Category: External TV (Page 283 of 419)

Lost 4.10 – Something Nice Back Home

It only makes sense that following last week’s awesome episode, tonight’s show would be comparably worse. Them’s the rules of “Lost,” I’m afraid, and though we got some more insight into the events leading up to Jack’s eventual post-rescue breakdown, the action on the island was considerably tame.

I mean, does Jack’s appendicitis really qualify for that level of dramatic tension? Hardly, but when Juliet announces that she’s going to have to operate, everyone freaks out, including Jack, who becomes so unruly during the actual surgery that Bernard eventually just knocks him out with some chloroform. Before all that, however, Faraday and Charlotte head to the medical hatch to pick up some supplies for the surgery, and since everyone has decided that they’re no longer to be trusted following Bernard’s Morse code trickery last week, Jin and Sun tag along with orders that if they try to run away, they’re to shoot them in the legs. That’s always a nice way to make someone feel at home, no?

Of course, I honestly believe that none of the original freighter folk (Faraday, Charlotte, Lapidus and Miles) are bad people, but that doesn’t change the fact that they’ve been placed in an incredibly awkward and high-tension position. For all the hoo-hah caused about their possible disloyalty, however, it seems like the only reason that entire subplot was written was so that Jin could approach Charlotte about her ability to speak Korean. Charlotte denies it at first, but when Jin threatens (in Korean, of course) to break Daniel’s fingers, she gives in. And what exactly does Jin want in trade for keeping Charlotte’s secret? A promise that when the helicopter arrives, she’ll take Sun away from the island.

Meanwhile, Sawyer, Claire and Miles are still making their way back to camp, and with the exception of their discovery of Danielle and Karl’s bodies half-buried in the ground, it was a pretty pointless subplot. Sure, we got to see Sawyer verbally attack Miles like he was the second coming of Hurley, but it wasn’t really going anywhere until Claire mysteriously wandered into the jungle, supposedly with her father. Sawyer goes looking for her, but all he finds is evidence of bad parenting at its absolute worst – poor Aaron all alone underneath a tree.

Claire wasn’t the only one seeing visions of Dr. Christian Shepherd, though. In Jack’s flash-forward, the good doctor discovered that not all good things last forever, and after a brief romantic stint with Kate, he eventually breaks things off following her admission that she went behind his back in order make good on a promise to Sawyer. Was Jack jumping to conclusions perhaps a little too quickly? You bet, but wouldn’t you too if you were seeing your dead father walking around your workplace? Of course, and though Jack gets some happy pills from a friend of his (cue bushy beard and mental breakdown), he’s still understandably freaked out by a recent visit from Hurley who claims that all of the Oceanic Six are really dead. I’m not exactly sure how to react to this sudden increase in the supernatural (Miles can talk to dead people, Hurley can see Charlie, Jack and Claire can see their father), but I’m definitely looking forward to finding out.

And our very special guest stars…Howdy Doody and Buffalo Bob Smith!

Show: “Happy Days”
Episode: “The Howdy Doody Show” (Season 2)

Roles: You will be unsurprised to learn that the most famous puppet of the 1950s and his cowboy-attired “handler” play themselves, if only because, really, who the hell else are they going to play? “Happy Days” enjoyed taking the opportunity to provide a rose-colored look at life in the 1950s, but rarely were they presented with the opportunity to incorporate actual television icons from the era into the fun. Fortunately, wooden puppets don’t age, and people were willing to let it slide that “Buffalo” Bob Smith was sporting a few more wrinkles in 1975 than could be found on his famous visage two decades prior.

Buffalo Bob

The episode revolves around Richie Cunningham (Ron Howard) trying to impress his editor at the high school newspaper by scoring a scoop, and his first idea is to interview Mr. Doody, whose show was – rather conveniently, it must be said – to be filming in Milwaukee. The Fonz (Henry Winkler) shoots down this idea, suggesting a more controversial alternative: to wrangle a backstage invite and sneak a shot of Clarabell the Clown without his make-up. So how does he get backstage? By entering a Howdy Doody lookalike contest. It’s ludicrous, of course, but seeing Ron Howard dressed in the standard HD attire is almost as funny as experiencing his disgruntlement after losing to a 9-year-old. While backstage with his right-hand man, Potsie (Anson Williams), Richie does indeed score the picture he’s sought, but after that, things immediately snowball at a ridiculous rate. Within hours of snapping the picture, word has already made it from Milwaukee all the way to the offices of Life Magazine, with the publication immediately getting Richie on the phone and making an offer for the photo. Visions of a journalism school scholarship are floating before Richie’s eyes…until the doorbell rings, and Buffalo Bob and Clarabell stand on the stoop.

Mr. C: Well, what brings you to our humble house, huh?
Buffalo Bob: Well…a clown’s broken heart.
Clarabell: (Frowns forlornly)
Mrs. C: He does look sad.
Richie: (Smugly) I guess you heard about my scoop. You know, Life Magazine wants to buy this picture!

Hey, nice, Richie. Way to be a complete dick. What’s next, blackmail? (“You know, Clarabell, for a little bit of dough-re-mi, I could make this photo just, y’know, go away.”) Fortunately, Buffalo Bob decides to take a tactic that only works in sitcoms set in the 1950s: heartfelt honesty.

