Category: Doc of the Day (Page 2 of 5)

Doc of the Day: “911 Mysteries – Part 1: Demolitions”

November 17, 2007 /

Given that Oliver Stone’s “JFK” is one of my all-time favorite movies, it should come as no surprise to anyone that I’d enjoy a good conspiracy-theory documentary, but “911 Mysteries – Part 1: Demolitions” is more intriguing than the average…possibly because its subject is one that affected just about everyone who lived through it. I’m not trying to pretend that li’l ol’ me, sitting in Norfolk, VA, was in any way as traumatized by the experiences on September 11, 2001, as the people in New York City – that’d be ludicrous – but, man, I’ll never forget how I felt as I stood in the break room at Harris Publishing and watched the towers fall live on television. I’m not even going to begin to try to put into the words the sensation that went through me as I witnessed something so unexpected and of such tremendous magnitude unfolding before my eyes, but it was something I hope never to experience again. As it is, I’m already dreaded the day when my daughter, who’s 2 years old as of this writing, asks me about that day, because I have absolutely no fucking idea what I’m going to say.

With the first part of the “911 Mysteries” series (the additional two parts remain unproduced at present, as the filmmakers await the necessary funding to move forward), we’re presented with some very interesting premises; they may or may not be true, but for the open-minded viewer, they result in enough eyebrow raising to make you consider the possibility of their accuracy.

The main question posited during the film’s 90 minutes is this: how do you get a 10-second, 110-story pancake collapse of a major structure? The answer is…no-one has an answer. Or if they do, they’re not talking. But plenty of civilian construction folk have had the question posed to them, and most seem to mystified as to how it happened.

The film features footage of a gentleman who lost his life in the collapse of the Towers, filmed several months prior to 9/11, indicating that the buildings were structurally designed to withstand a hit from a 747 – the largest aircraft at the time the building were erected – without incident. So why did they collapse so rapidly after such a strike? And why weren’t the core structures of the buildings still intact even as the floors fell around them? Is it possible that there were additional goings-on within the Towers which resulted in their destruction…?

The best I’m going to say is “maybe,” but, like I said, this movie will definitely get you thinking. There are interviews with plenty of construction professionals who find the building’s state of collapse to be inexplicable based on the facts as presented by the mainstream media; the discussions about who stood to gain from the loss of files, facts, and figures which were housed within the Towers might feel a bit too paranoid, but when you hear witnesses describing the mysterious construction on the 34th floor a month or two before the attacks, which was significant enough that the below floors could feel the shaking from the work being done (yet when one guy sneaked up to see what they were working on, he found the floor to be completely empty), you do start wondering, “What was going on up there?” Is it possible that terrorists planned far enough in advance to weaken the structure of the building by way of a bomb within the heart of the building itself?

It’s thought-provoking stuff. If you’re a steadfast conservative Republican, you’re probably already wagging your finger and declaring it to be anti-American and unpatriotic, but if you’re like me and always wonder if the news you’re getting is really the truth, the whole truth, and nothing but the truth, you owe it to yourself to at least give “911 Mysteries – Part 1: Demolitions” a look…whether you believe it or not.

Oh, and in closing, I really just have to ask this aloud: whose idea was it to use a blurb from Rosie O’Donnell as the front-cover quote? “Watch and decide for yourself,” she says. For one, it’s not a very good quote, and for another, what, is she really the best spokesperson they could get? I mean, I’m not familiar with David Ray Griffin, the author quoted on the back cover, but at least his statement – “Excellent. The best of the 9/11 movies.” – is an actual compliment. Rosie’s comment is just…nothing.

Doc of the Day, Documentaries, External Entertainment, External Movie DVDs, External Movies, Movie DVDs, Movies, Reviews

Doc of the Day: “Little Rock Central: 50 Years Later”

November 16, 2007 /

It might’ve been fifty years since nine African-American teenagers broke the color barrier and, with the assistance of the National Guard, integrated the public schools in Little Rock, Arkansas, but racism still runs rampant in these United States…and I’m just as guilty as anyone. I’d like to tell you I’m not – in fact, I’d prefer to tell you I’m not – but here’s why I’d be lying if I claimed otherwise: while watching “Little Rock Central: 50 Years Later,” the HBO special which revisits Little Rock Central High School to see how much has changed (and how much has stayed the same) since 1957, there was a moment when several teenage African-American girls are dancing around the room to a song on the radio…and when I realized that the song was “Stacy’s Mom,” by Fountains of Wayne, my first thought was, “Wow, really?”

I’d love to tell you it was simply the exclamation of a power-pop fan being pleased to hear a song by one of his favorite artists in such context, but, no, that was secondary at best. The harsh truth of the matter is that I reacted that way because it just seemed incongruous to see African-American teenagers dancing to Fountains of Wayne…and, really, it shouldn’t be that way.

But it is. And while watching “Little Rock Central: 50 Years Later,” you’re constantly reminded how little has changed in the half-century since the groundbreaking occurrence at that high school.

