Category: External Movies (Page 332 of 336)

Box Office Roundup: South Flori-duh

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Miami Vice: $25.2 million (first week)
Universal’s marketing strategy to push the movie in its second week: “See ‘Miami Vice,’ or this sack full of kittens will drown.”
2) Pirates of the Caribbean: Dead Man’s Chest: $20.5 million ($358.4 million, fourth week)
Just when I was complaining about how bad “Pirates” was, I must offer this admission: it’s better than “Miami Vice.”
3) John Tucker Must Die: $14.1 million (first week)
A thousand lashes to the movie’s music supervisor, for not using Wilco’s “I Am Trying to Break Your Heart.”
4) Monster House: $11.5 million ($43.9 million, second week)
Next time we see a kite near the front door of a house, we’re running for the hills.
5) The Ant Bully: $8.1 million (first week)
It’s official: the studios went to the animation well way, way too much this year. Worse, we still have to suffer through “Barnyard: The Original Party Animals,” which will make your kids so dumb they’ll forget their own name when it’s over.

7) Lady in the Water: $7 million ($32 million, second week)
Before we start pouring gas onto the festering pile of waste that is M. Night Shyamalan’s reputation, keep in mind that this movie will ultimately make its money back. The problem, of course, is that the studio was expecting it to print money, not break even. Here’s an idea: hire him as a director, but use someone else’s script.

Another reminder: the movie to see when Talladega Nights is sold out is “The Descent,” a super-creepy gorefest involving a group of rock climbing girls with bad, bad luck. Think “Aliens” crossed with “The Hills Have Eyes.”

Zach Braff IS Fletch

After a few years of being in the proverbial Hollywood pipeline, The Weinstein Co. has green lighted a film adaptation of Gregory McDonald’s Fletch Won to be written and directed by Bill Lawrence with Zach Braff in the title role. Prior to this, Kevin Smith had been entertaining the notion of doing the exact same thing, but it never came to fruition.

Personally, I’m glad to see this thing finally in the full-on go mode. Having read a number of the Fletch books and being a fan, I can safely say that the first Fletch was fucked around with so much that it barely resembled the book at the end. Of course, Fletch Lives was not even based on any of the books and managed to do even more disservice to the whole series. Lawrence and Braff promise to keep Fletch Won edgier, which is exactly what the other flicks needed. Fletch was not a slaspstick, pie-in-the-face story, but that’s what it became. The novels are filled with dry humor and always have a real sense of suspense in them. They’re hard to put down.

Unlike Chevy Chase…who really doesn’t need any more space wasted on him from me.

Box Office Roundup: Jack Sparrow Must Die

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Pirates of the Caribbean: Dead Man’s Chest: $35 million ($321.7 million, third week)
We are clearly still in the ‘it’s made so much money, therefore it must be good’ phase. Sadly, this galling lapse in judgment will probably last one more week.
2) Monster House: $23 million (first week)
It’ll do for your children what the face-ripping scene in “Poltergeist” did for you: scare the living daylights out of them. Years later, after the bed wetting has stopped, they’ll say it’s one of their favorite movies of all time.
3) Lady in the Water: $18.2 million (first week)
The bloom has officially fallen off the M. Night rose. Nina Jacobsen, despite having just lost her job in the delivery room, must have felt a slight wave of vindication when she heard the box office numbers.
4) You, Me and Dupree: $12.8 million ($45.3 million, second week)
How this movie outgrossed “My Super Ex-Girlfriend,” which contains a far funnier performance by a Wilson brother, is beyond us. Sure, neither movie is any good, but “Girlfriend” is waaaaaaaaay more tolerable than this dreck. Tell your friends.
5) Little Man: $11 million ($40.6 million, second week)
How many times did we tell you not to play with the dirty money?

Wha’happen Movie of the Week: “Clerks II,” which was the best movie released this week yet finished sixth with $9.6 million. (“Super Ex-Girlfriend” was seventh, with $8.7 million). Both of these movies are far better than “Dupree” and “Little Man,” and we suppose there is a statement in there somewhere about the gradual dumbing down of society, but we’re not smart enough to connect the dots.

The movie to see when Talladega Nights is sold out: “The Descent,” a super-creepy gorefest involving a group of rock climbing girls with bad, bad luck. Think “Aliens” crossed with “The Hills Have Eyes.” Freaky deaky.

Bullz-Eye.com reveals its guilty pleasures!

You get a call from one of your buddies. He tells you that the boys are going to a bar with two-dollar beers and mud wrestling. You tell him that you’ve been battling a wicked stomach virus all day, and that you’ll just have to sit this one out. But you don’t have a stomach virus. In fact, you’ve got a beer of your own in your hand. You just don’t want to go out because there’s ice skating on TV.

Guilty pleasures. We’ve all got ’em. If you don’t have ’em, then you’re either not human or, worse, boring. We at Bullz-Eye have bared our souls for the world to see, revealing the movies, TV shows and music that make us giddy. When no one is looking, of course.

A few examples:

Movies:

The Long Kiss Goodnight (1996)
The director, Renny Harlin, was once dubbed the Finnish Steven Spielberg, but was in fact a Hacky McHacksterpants in disguise. Actioneer Shane Black was the most overpaid screenwriter in the ‘90s not named Joe Eszterhas. Put the two together, and it’s like a Reese’s Peanut Butter Cup: neither the chocolate nor the peanut butter is any good, but damn, do they taste great together. Sure, there’s a scene where Geena Davis laces up ice skates, skates across a pond and blows up a car in about 30 seconds’ time, and there’s another scene where Davis and Samuel L. Jackson outrun the slowest fireball in movie history. But the movie’s greatness lies in its supporting cast. Craig Bierko (“Cinderella Man,” “Scary Movie 4”) is the baddie, and the ever-reliable David Morse is Davis’ “fiancé,” but everyone from Davis on down bows before the great Brian Cox as Davis’ handler. His speech about a cleanliness-obsessed dog is one for the ages, as is Jackson’s use of Muddy Waters’ “I’m a Man” as a memory device. And just try not singing England Dan & John Ford Coley’s “Really Love to See You Tonight” when the credits roll. It’s sublimely bad/good, though I’m still not sure if chefs really do that. – David Medsker, Senior Editor

TV:

Next (MTV)
I’m first to rail against MTV for having ceded the definition “M” in their name from “music” to “more reality-based crap than you can shake a stick at,” but there’s something about this dating show that causes me to stop each and every time I happen upon it. I’d like to tell you it’s because a lot of episodes feature lesbians…and, sure, that is part of it…but it’s mostly because I’m in awe of the way so many of the contestants act. My God, they’re awful! If you’re in a committed relationship at the moment and you’re unsure as to whether or not you’ve made the right decision, just tune in to a few episodes of “Next,” and you’ll stay right where you are, because, good lord, man, do you really want to leap back into the fray and date egotistical idiots and brain-dead jackanapes like these? – Will Harris, Associate Editor

Check out all our lists here.

Goodbye Dupree, Little Man

Despite the miserable selection of films from last Friday, this weekend’s releases offer something for everybody including a scary children’s flick (“Monster House“), a fantasy thriller (“Lady in the Water“), a superhero cheesefest (“My Super Ex-Girlfriend“) and a scabrous comedy (“Clerks 2“). Of course, while all of these films seem poised to take home top honors after opening weekend, there’s still the big bad “Pirates” sequel to worry about. Will Johnny Depp and Co. win first place for a third week in a row, or can one of the four new films finally bump the swashbuckling actioneer off its throne?

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