Category: Battlestar Galactica (Page 10 of 14)

Battlestar Galactica: “Razor”

For those “Battlestar Galactica” fans that weren’t paying attention, the Sci-Fi channel premiered the two-hour event, “Razor,” last Saturday night. If you missed it, you can check it out on DVD when it hits the shelves on December 4th.

With Christmas approaching and the writers’ strike just now starting to affect new programming, there’s never been a better time for newbies interested in getting into “Battlestar Galactica” to finally make the plunge. The first three seasons are out on DVD and the fourth season (starting in March) will be the show’s last, so you know the creators are going to have the freedom to end the series properly.

**SPOILER ALERT**

When I first heard about “Razor,” I thought it was going to focus completely on the Pegasus crew under Admiral Cain. This provided plenty of story potential, but the creators decided to weave in two other timelines as well. The story jumped back and forth frequently between the Cain’s Pegasus and the time when Lee was in command of the ship and its crew (before the fleet settled on New Caprica). There was also a brief scene where a young William Adama made a gruesome discovery forty years earlier during the First Cylon War.

I figured that Kendra Shaw wasn’t long for the BG world considering we haven’t seen her in any subsequent episodes, so her little sacrifice at the end wasn’t all that surprising. Besides, it was a lot more effective the first time Bruce Willis did it in “Armageddon.” Regardless, her interaction with the old man (was that the hybrid?) on the ship revealed something big. He said:

“Cara Thrace will lead the human race to its end. She is the herald of the Apocalypse and the harbinger of death. They must not follow her.”

Considering Cara returned at the end of season three and promised to lead the fleet to Earth, his words are especially forboding. Of course, he’s the one that kept saying, “This has all happened before and will happen again,” so I don’t know what the point is of trying to dissuade the humans from following Cara. Kendra tried to warn Lee, but of course the Cylons scrambled the signal.

It was interesting to see the old school Cylons again. Apparently, they are only used in minor duty, and they aren’t as effective as their newer counterparts. It was also fascinating to see Gina’s backstory on the Pegasus. She went from being Cain’s lover to a rape and torture victim. It makes a little more sense now why Cain was so harsh with Gina. Hell hath no fury like a woman scorned.

“Razor” certainly isn’t for the newbies, but it serves as a nice fix for those of us who can’t wait for the final season to begin.

Bullz-Eye’s back with their latest TV Power Rankings!

NBC may not be King of the Nielsen Ratings just yet, but we know good television when we see it, and the Peacock has returned in full force with a dominating presence that includes the top three shows and five of the top six. HBO, on the other hand, is experiencing the opposite, with the departure of “The Sopranos,” “Deadwood” and “Rome.” Add to that the fact that our list features a whopping 10 new entries — five of which are freshmen — and you’ve got one heck of a Power Rankings shakeup. Much of this has to do with so many shows being on hiatus until next year, but whatever the cause, it’s nice to see some much-needed change to a usually familiar lineup. And, hey, don’t miss the list of our favorite shows which are currently on hiatus (and are therefore ineligible for the Top-20), our farewell to “The Sopranos,” and our stable of Honorable Mentions.

Check out the list here, then come back and let us know how we did…or if we missed any of your favorites!

Next season will be Battlestar Galactica’s last

This morning the Sci-Fi Channel announced that the upcoming fourth season of “Battlestar Galactica” would be the show’s swan song. But it was not the decision of the network. Executive Producers Ronald D. Moore and David Eick just feel like the time is right:

“This show was always meant to have a beginning, a middle and, finally, an end,” Eick and Moore said in a statement on May 31. “Over the course of the last year, the story and the characters have been moving strongly toward that end, and we’ve decided to listen to those internal voices and conclude the show on our own terms. And while we know our fans will be saddened to know the end is coming, they should brace themselves for a wild ride getting there: We’re going out with a bang.”

Season four will consist of 20 episodes that will begin in early 2008, but to tide fans over, there is a two-part set to air in November, “Battlestar Galactica: Razor,” that will tell some of the backstory of the Pegasus before it joined the refugee fleet.

I was able to sit in on a conference call this afternoon, and while most of the questions asked were about the decision to end the show, the duo didn’t deviate much from the statement above. I did get a chance to pose one question before the call ended.

JP: I’d like to ask you about your decision to use a contemporary song, “All Along the Watchtower,” in the season three finale and is there any plan to explain how the song popped up in deep space in season four?

RDM: We will touch on it again probably later on in the fourth season, to explain it within the context of the show. It was something I thought about doing in an earlier season –

DE: Before that we talked about it being in the mini-series.

RDM: Oh, yeah.

DE: We were going to open up with Simon and Garfunkel’s…was it “America?”

RDM: It was “America.”

