Category: External TV (Page 217 of 419)

Battlestar Galactica 4.14: A Disquiet That Follows My Soul

Politics has always played a major role in this series, but lately it has taken a back seat to the more spiritual storylines as the fleet sought out Earth. But as is often the case, when there’s a spiritual crisis, there are people who would seek to capitalize and attempt to seize power, and that’s just what Tom Zarek tried to do this week.

The disagreement revolved around an FTL upgrade that would require Cylons to board all of the ships in the fleet. The upgrade would (at least) triple the chances of the fleet finding a suitable planet to colonize, but the Cylons want full citizenship in return. Zarek and his supporters don’t want the any part of a permanent alliance with the Cylons.

Strictly speaking, this felt like a setup episode, and was a bit tedious at times. However, there were a couple of major plot points. First, we learned that Tyrol is not Nicholas’ father. I thought for a moment that the father would turn out to be another major (or minor) character, but it turned out to be some dude we’ve never seen before a very minor character, Hot Dog, so it was kind of a letdown. I wonder if this was the plan all along with Nicholas or if it was a last-minute decision by the creators to wrap up his storyline.

The other major revelation was Gaeta’s decision to align himself with Zarek. After Bill nimbly tricked Zarek into giving up the position of the fuel ship, I thought the politicking might be over for a while, but it looks as if Gaeta intends to lead some sort of an uprising. It’s kind of surprising, really – Felix has never been all that popular with the crew, but now he’s going to rally the troops? It just seems odd is all.

Meanwhile, it appears that Roslin has checked out. Given the show’s penchant for twists and turns, it has always been in the back of my mind that she was in fact not the “dying leader” that found a home for the fleet. It will be interesting to see how this storyline shakes out, because more and more it looks as if Bill is taking over control of the fleet’s direction.

Two more things about this episode…

– I loved Baltar’s line at the beginning of his speech: “Are you all just children? Well, obviously, you’re a child.”

– Something is going on with the nurse in the infirmary. When Tigh and Six were looking at the ultrasound and talking about the “future of the Cylon race,” the nurse was looking awfully suspicious. It’s possible that her reaction was meant to characterize the uncertainty of the fleet about its association with the enemy, but I wouldn’t be at all surprised if she tries to do something to Six’s baby.

It wasn’t a bad episode; it was just kind of slow and lacking drama. Based on the scenes from next week, it looks like things will pick up very soon.

Kids Today: “Alvin and the Chipmunks: The Chipettes”

And to think I originally only requested this DVD in order to make my daughter happy. Little did I know that it would result in a trip to Wikipedia that would completely blow my mind…but before we dive into that ridiculousness, how about a little background material first?

In case you’re not familiar with the trio known as the Chipettes, they are, as you might well have deduced, the female equivalent of the Chipmunks. Brittany, Jeanette, and Eleanor – for those are the girls’ names – came into existence for two very simple reasons: the Chipmunks’ creators, Ross Bagdasarian and Janice Karman, wanted a chance to do some girl-sung tunes, and because it came them the chance to deal with issues that girls were going through that boys wouldn’t necessarily be dealing with. (Don’t be disgusting: Bagdasarian clarified, “We had a baby girl at the time. We wanted to let her know she can be president, or a soccer champion, or whatever.”)

As Ally (my daughter) watched these six Chipette-centric episodes of “Alvin and the Chipmunks,” she seemed very annoyed by the fact that the opening credits in no way spotlighted the girls. “I thought you said this was the Chipettes,” she grumbled. I assured her that, although these were technically the adventures of the Chipmunks, the Chipettes would feature heavily in all of them; she seemed placated once they finally turned up, thankfully, and sat happily through the entire DVD.

Oh, if you’re wondering, the episodes that have been included are “May the Best Chipmunk Win” (Alvin and Brittany compete for the position of School President), “Operation Theodore” (the Chipettes work as candy-stripers and lose a patient), “Sisters” (Brittany wants to join a sorority but ends up changing her mind after a poignant performance of “Material Girl”), “The Greatest Show-Off on Earth” (the Chipettes join forces with the Chipmunks to save a circus), “My Fair Chipette” (Jeanette competes against Brittany in a beauty pageant), and “Tell It to the Judge” (Brittany and Alvin battle each other in a “People’s Court” parody). In short, if your kid likes the Chipmunks cartoons, then they’ll like this DVD…and if you’ve got a daughter, then she might be even more entertained than usual.

