Category: External TV (Page 255 of 419)

Heroes: Season 3 Preview

I have seen the first hour of the two-hour premiere of the new season of “Heroes,” and I’d just like to dispel a rumor that’s been floating around the ‘net: the episode does not begin with Sylar standing in the shower, assuring Claire that Season 2 was just a bad dream.

Poor Tim Kring. He’s spent the last year having to deal with non-stop comments about how the second season of “Heroes” didn’t live up to the expectations that had been set by the first season, so much so that he felt obliged to go on the record with Entertainment Weekly and apologize to the fans. But don’t feel too badly for him: Kring’s reputation is already on the mend, courtesy of this first hour of Season 3 (subtitled “Villains”), of which the producers of “Heroes” were so proud that they debuted it at Comic-Con way back in July.

Our man Jason Zingale was on the scene at the time…yes, that’s right, he saw it before I did, the bastard…but sadly for those who love their spoilers, he was willing to say precious little about what he’d witnessed.

“I’d like to talk more about what I saw, but I simply don’t want to ruin the experience,” he said, in his original blog entry. “All I’ll say for now is that it is mind-blowing, and it’s exactly what the series needs after season two was interrupted by the strike. Some cliffhangers are explained and others aren’t. New characters with powers are introduced, while older characters reveal new powers of their own. And perhaps most importantly, it’s all done with a comic flair that was sorely missing from last year’s mini-season.”

Having now seen it for myself, I have no arguments with any of his statements. It really does feel like a return to form for the series…though, of course, let’s be honest: given how long it’s been since we last saw a new episode of the show – can you believe the last one aired on Dec. 3, 2007? – isn’t it possible that our desire for more “Heroes” might be making us a little bit more forgiving than we might otherwise be?

Sure, it’s possible…but when you see it for yourself on Monday, I’m pretty sure you, too, will agree that the series hasn’t been this much like a live-action comic book since Season 1.

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Dragon Ball Z: Tree of Might / Lord Slug

It’s a shame that the Dragon Ball Z movies aren’t as good as the series itself, but I guess that’s the price you pay when you’re only given 60 minutes to tell a story. You’d also think that with the sixth season hitting stores on the same day, we’d be a little further along in the DBZ timeline, but “Tree of Might” and “Lord Slug” take place pre-Namek – when Gohan was still an annoying little kid and Goku had yet to become a total badass. “Tree of Might” is definitely the worst of the two, and it might even be the worst of all the Dragon Ball Z movies. By now, we’ve already seen Goku go toe-to-toe against his brother Radditz, as well as his father Bardock (albeit in a strange dream sequence), so the idea of pitting Goku against another Saiyan that looks just like him is, well, kind of lame. Additionally, the battles are boring and the movie ends so abruptly that it isn’t even worth your time. It’s a good thing that “Lord Slug” is included in the set, because “Tree of Might” probably wouldn’t be worth owning on its own. Though it does have its share of similarities to the series, (the villain hearkens back to the days of Lord Piccolo, while his lackeys are reminiscent of the Ginyu Force), “Lord Slug” is still one of the better movies to be released thanks to some entertaining fight sequences. Not even Gohan and his stupid dinosaur friend can ruin that.

Click to buy “Dragon Ball Z: Tree of Might / Lord Slug”

Fringe 1.2

This won’t be a formal blog, mostly because I wasn’t able to watch the episode when it originally aired, but given the discussion that evolved from my initial preview of the pilot, I thought I’d at least offer up a few brief comments about Episode #2.

* First off, I didn’t mention it in my original write-up about the series, but I really dig the way they set the location: with huge letters that look like they’re part of the scenery. It’s one of those accepted parts of a series that you wouldn’t think they could do anything particularly unique with, but damned if they didn’t.

* Like the pilot, the opening sequence is nice and harrowing, making it the perfect way to get you caught up in the episode right off the bat, and the decision to provide it with limited commercial interruptions – timed down to the second – was certainly appreciated as well. Also, the method of offering flashbacks to the pilot was a nice, unobtrusive way to giving first-timers just enough info to walk into this episode without feeling lost.

* The character of Dr. Walter Bishop continues to be fascinatingly eccentric, with his memories ebbing and flowing like the tide, but the reality is that John Noble’s performance in the role is enthralling to watch. His quiet, innocent delivery makes even the strangest lines work, and his sudden explosion of anger at one point is downright shocking.

* Thankfully, they have indeed attempted to downplay the Pacey-isms being delivered by Joshua Jackson. There are still a couple of moments where he throws out snappy lines which feel inappropriate, but the character of Peter is startling to feel more like a real guy caught up in a weird situation. (I can only presume that his aptitude at police work comes from years of watching procedurals on TV.)

* Okay, maybe Anna Torv is a little glum in her delivery, but I don’t really have a problem with her performance. I had to laugh when my wife made a comment about how she needed to get her roots done, but she accepted my argument (or pretended to, at least) that a real government agent wouldn’t be all that concerned about maintaining a glamorous look, anyway.

