Category: Documentaries (Page 27 of 43)

Roman Polanski arrested in Switzerland

Roman Polanski in 1978

I’ll be getting to the weekend box office fairly soon but we have some breaking news today. Kind of a bombshell, actually.

As if to fill the void left by the conclusion of the Phil Specter case, a long-running Hollywood legal drama of some real significance has reemerged this morning and is almost certain to be filling the gossip and news pages for some time. As I write this, arguably one of one of the world’s five or so greatest living directors, whose resume includes “Chinatown,” “Rosemary’s Baby,” 2002’s “The Pianist” and the psychological horror classics “Repulsion” and “The Tenant,” is under arrest at age 76 and may be extradited back to L.A. county. This one could get messy and makes yet another painful and extraordinary chapter in the life of a director and occasional actor who escaped the Holocaust as a child, became an internationally famous filmmaker during the sixties, lost his pregnant actress wife in one of the most brutal murder rampages in U.S. history, and then nearly lost everything else over a inexcusable drunken encounter nearly a decade later.

Younger readers may not be aware how, in 1978, 45 year-old director Roman Polanski was arrested after having sex and sharing champagne and part of a Quaalude — a tranquilizer and de riguer party drug of the time — with 13 year-old Samantha Geimer. The victim’s name has only become public knowledge in recent years when, now middle-aged, she has come out publicly to forgive Polanski and call for a conclusion to the extremely muddy and muddled case which, however you come down on it, has more sides to it than you are likely aware of.

Indeed, though you may be hearing now end of moral grandstanding this week, this is no simple case. Even as someone who literally grew up with the matter and with Polanski’s career, I really knew very little about it before seeing and reviewing Marina Zenovich’s outstanding film about the matter: “Roman Polanski: Wanted and Desired.” As Zenovich said in the film’s commentary, Polanski was both a perpetrator and a victim of a publicity hungry judge who used to case for his own ends and drew out the case needlessly. The real heroes of her film were, ironically, both the prosecutor and the defense attorneys in the case. Yes, Virginia, there may be two honest lawyers in greater Los Angeles.

Anyhow, there are any number of questions at this point, including how did Polanski’s lawyers not know what the Swiss authorities might do? (Polanski has been able to live peacefully in France because the U.S.-France extradition treaty does not cover his particular crime and he is highly regarded there. He has carefully avoided being seen in countries such as England where the laws are different.) Nikki Finke calls it a double-cross.

This case is huge and has already been condemned by French Culture Minister Frederic Mitterrand who is in communication with President Nicolas Sarkozy. No doubt, even as we speak poor Robert Gibbs is probably trying to figure what President Obama’s answer should be when he’s asked about it. Maybe he can use the whole “ongoing legal matter” construction to avoid it. That’s what I’d try to do.

Whatever happens, we certainly won’t be avoiding the case here. Stay tuned.

Hanging with the new flesh

We_Live_in_Public_1

“Your reality is already half video hallucination. If you’re not careful, it will become total hallucination. You’ll have to learn to live in a very strange new world.” – Media philosopher Brian O’Blivion in David Cronenberg’s “Videodrome” (1983)

So far, the bulk of gifted documentarian Ondi Timoner’s work has dealt with the forces that persuade human beings to give up some part of themselves, whether it be in pursuit of creative growth, God, or fame. Her latest film, takes that as far as it can possibly go. Unlike her remarkable “DiG!,” about the cultish neo-psychedelic rock band, the Brian Jonestown Massacre, or “Join Us,” about an actual religious cult, this time the cult is not just a few fanatics, it’s you and me.

I first praised the Sundance Grand Jury prize-winning “We Live in Public,” opening Friday at L.A.’s Nuart Theater (with special Q&As Friday and Saturday nights), back in June when I saw it at the Los Angeles Film Festival. The screening was capped off with the then somewhat surprising appearance by the documentary’s antihero, Internet entrepreneur and self-styled conceptual artist Josh Harris. Having returned from an idyll in Ethiopia, he said that his next project was something he called “the Wired City” and that, in his view, a typical human’s life in the future is going to be something like the present day existence of “a Purdue chicken.” He also said he hadn’t seen the movie and wasn’t sure when he would.

Back in the 1990’s, Harris made a large fortune largely by being one of the first to see the full communications potential of the web and was a dot-com era sensation via his groundbreaking web entertainment company, Pseudo. Leaving that when his eccentric and creative side grew to be too artsy and weird for the corporate room, he then spent a good chunk of that fortune on two highly provocative experiments/art projects.

We Live in PublicFirst came “Quiet” – basically a month-long party/community in an underground compound on the west side of New York with overt fascistic overtones. Harris recruited roughly 100 artists and creative types to live there 24/7 for an indefinite period (it turned out to be a month). He would provide all the food, (legal) party favors, a firing range and plenty of weaponry (blanks only, I’m told), as well as a fake church and real interrogation tactics borrowed from the Cold War-era East German secret police.