DE: Yeah, and we talked ourselves out of it because we felt that we were making such a re-invention as it was that it might be a little bananas on bananas. Then, we were talking about playing around – I think it was in episode five of season one – when Helo and Sharon end up in a diner, that maybe there’s a jukebox and maybe it still works and maybe Helo’s screwing around with it and maybe suddenly he hears the song “Yesterday.” And maybe we just don’t explain it. We just kind of go on and, you know, it just felt like one of these ideas that was good enough and big enough to require its own story point and it just took us until now to figure out how to do it really well.

I have to applaud the duo for finishing the show on their terms. So many shows either stay around too long or get cutoff midstream with no opportunity for appropriate closure that, while sad, it’s refreshing for a series to identify and properly plan for an end date. Fans know that this is how the story was meant to go, and that’s vitally important. Also, it frees up Moore and Eick to work on other projects (the show’s spinoff, “Caprica” is still alive, buf for some reason isn’t a done deal) without having to spread themselves too thin. “Alias” really suffered when J.J. Abrams was trying to launch “Lost” and there are those (myself included) that would argue that “Buffy the Vampire Slayer” and “Angel” suffered when Joss Whedon was putting the first season of “Firefly” together. It’s sad when great shows go out with a dud (“Alias” was pretty brutal the last few seasons, but Whedon did a nice job with “Buffy” and “Angel”) so this news is exciting from the standpoint that Moore and Eick will be putting a lot of their creative effort into making season four a great one.

As NBC releases its fall schedule, Lindsay Wagner waits anxiously by her phone for a call about a guest spot…

Well, kids, NBC has officially released word of its 2007 – 2008 fall season, and here’s what we have to look forward to…

Monday

The night begins the same way it has for the last several months, with “Deal or No Deal”…but, finally, someone at the network realized that it might be wise to follow “Heroes” with a drama that at least vaguely resembles the program that precedes it. Thus, we have “JOURNEYMAN.”

JOURNEYMAN“– From Emmy Award-winning writer-producer Kevin Falls (“The West Wing”) and Emmy Award-winning director-producer Alex Graves (“The West Wing”), “Journeyman” is a romantic mystery-drama about Dan Vasser (Kevin McKidd, “Rome”), a San Francisco newspaper reporter and family man who inexplicably begins to travel through time and change people’s lives. Along the way, he also must deal with the difficulties and strife at work and home brought on by his sudden disappearances. However, his freewheeling travels through the decades reunite him with his long-lost fiancée Livia (Moon Bloodgood, “Day Break”) — which complicates his present-day life with wife Katie (Gretchen Egolf, “Martial Law”) and their son. Reed Diamond (“Homicide: Life on the Street”) and Charles Henry Wyson (“The Curious Case of Benjamin Button”) also star. “Journeyman” is a production of 20th Century Fox Television. Falls is executive producer and writer; Graves is executive producer and director of the pilot.

By the way, also very much of note is the fact that NBC is spawning a “Heroes” spin-off, entitled “ORIGINS.” The description is thus: “an innovative new spin-off that each week will introduce a new character — one of whom will be chosen by viewers through the ‘Heroes’ website on NBC.com to become a cast regular the following season.” No details yet on when it’ll air, though.

TUESDAY

Yawn. Another season of “The Biggest Loser” at 8. Hooray! Another season of “Law & Order: SVU” at 10! Sandwiched between the two, we get “CHUCK.”

CHUCK” – From executive producer, Josh Schwartz (“The O.C.”) and executive producer-director McG (“Charlie’s Angels,” “We Are Marshall”) comes a one-hour, comedic spy thriller about Chuck Bartowski (Zachary Levi, “Less Than Perfect”) – a computer geek who is catapulted into a new career as the government’s most vital secret agent. When Chuck opens an e-mail subliminally encoded with government secrets, he unwittingly downloads an entire server of sensitive data into his brain. Now, the fate of the world lies in the unlikely hands of a guy who works at Buy More. Instead of fighting computer viruses, he must fight assassins and international terrorists. With the government’s most precious secrets in Chuck’s head, Major John Casey (Adam Baldwin, “My Bodyguard”) of the NSA assumes the responsibility of protecting him. His partner is the CIA’s top agent (and Chuck’s first date in years) Sarah Walker (Yvonne Strzechowski, “Gone”). They’ll keep him safe by trading in his pocket protector for a bulletproof vest. Also starring are Joshua Gomez (“Without a Trace”) as Chuck’s best buddy Morgan and Sarah Lancaster (“What About Brian?”) as Chuck’s ever-supportive sister Ellie. Josh Schwartz and Chris Fedak wrote “Chuck,” which is produced by College Hill Pictures and Wonderland Sound and Vision in association with Warner Bros. Television.

