Category: External Movies (Page 94 of 336)

A midweek trailer: “Titanic 2,” seriously

I’m blogging away from home. I’m seriously pressed for time and left my headphones (also my cell phone!) back at the ol’ O.C. homestead, so I’m going to have to take it on faith that the trailer below is no spoof, but an authentic cheapo knockoff that reminds us that you can’t copyright titles or lay exclusive claim to a particular piece of history. Enjoy.


Titanic II – Trailer
Uploaded by dreadcentral. – Full seasons and entire episodes online.

H/t Cinematical.

RIP Maury Chaykin

Via David Hudson comes the news that this great Canadian character actor, who I bumped into once or twice in Hollywood, has passed on very sadly on 61st birthday.

I had planned to do something longer tonight, but that can wait. Right now, Mr. Chaykin’s most high profile moment. Say what you like about “Dances with Wolves,” Maury Chaykin was the man for Major Fambrough — and many other — great parts.

“Let Me In” — the red band trailer

Don’t get too excited, it’ s just a touch more violent and scary than the green band trailer which has been circulating the last day or so. In fact, I swear I’ve seen green banders scarier and more violent than this.

In any case, assuming “Let Me In” doesn’t stray too far from the excellent prior film version of John Ajvide Lindqvist’s novel, “Let the Right One In,” and it looks pretty similar, this will not be a mega-gorefest, at least save for a few very crucial moments. Take a look.

The general consensus on this is that it doesn’t look bad. It doesn’t, but will it justify its existence beyond being the movie that people who refuse to read subtitles will watch? Working with a script by the very talented TV veteran Drew Goddard on “Cloverfield,” director Matt Reeves left me partially cold. How much better — or worse — will he do with his script? Only one way to find out.

H/t Filmofilia.

Post Comic-Con movie news

I’m still recuperating a bit from last weekend’s insanity at Comic-Con and a busy week looms ahead, but the recent film news is just a little too interesting to ignore/gloss over.

Mike Fleming broke the news this afternoon that Daniel Craig has signed on the line which is dotted to play the male lead in the upcoming American film version of “The Girl With the Dragon Tattoo.” In case you never set foot in your local Barnes and Noble outlet, that’s the first novel in so-called Millennium Trilogy of mystery thrillers by the late Swedish author/political activist Steig Larsson. The series is becoming a sort of adult/non-geek HarryPotter for the Trader Joe’s set and the first U.S. film of it has attracted the powerhouse twosome of writer Steve Zallian and director David Fincher.

Judging from having seen the solid, but not excessively over-awesome, Swedish film version of the novel (which I’m really going to have to try and read at some point), Craig is probably a much better choice than the earlier floated Brad Pitt for the part. 007 or not, it’s just easier to see Craig as a down on his luck journo. Also, as Fleming points out, this puts Craig in the unique position of having at least two and, if you count a potentially huge “Cowboys and Aliens,” possibly three franchises to keep busy and well-compensated. Craig is not only an extremely good actor, he’s apparently got some very good agents.

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Post Comic-Con trailer insanity: “Sucker Punch”

Not wasting any time after a reportedly very successful debut at Comic-Con, Warner Brothers is capitalizing on the good press with the first official trailer for the film, which won’t be coming out until late March of next year.

So, after seeing all this, you might ask “so, what is this movie about?” Here’s what they said on the YouTube page:

“Sucker Punch” is an epic action fantasy that takes us into the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality. Unrestrained by the boundaries of time and place, she is free to go where her mind takes her, but her incredible adventures blur the lines between what’s real and what is imaginary…with potentially tragic consequences.

So, here’s writer-director Zack Snyder’s elevator pitch: it’s kinda like “Pan’s Labyrinth” with hots babes, or like “Kill Bill” meets Sam Fuller’s “Shock Corridor.” For me, the jury on Snyder (“300,” “Watchmen“) is still very much out. He’s got technical ability like crazy and definite visual panache, but I’m not at all sure about his storytelling. However, if he can pull this off, I’ll have to pay my due respects.

H/t /Film.

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