Category: TV Action (Page 81 of 145)

Old Show, New Season: “Terminator: The Sarah Connor Chronicles”

If you’ve read my review of the first season of “Terminator: The Sarah Connor Chronicles,” then you already know that, although I felt the show lost a little momentum after its premiere, it kicked into overdrive with its fifth episode and roared full-throttle from there to the season finale. Granted, there were only a total of nine episodes in the strike-shortened season, but, still, the addition of the character of Derek Reese – John Connor’s uncle – into the mix not only turned the show from “not bad” into “pretty damned awesome” but also forced me to make the admission that, despite being a really terrible rapper, Brian Austin Green is actually quite serviceable as an action hero.

So if you watched the show last season, then there’s probably only one question to which you’re really dying to get the answer: did Cameron (Summer Glau) survive the bombing of her vehicle…?

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Greetings to the New Series: “Sons of Anarchy”

With “The Shield” entering its final season and “Nip/Tuck” heading to a conclusion in 2010, it’s high time that FX found itself a new signature drama or two…and given that “Dirt” has been cancelled, “The Riches” hasn’t gotten a third-season pick-up, and “Damages” is more popular among TV critics than actual viewers, they really to step up their game and hunt up a new series that can be embraced by a larger audience.

Enter “Sons of Anarchy,” a show which is somewhat Shakespearean in spirit but ultimately comes off more like “The Sopranos” if members of the Mafia were replaced with motorcycle-straddling toughs. Not that that’s a bad thing…especially not when Drea de Matteo’s in the cast of this show, too.

I was able to check out the first episode of the series when I was out in L.A. at the TCA Press Tour, but it was late and I was exhausted, so although I walked away from it feeling that it was too dark for its own good, I also felt like I wasn’t giving it my all as a critic, so I vowed to watch it again when it made its formal debut on FX. Now that I’ve done so, I admit that I found myself enjoying it a little more this time around…but it’s still pretty damned dark.

Not that the darkness is all that surprising. After all, “Sons of Anarchy” is the creation of Kurt Sutter, who’s done just about everything there is to do on “The Shield,” having produced, directed, written, and story-edited on that series, not to mention the fact that he played the role of Margos Dezerian. So, basically, the guy knows dark.

Setting aside the darkness, however, the bigger concern is whether or not the saga of a biker gang can be made into a series that the average viewer can latch onto.

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Prison Break: “Scylla” & “Breaking and Entering”

Well, “Prison Break” is back for a fourth season, and it’s sort of a blessing and a curse. There’s no doubt that it’s an entertaining show, and its return marks the beginning of the fall season. But I’ve been using my brain this summer, and it’s hard to turn it off for two hours while “Prison Break” gets set up for this season’s storyline. How contrived is this show? Let me count the ways…

1. Sona burned down and Bellick, Sucre and T-Bag escaped. Think about this for a second. Sona was a big square building with a fence around it. If the building catches on fire, the inmates would just run out into the fenced-in yard surrounding the prison. If any tried to climb the fence, they’d be shot by the soldiers in the towers. So how do not one, not two, but three main characters escape the prison?

2. Lincoln kills a man in Panama. All right, this is a little more believable, but he was right there in public and any number of witnesses (including LJ and Sofia) would have seen the struggle and the eventual accidental murder. He gets 15 years yet Don (played by Michael Rappaport… Michael Rappaport!) is able to “swing a deal” to allow Linc to serve his time in the States.

3. This whole “Ocean’s Seven” thing they have going. Don is working a covert operation and he needs Michael to acquire “Scylla” to take down the Company, and he’s going to give him the manpower to do it. Not trained professionals, mind you, instead he’s going to provide – you guessed it – guys like Sucre, Bellick and Lincoln. These guys have mad skills in covert ops.

4. T-Bag is going to leave his sexy nun because he has a “blood feud” with Michael. T-Bag has $50 K from Luchero and a hottie Panamanian girl that seems to love him despite his handicap and his general creepiness. Why leave all that to pick another fight with a guy who has outsmarted you time and time again? What’s the upside here?