You see how the whites and the black have, in all this time, done almost no integrating; sure, they’re sharing the same classrooms, but there’s still a major disconnect between the them. A picture is painted of how there are almost no African-Americans in the accelerated classes, and how the socio-economic climate in Little Rock is such that the two races tend rarely to interact outside of the schools, which leads to a lack of interaction within the schools as well. And the teachers, for all their attempts to get the students to do their best, are finding that quite a few of them simply don’t care, don’t want to listen, and don’t have much in the way of a positive parental influence to inspire them at home. One of the African-American students suggests that the education level for blacks was higher before desegregation because, back then, they had something to prove; now, they don’t, and as a result, they’re not trying as hard. You want to argue with him, but, frighteningly, you can see what he’s talking about, especially when you hear one of the seniors admit that his father hasn’t looked at his report card since 9th grade.

Filmmakers Brent and Craig Renaud, themselves Little Rock natives, do an admirable job at showing as many different sides of the situation as possible. We see the teachers trying their best to teach these students, and we do see them succeeding; we also see that, although they’re in the minority, there are indeed African-American students at Little Rock Central who are intellectual and thriving. But in the end, when we see Minnijean Brown, one of the original “Little Rock 9,” speaking before one of the classes at the school and pointing out that, 50 years later, the whites are still on one side of the class and the blacks are on the other, we realize how far we’ve yet to go.

Alas, there’s no trailer for this doc, so I instead present you with a segment from the documentary, “Eyes on the Prize,” which provides you with an idea as to what happened 50 years ago…and will remind you – as it reminded me – that 50 years seems like a lifetime ago.

Doc of the Day, Documentaries, External Entertainment, External Movie DVDs, External Movies, External TV, Movie DVDs, Movies, Reviews, TV

Doc of the Day: “Sun Dogs”

November 15, 2007 /

“Sun Dogs” is the story of the Jamaican dog sled team.

No, not the Jamaican bobsled team. The Jamaican dog sled team. I can understand how you’d think I’d just written down the wrong phrase, given how much more famous the former team is; in fact, it’s that very success which inspired Danny Melville to try to kickstart the idea of giving Jamaica a second unlikely sport to call their own.

Given that it comes from Palm Productions, it’s no wonder that “Sun Dogs” is a well-made documentary which extends far beyond the scope that one might reasonably expect from its simplistic cover art. Yes, it’s the true story of the Jamaican Dogsled Team, just as advertised, but this is as much of a tale of the country of Jamaica, how the beauty of its landscape belies the poverty of its people, and why something as simple and strange as a tropical island becoming famous for being good as a sport that’s generally done on snowy terrain can raise the spirits of so many people.

It’s a whirlwind trip ’round the world, this doc, spending time not only in Jamaica but also in Minnesota and Edinburgh, Scotland (you can’t exactly do proper sled training in a hot and sunny climate, now, can you?), but it’s also an emotional voyage as well, particularly when Newton – one of the human representatives of the team – is abruptly but understandably removed from working with the dogs. And speaking of the dogs, their story proves as interesting as the humans, coming as they do from the Jamaican SPCA. Most of them adapt well to the sport, but it takes a fair amount of training; still, it’s never a hardship to watch them, because, c’mon, doggies are cute!

Ahem.

Anyway, this is a great documentary that provides a real look at the creation of the team rather than an airbrushed Hollywood recreation, but it’s still a heartwarming story…one with a bouncy reggae soundtrack which propels it at all times. If there’s any complaint, it’s that the film’s description would lead you to believe that Jimmy Buffett, who offers financial support to the team, is a major player in the story; although it refers to “the crew, spearheaded by pop superstar Jimmy Buffett,” the man from Margaritaville is in it for maybe five minutes, tops.

Of course, if you’re not a Parrothead, this revelation may only serve to make you want to see “Sun Dogs” more than you already did before.

Doc of the Day, Documentaries, External Entertainment, External Movie DVDs, External Movies, Movie DVDs, Movies, Reviews

Doc of the Day: “Hollywood Goes Gaming”

November 14, 2007 /

I’ve never been a real hardcore video game addict…well, not for any extended period of time, anyway. I had my fair share of obsessions once in awhile – first the arcade, then my trusty Intellivision, followed by brief stints with Nintendo and Xbox – but none of those lasted more than a few months before they were set aside. Kids today, though, they’re downright obsessed with the gaming, so when I first heard about the Starz documentary, “Hollywood Goes Gaming,” I thought, “Oh, man, this is totally not gonna hold my interest.”

I couldn’t have been more wrong. It was way better than I ever expected, offering a nicely done retrospective of the history of video games becoming movies and vice versa. For instance, Stephen Linsberg, writer / director of “Tron,” bemoans the fact that his film didn’t even receive an Academy Award for Best Special Effects, then admits that, at the time, the industry felt that he’d “cheated” by using computers for his effects. It’s amusing that the doc launches from its discussion of “Tron” and how Mattel licensed the film for a video game, then fast-forwards to the present and observes how it’s a given that a film will have a video-game tie-in nowadays, using “Surf’s Up” as an example. Why’s that amusing? Both films start Jeff Bridges!

