Category: External Movie DVDs (Page 12 of 74)

What Else Ya Got? “Edge of Darkness”

It’s hard to know what to expect out of a Blu-ray these days when the cover art detailing the included content fails to do just that. For instance, while the two-disc release of “Edge of Darkness” initially appears to be light on bonus material, there’s actually much more than Warner Brothers is letting on. None of it is particularly memorable stuff, but there’s still enough here to suggest that, even though it underperformed at the box office, the film had a big enough fan base (or at least the possibility of one) to warrant the added effort.

Focus Points

Much like last year’s release of “The Dark Knight,” “Edge of Darkness” rounds up a series of nine mini-featurettes covering everything from working with Mel Gibson and Martin Campbell, to adapting the miniseries for the big screen. Composer Howard Shore also discusses how he uses music to connect the audience to the protagonist, Campbell reminisces about directing the BBC miniseries, and writer William Monahan talks about his contributions to the script. Though none of them really stand out on their own, there’s enough good material here that they would have been better off putting together a single making-of featurette.

Deleted & Alternate Scenes

Mostly throwaway stuff, like Craven grieving over his daughter or threatening Danny Huston’s slimeball businessman. There is one substantial scene where Ray Winstone’s fixer is given all the details behind his new assignment, although it’s hard to imagine where this would have fit into the movie. It’s a major piece of exposition that would have undoubtedly ruined the mystery behind Craven’s investigation, but it also helps give Jedburgh a little more purpose. In the end, it was probably a smart decision to just cut it, as it’s more damaging than helpful to the film.

Though it would have been nice to have included an audio commentary by Campbell or Gibson, Warner’s two-disc release is still a far better showing than expected. The inclusion of a digital copy remains one of the most pointless “special features” around, but at least you can put it to good use and give it away to a friend. After all, if you’re buying Blu-rays for anything other than the movie, you have no one to blame but yourself.

An audience with the “Iron Man 2” crowd

So, a couple of weeks back, a volcano went off in Iceland. That meant that planes in Europe couldn’t fly for several days, which meant that suddenly a London press junket was canceled and rescheduled in Los Angeles, which meant that, one recent Thursday night, I wound up seeing “Iron Man 2” at the AMC Theater in Century City instead of “A Star is Born” at Grauman’s Chinese for the TCM Classic Film Festival. (The world is getting much smaller…)

Moreover, thanks to the volcano, the next morning, instead of my Crunchy Raisin Bran and 1% milk, I was instead being buttered up by with French toast and applewood-smoked bacon buffet at the Four Seasons, a free Iron Man action figure, and a theoretical chance to ask a question of the all-star cast of “Iron Man 2” — i.e., Robert Downey, Jr., Gwyneth Paltrow, Scarlett Johansson, Don Cheadle,and soon to be super-villain of the year Mickey Rourke — not to mention director/co-star Jon Favreau, writer Justin Thoreaux, and producer Kevin Feige.

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Of course, considering the 150 or so people in the room, I wasn’t surprised that I didn’t get to ask any questions, but it was a pretty entertaining event. Robert Downey may have famously given up a number of vices, but being a perpetual class clown does not seem to be one of them, and it wasn’t like he was the only interesting person in the room.

The first question, about whether Favreau or he felt any pressure in terms of living up to the success of the first “Iron Man,” set the tone. Favreau admitted he had never been involved with a sequel before, unless you count his “under five” bit part as “Assistant” in Joel Schumacher’s notorious “Batman Forever.” It certainly is a change from small independent films like Favreau’s career-making acting and writing debut, “Swingers,” which he compared to throwing a party and hoping people would come.

“…[On ‘Iron Man 2’] we knew that people were going to show up,” Favreau said. “We just wanted to make sure that everyone who showed up had a good time and that this was going to be as fun or more fun than the last party. So it’s a different kind of pressure.”

Downey then felt the need to start listing sequels others on the panel had been involved in, real and fictional. “Scarlet Johansson was in ‘Home Alone 3.’ Don Cheadle, 11, 12 and 13.”

That led to a question that was geeky in a way that anyone whose ever been a superhero comics fan will recognize, and which wound up being answered by producer Kevin Feige. It was about the “time-line” of the film. It turns out that, if viewers pay close attention, they can figure out that “Iron Man 2” actually takes place before 2008’s “The Incredible Hulk.” (Having seen both movies, I have no freakin’ clue how you’d deduce that.)

