Category: TV Action (Page 60 of 145)

Battlestar Galactica: Blood on the Scales

Well, with only seven episodes left, we knew that the Gaeta/Zarek coup couldn’t last too long. By the end of the episode, it looks like this storyline is wrapped up nice and neat with a little bow. The Gaeta/Zarek alliance started to splinter when the latter made the executive decision to murder the entire quorum. At that point, Gaeta realized that Zarek was a power-hungry psychopath that did not have the best interests of the fleet at heart. By the time that the Admiral was rescued and on his way to the CIC, Gaeta had already seen the writing on the wall. The coup was over. (Presumably, Gaeta and/or Zarek gave the Admiral the coordinates for the 25 ships that jumped away so that they could re-join the fleet. That’s going to make for some awkward moments in the halls!)

Romo Lampkin made a surprise appearance as the Admiral’s counsel. I’ve always thought there is more to him that meets the eye, and when he used a pen to kill his captor, it was clear that he’s no stranger to physical confrontation. Once the soldier was down, Lampkin searched his pockets for his sunglasses. Classic.

I don’t think that we saw Lampkin after he grudgingly agreed to help Starbuck get Anders to sick bay. His decision to help might have saved Sam’s life and in turn may change the fate of the fleet. Another minor character, Aaron, was instrumental in the coup’s failure. First, he let Tyrol escape (which eventually led to Tyrol disabling the FTL drives) and he told Starbuck and Lee that they were about to execute the Admiral. Without Aaron’s crisis of conscience, the coup might have succeeded.

Speaking of Tyrol, he saw some black marks in the engine room. I’m not sure what it was all about, but don’t be surprised if it comes up again in a future episode.

The last thing I want to discuss relates to the “scenes from next week,” which CONTAIN MAJOR SPOILERS for those still wondering about the true identity of the final Cylon. So stop reading if you don’t want to spoil the surprise.

Are they gone? Good.

Well, if we’re to believe the scenes from next week, Ellen is indeed the final Cylon. They refer to her as the final Cylon, show her coming back to life (I thought the hub was destroyed?) and they say that she “knows everything.” I’m still bummed that she’s the final Cylon — I always found the character annoying as hell, but hey, it is what it is, right?

Also, I wanted to share this excerpt from an interview with Aaron Douglas (who plays Tyrol) from last October:

“The four that were revealed at the end of season 3 are what they are, but they’re one-offs,” he points out. “They’re the original Cylons. Hundreds of thousands of years ago, when there were 13 colonies on Kobol, 12 went that way and one went that way to find Earth – or create an Earth – and that colony was actually Cylons. They’re individuals, there’s no multiple models. The seven that we know are a different kind of Cylon that came much later. They’re probably ten, 20 years old, born out of the metal machines that fought back 40 years ago in the Cylon wars of the 12 colonies. So they’re essentially like the gods. And we were on the new Earth, and destroyed that and came back to the 12 colonies to rejoin humanity to find out the cycle of time.”

We knew that the bones on Earth were 100% Cylon, but Douglas is confirming that there were never any humans there to begin with. The 13th colony was Cylon and presumably, the other 12 colonies knew that when they parted ways.

Or did they?

Hmm.

Jurassic Fight Club: The Complete Season One

“The following is a graphic depiction of a violent prehistoric battle. Viewer discretion is advised.” That’s the warning presented at the top of each installment of “Jurassic Fight Club,” and a hat must be tipped toward the producers for coming up with a title guaranteed to grab attention. Thankfully, the show very much delivers on the promise of the title. Over the course of 12 episodes, there’s quite the variety of bloody prehistoric smackdowns involving T. Rex, Raptors and Allosaurus recreated via a mixture of CGI and loads of scientific supposition. Based on the remains of various critters – usually located in close proximity to each other – dino experts piece together the circumstances leading up to the demise of many a different creature. Each episode tackles a separate battle, with the dots being connected based on evidence, slowly leading up to the big brawl.

It crossed my mind numerous times, however, what if they’re just plain wrong? Then I came to my senses and realized it was much more fun to just go with it, and bask in the unbridled carnage. There are a couple surprises along the way, too, such as a non-lizard installment pitting the ice age specimens the Giant Short-Faced Bear against the Mega Lion, and an episode that takes place deep beneath the ocean surface. The season ends with a massive finish entitled “Armageddon,” which recreates what it may have been like when the giant asteroid collided with Earth, bringing to an end the species for good. At this point, the warning is accordingly changed to “The following is a graphic depiction of a prehistoric apocalypse.” Good stuff? You bet Jurassic. (Sorry, I couldn’t resist.)

Click to buy “Jurassic Fight Club: The Complete Season One”

Kandyse McClure speaks about Dualla’s suicide

Of all the major events in the great run of “Battlestar Galactica,” Dualla’s death was one of the most shocking. She recently sat down with Sci-Fi Wire for an interview about her character’s suicide.

What was your reaction when you actually got the script and it said something along the lines of “Dualla puts gun to temple and pulls trigger”?

McClure: I was floored. I think I was just as floored reading it as I’m sure people [were] seeing it. It’s such a personal and violent and shocking way to go, not only for her, but for the implications for the people around her. Suicide is a difficult topic at the best of times. People see it as being an ultimate act of selfishness on one end, but certainly from the research that I did and the people that I spoke to, there are so many different reasons that people get to that point. But I think for Dee it was just the ultimate act of surrender and the final act of control over her own life. She really wanted to find some kind of peace.

As far as you know, will we learn any more about why she took her own life? In other words, will someone read out loud a will or a suicide note she left behind?

McClure: So far as I know, no. So far as I know, that was it. She couldn’t see any way of ever finding any happiness for herself. That’s no good. Her husband [Jamie Bamber] is still in love with someone else. He’s turned his back on one of the things that joined them together, being in the military and that sense of duty towards the military and his father [Adm. Adama, played by Edward James Olmos] in particular. But I think that was it. It’s her final peace. It’s a very human reaction to a situation like that. Of course, I imagine that Dualla was not the only one on the ship, and certainly not the first one during the course of the whole saga, to choose that way out. I considered it kind of a strange honor to hold that archetype, to say, “Yeah, this is a very human thing. This is what human beings may choose to do.”

I missed “Dee” almost instantly. In many ways, she represented the sweetness and innocence of the human spirit, and she was beaten down by all that the fleet had to go through since the Cylon attack on the colonies. It’s nice to hear McClure, the person closest to this character, explain why Dualla took her own life.

No post-Super Bowl Monday night surge for NBC

NBC’s Monday night dramas were front and center during the network’s coverage of the Super Bowl, but that failed to translate to huge ratings on Monday night, according to Variety.

Looking at Monday, NBC’s “Chuck” kicked things off with season highs (3.0 rating/7 share in adults 18-49, 8.3 million viewers overall), although this left it in fourth place in one of the week’s toughest hours. It was followed by “Heroes” (3.9/9 in 18-49, 8.5 million viewers overall), which placed third at 9 o’clock although it did defeat its drama competition, Fox’s “24,” in key demos. And closing out the night, the season premiere of “Medium” (2.9/7 in 18-49, 8.5 million viewers overall) ranked second or third in its timeslot in various categories, the net’s best series performance in the hour since the series premiere of “My Own Worst Enemy” in October.

While I haven’t watched “Chuck” or “Medium” yet this week, the return of “Heroes” was pretty strong. It will be interesting to watch that “Heroes”/”24” battle for the rest of the season.

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