Category: External TV (Page 237 of 419)

“Oh, yeah? Well, this GEEK is gonna kick your ASS!”

You can always count on G4 to provide you with a slightly unique take on things that are often considered “geeky” or “nerdy” by the woefully misinformed, but even the most ignorant savages…indeed, especially them…will be very interested in checking out the network’s latest endeavor: “G4 Investigates…Tech Fight Clubs.”

No word has yet emerged on how Chuck Palahniuk or David Fincher, let alone Brad Pitt or Edward Norton, feel about the idea of a bunch of computer jockeys wailing on each other with keyboards and other assorted instruments, but after you check out the below clip, you may well find yourself tempted to tune in on Saturday, December 13, at 10:00PM ET/PT, to see the whole show.

ESPN’s Bill Simmons chimes in on this season of “Entourage”

In his most recent column, Bill Simmons discusses his disdain for the latest season of “Entourage.”

Well, the fifth season of “Entourage” wasn’t implausible at all: I can totally see Vince’s losing his career after one bad movie (so what if Colin Farrell has made 15 stinkers and keeps getting jobs?), becoming Hollywood poison, getting a job only because his agent passed up a $10-million-a-year studio head position to stay with him — you know, because agents have such great character — submarining an elaborate $120 million action movie that somehow came together in about 2.23 seconds because the director hated him (in the irony of ironies, because he didn’t think Vince, a guy played by Adrian Grenier, could act), hitting rock bottom and moving back to Queens, then climactically rebounding with the lead in Martin Scorsese’s new movie without ever auditioning for it, and while all of this was happening Jamie-Lynn Sigler fell in love with a jobless Turtle, and Johnny Drama starred on an NBC drama that normally would tape for 17 hours a day, unless your show stars Johnny Drama, in which case you tape once a month for a couple of minutes. Awesome. I’d ask for that 390 minutes of my life back, but it’s my own fault for watching. I blame myself.

(Here’s my idea for Season 6: Since Ari is the only character who matters, why not dump Vince and his crew and give Ari a new client/entourage? What about Ari dealing with a rapper-turned-actor from Oakland and his crew of keepin’-it-real thug friends for a season? This wouldn’t be more compelling than a sixth season of watching Grenier pretend he’s an A-list actor?)

Funny stuff.

A Couple of Questions with…Miss Piggy?!?

The Muppets are returning to NBC this holiday season, offering up a new special: “A Muppet’s Christmas: Letters to Santa.” In addition to the usual mob of guest stars (pun not intended, even though Tony Sirico and Steve Schirripa from “The Sopranos” join such other notables as Uma Thurman, Whoopi Goldberg, Nathan Lane, Jesse L. Martin, and NYC Mayor Michael Bloomberg), old-school Muppet fans will be pleased to hear that the music for the hour-long program has been written by the one and only Paul Williams, a.k.a. the man who brought you “The Rainbow Connection.”

Remember how excited my wife was about my getting to interview Matthew McConaughey? You should’ve seen my 3-year-old daughter when she found out that NBC was giving Daddy a chance to speak to Miss Piggy about her latest Muppet endeavor. Alas, it was a packed call, so I was only able to ask her a pair of questions, but it was enough to make me the coolest Daddy in the world…for, y’know, the duration of those questions, anyway.

Bullz-Eye: Hello Miss Piggy. It’s a pleasure.

Miss Piggy: Yes, it is.

BE: I couldn’t help but notice that you’re in the beginning of the special and you’re at the end of the special, but you’re not so much in the middle. And there were some rumors about possible…well, I don’t want to say diva actions, but, I mean, was it just a mere scheduling conflict?

MP: Well, I am very busy. I’m, you know, highly in demand. But really, you know, the movie kind of takes a turn and it becomes more of an action film. And, you know, I just…I don’t do my own stunts. And, you know, I really thought it best if I just stayed put while everybody else went off to deliver these letters to the North Pole. And, plus, it’s really cold at the North Pole, and I’m not really into cold. I don’t know about you, but I like to be warm. That’s why I didn’t go out to do this interview with you. That’s why I’m doing it from home. Because it’s just too darn cold outside. But it was my choice, really. It was my choice. I talked to the writers. I said, you know, keep me where it’s warm and I’ll be happy. And I can just come back…I just can come in at the end of the movie, save the day and take all the credit…and, you know, leave everybody with the last impression. That’s the secret. Nobody remembers the middle anyhow. Now, really, movies have famous opening shots, right?

BE: Right.

MP: Right? Like “Touch of Evil” or “The Player,” or…I don’t know if you’re a film buff?

BE: I am, yes.

MP: Yes. You know, but…and they have famous end shots, too. But can you think of a famous middle? No.

BE: No?

MP: So what’s the point?