The Incredible Hulk

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District 13: Ultimatum


As the creator of such beloved action films as “La Femme Nikita” and “Leon: The Professional,” Luc Besson knows a thing or two about staging a great action sequence. Although the French filmmaker has recently devoted his time to adapting children’s fare like “Arthur and the Invisibles,” he’s remained an integral player in the genre as a writer and producer on some of the best action movies of the last decade. For the follow-up to the 2004 cult hit, “District 13,” Besson has returned with a new story that brings super cop Damien Tomasso (Cyril Rafaela) and reformed criminal Leito (David Belle) back together to save the titular ghetto once again. It’s been three years since they last averted a plan to detonate a nuke within the crime-ridden alleys of District 13, but when a corrupt politician and his security force try to destroy the district for capital gain, Damien and Leito join forces with the local gang leaders to stop them before it’s too late.

Besson’s man-on-a-mission stories are about as predictable as they come, but while some of the exposition can seem a bit contrived at times (not to mention unbelievably boring), it’s a necessary evil that helps bridge together the incredible action sequences. And between Rafaela’s cleverly choreographed fight scenes and Belle’s jaw-dropping, parkour-inspired stunts, “District 13: Ultimatum” features some of the best action you’ll see all year. The fact that they’re actually performing every bone-crunching hit and gravity-defying leap only increases the entertainment level, with some stunts begging to be watched over and over again on a loop. The film’s uninspired story certainly doesn’t do it any favors, but between the high-energy action sequences and the chemistry of its two stars, “District 13: Ultimatum” is still a must-see for any fan of the original.

Click to buy “District 13: Ultimatum”

The Wraith: Special Edition

Every film, no matter how good or bad, has its fans, and if there are enough of those fans, then the film is inevitably destined to receive a special-edition DVD. This has been proven time and time again, which means there’s no longer any point in seeing such DVDs and howling with laughter at the suggestion that such treatment is warranted of a film like…oh, say, “The Wraith.” If you’re not part of the camp that’s already in love with the film, then better you should treat it like a pop culture experiment: watch it and see if you can determine why it’s developed such a cult following over the years.

Written and directed by Mike Marvin, “The Wraith” revolves around the mysterious Jake Kesey – played by Charlie Sheen, in his first leading role – who turns up in town right at the same time as a masked man who drives a completely kick-ass car known as…you guessed it…The Wraith. It seems that there’s this gang of drag-racing car thieves, led by a thuggish jackass named Packard Walsh (Nick Cassavetes), who challenge local teens to races where, if they lose, they have to surrender their car. Packard’s ego has gotten so large that he’s convinced himself that Keri (Sherilyn Fenn) is his girlfriend, but she’s got eyes for Jake, and it is mutual, baby. You can imagine how Packard feels about that development. Meanwhile, The Wraith is challenging members of Packard’s gang to races which tend to end in only one participant making it out alive, leading Sheriff Loomis (Randy Quaid) to begin investigating the strange goings-on. Say, is it possible that Jake and The Wraith are one in the same? And what’s the story on Keri’s ex-boyfriend, Jamie, who was killed in one of Packard’s races? You don’t suppose that Jake is actually Jamie, having been brought back to life by some unspecified means, given a change in appearance, and provided with the aforementioned kick-ass car in order to extract his revenge?

Nahhhhhhh.

If you’re not an aficionado of cars, ’80s cheese, or Sherilyn Fenn’s Breasts (yes, they deserve capitalization), then you may struggle to make it through “The Wraith,” but if you’re determined to do it in the name of science, then watching while listening to Marvin’s commentary helps a great deal. It’s also a major bonus that the film’s special features are the work of Red Shirt Pictures, who’ve made a great name for themselves by providing excellent bonus material for cult “classics” like this, so be sure to check out the interviews with Marvin and co-star Clint Howard (whose hair in the movie is fucking outstanding), as well as the featurette about the cars used in the film and the cult that surrounds “The Wraith.” That cult isn’t likely to grow any larger as a result of this special edition, but it’ll sure make the existing membership happy.

Click to buy “The Wraith: Special Edition”

Who says a trailer has to explain a movie?

For some reason, most of the people who make trailers these days think they have to give you a detailed summary of the film. They’re wrong. A case in point, “Exit Through the Gift Shop,” which I mention in the post below, did extremely well in its limited, eight-theater release this weekend. My curiosity is peaked, but I really don’t have much idea what the film’s about from this trailer, and I like it that way.

This other trailer tells you almost nothing about the actual plot of the movie in question, though it tells you something. The movie did okay.

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