Category: TV Action (Page 94 of 145)

Bullz-Eye’s 2007 Year End TV Review

Given that the TV season generally runs from September to May, it always feels a little strange doing a year-end wrap-up of the best in television, since you end up bringing in bits and pieces from two separate seasons. Still, between the second half of the 2006 – 2007 season and the first half of the 2007 – 2008 season, we’ve certainly been given plenty of material to work with. Six of our most prolific TV writers have provided their opinions of both the best and the worst that the small screen has had to offer, and while they do occasionally concur on a show, it’s a safe bet that no two people on the Bullz-Eye staff have identical season pass lists on TiVo.

Head over to the homepage by clicking here, but don’t forget to swing back by to offer your own opinions!

Friday Night Lights: “The Confession”

Landry’s situation really came to a head this week and it took him a long time to figure out that he really shouldn’t go to jail even if he was trying to kill Tyra’s attacker. It was frustrating watching him sabotage his future every chance he got. I think it was Old Yeller’s speech in the bedroom and Tyra’s answer (when he asked her if she was in fear for her life) that really convinced him that he wasn’t going to go to hell for his actions. I don’t think Landry would have made it very long in prison.

Riggins got a ton of screen time this week and it’s clear that his living situation wasn’t really working out. I figured he would have moved out once he found the meth lab, but he stuck it out for a while. I hope that’s the last we see of the Ferret Guy, but I have a feeling he might turn up again. He needs to man up and move back in with his brother.

Riggins had a couple of great lines this week. The first came when Coach Taylor asked him who should volunteer to help the girls’ gymnastics team:

“Top of my head – first guy that comes to mind is Williams.”

The other line came when Coach asked him how he was doing at the gymnastics competition:

“Not so good, Coach. She just hit an 8.6. Stacy should be hitting those double-backs. She’s been her own worst enemy all day.”

I cracked up when he was sitting in the locker room holding one of those gymnastics ribbons. Simply stated, Riggins is a machine.

We did get a lot of football this week and it focused mainly on Santiago’s growing role on the team. He has been conditioned to reject people before they get the chance to reject him, but Buddy wasn’t going to have any of that. His speech in the truck was pretty impressive and it was interesting to see off the field events play out on the field. The show should try to do more of that, if possible.

Jason’s date was pretty funny and it was nice to see him hook up with the waitress. I’m still not sure why he’s not coaching now that Eric is back. He did say something about trying to get out of Dillon and probably feels that if he continues to coach, he’ll stay in Dillon forever.

Matt’s relationship with Carlota seems to be growing, but I’m wondering when the kid is going to learn that it’s a bad idea to listen to advice from Smash Williams. I’m not sure where the romance is headed, but the couple seems happy for now. Matt should be careful about being to open about Carlota – that could come back to bite him in the end.

The Tami/Julie conflict seemed a little forced, but it’s probably more about Julie’s adjustment to having a sister than anything the two actually argued about. There was no mention of the previous week’s interaction with the English teacher, but I’d be interested to see what Eric would do if he caught wind of it.

Now that the Landry crisis is averted, I’m sure his storyline (and the show, as a whole) is going to lighten up a bit. It sure looks like he and Tyra are getting back together – I wonder what Old Yeller thinks of that. I’d still like to see a “I love your son” speech from Tyra.

“Tin Man”: Part Three

Anybody who made it all the way through to the third night of “Tin Man” was likely most intrigued by a certain moment that occurred about half way through the installment. It was the moment when the entire affair took on a new meaning, not as a remake or a reimagining – but as a sequel of sorts to any previous “Oz” saga. DG discovers the Gray Gale that she’s been searching for – which hold the coveted Emerald of the Eclipse – is some sort of spirit manifestation of Dorothy Gale, the first traveler to make it from our side to the O.Z. She’s also DG’s ancestor and the person after whom she was named. To be sure, this was a polarizing moment where I suspect viewers were either riveted to finish the piece, or it was the final straw where they turned it off in a fit of disgust. DG even says, “Of course – the Gray Gale!” — the audience probably mouthed the words along with her.

DG also met her father (unfortunately, I cannot locate the actor’s or character’s instantly forgettable name), a guy who also came to the O.Z. from Nebraska – via an air balloon. Glitch’s real name is Ambrose and the guy was clearly a freakin’ genius when he had all his faculties. (Was I the only person waiting for a scene where his brain was placed back into his head?) And the show went through the motions by proving Raw was courageous and that Cain had a heart — which was demonstrated by his attitude toward Zero (Callum Keith Rennie at his most Daniel Craigish). The Mystic Man (Richard Dreyfuss) did not come back, so I guess he’s dead. I was also wrong in my prediction that Cain and DG would hook up. A big part of my reasoning for that was that there needed to be a more concrete reason behind calling the series “Tin Man.” Cain was certainly the most engaging of DG’s companions, but why name the show after him? In the end, he didn’t seem to be any more important than the other two guys. I guess it just sounded cool.

