Category: TV Action (Page 84 of 145)

TCA Press Tour, Day 6: PBS, Pt. 1

“NOVA: The Bible’s Buried Secrets”: It might’ve been appropriate to open the Sunday sessions with a Bible story, but it was pretty heady stuff for us to absorb so early in the morning. Paula Apsell, producer of “NOVA,” introduced “The Bible’s Buried Secrets” thusly: “Shot in Israel, Egypt, Syria, and the U.S., the film challenges viewers to think about the Bible in an entirely new way, one that exams the message and the meaning even as it looks for a historical core. What emerges is provocative new evidence surrounding the origins of monotheism and the ethical code that accompanies it, ideas that change the world and resonate for us today as it did then.” Fascinating stuff, sure, but way too much to take in at 9:00 AM. But there was at least one portion of the discussion that captured my attention: the question about whether God had a wife.

Professor William G. Dever responds: “The reason why God is so bad-tempered in the Old Testament is mostly he was lonely. And if he had listened to his wife, he wouldn’t have done those bad things. We know that in the minds of many ordinary Israelites, there was a pair of deities. Why shouldn’t there be? There was everywhere else in the ancient world. You have to remember monotheism is a difficult consideration. The development of monotheism is late, in some cases arbitrary and even artificial. A much more natural system is to have a plethora of gods, one for each need. And that’s what most peoples in the ancient world thought, and so did they in Israel. The very fact that the prophets and reformers condemned the worship of other gods means it was going on all over the place. Otherwise, why talk about it? So it’s clear that while those who wrote the Bible and edited it and passed it down were rigid monotheists, so to speak, all men, in the minds of many, God, of course, had a consort. And why not? If women had written the Bible, the portrait of God would be different.”

How would it have been different? Too…many…jokes. Must…move…on…to…next…panel…

“NOVA: Parallel Worlds, Parallel Lives”: This one was actually even more headspinning than its predecessor, since it was about the late physicist Hugh Everett and his Many Worlds interpretation of quantum mechanics, which predicts that every time we make a decision, a parallel universe splits off from our everyday reality (ow, my head just exploded!), but what made it stand out was the fact that it views Everett’s work through the eyes of his decidedly non-mathematical son, Mark…who you may know better as E, the heavily-bearded frontman for The Eels.

The key to the show is the relationship between E and his father…or, more specifically, the lack thereof. Hugh Everett died in 1982, so he never saw his son become a famous musician (at least from a cult standpoint), but…you’ll pardon the unintentional pun…they really were living in two different worlds. “I think it is a common thread with a lot of families that fathers and sons have their issues and maybe don’t always connect,” said E, “but we didn’t connect at all. I mean, it was sort of shocking the degree of how isolated he seemed to me, growing up in the same house with him all those years. But how do you relate to the rest of the world when that’s what’s going on in your mind, you know?”

E did have some fond memories of his father, despite their lack of a connection. “I remember him delighting in things like ‘Star Trek’ and ‘The Twilight Zone’ and science fiction books. We’d have neighbors come running over and…they’d be sitting in a hammock one summer day, reading a science fiction book, and it would have a reference to my father, and they’d come running over and knock on the door, all excited.”

There’s a scene in the film when the producers find some tapes of E with his dad, and for all his enthusiasm about working on this project (he calls it “an extraordinary process” and “probably the single-most life-changing thing I’ve been through”), there was clearly still a certain amount of annoyance about the way he found his way to hearing these tapes. “I didn’t want to listen to the tapes,” he admitted. “It was a really awkward moment for me when I walked into the room. The filmmakers had already listened to some of the tapes, and they were all kind of looking at me like…it was like they set a trap for me. I was scared. It was just the weirdest thing was hearing his voice for the first time in, whatever, 25 years or something. I couldn’t even remember his voice, but then as soon as I heard it, I remembered it really well.”

E’s comments make it pretty clear that the gene for physics skipped a gene, but he’s resigned to it. “I’m not bitter about not being a mathematics genius at all,” he assured us. “I’d much rather be a rock star. The groupies are a lot better.