Richie, there’s a reason why nobody has ever seen Clarabell without makeup. Y’see, behind that make-up, he’s Clarabell the Clown, and there’s sort of a mystique about him. It’s like the Lone Ranger without a mask: he’s a nobody. Y’see, millions of kids watch television every day to see their favorite clown, and to them, this is Clarabell. Now, if they were to see him as an ordinary man, Clarabell lives no more.

(Mrs. C attempts to liken the situation to “Tarzan without his loincloth,” but Mr. C assures her, “No, that’s a little different, Marion.”)

Richie is notably unmoved by this plea, trying to play the journalism-school card again, but while Bob makes it clear that it could well be a case of Richie’s future versus Clarabell’s career, he concedes that “you worked hard to get that picture, and I guess you’re entitled to sell it.” And then, with a facer arguably even sadder than the one painted on Clarabell, Bob plays the Ace of Guilt: “Rich, it’s up to you.”

You guessed it: Richie tears up the picture. Cue one very excited clown…and one pissed-off, whiny Cunningham.

After Bob and Clarabell leave, Richie doesn’t take the schmaltzy way out by saying, “Wow, it sure feels good to do the right thing.” Instead, he reacts exactly how a normal teenager would: he pouts and moans, “What about my scoop?”, providing yet another reason why the first few seasons of “Happy Days” are remembered as some of the best television the 1970s had to offer.

Battlestar Galactica: “Escape Velocity”

I like this show as much as the next guy, but his episode was pretty tough to watch. It meandered from depressing storyline to depressing storyline with the speed of a drunk turtle. From the Chief’s badmouthing of his dead wife to Tigh’s fragile grip on reality to Baltar’s fairly lame speech about religion, it was pretty tedious throughout.

In fact, it felt a lot like last week’s episode, only without the shocking ending. Hopefully this is a slow buildup and not a trend for the season.

A couple of questions occurred to me:

1) Why doesn’t Roslin get another blood transfusion from Hera? That worked the first time, so it would be the first thing I’d try if I were in her situation.

2) What is the meaning of the Chief’s rant in the bar? Was he just trying to get himself reassigned so that he couldn’t do any more damage to the humans or was he seriously upset that he wasn’t able to be with the love of his life (presumably Boomer, who is also a Cylon)?

I was never really a fan of the Tigh/Ellen relationship, so seeing her pop back up isn’t a good thing. It was interesting to see Six plant a kiss on Tigh; I thought for a moment that she was going to try to escape (which would have been a whole lot more exciting) but maybe she’s drawn to Tigh because he’s a skinjob.

Anyway, we didn’t get any news from the Demetrius or the Cylon fleet, so this episode failed to move those storylines along. From the “next week” scenes, it looks like the Demetrius is heavily involved, so at least we have that to look forward to.

Mr. Microphone

Thanks again, YouTube, for allowing me to relive my youth at the click of a button. I remember getting one of these for height=”355″>Christmas and immediately recording crap like “Hey, I’m on the radio!” all thanks to this goofy ass commercial. What cracks me up is the usage of heavy echo in this clip. There was no echo effect with this thing. You basically tuned it to an empty FM band and still had to deal with static interfering from time to time. Oh yeah, and that shot of the “musician” giving a live performance through Mr. Microphone is also hilarious.

Lost 4.9 – The Shape of Things to Come

After a few slow weeks threatened to ruin everything that Carlton Cuse and Co. worked so hard to build to this year, “Lost” returned from its month-long break with both guns literally blazing. Tonight’s episode wasn’t particularly revealing, but it did feature more action than I’ve seen in an entire season, and if this is any indication of how a “Lost” movie might turn out, count me in. Of course, the fact that I enjoyed it so much while simultaneously battling an unexpected sickness speaks volumes of just how good it really was, and while I’d usually follow that up with a play-by-play breakdown of the episode, I’ve decided to take the easier route by pointing out some of my favorite moments:

– The expression on Sawyer’s face when Ben handed him the shotgun was priceless. He went from “Holy shit, Ben’s going to shoot me” to “Holy shit, Ben’s my ally” in a matter of milliseconds.

– Sawyer’s Vietnam moment was equally enjoyable. It had bullet-ridden redshirts, picnic décor-turned-battle shields, and even a rocket launcher. Now we know where all that extra money from the strike went.

– Not to be upstaged by a bunch of Army men, Ben called upon the powers of the Black Smoke Monster to open up a can of SFX-powered whoop-ass. It’s been a while since Smokey last showed his amorphous face, but boy was it awesome.

– Not only is Ben a Jedi Master when it comes to mind games, but he’s apparently pretty handy with a retractable baton as well. Kudos to Michael Emerson for channeling his inner Neo, but now I want more.

– Ben used Desmond’s boat to get off the island? Fair enough, but then where the hell is Desmond? Hmm… maybe he’s on the island with Penny.

– We already knew that Sayid was a card-carrying member of the Dharma Assassin Death Squad (DADS), but the fact that Ben tricked him into thinking it was his idea really tickles us.

– Emerson is the king of the intimidating one-liner, but when he told Charles Widmore that he was going to track down his daughter (Penelope) and kill her, well, I couldn’t help but cheer him on. Could he really have been a good guy all this time?

– “That’s not what he said.” Bernard knows morse code? Ruh-roh, a certain paranoid physicist is in trouble…

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