Now, about this Wikipedia entry…

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TCA Tour, Jan. 2009: “Osbournes: Reloaded”

Oh, this looks so bad. So very, very, very bad. Like, “Rosie Live” bad.

The idea of giving the Osbournes their own comedy-variety show is not in and of itself a bad idea. When I first heard about “Osbournes: Reloaded,” I immediately had thoughts of my favorite cheesy, kitschy variety shows from the ’70s – see the collected works of Sonny & Cher, Donny & Marie, and, of course, “The Brady Bunch Hour” – and could totally imagine Ozzy, Sharon, Jack, and Kelly either turning the genre on its head or totally and utterly camping it up. Either way, I was actually kind of excited to see what might evolve out of this concept. But when they showed us clips from the show, I was horrified to see a mixture of in-studio shenanigans with audience members (they blindfold a guy, tell him he’s going to kiss the beautiful girl in front of him, then switch her out with a wrinkled old woman) and hidden-camera hijinks (the Osbournes working at a fast-food drive-thru). There was a sketch with little kids playing Sharon and Ozzy (cue the cursing 5-year-old), plus a brief clip of the Osbournes trying to guess who their mystery special guest for the week was. The one lone humorous concept came from a bit called “The Osbournes Meet The Osbournes,” where the gang goes around the country to meet other families who share their last name, but even that seems like it would get old really quickly.

More disappointing than this footage, however, was the fact that, as a family unit, the Osbournes remain just as entertaining and charismatic as they were in the days of their then-groundbreaking MTV reality series.

What a waste. What a bloody waste.

And, yet, I guess it was too hopeful to expect something like that from the Osbournes in the first place, particularly when you could see Kelly bristle at the mere mention of the term “variety show.”

“See, that frightens us,” she said. “The way that we see that it’s a variety show is that there’s a variety of different things. And with no disrespect to other variety shows from the past because, I mean, they made the TV of today. It’s just not what we do. We’re not going to be Sonny-and-Chering it.”

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TCA Tour, Jan. 2009: “American Idol”

I should hope that regular Premium Hollywood readers know by now that I’m in no way the person who should be writing about “American Idol.” That title goes to Mike Farley, of course, whose regular blog for the series has developed a loyal following over the past several seasons, and God bless him for being able to watch the show week after week after week. Still, I figure there are enough “AI” fans floating around who might be interested at least this one highlight from the show’s panel during the TCA tour, so allow me to offer it up for you.

Obviously, the predominant focus on the conversation was on Ms. Kara DioGuardi and her addition to the “AI” mix as the series’ fourth judge. Alas, neither Simon nor Randy could be in attendance, but in an unexpected turn of events, we were gifted with the presence of one P. Abdul, whose name had appeared nowhere in any of Fox’s schedules for the day. It was a nice bonus, and, of course, we all had our fingers crossed in hopes that Paula might gift us with a couple of batshit crazy remarks, as is so wont to do. Sadly, she remained coherent throughout the proceedings, but she did at least completely freak Kara out with her decision to divulge some information about their history together.

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“Lie to Me” beats “Lost” premiere

I’m stunned.

Lie to Me pulled in 12.4 million viewers and a 4.9 rating/12 share among the 18-49 demo, but lost a substantial amount of viewers over the course of its 60 minutes. I guess people were waiting for Tim Roth to sing “Somewhere Over the Rainbow.” Lost’s two-hour premiere averaged 11.4 million viewers but grabbed a 5/12 in the 18-49 demo–just barely topping Lie to Me.

Lost’s premiere was down 25 percent from last season in the prized demo, but had more competition in the form of whatever-is-on-behind-American Idol. Surprisingly, the one-hour clip-show of Lost fared fairly well against Idol, raking in 8.4 million and a 3.3/9. Lost’s numbers are expected to go up dramatically thanks to those people in your office who are running around with their hands clasped over their ears screaming, “Don’t tell me! Don’t tell me!” because they’re going to watch it tonight on their DVRs.

This is a classic battle between a procedural show and one with a serialized format. It sounds like “Lie to Me” lost a good portion of its viewers throughout the hour, so it will be interesting to see how the show does next week. Many people watch the premiere of a new show (especially one with as much pub as “Lie to Me” received from Fox) and decide then if they’re going to return the following week. Sounds like more than a few people decided midstream that it wasn’t for them.

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