5. Sara is alive. Boy, this one really got me. During the entire run of the third season, I watched and waited for some clue, some tiny little hint that Sara might still be alive. I was slow to accept her death because I believe that her romance with Michael is the real heart of the show. But finally, when no discernable clues or hints ever came, I eventually accepted that she was gone. NOPE, SHE’S BACK! (And luckily I missed the news that Sarah Wyane Callies was returning to the show.) She somehow escaped Gretchen’s clutches and made it back to America in one piece. Now, I have no problem with the thesis that Gretchen faked Sara’s death, but the story of her escape is implausible and the fact that there was no hint that she still might be alive is proof that this is something that the creators came up with during the hiatus (or very late in Season Three). Don’t get me wrong, I’m glad she’s back, but this seems woefully thrown together.

I could go on, but those are the major head-scratchers.

So now what? Once again, “Prison Break” has spun off into a completely different direction. Michael, Lincoln, Sara, Sucre, Bellick, Mahone and some tech genius named Roland have to acquire the six parts of Scylla and break into the Company’s headquarters in order to secure their freedom. Gretchen is still alive (I’m sure there will eventually be some emotional confrontation between her and Sara) and Michael is bleeding mysteriously from his nose.

Oh, and don’t forget, there’s still a lot of money sitting at the bottom of that Panamanian bay. Clearly, the producers are hoping we forget that little fact because surely Lincoln would have collected the loot once the escape was over.

Lastly, one thing I noticed was that the show was quite a bit funnier than last season. Here are a few of the better lines:

Bellick and Sucre getting caught at the hospital…

Bellick: “We’re screwed!”

The group discusses Roland’s background.

Michael: “He’s an identity thief.”
Lincoln: “He’s a douche. Hey, why don’t you sit in the corner and we’ll get you when we need you.”

(By the way, I think “douche” is one of the funniest words in the English language. I want a sound clip of Lincoln saying “he’s a douche” to play every time I get an email. That’s how funny I thought that line was. In fact, I’m still laughing as I type this.)

Mahone catches up to Bellick, who supposedly stole the maid’s bag.

Mahone: “I actually had to slow down not to catch you.”

(Is it just me, or would it have been easier just to have Sara meet the maid at the bus stop again and tell her that she might have accidentally dropped her cell phone in her bag when she was looking at it? No, no, of course not. What am I thinking? The double break-in was totally necessary.)

T-Bag comes across a couple of four-wheeling Americans just after becoming a cannibal.

Dude on four-wheeler: “What’s wrong, man? Eat some bad Mexican?”

Ba-dum-bump-tish!

Comic-Con 2008: Day Three – Dollhouse

Of course, the “Dollhouse” event was a love fest. Actually, a mega-love fest.

That’s absolutely no surprise if you know anything at all about the kind of admiration (both lusty and talent-wise) aroused by star Eliza Dushku (“Tru Calling,” “Bring it On”) and the Bono-esque stature of multi-hyphenate series creator Joss Whedon (“Buffy, the Vampire Slayer,” “Firefly“) across a huge swath of Geektopia — a swath recently made even larger by the net-success of his second acclaimed genre-blending musical, “Dr. Horrible’s Sing-Along Blog.” Add to that the appearance of Dushku’s excessively handsome costar, Tahmoh Penikett of “Battlestar Galactica” (a show with a few gazillion ardent fans of its own) and you have fanboy and fangirl critical mass.

And, indeed, the first three quarters of the panel was loaded with silliness, over-the-top praise, jokey-silly putdowns (a Whedon trademark) and flirtatious asides between the three folks onstage as well as with the audience. Topics early on included the peripatetic Ms. Dushku’s trips to such locales as Iran, where she survived a “terrorist attack” from some errant Persian rugs.

Moving to a Q&A, the first question was about the source of the premise of “Dollhouse,” in which Dushku will play an “active,” a sort of human blank slate who is downloaded with a new personality and skill set for each new assignment, with jobs that range from from pre-tailored love/sex object to hyper-skilled operative. The show appears to take place in a world much like our own, and this sort of thing sure sounds highly illegal, not to mention extremely immoral, and BSG’s Pennikett will play a cop wondering just why this beautiful woman he keeps meeting never seems to be the same person twice. The show is currently set to premiere this January.

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TCA Press Tour, Day 11: Showtime

It’s rather gratifying to see Showtime continue to grow into its own as a premium cable network that can compete with HBO. For so long, they were hovering just a shade higher than Cinemax in the eyes of viewers (I don’t know about anyone else, but I distinctly remember seeing many a bare breast on the network back in the day), but now they’ve got a reputation for having at least as much quality original programming as the folks over at Home Box Office, and their popularity is such that the network earned their own executive session.