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TCA Press Tour, Day 4: TNT

The USA Network has made a name for itself as the best place on the basic cable dial to find new dramatic series, but given TNT’s current slate, it’s beginning to look as though USA had better start watching their ass; they’ve already got two solid entries in “The Closer” and “Saving Grace,” and now that they’re bringing in “Raising the Bar” and “Leverage,” things are looking even more impressive.

“Raising the Bar” is the latest contribution from Steven Bochco, the man who brought you such television classics as “Hill Street Blues,” “L.A. Law,” “NYPD Blue,” and…yes!…”Cop Rock.” (Hey, he likes it.) As you may have guessed from the show’s title, Bochco is returning to the judicial system again, and he’s bringing another fantastic ensemble with him, including Mark-Paul Gosselaar (“NYPD Blue”), Jane Kaczmarek (“Malcolm in the Middle”), Gloria Reuben (“E.R.”), and J. August Richards (“Angel”).

“This is a show that’s not just about criminal attorneys or prosecutors,” clarified Bochco. “It’s a show about the judicial system. We wanted to access legitimate points of view, not just from the defense side or the prosecution side, but from the judge’s point of view as well; we felt that we really needed to have a consistent representative voice for the series.” Enter Kaczmarek, who’ll be playing a judge for the second time in her career…though she’ll be a little less animated this time. (Her previous judicial role was as Judge Harm on “The Simpsons.”)

Seeing Gosselaar in the cast isn’t as big a surprise this time as it was when Bochco hired him for “NYPD Blue” back in 2001, but Bochco stands by his decision then and now. “Mark-Paul is one of the small, handful of best actors that we have in television today,” he said. “I hate to talk about a guy who is sitting here, but Mark-Paul has a big heart, and it’s been evident in his work ever since we got together, so when David and I started working on “Raising the Bar,” we always had Mark-Paul in our heads as an image for this guy. I’ve never worked with anybody who gives more of himself to the work process. He’s a wonderful professional; the ego gets checked at the door. That’s very refreshing.”

After he shook off the compliments, Gosselaar addressed Bochco’s comments, revealing that his first encounter with the legendary producer was when he auditioned for Bochco’s short-lived ABC series, “Philly.” “I knew the name,” he said, “(but) I had never seen an episode of ‘NYPD Blue.’ I didn’t see ‘Hill Street.’ So I just did my work, and then I remember him saying right in the room, ‘You are good.’ He had such an honest quality about him. To say that to an actor…I didn’t know how to take that. And then from that, I didn’t get ‘Philly,’ but three weeks later, he said that he would think about another character on ‘NYPD Blue,’ and half a year later, I was on that show. I’m in shock from that meeting, that he is able to see a quality in an actor and take him through a process. I feel like I blossomed and developed on that show to do the work that I’m doing now. He creates an environment that allows actors to do that, and you feel safe being with him. That’s what he does.”

Okay, enough back-patting. Let’s talk about the show itself.

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TCA Press Tour, Day 4: Cartoon Network

And, of course, by “Cartoon Network,” we really just mean “Star Wars: The Clone Wars.”

You no doubt saw my non-chronological posting a few days ago, when I just couldn’t wait to praise the full-length episode that Cartoon Network and LucasFilm surprised us with, but I knocked it out so quickly that I didn’t wait to offer up any of post-viewing comments from Dave Filoni, the supervising director of the “Clone Wars” series. I also didn’t mention how downright giddy Filoni was, both before and after the episode, about the mere fact that we were getting to see it!

“I am real excited, and I’m really thrilled that we get to share an episode with you,” he said, prior to its airing. “The secrecy is really top form with ‘Star Wars,’ so this is really exciting for me to share with all of you.” As he said it, I had this vision of George Lucas, sitting in his office, rotating his hand between thumbs-up and thumbs-down, keeping Filoni in suspense as to whether he was going to let us lowly TV critics get a gander at the episode before the diehards down at Comic-Con, but, man, I’m so psyched that he opted to allow it. You may remember (though you probably don’t) how there was a battle last year in mid-panel over ABC wanting to hold onto to purportedly critical “Lost” information and reveal it at Comic-Con rather than during the TCA Press Tour, and many of the critics essentially bullied ABC into giving us the info. I totally didn’t agree with the way that went down, and, frankly, I expected a backlash from shows with a major Comic-Con presence, so I definitely didn’t expect us to score a “Clone Wars” coup.

