Category: TV Action (Page 13 of 145)

Doctor Who 5.4 – The Time of Angels

After being so thoroughly underwhelmed for the past two weeks, “The Time of Angels” almost leaves me speechless. I wish I could just write, “Man, that was so fuckin’ cool” and be done with it, since anything I’ve got to say isn’t going to make it any cooler. With this episode, we’ve finally gotten to material with major promise – probably even beyond promise, but since it’s only part one of a two-parter, everything could fall apart in the second half. But man oh man, what a setup!

The opening sequence – which begins with a man tripping balls – sets the stage for a whacked-out adventure. He’s been dosed with hallucinogenic lipstick by River Song (Alex Kingston). Was the field he was standing in part of the hallucination, or was it a part of the spaceship Byzantium? Clearly River has been up to something on the ship, but we don’t find out what that is straight up. 12,000 years in the future, the Doctor (Matt Smith) is showing Amy (Karen Gillan) a museum, and pointing out all the objects he’s had in hand in saving, which is really quite funny, and vaguely romantic, but mostly just boastful and stodgy on his part, especially since what Amy really wants to see is an alien planet. They come across an ancient home box on which some Old High Gallifreyan is written – it amusingly says “Hello sweetie.” The Doctor steals the box from the museum, which leads him to a rendezvous with River right outside the Byzantium. River, on the run from powers that be, releases an airlock and flies straight through the waiting, open TARDIS doors, and lands on the Doctor. The Byzantium flies away, and River issues a single order: “Follow that ship!” It’s an exhilarating start and very James Bond-like, directed by Adam Smith with precision and thought, as is the rest of the episode.

The sequence that follows it, set in the TARDIS, is equally entertaining, although on a more intimate level. The bickering back and forth from the Doctor and River is reminiscent of the Fourth Doctor (Tom Baker) and Romana I (Mary Tamm) from the early Key to Time stories, although whereas that relationship was two Time Lords getting to know one another, this one is, at least from River’s POV, rooted in familiarity. One really nice touch that gives me huge giggles is how River hangs her heels on the TARDIS scanner. I love that. Also, the fact that the TARDIS only makes the grinding noise it makes when it materializes because the Doctor leaves the brakes on. Hilarious, as is Smith’s impression of the sound. And of course the blue stabilizers, which the Doctor dubs “blue boringers.” Priceless dialogue here, all the way around.

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Season Pass Deleted: “V”

Truthfully, I stuck with this series longer than I should have, probably due to the presence of Elizabeth Mitchell (“Lost”) and Morena Baccarin (“Firefly”). But I just can’t sit through another episode. The overacting, the plot holes, the general lack of excitement — three strikes and you’re out.

This week’s episode — “Hearts and Minds” — was confounding. First of all, is it just me, or are television shows using the opening scene-then-flashback device way too much? I know there’s a rule in screenwriting that says a movie/episode should “start with an event” but it seems like every time I turn on the TV, some familiar character is in a weird situation and then five minutes later I get to start to see how he got there. I think this is fine in small doses, but it becomes a crutch when used too much.

**SPOILERS AHEAD**

In this episode, we see Ryan, Father Jack, and Kyle blow up a shuttle that was supposed to be filled with “seekers.” After they shoot it down with some advanced V technology that looks like it was cobbled together with items from the local Wal-Mart, Father Jack starts running through the wreckage to find that there are only human remains. Uh-oh. Now we’re going to spend the rest of the episode wishing they wouldn’t make the decisions they’re about to make. That’s fun.

After an awkward scene where Father Jack flirts with Erica over a punching bag — I’m sorry, but I just can’t see Catholic priests as sexual beings — Ryan tells the gang that the seekers are coming and he knows where the shuttle is going to land. Just to underline the importance of this mission, he says that if the seekers land, it’s the end of the Fifth Column. Uh-oh.

It was at this point that I deleted my season pass. If the seekers were so powerful, why didn’t Anna send them down before, or send down two or three or even ten shuttles to ensure some of them made it to the surface? If she’s apparently putting all of her eggs in one basket, why wouldn’t these nitwits figure out that this is probably a trap?

Part of the problem is that I’ve seen this story before when it originally aired in the ’80s. I know remakes/reboots/rewhatevers are all the rage, but was anyone really clamoring for more “V”? I’m a fan of sci-fi, and with “Battlestar Galactica” now over, I feel compelled to support sci-fi where I can. But “V’ just doesn’t cut it. I mentioned “BG” — now that’s how you do a reboot. “V” just pales in comparison.

The main problem is that I didn’t really care about any of these characters, save for maybe Erica, but even she refuses to tell her son the truth about the visitors even though he’s about to move up to the freaking mothership! Father Jack runs around like an impotent ninny, wondering about the spiritual ramifications of every little thing he or anyone around him does. Ryan lied to his girlfriend the entire time they were together, even after she got pregnant with his alien child. Chad Decker is a narcissistic talking head who would betray his own planet if it meant he got an exclusive.

It almost got to the point where I started rooting for the visitors.

So long, “V” — I wish I could say it was nice knowing ya.