* Obviously, things don’t really kick into high gear until the last 15 minutes of the episode, but between the unfolding of the man-baby plot, Walter remembering where he parked his car, the tie-in to the case to Walter’s research, and Olivia trying to work out how much of her work over the past year was tainted by her traitorous partner, I remained thoroughly interested from beginning to end.

* All hail the cow!

The Biggest Loser Returns

NBC’s hit reality show, “The Biggest Loser,” returned in fine form last night to begin its sixth season. This version is “Biggest Loser: Families,” but they can’t fool me. Last season it was “couples” and then the producers kept changing things up–by changing the rules, the teams and pretty much everything else, and I admit that they lost me. After about eight weeks I just didn’t care anymore. That, and the gameplay got out of hand, especially with those two brash and whiney brothers from Boston.

I hope that this season will be different, and while they did eliminated a team last night, I did the math. There are now seven couples remaining, and unless the season is going to end in October, they are going to make this an individual competition at some point, or add more teams. But whatever, the fact remains that the show does inspire and motivate people to lose weight, and when it’s “on” it’s one of the best reality shows on any network.

Last night’s two-hour premiere began with trainers Bob and Jillian traveling to each contestants’ city to let them know the good news Continue reading »

The Shield 7.3 – Money Shot

Poor Ronnie. I mean, the guy just can’t catch a break, can he? First, his face gets a little oven burner action courtesy of Armadillo, and then, his arm becomes a giant chew toy for a fierce pit bull. If anyone deserves to walk away from this current situation involving the Armenians, it’s definitely him. In the meantime, however, he’s busy leading the Strike Team while Vic and Shane take care of their other problem. Axl, the porn shop owner from last season (you know, the “Dick in Grannies” guy), has come to Ronnie with information on a producer who pays his actresses in drugs. They bust the guy for offering blow to an undercover Julian and Tina, and convince him to give up his dealer, Demetris Harms, but when the Strike Team heads to Harms’ house to arrest him, they find it completely empty – that is, except for his guard dog. Ronnie suspects that it was Axl who warned Harms of their impending takedown, and, well, he’s right. Apparently, Axl is deathly afraid of Harms, and though this little excursion certainly gave Ronnie something to do on tonight’s episode, I’m still not sure how it fits into the big picture.

If I know Shawn Ryan as well as I think I do, we won’t hear anything about it for weeks, only to have him revisit the subplot later down the road. Whether or not we get any sort of conclusion from that case doesn’t really matter, though, because Ryan and Co. are really grooving with their main story. With Rezian out of jail, the Armenian mob boss is beginning to cash in his favors from Shane, and his first request is to recover a shipment of processed guns from the police station. Vic doesn’t like the idea of putting untraceable weapons in the hands of killers, but when he discovers that Aceveda has destroyed any leverage he might have access to by moving the blackmail box, he agrees under one condition – that Rezian only get three favors, and when they’re all cashed in, Vic, Shane and both of their families are left alone for good.

With all that sorted out, Vic and Shane plot a way to sneak into the police compound where the guns are being held. They mentioned that there was only one guard on watch, so I figured they would just sneak in without him noticing, but Vic’s eventual plan is much smarter. He pulls over a former CI named Burnout and takes him back to the Barn, leaving his brand new Escalade to be temporarily seized and taken to the very same police compound holding the guns… only Shane is hiding in the back. With the lone security guard left to fend for himself, Shane loads up the SUV with the guns and hightails it out of there. When he meets up with Rezian and Vic at the drop-off point, he’s unaware that Vic has an ace up his sleeve. In order to prevent the guns from landing in the hands of the Armenians, he’s informed Agent Murray about the takedown, allowing just enough time for him, Shane and Rezian to get away before the feds come in to break up the brouhaha. In doing so, Vic also comes off looking like he just saved Rezian’s ass, and to solidify that feeling, the trio heads back to Rezian’s office where Vic plants a bug to make it look like it was the Armenian’s number two who sold him out.

Meanwhile, in what may just be his most interesting case in quite some time, Dutch teams up with Danny to work a missing persons case involving an Asian girl whose mother refuses to admit she’s actually missing. When he goes back to check in on her a day later, he discovers that the girl is indeed at home, but she looks the worse for wear. When he takes her back to the Barn to investigate, Danny suggests she should talk to her instead, and after opening up about her recent encounter, the girl tells Danny that she was kidnapped and sexually assaulted. As it happens, that’s not exactly the case. When the family discovered that the girl was engaged in a lesbian relationship, her brother hired a man who got some boys to literally “rape the homosexual” out of her. Um, yeah. This is the kind of stuff you can only find on “The Shield,” and while it sucks that Dutch is still in the background, at least they’re finding more interesting things for him to do.

Nevertheless, the real revelation of the night was when Ronnie told Vic that he was sick of ignoring the fact that Shane had killed Lem. Not only that, but he admitted to Vic that he’s not going to drown for either them. I’m not sure what this actually means for Ronnie (would he really turn them in to save his own skin?), but Vic and Shane do seem like they’re on the road to forgiveness. Shane even gives Vic his only copy of his back-up plan, while Vic tells Shane that he’s beginning to understand why he had to do what he did. Are either of them telling the truth? Probably not, but with more than half of the season left, can you really expect any less?

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