Would you believe there was once a licensing battle for a “Kramer vs. Kramer” video game? True. Everybody wanted a piece of the video game action, but the most enjoyable discussion here comes via archival interview footage with Spielberg about the legendarily bad “E.T.” video game for Atari, then cuts to current interview with a fellow who used to work for Atari, who says that Spielberg saw the test version of the game and said, “Gee, couldn’t you do something more like ‘Pac-Man’?” “And I thought, well, gee, couldn’t you do something more like ‘The Day the Earth Stood Still’”? All snark aside, the game was such a colossal failure that Atari ended up with so many leftover copies that they buried a ton of them in a Mexican landfill. (I always thought that was an apocryphal story, but if so, Atari’s amused enough by it to claim it’s true.)

There’s also a nice bit about “Dragon’s Lair,” including an interview with creator Don Bluth (alas, the follow-up game, “Space Ace,” gets no love), along with an almost apologetic sequence about the “Super Mario Brothers.” From there, it’s onto the triple threat of the “Double Dragon,” “Street Fighter,” and “Mortal Kombat” flicks.

Inevitably, there’s conversation with Uwe Boll and Paul WS Anderson, with the latter proving the most entertaining. (I had no idea that, in answer to his critics, he offered to meet them in a boxing ring and fight them!) Clive Barker chimes in on his experiences in the industry, including his work on his own game, “Jericho,” and, of course, Shia LaBeouf gets interviewed because he’s the Michael Caine of his era, showing up in just about everything, though he looks like he was caught in the middle of a press tour, however, rather than having sat down for his interview like everyone else.

Kudos to Starz for these documentaries of theirs. They’re really doing a nice job of providing historical context rather than just having a bunch of talking heads blather on; in this case, we’re treated to interviews with the founders of Atari and Electronic Arts, the guys who were on the front lines of all these goings-on. Makes for a lot more interesting perspective than, say, a movie critic talking about how bad “Double Dragon” was.

Action Movies, Actors, Actresses, Doc of the Day, Documentaries, External Entertainment, External Movie DVDs, External Movies, External TV, Horror Movies, Movie Dramas, Movie DVDs, Movies, Reviews, TV

Doc of the Day: “The U.S. vs. John Lennon”

November 13, 2007 /

Wait, John Lennon was political? Wow, how did I miss out on this…?

It isn’t as though we haven’t gotten enough documentaries which have tackled the life and times of John Lennon over the years – I’m thinking first and foremost of “Imagine: John Lennon,” but it’s not like he hasn’t popped up elsewhere – but, to be fair, this is the first time there’s been an attempt to focus specifically on his life and times as a political activist.

There’s a quote on the back of the DVD box from Yoko Ono where she says, “Of all the documentaries that have been made about John, this is the one he would have loved.” Well, she’d probably know better than anyone…and, yeah, she’s probably right. He would have loved the idea that his attempts to bring peace to the world were, if not 100% successful, at least still being spoken of this far into the future. When viewed through the eyes of a world that’s survived such traumatic events as the L.A. riots and 9/11, however, you find yourself staring blankly at the screen on occasion, wondering exactly how naive Lennon really was to think that he could change the world with his methods.

Sure, they’re quaint and well-intentioned. Having a bed-in for peace makes a statement that he’s anti-war without risking confrontation with the authorities. Suggesting that there would be no issue with race if everyone was inside a bag and you couldn’t see their skin…well, that’s a little more off the wall, sure, but there’s a valid point somewhere within the eccentricity. Ultimately, though, the greatest achievement of John Lennon was to show that a pop star could have a social conscience, and if having that conscience required losing fans, then so be it.

As to “The U.S. vs. John Lennon,” what makes it so fascinating is the placement of Lennon’s actions within their proper historical context. What may be viewed as naive now was still quite sufficient to draw the attention of the Nixon White House and result in Lennon being put under FBI surveillance. You can kind of see why, too; he was, after all, hanging out with noted radicals such as John Sinclair, Bobby Seale, and the like. Really, though, it was less because of the company he was keeping and more because he was, despite his preference to keep himself as far away from that niche as possible, a Beatle…and when you’re a Beatle, the kids listen to you. Sure, they might not agree with everything you have to say, but you’ve still got their ear, and that’s why Nixon felt Lennon was so dangerous and, indeed, a legitimate threat to his Presidential campaign. In the end, Nixon still won another term, but the effects of Lennon’s political leanings made enough of an impact on society that the film manages to score talking-head commentary from Walter Cronkite, Mario Cuomo, Gore Vidal, and many others.

Yoko and John might prefer “The U.S. vs. John Lennon” to the other Lennon docs, but, on the whole, it’s not one you’d want to start your new Beatle fans with. It is, however, key to understanding why a man would have the music world at his feet yet essentially throw it away to follow his politics, instead; more importantly, it shows how far ahead of his time John Lennon really was.

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