Category: External Movies (Page 58 of 336)

New gig, old gig: Steven Spielberg

Today we’re going to start what I think might be an occasional series of posts where I highlight a movie news story about someone’s new job — which is probably about half the movie news stories (when people aren’t merely “mulling,” “eying” or “circling” new jobs) — and then provide you with a clip of past work I deem somehow relevant.

Okay, so the news here is that Steven Spielberg is returning to directing science fiction with “Robopocalypse,” an adaptation of Daniel H. Wilson’s recent novel written by “Buffy”-alum Drew Goddard (“Cloverfield,” the ever-delayed “The Cabin in the Woods”). Though I love science fiction, I’m much more a fan of Spielberg when he gets outside his old comfort zones on movies like “Munich,” “Catch Me If You Can,” even the sometimes-derided “Schindler’s List” and  “The Terminal.” Still, apart from the just about perfect “Raiders of the Lost Ark” — which is more fantasy than science fiction anyhow — his best, though still flawed, SF movie has to be “Close Encounters of the Third Kind.”

Below, as Richard Dreyfuss and former French New Wave wunderkind François Truffaut look on, 1977’s cosmic equivalent to “Dueling Banjos.”

Trailer for a Friday night: “Rabbit Hole”

I always like to say that no good movie really depresses me, no matter the subject matter, but that the happiest truly bad movie can really bring me down. Especially if it’s a hit. Still, when the topic is parents coping with the aftermath of the death of a child, even I might wonder if that’s pushing the sadness envelope, no matter how well handled. On the other hand, given strong material and a really good director anything is possible and this genuinely lovely trailer for “Rabbit Hole” starring Nicole Kidman and Aaron Eckhart and directed by John Cameron Mitchell, hints that the movie might be a small miracle. Take a look, you’ll be okay.

Talking about walking a fine line. I wasn’t wild about Mitchell’s hardcore non-porn, “Short Bus,” though it had its moments. On the other hand, “Hedwig and the Angry Inch” was the best musical of its decade in my book and also showed that humor and the worst human pain could coexist. Could this do for the subgenre of quality “depressing” movies with Oscar-friendly actors what Mitchell did for rock and roll musicals? Possibly.

Box office preview: Can the ghostly demons of “Paranormal Activity 2” defeat the ghastly pranksters of “Jackass 3D”?

My Ouija board and jolly Carl DiOrio both agree that, yeah, Paramount’s “Paranormal Activity 2” has a very decent chance at unseating last weekend’s record setting debut of it’s “Jackass 3D.” While it may seem like an impossible-to-replicate one-off, apparently some care has been taken to avoid the kind of pitfalls that befell such unfortunate sequels as the non-mock-doc “Blair Witch 2.”

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Even more shockingly, 17 of the 21 Rotten Tomatoes critics that have so far reviewed this seemingly destined to (creatively) fail sequel are saying quite the opposite, praising the film for a reportedly clever set-up that ups the ante and even somehow manages the return of Katie Featherston from the original “Paranormal Activity.” Given they’re competing with themselves on two unconventional, low budget projects, it seems like a sure bet Paramount will have a very good weekend and there will be smiling faces on Melrose Monday morning. That’s especially so considering the $1 million reported budget for the horror sequel — which is huge compared to the $15,000 originally spent on Oren Peli’s smash, but tiny in a world where $20 million films are considered to be low-budget. The profits will come very quickly for this one.

“Jackass 3D” should suffer a significant drop as it’s the kind of movie that tends to blow it’s b.o. wad (boy, that sounds gross) on the first weekend. Still, given it’s $50 million opening weekend, that means that “Paranormal Activity 2” will have to get something well over $20 million to top it, assuming the drop isn’t truly catastrophic. A photo-finish — or in this case a creepy security camera finish — is far from impossible.

Matt Damon seeks out the Also dealing with otherworldly matters is Clint Eastwood‘s “Hereafter” from, as always, Warner Brothers. With Matt Damon leading an ensemble cast in another multi-story drama, the film is expanding from a very limited run last weekend to a wide 2000+ theater release. In a bit of critical topsy-turvy, the movie is not getting anyway near the critical goodwill of this week’s quickie horror sequel. It’s dividing reviewers, with “top critics” from major publications being significantly more friendly to the film. A good example would be Roger Ebert, whose written quite skeptically on his blog about an afterlife, a topic that’s he’s obviously been forced to deal with in the most personal way by real-life events. His conclusion about Eastwood’s movie, written by Peter Morgan of “The Queen” and the hugely underrated, “The Damned United,” are almost opposite to our own Jason Zingale and he’s given the film an outright rave review.

Things movie-wise are otherwise slow, with most of the activity this week in limited releases being in expanding films that have already been out for awhile. Among the movies adding scores of theaters nationwide are the very hot documentaries and meh-ish reviewed drama with a whiff of made-for-basic-cable to it, “Conviction.”

Sam Rockwel and Hillary Swank have

Movie news and commentary…lots of it: “The Hobbit” is cast but <sigh> Mel Gibson exists and must be dealt with, somehow (updated)

Tonight’s box office preview has been moved to tomorrow because of a couple of a films news items that just can’t quite wait. The first can be dispensed with in a second. Casting has been announced on “The Hobbit,” short, snub-nosed and talented Martin Freeman will face his inevitable hobbity destiny as Bilbo Baggins, as Peter Jackson again casts a bunch of people I’ve mostly never heard of in smaller roles who’ll probably all be great.

And then there’s this news of Mel Gibson being let go from “The Hangover 2 just a day after it was announced he’d been hired to play a supporting role. Oy.

US-CINEMA-EDGE OF DARKNESS

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An official trailer for a Thursday: Kevin Spacey is (not quite) “Casino Jack”

Not to be confused with Alex Gibney‘s documentary, “Casino Jack and the United States of Money,” also about the jailed conservative lobbyist Jack Abramoff, this new trailer for “Casino Jack” is slicker than ones I’ve seen before.

Something still feels off here to me, for all the snazzy editorial work. The only joke that’s actually funny is Kevin Spacey‘s spot-on Al Pacino impersonation, though even the choice of Spacey feels off. Perhaps I’m being too literal minded, but Abramoff was younger and more jockish and athletic when all of this was going down. On the other hand, the movie-obsession is correct. Abramoff is a movie buff who even co-produced an actual action film or two, including the Dolph Lundgren vehicle, “Red Scorpion.”

Still, I’m keeping an open mind. He hasn’t had gigantic luck with fiction features so far, but director George Hickenlooper (“The Big Brass Ring”) has been involved with probably two of the best all-time documentaries about outrageous show business figures, the Francis Ford Coppola-centric “Hearts of Darkness: A Filmmaker’s Apocalypse” and the even better “Mayor of the Sunset Strip” about DJ and ultimate scenester Rodney Bingenheimer. I’m sure there’s a bit more here than meets the eye, at least I hope so . . .

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