BE: Fair enough.

MP: Why be in the middle? Okay.

BE: And you mentioned the writers. Have you by any chance…or the rest of the Muppets…had any meetings with Jason Segel yet? I understand he’s in talks to write a new Muppet movie.

MP: That’s what he’s telling everybody. Yeah. You know, he hasn’t called me. I haven’t…so I have no idea. I have no idea. Maybe he’s writing a movie, you know. I’m writing a movie too, though. So who knows? You know, maybe the next Muppet movie will be penned by moi?

BE: Fair enough.

MP: It could happen.

BE: Sure. Thank you very much, Miss Piggy.

MP: You’re welcome!

What better way to say “happy holidays” than with a Dethklok video?

Most fans of Adult Swim’s “Home Movies” series are probably still angry and bitter over creator Brendon Small’s decision to make his next project about a death metal band, but while the animated adventures of young Brendon, Jason, and Melissa regularly skewered the world of Hollywood, so does “Metalocalypse” poke fun at the music industry. The series focuses on Dethklok, a death metal band so popular that, indeed, by the second season of the series (:::coughing::: now out on DVD :::coughing:::), they rank as the seventh largest economy on the planet Earth; as a result, they answer to no authority but their own, lest the world’s financial solidity fall apart. If you can get past the music and the rampant violence, it’s actually an extremely funny and clever series.

Here’s the test: if you can get through the video for Dethklok’s song, “Mermaider,” and not feel repulsed in any way, then you should give “Metalocalypse” a chance…possibly starting with the Season 1 DVD set.

Be forewarned, however, that it’s very much for mature audiences only.

Greetings to the New Show: “Spectacle: Elvis Costello with…”

You may recall a time this past summer when I was as giddy as a schoolgirl about having met Elvis Costello…not only because I’m a huge fan, but also because it gave me a chance to redeem myself for the fool I made of myself the first time I’d met him. The reason the summer encounter came about was Elvis’s appearance at the TCA Press Tour, where he had turned up to promote his then-upcoming Sundance Channel series, “Spectacle: Elvis Costello with…”

That was July. Now, it’s December…and the series has finally come up.

The premise of the show is, to simplify it to the most basic pop culture terms, like “Inside the Actors Studio,” except the focus is on music rather than film. The good news, however, is that Elvis Costello is rather less fawning than James Lipton, and the guests – at least for the most part – appear to have been taken not from the latest Billboard charts but, rather, from Elvis’s own rolodex. Certainly, there are some former chart-toppers to be found amongst the 13 episodes of the series (which will hopefully prove to be the first of many seasons), but the variety of musicians involved is such that it’s clear the scheduling was the work of an individual rather than by committee. With that said, it never hurts to kiss the ass of your executive producers, so it’s possibly not a coincidence that the first guest on “Spectacle” is Sir Elton John, whose name appears in the show’s production credits, but, hey, everybody likes Elton!

If you consider yourself to be a music geek, then you’ll go nuts over “Spectacle,” since Elvis sits down with some of the biggest-selling and/or most acclaimed musical performers of the 20th and 21st centuries…plus Bill Clinton…and basically just gets geeky with them. Yes, he’s a fine interviewer, having at least honed his skills a bit by guest-hosting an episode of “The Late Show with David Letterman,” but in truth, the best parts of the conversation with Elton are when the two of them wax nostalgic about Leonard Cohen, Laura Nyro, and Leon Russell, among others.

It would be cruel and unusual punishment to have these artists onstage without ever playing a note, of course, so you will be unsurprised to hear that there’s a fair amount of music performed as well. The episodes start with Elvis performing a song by that evening’s guest, so you’ll be hearing a nice version of Elton’s “Border Song” tonight (come next week, prepare to have Elvis serenade you with one of Lou Reed’s finest ’60s compositions), but Elton himself takes to the piano and has a bit of fun with demonstrating the similarity between his own style and that of the aforementioned Mr. Russell, and the two of them duet nicely on David Ackles’ “Down River,” an American singer-songwriter who never earned quite as much fame Stateside as he did in the UK. (The first time I’d ever heard of him was when Howard Jones covered his song, “Road to Cairo,” on the Elektra Records’ anniversary set, Rubaiyat.)

Beyond Mr. Reed’s appearance next week and President Clinton’s chat the following Wednesday, you can look forward to upcoming episodes which feature James Taylor, Tony Bennett, the Police, Rufus Wainwright (whose praises are sung by Elton tonight, as it happens), Herbie Hancock, and many others. I’ll offer up another post next week with a bit more specifics as to what you can expect with Laughin’ Lou, but if you catch the show with Elton, be sure to leave your thoughts.

Oh, and ignore Elvis. You should tell everyone about “Spectacle.”

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