Category: External Movie DVDs (Page 45 of 74)

Robotech: The Shadow Chronicles

As a casual fan of anime, you’d think that I would have come in contact with “Robotech” before now. The sci-fi series is easily one of the most popular franchises in the medium, and yet somehow, it’s managed to slip through the cracks while other shows about giant robots (“Transformers,” “Neon Genesis Evangelion,” etc.) have found their way onto my television set. It’s too bad, because I probably would have enjoyed “Robotech: The Shadow Chronicles” even more had I known what to expect. Originally released in 2006, the feature-length film exists as a sequel of sorts to the original series from the 80s. In fact, it even picks up at the end of the final episode with the exiled human forces making one last push against the Invids, an alien race that has invaded Earth for the sole purpose of harvesting an energy source called protoculture. The humans, in turn, have made an alliance with another race called the Haydonites so that they may use their special shadow technology to cloak their ships. But what they don’t realize is that the Haydonites are really the bad guys, and they’ve been lying in wait for the right time to strike.

Robotech

As you can probably imagine, the best parts of “Shadow Chronicles” are the epic space battles scattered throughout, and though the integration of CGI has hurt other properties in the past, it doesn’t look half-bad here. The film also does a pretty good job of jumping straight into the action without making the uninitiated feel completely lost, but let’s face it, “Shadow Chronicles” is primarily for the hardcore fans who have been demanding more “Robotech” for a while. It’s still not clear whether the film will serve as a pilot to a new series or simply as a standalone movie, but if there’s one good thing that comes out of the film’s Blu-ray re-release, it’s that a new generation of “Robotech” fans will be born… and just in time for the upcoming live-action movie.

Click to buy “Robotech: The Shadow Chronicles”

Taking 5

There was never any reason to go into the movie “Taking 5” expecting anything other than a tweener-centric comedy with laughs on par with your average Nickelodeon sitcom, but it had one thing going for it: the inclusion of The Click Five. What can I say? I like the power pop, and those guys do it well. Plus, as a music fan, the premise of the film sounded funny enough: Devon (Alona Tal) and Gabby (Daniella Monet) desperately try to win a contest where the prize is a performance by their favorite band, 5 Leo Rise (played by The Click Five), but when things go horribly wrong, they decide to kidnap them and force them to play. I should’ve known, however, that there was something a little dodgy about this flick when I heard that the line-up of the band in the film included their original lead singer, Eric Dill, who left the band in late 2006. So why did this film sit on the shelf for so long? You’d like to think it’s because The Click Five lost some serious career momentum after Dill’s departure (and, boy, did they), but it’s more likely because the band originally come off sounding like the biggest assholes in the world. Oh, sure, eventually they come through and save the day, but why would they start the film by showing the object of the girls’ obsession acting like a bunch of complete dicks? Oh, wait, I forgot: chicks dig that. Well, in that case, maybe they’ll dig this movie more than I did.

Click to buy “Taking 5”

The Foot Fist Way

The first 30 minutes of “The Foot Fist Way” are as intolerable as anything released in the last ten years. The rest of this mercifully short movie is slightly more tolerable, yet remarkably unfunny for a comedy. Tae Kwan Do instructor Fred Simmons (Danny McBride) is the most socially retarded, immature bag of douche you will ever run across. His miserable whore of a wife (Mary Jane Bostic) eventually becomes fed up with his petty mind games and leaves him, and the only way Fred can set things right with the blow to his ego is to meet up with his hero, Tae Kwan Do master and B-movie action star Chuck “The Truck” Wallace (Ben Best), who turns out to be a drunken, lecherous jackass. The biggest laughs involve a student with anger issues knocking a senior citizen student unconscious, and Fred pounding the eight-year-old son of a man Fred suspects was having an affair with his wife. The movie clearly thinks Fred’s obliviousness to everything around him is funny – take, for example, his belief that he had a fling with a student that never actually happened – but it’s really just sad. It’s one thing to make your lead character an anti-hero, but Fred isn’t an anti-hero; he’s a loser, and there is no bigger waste of time for us than watching a loser act like a loser. That Will Ferrell and Adam McKay thought this movie was funny isn’t just puzzling; it’s disturbing.

Click to buy “The Foot Fist Way”

The Fall

Anyone who has seen director Tarsem Singh’s first film, “The Cell,” knows how visually stunning his movies are, but that’s nothing when compared to his latest picture, an orgy of bright reds and blues that looks like it’s been ripped straight from the pages of a comic book. Four years in the making, “The Fall” takes place in 1920 Los Angeles where a Hollywood stuntman named Roy (Lee Pace) has been hospitalized following a near-fatal accident on set. His back may be broken, but his heart is completely shattered when he learns that his lover has left him for another man. To help pass the time, Ray strikes up a friendship with a little girl named Alexandria (Catinca Untaru) – who, curiously enough, has also incurred an injury from a fall – and tells her the epic tale of Governor Odious and the five warriors who have vowed to defeat him. What Alexandria doesn’t realize, however, is that Ray has an ulterior motive – namely, to use the story as a means of tricking her into helping him commit suicide.

The Fall

Reminiscent of “Pan’s Labyrinth” in its blending of reality and fantasy, “The Fall” aims to take things one step further by reimagining the people in Alexandria’s life as characters in the story, à la “The Wizard of Oz.” Unfortunately, the film doesn’t flow quite as well as Guillermo del Toro’s adult fairytale, and it’s probably a result of its piecemeal construction. This affects both the story’s tonal consistency and the pacing, which makes the movie feel about twice as long as it really is. Still, it’s hard to deny that Tarsem has created something special, even if it isn’t as great as it could’ve been. The visuals are a treat as usual and the chemistry between his two stars is extraordinary considering the age gap and the fact that this is Untaru’s first-ever acting gig. In the end, it might be a little too weird for most moviegoers, but if you like your films colorful and offbeat (think Cirque du Soleil as directed by Terry Gilliam), “The Fall” may be right up your alley.

Click to buy “The Fall”

The Promotion

If you were to compile a list of the most disappointing films of the year, “The Promotion” would sit pretty far at the top. Written and directed by Steven Conrad (perhaps best known for penning “The Pursuit of Happyness”), the film stars Seann William Scott as Doug, the assistant manager of a major supermarket in Chicago. When the opening of a new location prompts Doug to apply for the coveted manager position, he’s considered a shoo-in by his boss (Fred Armisen) – that is, until fellow assistant manager Richard (John C. Reilly) decides to compete for the job as well. But instead of proving to the board executives (led by Gil Bellows) why they’re the best candidate, Doug and Richard engage in a juvenile squabble that threatens to ruin both of their chances. Unfortunately, none of it is very funny, and Conrad is entirely to blame. The script just doesn’t make the most of its ingenious setup. As the narrator of the film, you’d think Doug was the main protagonist, but then the focus shifts to Richard, and you’re left to wonder who it is you’re supposed to be rooting for. With the exception of a funny cameo by Jason Bateman as the coordinator of a company retreat, “The Promotion” is a complete bore. It had the potential to flourish as the grocery store equivalent of “Office Space,” but instead, it only feels like a slightly better rendition of “Employee of the Month.”

Click to buy “The Promotion”

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