The big finale was not so much a letdown, but really just a mixture of people chasing after a Macguffin and doing away with the witch was massive style over substance. It’s not that it didn’t work, it’s just that I was expecting a little more after all the buildup.

So was “Tin Man” worth its weight in emeralds or not? After three nights of gobsmacking effects & production design (by TV standards anyway), pretty good acting, and a script that was all over the place, my verdict is that it was certainly worth viewing. Will Sci Fi get a series out of it? Given their new scripted series track record as of late (“Painkiller Jane” and “Flash Gordon”), it would indeed behoove the network to greenlight a series based on the further adventures of DG in the O.Z. And the ratings were off the charts for Sci Fi; they’ve declared it the “Most-Watched Event in Sci Fi History” and the “Top Cable Miniseries of 2007.”

Here are some stats from a Sci Fi press release sent out today:

During its three-night primetime run (December 2-4 @ 9-11pm), “Tin Man” averaged a 3.6 HH rating/3.4 million HHs, delivering 5.3 million total viewers (P2+), more than 2.9 million viewers P25-54 and 2.7 million viewers P18-49.

In total viewers (P2+), “Tin Man” sailed past Sci Fi’s previous records – “TAKEN” (5.0 million) and “Dune” (4.6 million).

The six-hour, three-night event drew an even 50-50 split among male and female viewers.

“Tin Man” made Sci Fi #1 in primetime (8-11pm) among all entertainment cable networks for all three nights of its broadcast – averaging more than 2.3 million P25-54s and more than 2.1 million P18-49s. This beats the #2 network across the same three-day span by +77% and +40%, respectively.

In other words, expect to see more stories set in the O.Z. And if it isn’t too comical a move, they might want to consider naming the show “The O.Z.” – unless, of course, Zooey doesn’t sign on for the series and McDonough’s Cain becomes the main character. If you didn’t get to see it, Sci Fi will be rerunning the entire mini on Sunday, Dec. 9th starting at 5 PM (EST).

Heroes 2.11 – The End…For Now.

Tonight’s half-season finale – that’s as good a name for it as any, don’t you think? – was pretty impressive for the most part, providing plenty of reasons to continue tuning in whenever the second half of the season finally emerges.

The intertwined Peter / Adam / Hiro / Nathan / Parkman storylines proved to be the most effective of the episode. I still think it’s ridiculous that Peter wouldn’t give Hiro the benefit of the doubt about Adam, but their battle / discussion played well nonetheless, particularly the way it was capped off by Adam’s line as he swiped his sword back from the unconscious Hiro (“I believe this is mine, carp”). Actually, it was a night of great lines, what with Parkman’s comment after Nathan’s landing (“We don’t talk about that ever again”) and Nathan’s matter-of-fact reaction to Parkman’s revelation that he’d gotten advice from Mama Petrelli (“Listening to my mother has never led to anything good”). The twin-pronged attack from Peter and Adam as they walked down the hallway was pretty bad-ass, and the showdown between Adam and Hiro was well done as well; certainly, Adam’s final fate confirmed conclusively that it’s not wise to fuck with Hiro Nakamura. After those two made their departure, I really couldn’t believe that between Peter, Nathan, and Parkman, none of them noticed the blinking red light in the ventilation shaft. I was thinking that the collection of clips which aired over Nathan’s speech was the kind of thing that should’ve been used as a trailer for the Season 2 DVD, which left me completely blindsided by his assassination. I wasn’t all that shocked to find that Mama was behind her son’s death, given that she’d already “told” Parkman that he’d probably end up having to put a bullet through Peter’s head, but it was still a rough revelation.

As it has been throughout the season, the Micah / Monica subplot remained mostly tangential to everything else going on around it. I’m digging the way they’re finally delving deeper into Micah’s powers, and Nikki was actually pretty kick ass in her big scene saving Monica, but, obviously, the big moment with Nikki’s apparent demise in that huge fireball. I don’t really think she’s dead, but I reckon we’ll find out eventually.