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Battlestar Galactica: “Crossroads, Part 2”

**WARNING: MAJOR SPOILERS AHEAD**

In the week leading up to the season finale, Sci-Fi was promoting the fact that we’d learn the identities of the final five Cylons. Prior to hearing that, I thought the show would sprinkle in the reveals to add some punch throughout next season, but they did indeed reveal four of the Cylons, and four out of five ain’t bad.

So it’s Tigh, Tyrol, Sam (Starbuck’s husband) and Tori (Roslin’s assistant). Considering that Tigh, Sam and Tori were hearing the music during last week’s episode, it’s fairly unsurprising (but powerful) that they are indeed Cylons. I don’t remember Tyrol dealing with the music last week, so his reveal was a bit more surprising, though when he started humming the music this week, it became pretty clear that he was a skinjob as well.

Two observations about the music:

1) The music was from a contemporary song, Bob Dylan’s “All Along the Watchtower.” I didn’t recognize it until the second line: There must be some kind of way out of here / said the Joker to the Thief / there’s too much confusion here / I can’t get no relief. My first reaction – WTF? Why are these four singing a Dylan song? I hope that the writers have some sort of explanation prepared for this and that they don’t just forget about it. Could the song be part of the 13th colony’s map to Earth?

2) Initially, the music was unrecognizable because it had a Middle Eastern feel to it. Given the current state of the world, is this supposed to have some sort of hidden meaning? I think we Americans have been taught over the last several years to fear all things from that part of the world, so are the creators playing on this fear, this xenophobia?

When the four met in the room, and Tigh asked them to close the doors, I kept waiting for the fifth Cylon to knock. (That would have been a very interesting cliffhanger.) There are theories flying around that Starbuck or Roslin is the fifth. Starbuck supposedly died, but there she is in the nebula, flying a nice-looking Viper.

I’ve been to Earth. I know where it is and I’m going to take us there.

Big words. So is she a Cylon? Maybe, but it’s not as clear as some fans think it is. If she were a Cylon, it would explain how she “survived” the explosion. But it seems kind of obvious to me.

Roslin is another possibility. She reacted after the jump to the nebula, but before the power went out. Coincidence? Doubtful. She definitely has ties to the Cylons (opera house dreams) so that could be why she reacted. Supposedly, she is the dying leader that guides the humans to Earth, but even that’s not for certain.

With Tyrol being a Cylon, his baby is a hybrid. They didn’t address it at all in the episode, so I just wanted to throw that out there. Hopefully, that becomes a storyline next season. Also, Tyrol had a great line when his wife asked him where the hell he was.

I’ll tell you later.

Now that conversation is going to go over like a lead balloon.

One other random observation. They made a point of developing a budding relationship between Sam and Seelix (the short-haired brunette) by having them hugging on each other in the bar last week, and it’s no coincidence that it was Seelix who discovered Sam and Tori in the (locked) barracks this week. Expect this to play out somehow next season.

Regarding Baltar’s trial, my sister pointed out something that I missed. The segment with Lee’s diatribe about how Baltar was the one we all wanted to blame, to throw out of the airlock, coupled with the doctor’s long hair and beard – that segment had some Christian overtones. Throw in the Cylons’ insistence of One God (while the humans believe in gods – plural – just like the ancient Romans did), and the references grow even stronger. Is Baltar the Messiah? The way his new “followers” whisked him off the ship would indicate that at least a few people believe he is.

I have to mention Romo’s hilarious line after Baltar goes on and on about how he knew that he’d be found innocent:

Your boundless confidence provided us with great solace throughout the proceedings.

Did anyone else notice that Romo let Lee off the hook about Bill’s prejudice of Baltar’s trial? As soon as Lee finished his speech, Romo rested his defense. Also, Romo wore sunglasses for the entire first episode, save for a scene where he had to convince Number Six not to betray Baltar. He didn’t wear them for the entire trial, but then put them back on as he said goodbye to Lee. Plus, his limp was gone. When he’s wearing the shades, he’s himself, but when he’s not wearing them, he’s playing a role. Kudos on the great acting job, Mark A. Sheppard!

But back to Starbuck’s reappearance. I think it was fairly obvious that she’d return, though not necessarily in this manner. As Lee was flying through the nebula, did anyone else see a giant ship/structure just before Starbuck’s appearance? Did Starbuck bring help?

I liked the zoom out to see the Milky Way, and then the zoom back in to see Earth. Now we know approximately where the fleet is.

Starting with the reveal of the four Cylons, I thought the ending to the episode was fantastic. They did a terrific job of incorporating some very cool guitar (with an “All Along the Watchtower” feel) to ramp up the anticipation of the Starbuck reveal. The only downer is that we have to wait until 2008 for some answers.

2008?!? That’s practically a year away!

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