Category: TV Action (Page 135 of 145)

Bullz-Eye’s TV Power Rankings Return!

Savor the moment, HBO. You currently own more than a quarter of our TV Power Rankings list, but with the imminent departure of “The Sopranos,” “Deadwood” and “Rome,” along with the TBD status of “Curb Your Enthusiasm” and the oddly lengthy shooting schedule for the half-season “Extras,” the end of your reign as BE must-see TV could very well be nigh. For the moment, though, we heart you and wish you would ask us to the prom.

Unless Jack Bauer’s still single, in which case we’re spoken for.

Here’s a sample entry from our list:

13. Curb Your Enthusiasm (HBO): It seems like a long time between seasons of this great comedy, and I often wonder during the show’s hiatus: What trouble is Larry David into right now? Last season, he had to decide whether or not to give one of his kidneys to Richard Lewis. Richard’s cousin, Louis Lewis, was (conveniently) in a coma and Larry kept visiting him in the hospital, secretly hoping that Louis would croak so that Richard could have Louis’ kidney instead. The other season-long storyline was Larry investigating the possibility that he was adopted, leading to several funny scenes with his supposed gentile birth parents. The show isn’t quite as fresh as it was in its first couple of seasons, but with episode titles like, “The Korean Bookie,” “The Christ Nail” and “Kamikaze Bingo,” how could you be? ~John Paulsen

Check out the full list here.

Don’t mess with Aunt Lou

Deadwood Seth Bullock

This week’s episode was all over the map, with scenes featuring almost the entire cast, save the theater troupe, thankfully. The main issue to be resolved from last week was George Hearst’s incarceration at the hands of Bullock. The next morning, Hearst is no less mouthy as Charlie picks up the jailhouse around him. Charlie is more than happy to point out, in the next cell, the corpse of the union organizer that Hearst is believed to have stabbed (via proxy, of course). Later, when Bullock releases Hearst, the magnate goes over to the corpse, pulls out the knife, wipes it off on the table and leaves. Though I’m not entirely sure why Bullock released him, one thing’s for sure – Hearst has balls.

Sy continues to kiss Hearst’s ass, and now that he’s got Alma’s dealer, Leon, in his pocket, he actually has something to deal. Sy claims he can deliver her claim, which is the one thing in Deadwood that Hearst desperately wants. Surprisingly, Hearst tells Sy, “Don’t kill her yet.” Meanwhile, Leon, who seems to have a relatively good moral compass, visits Alma at the bank and tells her to find her drugs elsewhere. Trixie, who went out for a smoke, jumps Leon when he leaves the bank and tells him to leave Alma alone. Her concern is for “the child,” and she doesn’t want to see Alma continue down this treacherous road. Trixie confronts her inside the bank, and Alma gets uppity and ends up firing her only teller. Denial isn’t just a river in Egypt.

Despite his willingness to side with Hearst, Sy doesn’t like the way the man treats him and he pays E.B. $200 for any information that might help him in the future. E.B. immediately goes to Al, confused at Sy’s approach and says to Swearengen, “Save us. Think of something.” Al’s reply? “Have I ever not?”

On the heels of her dismissal, Trixie comes to Al and says in passing that she feels like she could turn a trick and Al goes off on her, explaining, “I lose patience with c*nts too ignorant to know when their lot’s improved.” I don’t think Trixie was serious about going back to prostitution, but it was interesting to see Al’s reaction when she brought it up.

One of the emerging storylines this week was the arrival of Aunt Lou’s son, Odell. After a Hearst power play in the hotel over who should rightfully invite someone to stay in his hotel, proving just how big of a prick he can be, Hearst becomes intrigued with Odell when he mentions a gold mining operation in Liberia. Hearst invites Odell to dinner and Aunt Lou is not happy about it, eventually resorting to tipping the bottle with Jane. After she gets her drink on, Lou marches down the thoroughfare saying (to no one in particular) that Hearst is not going to take her son.

Just prior to Lou’s march through camp, Hearst had an interesting scene with Al and Bullock that pretty much sums up the contentiousness of the season thus far. As Hearst goes off to dinner with Odell, he raises his middle finger to Al and says, “How’s the finger?” Bullock, letting his emotions get to him once again, replies, “How’s the ear?” but it’s unclear if Hearst heard him. The conflict between these three men will definitely be the main storyline over next few episodes, and I’m interested to see how Hearst gets out of camp alive.

In the sweet final scene, Joanie takes a drunken Jane in. It’s clear that Joanie cares about Jane. What’s not clear is the source of these feelings – is it friendship or something more? Hopefully, the series will explore that question in the coming weeks as well.

The Amazing Screw-On Head: The Next Great TV Show You May Never See

Involving a premise as totally bizarre as it sounds, “The Amazing Screw-On Head” is based on the comic book by Mike Mignola, creator of “Hellboy.”

“The Amazing Screw-On Head” takes place in the 1800s…a time, we discover, when President Abraham Lincoln’s top spy is a bodyless head known only as Screw-On Head. When arch-fiend Emperor Zombie steals an artifact that will enable him to threaten all life on Earth, the task of stopping him is assigned to Screw-on Head. Fortunately, Screw-On Head is not alone on this perilous quest. He is aided by his multitalented manservant, Mr. Groin, and by his talking canine cohort, Mr. Dog.