The Mohinder / Molly / Maya / Sylar storyline only played out about halfway how I figured it would; I knew Maya would eventually figure out that Sylar had killed her brother (although, admittedly, it didn’t occur to me that Molly would play into the revelation) and that there’d be a big showdown over it. There were still a few surprises here and there, though. I loved Mohinder’s look after Maya let slip that Sylar didn’t have his powers, even if it totally telegraphed that he was about to do something like, say, grab for a knife. Sylar’s line, “Now look what you made me do,” was brilliant. My favorite part was Elle’s entrance into the fray. Earlier in the episode, she’d gotten that total smackdown from Bob. “When I think about all the hard work I put into raising you…” Ouch. (And, yet, how can you not love the guy after seeing that picture of him in fishing hat and waders, holding up his prize catch?) The battle between her and Sylar was good fun, as was her look when Mohinder assured her that she had indeed been helpful to them. Again, I say it: I love Kristen Bell. And I’m PSYCHED that both she and Bob made it out of the half-season alive.

Ultimately, I was least excited about the HRG / Claire / Wes saga. I’ve just become less and less enamored of Claire this season, and when she went into whiny bitch mode with Wes, I pretty much tuned out. I feel like HRG’s teaming with Bob is gonna prove to be the equivalent of selling one’s soul to the devil, though, so I am interested in seeing how that pans out.

Here’s my closing question: who would you say was the second of the two deaths that we were promised? Was it Maya, since she was pretty much dead after Sylar shot her, only to be brought back via the blood transfusion? Or was it Nikki? I’m leaning toward the former; that’s just the kind of trick you’d expect from the “Heroes” team.

So 2008 will bring us more “Heroes,” or so promised NBC at the end of the episode. Yes, but when in 2008? Well, as long as Sylar’s gonna have his powers back, we’ll be there…whenever it is.

“Tin Man”: Part One

Like most anyone over the age of 30, I grew up on a yearly diet of network showings of “The Wizard of Oz.” Loved the movie so much as a child that I read the book by L. Frank Baum when I was 11 or so. Someone who fits into such a category should instantly be wary of SciFi’s new miniseries “Tin Man,” right? Yet I’ve never viewed “Oz” as such a sacred cow that reworkings of the material are considered an outrage. If anything there’s a wealth of fantastic material that Baum created that hasn’t been adequately adapted into live action movies and/or TV. Yet as far back as the ‘70s musical “The Wiz,” the original story has been blatantly reworked into new forms. Even David Lynch took a bold, peculiar stab at it in 1990 with “Wild at Heart.” And “Tin Man” wants to have another go at it? Great, go for it – but count me as someone who’d still like to see a series of straightforward movie adaptations ala “Harry Potter” or “Narnia.” Indeed, 1985’s “Return to Oz” is probably more faithful to Baum’s vision than the classic Judy Garland film.

The producers of “Tin Man” certainly want to get on my good side by casting Zooey Deschanel (Trillian from “The Hitchhiker’s Guide” movie, amongst many other credits) as the lead character, DG. And bringing guys like Alan Cumming, Neal McDonough and Richard Dreyfuss onboard certainly doesn’t hurt. But casting aside, the story needed to be a good one.

Having only seen Part One of Three thus far, the results were mostly engaging. It’d be easy to write off “Tin Man” right away as having strayed too far from the source material, but as I viewed the first installment, it slowly seduced and pulled me in. It seems that one of its biggest strengths, in fact, is exactly how far it’s strayed from the original work. “Tin Man” seems to be less fantasy and more sci-fi. Rather than being an adaptation of Baum’s novel, it’s instead a piece that takes cues and iconography from the source material to set up its own brand new universe, referred to here as the O.Z. (the Outer Zone). Turns out that DG (Dorothy Gale) is actually the sister of Azkadellia (Kathleen Robertson), the O.Z.’s version of the Wicked Witch (although she seems to owe even more to “Narnia’s” White Witch). To protect DG from her sister, she was sent to live in our world under the care of a couple who were actually robots from the O.Z. As if her heritage isn’t enough of a departure, each other classic icon has been given a spin as well. McDonough’s Tin Man is actually a cop out for revenge for the killing of his family. The sequence where he’s released from an iron maiden of sorts – after having to endure years of viewing a repeated holographic depiction of the murder of his family – is chilling and effective. Cumming’s Glitch has a zipper on his head to mark the spot where valuable info was taken out (brains). Raw, the lion figure, is of a race that’s telepathic (this old school “Doctor Who” fan was reminded of the time sensitive Tharils from “Warriors’ Gate”). Dreyfuss’ drug-addled Mystic Man seemed even more of a clueless charlatan than anything out of the movies or books. The Munchkin city smacked of Endor and Ewoks. Yeah, “Tin Man” is getting its influence from material far outside of the work of L. Frank Baum.

The final half hour devolved into a lot of action and I’d need to give that section another once over before commenting. Truth be told, the first installment covered so much ground, that I can’t even begin to imagine where it’s all going if it keeps up at this pace. You know what “Tin Man’s” biggest disappointment thus far is? The winged monkeys, which just go to show that CGI can never replace little people in creepy makeup and costumes.

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