Category: External Movie DVDs (Page 2 of 74)

BLU-RAY REVIEW: Batman: Year One

DC Comics may be lagging behind its rivals at Marvel when it comes to their live-action movie ventures, but they’ve still utilized their stable of superheroes pretty well with Warner Bros.’ ongoing series of direct-to-DVD animated films. Lately, the studio has been digging into their back catalog to produce some of the label’s fan favorite storylines, and when it comes to the Caped Crusader, there’s no story more revered than Frank Miller’s 1987 miniseries, “Batman: Year One.” Though it actually focuses more James Gordon’s move to Gotham and his fight against police corruption, the tale also tracks Bruce Wayne’s early days as the masked vigilante Batman.

Those who aren’t familiar with Miller’s comic will notice several similarities between “Year One” and Christopher Nolan’s recent Batman films — particularly “Batman Begins,” which drew a lot of inspiration from the miniseries. Unfortunately, for as groundbreaking and influential as Miller’s story was during its initial release, it feels too fractured in animated form. The movie is also shockingly short at only 64 minutes, and though the animation is excellent, the voice acting leaves much to be desired. Ben McKenzie is horribly miscast as Wayne/Batman, and while Bryan Cranston was a great choice for Gordon, his line readings are also a little wooden. As a result, “Year One” isn’t as entertaining as it should be, but Batman fans will still enjoy the mostly faithful adaptation.

Click to buy “Batman: Year One”

BLU-RAY REVIEW: Red State

Kevin Smith’s first foray into the horror genre has been a long time in the making, but after finally watching “Red State” (which could have been titled “Why You Shouldn’t Troll for Sex on the Internet”), it’s easy to see why he had so much trouble securing financing in the first place. And no, it’s not because the film is especially violent or controversial – it’s just not very good. The whole thing is a half-baked idea at best, filled with characters so inconsequential that they don’t even deserve to be given names. Though the film starts out with a fairly promising setup – three teenagers are lured to the small town of Cooper’s Dell with the promise of sex, only to become the latest victims of a crazy religious cult – it quickly abandons the horror angle and devolves into a more generic action-thriller.

The fact that Smith promoted “Red State” as a horror movie may reek of false advertising to some, but it’s hardly the only sting of disappointment that you’ll experience from the film. The unpredictable detour that takes place at the end of the first act isn’t necessarily bad, but it’s very poorly executed, due in large part to the paper-thin story. There’s just not a whole lot to the movie apart from the initial setup, an unnecessarily long sermon delivered by Michael Parks’ zealous cult leader, and an even longer climactic shootout that might have seemed ridiculous if the film hadn’t already lost all credibility. The only saving grace is John Goodman as an ATF agent assigned to bring down the cult, but that’s mostly because he gets all the good lines. If there’s one thing to be grateful for, it’s that the movie clocks in at a brisk 88 minutes, because there aren’t many other reasons why you’d want to subject yourself to “Red State” beyond sheer curiosity.

Click to buy “Red State”

BLU-RAY REVIEW: Submarine

Hype isn’t an easy thing to manage, and in some cases, it can even prove to be downright deflating. That’s the biggest issue at the center of Richard Ayoade’s directorial debut, “Submarine,” which fails to live up to the impossibly high acclaim that it earned on the festival circuit. Based on the novel by Joe Dunthorne, the film tells the story of Oliver Tate (Craig Roberts), an eccentric teenager who becomes smitten with feisty pyromaniac Jordana Bevan (Yasmin Paige) and sets his mind on losing his virginity to her. But while his new love life is going just swell, Oliver’s parents have hit a rough patch in their marriage, and when he discovers that his mother (Sally Hawkins) has been fraternizing with her ex-boyfriend (Paddy Considine), a new age mystic who happens to lives next door, Oliver takes it upon himself to intervene.

A quirky coming of age tale that skews more towards drama than comedy, “Submarine” falls somewhere between the whimsy of Wes Anderson’s oeuvre and the dry cynicism of a Noah Baumbach film. That’s not to say that the movie is particularly dark or somber, but the comic moments aren’t nearly as prevalent as some would lead you to believe. What the film does do well, however, is deliver an incredibly realistic depiction of what it’s like to be a teenager in love, thanks largely to the likeable performances of Roberts and Paige. The adult actors are also really good in their respective roles, although Considine’s character lacks the depth that he had in the novel. That’s partly because writer/director Ayoade has cut out some of the book’s less important subplots, and while that makes the movie a lot more focused as a result, it comes at the cost of a few of the story’s bigger payoffs. It’s a solid debut by Ayoade regardless, who thrives from the freedom of being able to experiment with a variety of styles, but for a movie as buzzed about as this, “Submarine” really could have been better.

Click to buy “Submarine”

BLU-RAY REVIEW: Conan O’Brien Can’t Stop

When Conan O’Brien was unexpectedly removed as host of “The Tonight Show” after less than a year on the job, the comedian’s much-publicized departure led to a number of protests across the country organized by his army of supporters. Legally prohibited to appear on television, radio or the internet for six months following his final show on NBC, O’Brien hit the road on a 32-city music-and-comedy tour to keep himself busy in the interim. But after watching this revealing documentary by director Rodman Flender about O’Brien’s time on the road, any sympathy you might have had for him is quickly erased upon learning that he’s actually kind of a dick.

Though O’Brien deserves a lot of credit for allowing this version of himself to even be shown, the documentary is a pretty eye-opening experience that showcases the attention-hungry performer at his absolute worst. He may not have been in the right head space at the time, but that’s no excuse for mistreating your personal assistant, your writing staff, and perhaps most importantly, your fans. Throughout the film’s 89-minute runtime, O’Brien complains incessantly about having to schmooze at after parties and attend meet and greets with VIP fans that paid extra for the opportunity, and yet despite all the whining, he continues to do more than he’s asked because he’s so addicted to performing. In that respect, Flender’s doc is a success, but while most people will be expecting the funny man-child they see on TV, the Conan O’Brien represented here is little more than a broken man desperate to be the center of attention. And no matter how refreshing that honesty may be, it’s not very entertaining.

Click to buy “Conan O’Brien Can’t Stop”

BLU-RAY REVIEW: The Perfect Host

David Hyde Pierce may be best known for his role as Niles Crane on the hit comedy series, “Frasier,” but it only makes his performance in this darkly comical indie gem from writer/director Nick Tomnay that much more effective. The film stars Clayne Crawford as John Taylor, a career criminal who robs a bank and then cons his way into the home of Warwick Wilson (Pierce) under the pretense that they share a fellow acquaintance. Ever the consummate host, Warwick invites John to stay as a guest of his dinner party, completely unaware that he’s on the run from the police. But when his secret is revealed and he tries to bully Warwick into being his hostage, the tables are turned on John when he discovers that Warwick isn’t exactly who he appears to be.

A psychological thriller where nothing is as it seems, “The Perfect Host” may have more twists and turns than you would expect given the film’s seemingly straightforward plot, but most of them work surprisingly well without feeling cheap or contrived. Though the ending isn’t nearly as clever as it thinks due to the events that precede it, the performances are strong enough to keep you engaged throughout its taut 93-minute runtime. Crawford holds his own as the bank robber who becomes more of a victim with each passing scene, but it’s Pierce who steals the show as the title character – a human onion that slowly peels back the layers of his not-so-normal psyche much to John’s terror. Those only familiar with Pierce’s work on “Frasier” will definitely be in for a pleasant surprise, because the role allows the actor to step out of his comfort zone and have some fun, and it’s exactly this casting against type that makes the movie so entertaining.

Click to buy “The Perfect Host”

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