mind. Who would she tell? Would anyone believe her? What would she say to the Chief? And what would she do about Nicholas?

It turns out she didn’t want to say anything to Galen. Her world was turned upside down, so she reacted by hitting him over the head with a wrench – by the way, that’s some serious symbolism, considering their professions – and then whisking her baby away to the airlock. Apparently, her solution was to commit murder-suicide without bothering to tell anyone in the fleet that there were more cylons in their midst. It was a little on the unbelievable side, but the writers set it up with all of those sleepless nights earlier in the episode. We were to believe that she was tired and she wasn’t thinking straight. Still, as a new father myself, I was appalled at the prospect of her apparent decision to jettison her son out of an airlock.

But there was Tory to “save” the day. Of all the new cylons, she seems to be the most complex. Her speech in the airlock and subsequent betrayal was a shock to the system. I don’t think that it was until I saw a lifeless Cally floating through space that it finally hit me – this is really the last season of “Battlestar Galactica.” Heads will roll.

The Cally/Galen/Tory storyline was the crux of the episode, but there were some interesting developments at Cylon HQ as well. Genocide seems to be ruling the day, and it’s unclear which side is going to win out. I’m a little hazy on the whole there’s-no-resurrection-ship-nearby-so-we-can’t-survive line of thinking, as dead skinjobs have never had a problem traveling long distances before. But what the heck, I’ll play along.

I thought the best moment of that whole mess was when Six had to say “please” to the Centurion. That moment was just dripping with subtext.

Speaking of subtext, it seems like VP Tom’s suspicions about Roslin’s presidency is a commentary on the secretiveness of the administration currently inhabiting the White House. Lee didn’t like Roslin’s attitude when he tried to quell concerns about the Demetrius, so he got a little vindictive and brought up that classified executive order. By the way, wasn’t VP Tom pretty annoying with that little knocker of his?

Lastly, on the Demetrius, nothing really happened in Starbuck’s world in the last 22 days, and the natives are getting restless. However, we did learn that she just wants “to frack.”

“My Boy Jack” is too good for TV

It’s very rare to come across a made-for-TV movie that is both competent and enjoyable, but the BBC-produced “My Boy Jack” (which premieres on PBS April 20th and arrives on DVD two days later) does just that. Based on the stage play written (and adapted) by David Haig, the film stars the veteran actor as popular English author Rudyard Kipling, a major supporter of Britain’s involvement in the first World War.

Though his son John (Daniel Radcliffe) would like to make his father proud by serving his country, the various British military divisions constantly reject him due to his poor eyesight. Kipling’s influence eventually lands John a spot in the Irish Guard, and within weeks, he’s promoted to lead his very own platoon into battle. When he suddenly goes missing after his unit is massacred at the Battle of Loos, however, John’s mother (Kim Cattrall) leads a search to discover exactly what happened to her only son.

Surprisingly tame for a war drama, “My Boy Jack” is more about Rudyard Kipling’s struggle to accept the unknown fate of his child than the war itself. Moreover, because it’s based on a play, the story depends entirely on the performances of its cast. Haig, who also played the role of Kipling during the stage production, delivers a tour de force worthy of an Emmy nomination, while Radcliffe (who continues to break “Harry Potter” typecasting with each polar role) delivers a fine performance as the title character. Kim Cattrall, on the other hand, sticks out like a sore thumb, and though she doesn’t do a particularly terrible job as Kipling’s American wife, one really has to question the person in charge of casting the “Sex & the City” star in such a role.

Nevertheless, “My Boy Jack” remains an adequate primetime option on a night when there’s normally nothing on. It’s short, intelligent, and features some great performances. Sure, it’s no “Saving Private Ryan,” but there’s just enough going for this war drama to justify recommending it to anyone who likes a little history with their entertainment.

The Office: “The Chairmodel”

Tonight’s episode (which was a little bit of a letdown after last week’s terrific return) had three major storylines:

1) Newly-single Michael looks for a date. (hilarious)
2) Andy and Kevin try to get their parking spaces back. (filler, though I did enjoy Andy’s dance in the parking lot)
3) Jim and Pam might take the next step. (touching)

Classic lines:

Creed: “Then I’ll have two chairs. Only one to go.”

Michael: “Would an average size rowboat hold her without capsizing?”

Michael: “Hmmm. Wendy – a feisty redhead.”

Jim: (on bended knee) “Hey, Pam. Will you…wait for me for one second while I tie my shoe?”

That last one was a beauty.

Who? Indeed. Sarah Jane? Yes, her as well.

