Category: External Movies (Page 317 of 336)

Box Office Roundup: “Shrek” threequel redefines cutting-edge humor as “making fun of dinner theater”

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Shrek the Third: $122 million
Somewhere in Hollywood, Mel Brooks is thinking to himself, “If I set the campfire scene from ‘Blazing Saddles’ to CGI animation, I’d be rich! Rich, I tell you! Muaaaahhh ha ha ha hahahahahahaha!”
2) Spider-Man 3: $28.5 million, $281.8 million to date
Only $220 million to go before it recoups the promotional budget.
3) 28 Weeks Later: $5.1 million, $18.6 million to date
Eeek. We’re guessing there’s been a rage outbreak at Fox Atomic over the performance of this movie.
4) Disturbia: $3.6 million, $71.3 million to date
Like we said, Shia LaBeouf is about to become the Biggest Star on the Planet.
5) Georgia Rule: $3.4 million, $12.6 million to date
Wave goodbye to women in movies, everyone. You’ll see them again in the fall.

11) Next: $1.1 million, $16.5 million to date.
Look at that again. This $70 million Nic Cage movie has made $16 million to date. We can hear the conversation already. “Sure, Cage is interested, but he’s no Shia LaBeouf.”

Hero Worship: A Look at Comic Book Movies

Here’s a tip for all you struggling actors out there: If you even get the slightest whiff of a comic-book-inspired or superhero-themed script, screw the whole “reading it beforehand” thing and jump straight to the “try desperately to get an audition, no matter what” phase, because that’s where the money is these days.

Yes, friends, we said it last summer, and it still holds true today: it’s a beautiful time to be a comic book fan. Even better, it’s no longer the domain of the kind of guy who’s already pressed and folded his “My Virginity Is In Mint Condition” t-shirt for the opening day of Comic-Con 2007. (Not that there’s anything wrong with that.) When one of the most buzzed-about original dramas on network television centers on people with abilities beyond those of mere mortals – and if you haven’t jumped on the “Heroes” bandwagon yet, you’re really missing out – even the most macho of men can probably stop claiming that they only watched the “X-Men” flicks because they wanted to see Rebecca Romijn covered in nothing but blue body paint.

Comic books and superheroes have taken a long and winding path to get to their current position of mainstream acceptance, however, and nowhere has that been more evident than on the silver screen. In fact, when speaking of the comic book film genre, you can very easily divide cinematic history into two parts: before “Superman: The Movie,” and after “Superman: The Movie.”

To read the rest of our historical retrospective, click here.

To investigate the status of future comic book flicks, click here.

To read the first of our three roundtable discussions about various and sundry comic book film related topics, click here. (You’ll find links to the other discussions on that page as well.)

And, lastly, to check out a shopping list of graphic novels and trade paperbacks to check out after you leave the theater, click here.

Oh, yeah, and if you’ve got any feedback, feel free to leave it below…

Box Office Roundup: If you’re walking around the Sony lot, wear a helmet

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Spider-Man 3: $60 million, $242 million to date
Let the doomsday talk begin. Much will be made of the fact that “Spider-Man 3” dropped 60% at the box office, but remember two things: any movie that opens with a $150 million weekend is going to suffer a big drop-off, and it still made $60 million in its second week. The DreamWorks execs would slaughter their children to have “Shrek the Third” pull a stunt like that.
2) 28 Weeks Later: $10 million
Fast zombies plus a whole bunch of shit getting blow’d up? What’s not to love? Lots, to be honest, but we still expected it to do better than this.
3) Georgia Rule: $5.8 million
LiLo + Hanoi Jane = nobody cares.
4) Disturbia: $4.8 million, $66.2 million to date
From this to “Transformers,” Shia LaBeouf is now the Biggest Star on the Planet.
5) Delta Farce: $3.5 million
Last week, we received the following email from a fan of Larry the Cable Guy who apparently thought we stayed in regular contact with Larry after our email interview two years ago.

Dear Larry,

I am 13 years old and I have a new joke for you to say when you get done telling a joke about how frustrated you were. You say “I was more frustrated than Stevie Wonder playing whack-a-mole”

sincerely, (name withheld)
PS: Git-r-dun

This is your legacy, Larry. We hope you’re proud of yourself.

12) The Ex: $1.3 million
Don’t burn your TV bridges, Zach.

Box Office Roundup: the world stops spinning on its axis for unworthy superhero threequel

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

We’re going off the grid for the summer box office fantasy season and doing it old school, with spreadsheets and all that funky math jazz! We’re not exactly excited about doing it that way, of course. But since Fantasy Moguls adopted that whole salary cap mentality, we just can’t get behind that. So we did a draft on our own. Where the movies are owned by only one person. No free love in this here joint, suckaz.