Yes, it’s animated.

It also features the voices of Paul Giamatti, Patton Oswalt, David Hyde Pierce, and Molly Shannon, and you can watch the pilot episode right here. The only thing is that, at the moment, there’s nothing but a pilot; Sci-Fi hasn’t picked up the show, and they’re waiting to get responses from folks who’ve watched the pilot. Help the cause, won’t you…? I have no idea why it’s being pitched to Sci-Fi rather than the Cartoon Network, since it’s hilarious enough to be a perfect fit for Adult Swim, but, hey, it’d be nice to see this show anywhere. It’s awesome.

Dan is the man

Deadwood Al Swearengen Dan

The tension between Dan and the Captain has been brewing now for a few weeks, and things came to a head in the thoroughfare. The Captain, thru Adams, called Dan out and Al had to rein him in as he tried to determine Hearst’s motives. After much pontificating, even posing questions to the Chief’s head in the box, Al couldn’t figure Hearst out, so he sent Dan off to do his worst.

The four-minute fight in the thoroughfare was brutal. It was evenly matched for the first half, with each guy getting his shots, but the Captain took advantage in the second half, and it looked like Al, who was watching from the balcony of the Gem, was about to give up on his man. But Dan fought back and ripped the Captain’s eye from his socket, which has to go down as one of the most violent moments in television history. Al gave Dan the OK to kill the Captain, and he didn’t waste any time in doing so.

Prior to the fight, Hearst tipped his hand when he was talking to the Captain about the fight being an “object lesson.” It was definitely a risky move for him to send the Captain, his only bodyguard in Deadwood, off to fight the camp’s toughest man, just to prove a point. It leaves him vulnerable, and it will cost him later.

Meanwhile, Bullock saw that Steve and Hostetler closed out their business, signing over the stable simultaneously to satisfy both of their egos. Steve is quickly becoming one of the most annoying characters on television, whining and complaining about every little thing. He challenged Hostetler to find the board he signed after the horse trampled Bullock’s kid, and when Hostetler produced it, the writing had been wiped off. Steve kept calling Hostetler dishonest and, finally, the old man had enough and shot himself in the head. I would have left Steve in the dust after the transaction, but I guess Hostetler cared too much about what Steve thought of him.

Hostetler’s death, which was ultimately caused by the death of Bullock’s son, sent the sheriff off the deep end and he went to confront Hearst about the murders of the union organizers. Hearst was drunk and insulted Bullock repeatedly, and it was all the sheriff could do to contain himself. Bullock dragged Hearst by his ear to jail, a move that will certainly have ramifications in the coming weeks.

Alma is using again, and it’s hurting her reputation at work and at home. Trixie had the line of the week when describing Alma’s actions to Sol:

“The bank’s founder and president, chief officer as well, of air-headed smugness and headlong plunges unawares into the f*cking abyss.”

That’s great stuff.

Alma tried to woo Ellsworth at home, but he pulled away (tasting the drugs on her lips?) and indicated that he was leaving her. Just when she was getting her life back together, Alma is once again navigating a very slippery slope.

The series is spending a lot of time with the theater troupe and I wish we could see more of Jane and Joanie. Other than that, the season is going well.

Deathwatch: George Hearst

I can’t imagine that George Hearst is long for Deadwood. His enemies seem to be growing by the day, while he only requires the protection of a single bodyguard. What’s stopping someone from sticking a knife into his heart at one of these meetings he’s so fond of having? Ellsworth hates him. Bullock hates him. Swearengen hates him. Cy hates him, and he has to work for him. So who will kill him? The odds are that Swearengen or Cy will do the deed, but something tells me that it will be one of the more honorable types that will take Hearst down.

My head is spinning from all of the subtext in the show’s dialogue. These people continue to speak politely to each other while there is thunderous anger under the surface. Take, for instance, Alma’s first meeting with Hearst. Ellsworth can’t stand the man, and can’t keep his emotions in check. Alma is embarrassed and she and Hearst continue to speak politely to each other, ignoring Ellsworth’s ramblings. In their next meeting – this one without poor Ellsworth – Hearst’s anger at Alma’s financial proposal was palpable. He told her he was offended, insulted her and then threatened her, all without any overt action. Moments later, when Bullock sees Alma in the thoroughfare, he knows – just from Alma’s expression – how her meeting with Hearst went. Creator David Milch had a similar writing success with “NYPD Blue” – you just knew how Andy Sipowicz was going to react towards any given situation. The subtext on “Deadwood” is just as dense, if not more.

Brian Cox joined the cast tonight, playing a character with a long history with Swearengen. This promises to be an interesting on-screen relationship as Cox is built for this type of supporting role. As far as I can tell, his character came into camp independently of Hearst’s group, so he might be a bit of a wild card.

Also, one observation of Trixie: she seems to be in Al’s pocket, but her interactions with Sol Star indicate that her feelings for him run deeper than she lets on. How she comes to terms with this should be one of the more compelling storylines of this, the final season. I also hope that Joanie and Jane have more of an impact on the camp’s happenings in the weeks ahead.

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