24 8.20: Put me down

Bledsoe: “You won’t take the shot, it’s too risky! I’ll kill her before you…”
Jack: *Blam*

Seriously, that was one of the best deaths in “24” history. Here was Toepick, trying to act all intimidating, when Jack was a mere five or six feet away. He may as well have had the gun on Toepick’s forehead. Heck, I’m pretty sure Jack has made that shot across a windy rooftop with a pea shooter in a previous season.

As Jack continues to thwart I.M. Weasel’s nefarious plans, Logan’s conversations with Allison remind me of a “Simpsons” episode – in full disclosure, it should be noted that pretty much everything reminds me of a “Simpsons” episode – where Apu is trying to get out of his arranged marriage to a family friend, and Homer suggests that he pretend that he’s married to Marge, and Bart and Lisa are his kids. When the plan continues to go wrong, Apu finally grows tired of Homer’s wacky schemes:

Apu: Is it me, or do all of your plans involve some horrible web of lies?
Homer: It’s you.

Logan is Homer. Allison is Apu. Only she’s still going along with Logan’s ridiculous suggestions, even though each one is riskier and more conspicuous than the last one. Again, the woman who sent her own daughter to prison is authorizing Logan to put his assistant (official “24” nickname: Dominic, from his “Dollhouse” days) in charge of the hunt for Jack at CTU. Because that doesn’t look at all suspicious that you’re putting someone in between Jack and Chloe. Yumpin’ yiminy.

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“Well, I say he does have to shoot me now! So shoot me now!”

There was a time when I hoped that they could come up with a way to take the bad guys down without getting Allison’s hands dirty, but as she continues to acquiesce, I am running out of patience with her. She’s had more than enough time to realize the grievous error in judgment she’s committed, but the problem at this point is that she can’t go back, so the web of lies expands. Still, go back to the beginning of this subplot, and think of Logan and Taylor as exes. Would you take ‘don’t ask, don’t tell’ assistance from an ex – a known liar, to boot- even when they assured you that none of it would come back to haunt you? Of course you wouldn’t, because the two of you broke up for a reason, remember? There isn’t a parallel universe on this or any other world where Allison would accept that kind of help from someone like I.M. Weasel, and I’m growing tired of seeing them continue with the ruse.

Now let’s get to the other great death in tonight’s episode. Was anyone else shocked at the remorselessness Jack showed in dispatching Starbuck? Yes, she could not be trusted, and yes, she had killed several innocent civilians in order to facilitate her escape, as well as conceal her cover. And yes, Jack is going to have hell to pay from Buffy, even though Starbuck spared his life when hatching her Plan B to go off the grid. But for someone who said he was only interested in justice, Jack killing an unarmed Starbuck seemed a bit dark, didn’t it? How about chaining her to something and having the police deal with her? If the Russians kill her before she gets processed, so be it. She had her chance to escape on Jack’s terms, and she reneged. But just deciding that she had to die…that’s not going to help his case when he sees what’s on the video file and tries to make his case for, well, overthrowing the government. It seems the smarter play would have been from the Richard Kimble playbook, where you try to keep as many people alive as possible, even when they mean you harm. You’re trying to make a big, big case; it’s a lot easier to do that when there is no blood on your hands.

Only four hours left. I traded messages with onetime “Prison Break” blogger John “You Must Suspend Disbelief” Paulsen about the perils of blogging TV shows, and he told me that when “Prison Break” went off the air, he threw a party. As much as I’ve loved watching this show and writing this silly, silly blog, I’m harboring similar plans. I am grateful to all six of you who have stuck with this blog until the very end, but I’m officially at the point where I cannot wait for this show to be over. And with any luck, our colleague Will Harris will find himself in the same room with Cherry Jones at the next TCA gathering, and I can ask him to get her to talk about how she felt about getting lobotomized mid-season. Hey, at the very least, we might get a good off-the-record story from her on the subject.

In the meantime, I leave you with this clip from the Cranberries’ first album. It seemed to fit, given that Jack put Starbuck down like a dog, but not before putting Toepick down like a rabid dog. Plius, I have been sitting here for about an hour trying to find a clever lyric as a subtitle for this week’s blog, and I’m tired, man. Cranberries it is. Good night.

Doctor Who 5.3: Victory of the Daleks

“Daleks. I sometimes think those mutated misfits will terrorize the universe for the rest of time.”

Peter Davison’s Fifth Doctor, following yet another skirmish with the cockroaches from Skaro, uttered the above quote near the end of his reign as the Time Lord. If he’d known then that he’d still be dealing with them in his Eleventh incarnation, he may well have decided to forego his impending regeneration, and just gone ahead and called it a millennium. Many “Doctor Who” fans would likely have sympathized with him had he done so. Having been writing these recaps for five years now, I am exhausted by Daleks as well. What else is there for me to say about them that I haven’t already said, or hasn’t been said by countless others time and again? And yet here I am, once again backed into a corner by some angry pepperpots demanding that I find something fresh to say on the subject. Of course, if the series can’t be bothered to do so, I don’t really see why I should, either.