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Michael Jackson – This is It

The trailer for “This is It” premiered during the VMA awards Sunday and has been circulating since. The movie will be released for two weeks only, starting on October 28 and tickets willl go on sale an entire month early. It will consist of rehearsal and documentary footage primarily recorded at two Los Angeles area indoor stadiums (The Forum in Inglewood and the Staples Center downtown) documenting the preparations for Michael Jackson’s planned series of extravagant, Cirque du Soliel-style shows in London.

Michael Jackson’s This Is It

This trailer is cut way too fast for my taste and I feel almost certain the movie will be on the maudlin side, but I have to say that the footage of the actual show I’ve seen so far has surprised and impressed me. I had made some incorrect assumptions about where Jackson was creatively. Even if new music apparently eluded him since 2001, his dancing and sense of showmanship seems to have been more than intact in the days prior to his death.

Gearing up

As I recall, not a whole lot of work really got done on the first day of school, but as people trickle back in from vacations, film festivals and the like, things are starting to happen.

Nicolas Cage* THR blogger/reporter Borys Kits has been keeping busy over the long weekend. He reports that Nicolas Cage will be starring in an action/revenge film, and another action/revenge film, with cars and in 3-D, entitled “Drive Angry.” Don’t take the car, Nick, you’ll kill yourself!!!!! (It’s a reference to an old commercial that you may not be in the right age/geographic group to get, but Mr. Cage most certainly is.) Kits also reports that Steven Soderbergh will be entering the action game with martial artist Gina Carano. As if that’s not enough, Kits also has a news story posted on a new documentary about Stanley Ann Dunham, Barack Obama’s late mother who figured prominently in today’s ever-so-controversial “work hard and stay in school” speech, to be directed by acclaimed Los Angeles-based indie filmmaker, Charles Burnett (“Killer of Sheep”). I actually have some very slight personal connections with the group behind this film, so this one has my extra attention.

* Fans of Shinya Tsukamoto’s “Tetsuo” series should maybe brace for a disappointment.

* Anne Thompson summarizes the Telluride Film Festival in the time of recession. BTW, she has some very kind words for Nicolas Cage’s performance in Werner Herzog’s unauthorized Abel Ferrara homage (or something), “Bad Lieutenant: Port of Call New Orleans.” After debacles like “The Wicker Man” (my nominee for worst remake of all time with one of the worst lead performances by a major star), Cage badly needs to at least give a well-regarded performance or two. He’s a hugely talented performer — anyone remember “Leaving Las Vegas”? — but they all run the risk of sort of falling into themselves.

* I don’t know how to work this in tastefully. Let’s face it, most of what I talk about here is trivia — and then real life enters the picture and it’s hard to know what to say or do. Anyhow, critic/cinephile blogger Noel Vera has more thoughts, and some affecting links, on the lives of 28 year-old Canadian-Filipino critic Alexis A. Tioseco and his partner, film journalist Nika Bohinc. Both of them were killed last week when they apparently surprised a burglar in their Manila home.

Surviving

* It’s playing in relatively few theaters in the U.S., but the acclaimed documentary “The Cove” may have already saved the lives of many dolphins in Japan. The film documents a clandestine attempt to expose a regular slaughter of the highly intelligent animals thought by many to be sentient. (As in, self-aware, like humans.) H/t to Christopher Campbell who documents the blogger reaction.

* Are you excited about the Oscars already? Me neither, but those who really want to get into the weeds about the changes in the awards and possibly the ceremony will want to read Steve Pond’s interview of MPAA Executive Director Bruce Davis. It seems the Academy is worried about cash. Who isn’t?

* YouTube is reportedly negotiating with Lionsgate, Warners, and Sony for a possible pay-per-view movie service. You can already see movies on YouTube for free, in chunks of ten minutes. Even in more user-friendly form, I wouldn’t call it an ideal way to watch movies, but having more options is never a bad thing, I suppose.

* If ever there was a guy who’d love David Lynch-influenced musical comedy space westerns, I’d be that guy. But Cory McAlbee’s first entry in that sub-sub- genre, “The American Astronaut” didn’t do a whole lot for me, though he’ knows how to make things look interesting and I liked one of the numbers. Still, give indie filmmaker/musician Cory McAlbee credit for sticking to his musical comedy space western guns while also playing around with formats and self-distributing. As Anne Thompson reminds me, his new entry is a six part serial, “Stingray Sam,” which will be showing in a downtown L.A. movie theater this week and will also be viewable on cell phones.

Here’s the trailer I stole from Ms. Thompson. It works hard to be clever and funny but, except for the part about “I’m not David Hyde Pierce,” I barely cracked a smile as I watched it. Still, McAlbee knows how to create memorable imagery. Maybe you’ll like it better.

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