Matthew Blank offered us a heartfelt introduction, along with the announcement that “Inside the NFL” will be coming to Showtime next season, then promptly passed the buck to Robert Greenblatt, the network’s President of Entertainment, who provided us with several other revelations about upcoming programming:

* Coming soon: “The United States of Tara,” which stars Toni Collette and John Corbett, is executive-produced and based on an idea by Steven Spielberg, and is written by Diablo Cody.

* There are very serious discussions about an “L-Word” spin-off, though it seems to exist predominantly on paper at this stage of the game. “Eileen Chaiken is creating that for us,” said Greenblatt. “We’re going to be shooting it right after ‘The L Word’ wraps this year, and it will star one of the girls from ‘The L Word’ as a sort of crossover. The storyline at the end of ‘The L Word,’ the final episode in the final season, there will be an open-ended component to it. And Eileen is going to carry that story along on the Internet, which we think is an interesting way to keep ‘The L Word’ experience going. Then if we decide to go ahead with the spin-off that storyline will segue into the new series.” He would not, however, commit to which girl was intended as the star of the spin-off, mostly because the actress hasn’t even been told that she’s under consideration yet!

* Another season of “Penn & Teller: Bullshit!” has been ordered, and with this 7th season, it will officially become the longest-running series in the history of Showtime.

* There will be a new reality documentary series called “Locked and Loaded,” which is not about Denis Leary but, rather, about a gun store in rural Colorado. Greenblatt described the series as “sort of a fly-on-the-wall show. You see many, many different kinds of people coming into a gun store, and you see the reasons why they buy handguns and rifles and all kinds of other things.”

* Based on the creative success (but, ultimately, due in no small part to the ratings success) of “Weeds,” the network has ordered two more 13-episode seasons of the show.

* After much discussion on the ‘net about the possibility, Greenblatt confirmed that the Edie Falco pilot, currently known as “Nurse Jackie” (a title which may or may not stick), has been ordered to series. She plays what Greenblatt describes as “a very complicated nurse in a New York City hospital,” and based on the clips we saw, by “very complicated,” he means she’s a drug addict. And, yes, someone else did bring up the similarity to “House,” but Greenblatt assured us that “it’s not going to be big medical story of the week necessarily. I think it’s a different take on a medical show that’s grounded by a really iconic, caustic character played by a great actress.”

* Even though they’re limited by history, Greenblatt thinks that there’s at least another two years of plot possibilities left in “The Tudors.” “The third season is the next two (wives of Henry VIII), Anne of Cleves and Jane Seymour…I love meeting people who think Jane Seymour, the actress, is in the show…and then the following season, I think, will be the final two wives,” he theorized.

* The future of “This American Life” is murky. “Ira (Glass) is not only the most dedicated person in the world, he’s a perfectionist and he doesn’t want to put any episode out that isn’t really extraordinary,” said Greenblatt. “And I will tell you that’s not true of all producers. He’s also doing a radio show, and he will not let anything affect the quality of the radio show. And the same people are doing the radio show and the TV show. So every year, we step back and have a conversation with him. ‘Can we do ten? Can we do eight? Can we do six?’ There may be a year where we do a couple of long-form specials with him and we don’t do episodes of the show, per se, because it’s really hard to find those stories. They don’t just fall into his lap.” To put a fine point on it, a third season has not officially been ordered, but per Greenblatt, “We’re talking to (Ira) about how many he wants to do and what form it might take.”

* Showtime is currently planning to air the three seasons of “Secret Diary of a Call Girl” – one’s already aired in the UK, Season 2 premieres there in September, and the third has been commissioned but hasn’t yet begun filming – and reserves the right to consider airing any future seasons, should there be any. “But,” added Greenblatt, “it looks like a
franchise that there’s a lot of interest in.”

Okay, that’s that. Now, we move onto a panel described as “Showtime’s SHO Stoppers,” which featured the stars and producers of the network’s four signature series: Weeds (Mary-Louise Parker and Jenji Kohan), Californication (David Duchovny and Tom Kapinos), Dexter (Michael C. Hall and Clyde Phillips), and Brotherhood (Jason Clarke and Blake Masters).

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