But we did.

SCORE!

You may have seen a preview for the upcoming animated “Clone Wars” film, but to put things in perspective, the movie is standalone from the series, according to Filone. “It sets up the major characters we know, like Obi-Wan Kenobi and Anakin Skywalker, and the new character, Ahsoka,” he explained, “so it’s made to stand alone and introduce everybody to the universe we’re showing in the ‘The Clone Wars.’ Then you come to the series, which has its small arcs and shows you the war from across a broad spectrum of episodes.”

You could tell the “Star Wars” fans from the non-fans in the audience, with the former camp generally asking the kind of questions that only geeks would care about…like, for instance, how long the series will go on, given that the Clone War has been established as lasting for a specific length of time.

“We’re not just telling Anakin Skywalker’s story,” Filoni reminded us. “If we were doing that, we would be stuck on one single arc. I look at the episodes where we have him and Ahsoka, which is his student, and I know that there is an arc there, because something has to happen to her, since we don’t see her in ‘Revenge of the Sith.’ So we use those kind of points to show the progression of the war. Because we can kind of go left or right of that plot and deal with characters that we have never seen, there’s a lot of material, so I can stretch it and, you know, keep making episodes about things that George would like to see or I would like to see. That’s one of the things I have been amazed at. It’s a three-year period, the Clone War, in the history of the ‘Star Wars’ universe, but in that period, there are so many stories to tell that I’ve been amazed that just in the first season what we didn’t get to, you know, and what I would still like to get to, and what stories we would still like to explore. So for me, the longer it goes, the more chance we all get to tell fascinating stories in that galaxy.”

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TCA Press Tour, Day 3: HBO

Okay, kids, we’ve got a lot of stuff to cover here, so let’s start off by just hitting the highlights of the initial HBO panel, which was simply the network’s programming group president Richard Plepler and co-president Michael Lombardo opening up the floor to questions.

* The next season of “Big Love” is shooting now and will hopefully land on the air in the first quarter of 2009.

* Larry David is currently filming a Woody Allen movie, but he’s planning to get back to “Curb Your Enthusiasm” once he’s finished with that, so fingers crossed for Season 7 in late 2009.

* There are six completed episodes of Linda Bloodworth-Thomas’s “12 Miles of Bad Road” floating around, but HBO has decided that the series isn’t right for them, so it’s anyone’s guess if, when, or where we’ll ever see it.

* There is enormous interest by Warner Bros./New Line to do another “Sex and the City” movie, and they’re trying with HBO’s help to put that together.

* David Chase is on vacation in France, but if he wants to do a “Sopranos” movie, HBO would be “delighted to explore that.”

* Pilots have been greenlit for “Treme,” dealing with post-Katrina New Orleans, “The Washingtonian,” based on a Jessica Cutler book, and one-hour drama about 1920s Atlantic City that’s written and executive-produced by Terry Winter, with Martin Scorsese also executive-producing.

* David Milch is working on a pilot called “Last of the Ninth” about New York City Police Department in the 1970s, which means that the likelihood of a “Deadwood” movie happening is slim to none.

* Both “In Treatment” and “Tell Me You Love Me” will be returning.

* The network’s upcoming miniseries, “Pacific Theater,” executive-produced by Tom Hanks, Steven Spielberg, and Gary Goetzman, just wrapped principal photography, and should air in either late ’09 or early ’10.

* Coming soon: “Number One Lady Detective,” based on the series of books by Alexander McCall Smith.

* Also coming soon: “Hung,” a half-hour comedy with Alexander Payne directing.

* Chris Rock will be doing his fifth HBO concert on September 27, 2008.