It’s old news to you blokes in the UK, but here in the States, we “Doctor Who” fans are positively chomping at the bit to check out Season Four of the series. The fact that the first episode of the season, “Voyage of the Damned,” is premiering tomorrow on the SciFi Channel is therefore like getting a Christmas present in April…though, mind you, it also doesn’t hurt that the episode in question actually has a Christmas-oriented plot. (It’s become an annual tradition for the series to produce a 90-minute holiday special to precede the actual season premiere.) The real “Who” geeks in America have probably managed to view the episode via the ‘net, since I know that it’s been broken up into chunks and posted in its entirety on YouTube by some industrious fans, but even those who’ve seen in such a fashion will still no doubt enjoy being able to watch it on a decent-sized screen in top-notch quality.

When we last left The Doctor, he’d crashed the TARDIS into…the Titanic? Well, yes and no. Seems it’s actually a starship bearing that famous name that he’s collided with, and he’s arrived just in time for a lovely shindig. The best bit about the function: one of the waitresses looks suspiciously like Kylie Minogue. As “Who” casting goes, this one’s clearly strictly for the novelty, but Ms. Minogue holds her own admirably as she and The Doctor pop down to Earth for the holiday (the ship’s in orbit around our big blue marble), only to find that London’s all but evacuated due to fears of yet another alien invasion…and, y’know, it’s a fair cop, what with how many times it’s happened in the past. The two find themselves abruptly returned to Titanic, however, just in time for – you guessed it – a collision. I won’t be spoiling the fun for those of you who haven’t seen the episode yet, but I will say that my favorite character was a short and spiky red alien called Bannakaffalatta, and I, like the Queen herself, must give The Doctor props for his steering ability. All in all, it’s not one of the best “Who” episodes, but it’s always good to see David Tennant step back into his familiar shoes, and the finales on both the Titanic and on Earth were each sweet enough to get me at least mildly choked up. (I’m an old softie, though, so your own mileage may vary.)

Not only is The Doctor back on SciFi, but also on the Channel is a new show featuring one of his former compatriots, Miss Sarah Jane Smith. “The Sarah Jane Adventures” came about when the BBC asked “Who” executive producer Russell T. Davies to consider working up a spin-off for the kids’ market; rather than take their initial suggestion of a teenage version of The Doctor, he pulled together a series which focused on Sarah Jane, since the actress who played her – Elisabeth Sladen – had recently revisited the “Who” universe, anyway, in “School Reunion.” The resulting series, which teams Sarah Jane with her 13-year-old neighbor, Maria (Yasmin Paige), still feels very “Who”-like, but, as anticipated, is a bit less intense, so as to keep from scaring the younger viewers.

The hour-long premiere episode – it’s regularly a 30-minute show – premiered on SciFi last week and set the stage for the series by showing Maria and her dad moving into their new neighborhood. (Maria’s mom’s still in the picture, but after sleeping around, she and Dad aren’t exactly a couple any more.) The two quickly begin to meet their neighbors, including a rather obnoxious little girl named Kelsey (Porsha Lawrence Mavour) and, more importantly, Sarah Jane. On the first night in the new house, Maria spots Sarah Jane communing with an alien; as you’d expect, she’s pretty freaked out, but she’s also fascinated. It’s a fascinating area all around, this new neighborhood, as the soft drink called Bubble Shock! is manufactured nearby…by aliens! Long story short, Sarah Jane gets involved, teams up with Maria and her pal, takes down the aliens, and ends up with an adopted, alien-bred wonder child in the process.

“Invasion of the Bane” was initially aired as a one-off special rather than the first episode, which turned up 9 months later, but I’ve seen the first proper episode as well – the two-part “Revenge of the Slitheen” – and it’s just as much fun. Even better, Kelsey’s abruptly vanished from the proceedings, replaced by Maria’s new and far less annoying school friend, Clyde Langer (Daniel Anthony). As you’d expect from a Slitheen-themed episode that’s been adapted for a younger audience, the fart jokes are legion, but, really, who doesn’t enjoy a good laugh at a bit of gas, eh?

If you’ve got a kid who’s into sci-fi, you’d do well to steer them toward “The Sarah Jane Adventures,” and if you’re already a “Who” fan, you won’t want to miss it, either. It’s quite like something you’d expect to have originated from ABC Family these days; it’s well-written, it’s both funny and dramatic, the special effects are on par with “Doctor Who,” and despite technically being for teens, it’s in no way dumbed down for a younger audience.

Catch “The Sarah Jane Adventures” tomorrow at 8 PM EST, with “Doctor Who: Voyage of the Damned” premiering immediately thereafter, at 8:30 PM EST.

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