1) Spider-Man 3: $148 million
Wow. I mean, dude, like, wow. Do they even realize what kind of precedent they’re setting for the next “Pirates of the Caribbean” movie? They’re basically saying that the next “POTC” movie could be Krusty the Klown running down a beach with a sword while being chased by a cast of thousands, and it will surely break the box office record. Wow. I mean, like, wow, dude.
6) Lucky You: 2.5 million
We’re only mentioning this so Kevin Carr doesn’t feel quite so bad about picking a movie that opens the same weekend as “Spider-Man 3.” Don’t worry, Kevin, the negative word-of-mouth on “S-M 3” will surely bring “Lucky You” into the top five….or not.

Shotgun Blues

I’d be remiss if I didn’t begin by mentioning how tonight’s episode of “The Shield” was the first of the new season that didn’t quite do it for me. Of course, while the events that took place were very Sopranonian (a necessary buildup for the things to come), it’s still a little unusual for any episode of “The Shield” to come off as even a little bland.

Still, we got a ton of info this week that will certainly work toward the Vic and Shane face-off at the end of the season. Of course, this isn’t the first time we thought Vic would kill his best friend. It happened in season four after Vic found out about Shane’s dealings with Antwon Mitchell and, according to Shawn Ryan on the season five DVD, he was supposed to die until the writers chickened out and cut it from the script. If this season doesn’t end with Shane in a puddle of his own blood, I don’t see how else it would.

Anyway, getting back to the episode at hand, Shane is feeling increasingly more guilty about murdering Lem, so when he arrived at the hospital beaten to a pulp, it seemed like maybe he had done it to himself. As Vic soon discovers, however, Shane was beat up for banging Tilly (the black jailbait) by the girl’s step-dad. Even Mara finds out all about his infidelity when she rummages through his things and finds condoms. This, of course, leads Mara to kick Shane out of the house, and when he fails in overdosing on a handful of Oxycontin, he returns to tell her that he is the one responsible for Lem’s death. Apparently, this is supposed to make things all better (since he did it to protect Mara and Jackson), and surprisingly, it does.

The Strike Team (Ronnie all shaved and Julian in tow) have been handed Dutch’s Mexican Massacre case for the week, only to be led right back to the El Salvadorians. This time, they’ve got Guardo’s second-in-command in the interrogation room, but when Vic asks him about the murders, the guy isn’t afraid to confess. He tells him that the motel massacre was only retaliation for the Mexicans killing Guardo, and thus entirely necessary for keeping their reputation intact. This leads Hiatt to doing a little research of his own, and what he comes up with is a name: Hernan. As you might remember, this is the same guy that Dutch tried to contact regarding Lem’s murder (and was rudely asked to stop looking for by the FBI), but when Hiatt pries into the matter, he’s given the green light; as long as he treats the guy like a common criminal. It turns out Hernan knows for certain that Guardo wasn’t involved in Lem’s death, and this time, Vic actually believes him. On a side note, it’s nice to see Clifton Collins Jr. stopping by for a quick cameo.

Meanwhile, Dutch and Billings are still working the serial rapist case, but they aren’t really getting anywhere until a man who helps find lost runaways arrives in The Barn with intel on possible next targets. The guy’s just lost a daughter of his own (which is why he’s so intent on helping), but Billings seems to think he’s suspect number one; and for once, he’s right. After offering to reopen his missing daughter’s case for information on the recent string of rapes and murders, the guy openly confesses. In fact, it seems the reason his daughter ran away in the first place is because he molested her (she looked so much like his dead wife, after all), and the reason he’s been raping and killing these other girls is so that he could convince the police to reopen the investigation. Dude was definitely crazy, but he’s nothing like Dutch’s past cases.

And finally, while the surprise appearance of Collins Jr. was certainly welcomed, the best cameo of the night goes to Carl Weathers (Vic’s old partner), who returned for Vic’s help with a job scaring a couple Jamaican drug dealers out of an apartment complex. The subplot gave Vic the chance to get away from the Strike Team for a bit, and it also showed just how much he’s changed as a person. While his former self would have been more than willing to shove a perp’s face into a toilet he’s just pissed in, he was absolutely disgusted by the concept that Weather’s crazy partner would do it. This will likely factor in to Vic’s decision of what he’s going to do with and while death would be appropriate, I see the kinder, gentler Vic forcing Shane to turn himself in to the police instead. This means Vic would be going to jail as well (since Shane would have to fess up to all of his smaller crimes), but it would certainly be a just ending to a fabulous series.

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