So there you go. Not a bad slate of stuff to keep you looking forward to for the next several months…and that’s not even counting the shows that earned their own panels.

First up: Ricky Gervais.

Though many Americans remain unaware of this fact, Gervais has stretched his career beyond television and film into the world of stand-up comedy. (His possession of the ability to do hilarious stand-up will come as no surprise to anyone who’s become addicted to the podcasts he’s done with his longtime writing partner, Stephen Merchant, and their associate, the inexplicable Mr. Karl Pilkington.) There are actually three DVDs worth of Gervais’ stand-up available in the UK – “Animals,” “Politics,” and “Fame” – but, to date, his Stateside fans have been given little opportunity outside of YouTube to investigate his facet of his work. Thankfully, HBO stands ready to change this by filming his performance next week at the Wamu Theater at Madison Square Garden, for air in the very near future. (The venue, according to Gervais was chosen because “I’ve just bought an apartment right near it, so I can walk.”)

Despite being one of the most distinctively British comedians working today, Gervais assured us that he won’t really have to change a great deal in his act for American audiences. “I obviously take out cultural references you wouldn’t get,” he admitted, “but I think it’s as simple as changing sort of stones for pounds. There’s nothing that I think an American audience wouldn’t like. It’s purely cultural references that might not be mutual. The things I pick on are probably global…and, you know, America, by its definition in the world, is pretty global, anyway. It’s a huge part of the world. Particularly the English-speaking world. I pick on the comedy classics. You know, Hitler, famine…

“What I do is, I have a bag of observations that I think might be funny, and I jot them down. I probably start with about half an hour, and that becomes an hour, and the other half an hour is sort of ad-libs and additions over the course of a
tour. The audience chooses the best bits for you. It’s a process of natural selection. So over a hundred dates, they’ve chosen your best hour. You thought it up and you said it, but they’ve sort of done the difficult bit for you.”

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TCA Press Tour, Day 1: BBC America

When the BBC America panels began, we were pleasantly surprised to be blessed with a heretofore-unmentioned appearance by Ted Koppel, who has joined the BBC World News America team. Granted, Koppel’s appearance was via satellite, and it only lasted for a few minutes (he had to get back to other activities which were, we can reasonably presume, far more important than talking to a bunch of lousy TV critics), but let it be said that the man left an impression one simple exchange…

Reporter: How did all this come about for you? How did you get involved with these guys?
Ted Koppel: Well, I was off in a sleazy back alley, buying pornographic magazines…

And here I thought I couldn’t respect a newsman more than Brian Williams, who was heard to say during last year’s tour how such-and-such “really made my sphincter tighten.” But I think I’ve gotta give the title to Koppel now. (The reporter who asked the question thanked him for that quote, by the way…as well she should have.)

But, really, you have to like a guy like Koppel, anyway, if only because he’s not afraid to speak his mind, an opportunity he was given on a silver platter when he was asked why American viewers were being denied the kind of news coverage being provided by BBC America.

“Well, as you all very well know, that’s the subject of a very long discussion,” he admitted, “but the simple answer is economics. As there have been more and more outlets and the competition has become greater and the audiences have
become smaller and the amount of money that news divisions are making still has to remain high, there’s been a tendency to focus more on that demographic that brings in the largest amount of advertising dollars, and that’s the young demographic…and for reasons I never quite understood, the assumption is that young people don’t care about overseas news. And the other half of the answer is that the bean counters decided that one way to save money for the news divisions was to close down these very expensive foreign bureaus which are not necessarily on the air every day. And so, where in my heyday as a foreign correspondent, ABC, for example, may have had 30 or 35 correspondents, now they’ve got maybe five or six. And that’s the same with NBC and the same at CBS. There are just far fewer correspondents, far fewer bureaus, and that’s the one area in which the BBC remains preeminent.”

Preach it, Ted. Oh, and if you’re wondering, Koppel still considers the Discovery Channel to be his primary employer these days…but given how enthusiastic he sounds about working for BBC America, I’m left wondering how long that will prove to be the case.

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