Surprisingly, “Victory of the Daleks,” written by Mark Gatiss, is drenched in promise at its start. Surprising not only because all ground concerning the Daleks seems so thoroughly trod at this point, but also because the last thing Gatiss wrote for the series, “The Idiot’s Lantern,” was a forgettable misfire. The idea of subservient, benevolent Daleks isn’t a new one. It was first explored in Patrick Troughton’s first story “The Power of the Daleks,” but since that serial was junked by the BBC ages ago, only the most hardcore of fans are going to care about this. For all intents and purposes the idea is new, or at least new to us. And the show has a field day with the notion for about ten minutes. Professor Bracewell’s (Bill Paterson) Ironsides are going to win the war against the Nazis, and they’ll serve you tea as well. Just the notion that the Daleks will become this story’s Inglourious Basterds is a fun one, since the Nazis are what the Daleks were based on in the first place. With “Victory of the Daleks,” on some obscure meta level, the entire concept of the Daleks has seemingly come full circle.

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24 8.18: You’re with stupid now

First, let’s meet the two newest members of of the “24” cast:

– Jim Ricker (Michael Madsen), an ‘I can get things’ kind of guy, off the grid and on the wrong side of a favor to Jack. Official “24” nickname: Mr. Blonde, of course.
– Mark Bledsoe (D.B. Sweeney), a ridiculously mustachioed private security agent who isn’t afraid to dabble in torture. Official “24” nickname: Toepick. My wife came up with that one, as you might imagine.

Welcome to the show, gentlemen. Now please, D.B., shave that damn thing on your face.

Do you want to know how busy Michael Madsen is? His appearance on “24” is already listed as the 34th most recent acting gig he’s done. That man’s a machine.

There is still something about President I.M. Weasels’ motives that bothers me. I’m convinced he still has at least one card, and maybe two, up his sleeve. He can’t just be looking for an image makeover, because he wouldn’t resort to extortion – poorly planned extortion, at that – in order to do it…would he? For as much as he’s supposedly playing the hardliner with the Russians, he’s also protecting them and himself by negotiating Starbuck’s release into Toepick’s custody, willing to live with the consequences in the event that “mistakes are made.” No, the extortion actually looks like a cover for something worse, possibly that he’s in league with the Russians, or a group that stands to take advantage of a post-treaty Russia. I don’t think we’ve seen the full weaselosity of Logan yet, which is saying something.

On the Starbuck front, something deliciously awesome just presented itself as a possibility: Jack and Buffy spring Starbuck, and the three work together to blow the lid on the conspiracy. Now, who saw THAT coming after Starbuck revealed herself to be a double agent? I thought her story ended with a bullet to the head, fired by her fiance. Now, they look like the “24” version of The Losers, government spooks trying to clear their name. Hopefully, this will turn out better than the movie.

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“Well, self, are you ready to commit high crimes against the government?” “Bitch, please.”

Allison, once again, takes a look at the path of righteousness, considers changing course, but ultimately opts for rockier terrain after I.M. Weasel works his bad juju on Allison in private. Thank God, then, that Ethan stood up to her and showed her just how serious he was about the mistakes she’s making. I guess actors can hear me when I yell at the TV, after all.

Back to the Ricker character: the press release says that he will appear in the final six episodes, but I highly doubt that. It’s not like that can say that he’ll be in the next three episodes, because we’ll know that he dies in the third one. Earlier this year, they said that Annie Wersching was in 23 episodes this season, and we all know how that turned out. (*shakes fist at sky*) Nope, Mr. Blonde will only be able to take so many phone calls from Jack before someone sniffs him out. Which is too bad, because he has a pretty sweet lair, with all that gear and security tech.

The single best thing about tonight’s episode was that Jack knew that Chloe would double-cross him, worked that into his battle plan, and appears to forgive Chloe for setting him up. That is friendship, right there. And while the writers have sent Allison hurtling into WTF territory, it’s good to see that they haven’t lost their minds about what makes Chloe tick. She’s done underhanded stuff in the past, yes, but she wasn’t director of CTU then, saddled with a Presidential order. He knew she’d play ball, and he worked that to his advantage. Now when does he let her in on his ruse, and will she be so accommodating the next time?

With the series planning a big-screen conversion, you would think that Jack and Chloe and the series on a good note, but for that to happen, it means that Dalia Hassan has to find out the truth about Allison covering up Russia’s involvement for the sake of the treaty. If that happens, Allison will be disgraced, just like Logan. My question is: does Allison deserve that? Yes, she’s making some major mistakes here, but she’s no I.M. Weasel. Is there a way that Logan can take the fall again, but Allison can be redeemed before it’s too late? I honestly hope so. It doesn’t seem right that she goes down as a baddie.

Tonight’s blog title comes courtesy of Aimee Mann, the unofficial title track to her 1996 pop classic I’m with Stupid. Mann has stated that she hated working under the major labels’ thumb, but as much as it pains me to say this, she also did her best work when she did. Don’t get me wrong, it’s great that she has been able to make a living outside of the system – in fact, she’s made far more money on her own than she ever did working for the Man – but A&R men are not always wrong when they tell their client that they don’t hear a single. Just sayin’.

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