Category: TV Action (Page 129 of 145)

TV DVD QT, Vol. 3

M*A*S*H: Season Eleven Collector’s Edition – By this, the eleventh and final season of the long-running sitcom to be released on DVD, one hopes that there are no remaining consumers who truly believe there’s anything even remotely collectable about these sets. They remain consistently devoid of special features. (There is, however, the new all-encompassing “Martinis and Medicine” collection, which is chock full of extras.) Frankly, there’s one reason why you should own Season 11: “Goodbye, Farewell, and Amen,” the final episode of the series. Sure, it went on a little long…much like the series itself, truth be told…but if you didn’t cry before it was all said and done, you’re a cold-hearted bastard.

Reba: The Complete Fourth Season – Say, I hear the Detroit Free Press calls “Reba” “a darn-tootin’ hoot!” Well, that explains why Fox keeps sending them the full-season sets of the show…but I’m mystified why we keep getting them. In the interest of full disclosure, I must admit that I watched only one episode of this 3-disc set…actually, only half of it…and the only reason I endured those 10 minutes or so was because it guest-starred Dolly Parton. But, y’know, I said it about Season 3 and I’ll say it about Season 4: it’s not that “Reba” is awful, it’s just that it’s a rather pedestrian family sitcom…and as cute as a button as Reba McEntire may be, her show just doesn’t do a thing for me.

Forever Knight: The Trilogy, Part 3 (1995 – 1996) – Y’know, I remember the original TV movie that starred Rick Springfield as a cop who’s also a vampire, and I vaguely remember hearing something about it having been turned into a regular series, but, wow, it ran for three years? I had no idea. Geraint Wyn Davies is Nick Knight, an 800-year-old vampire who’s working as a Toronto policeman in a quest for redemption and to regain his mortality. Sounds rather suspiciously like “Angel” to me…except that the original “Nick Knight” TV movie premiered seven years before Angel first showed up on “Buffy the Vampire Slayer.” Also, “Angel” is a hell of a lot better. Maybe I’d appreciate this set more if I’d seen the first two parts of the trilogy…but I’m thinking probably not.

The Mystery Science Theater 3000 Collection, Volume 10 – Given that Rhino’s now on their 10th 4-disc collection of the best “MST3K” episodes, how much do we really need to say about this? Well, here’s a brief summation, at least. The four films this time around are “Godzilla vs. Megalon,” “Swamp Diamonds” (plus the short, “What To Do on a Date”), “Teen-Age Strangler” (plus the short, “Is This Love?”), and “The Giant Spider Invasion.” It’s split down the middle as half Joel Hodgson, half Mike Nelson, so there’s something for everybody. Special features include a “video jukebox” that includes several original songs from throughout the run of the show, as well as a collection of outtakes. As long as Rhino keeps putting these sets out, we’ll keep recommending them.

Heroes, Week 8: Tear The Top Right Off My Head

Honest to God, that’s really the title of a Monkees song. Swear to God.

First off, I’ve never mentioned this before, but I really dig the way they put the title of each episode onscreen…and I think this week might well the most comic-book-esque way they’ve done it, putting it across the sand and having it vanish with the tide. Anyway, the title washes away as the episode begins with Mohinder bidding his father adieu, but I’m sure no-one believes he’s gonna stay in India, even if he does have a hot woman chick giving him the eye and trying to hook him up with a new job. Mohinder’s flashback dreams…flashbacks to events he never actually experienced, mind you…certainly hint that he’s a part of the hero clique as well. So he’s got a sister? Now that’s a total comic book development. I love it.

So Isaac’s falling under Eden’s spell, just like Mohinder did. Damn that pretty face of hers! Do we really believe that she has a power as well…? Yeah, actually, that’s about the only thing she’s said that you probably can trust. Claire’s dad actually appears to have a heart; I don’t for a second believe that he doesn’t have more of a motive than we’re seeing, but I do believe he really does want to save his adopted daughter. But to spend all episode getting Isaac cleaned up and off heroin, then put him back on the H just to get him to paint the missing picture…? That’s cold, man.

Greg Grunberg officially earns the right to not be referred to as AliasBoy anymore. His performance during Ted’s interrogation was awesome, and his reactions over the past few episodes to the revelations about his wife have been consistently believable. If anyone from this show gets nominated for an Emmy for their acting, Grunberg is one who deserves it most.

And lastly…dammit, I really liked Charlie the waitress; she was cute as a button…and the scenes between her and Hiro were about as sweet as sweet gets, making them the polar opposite of the dark and shadowy shots of Sylar sitting in the restaurant. I should’ve known that would mean she wouldn’t get out of the episode alive…but I didn’t. I was totally blindsided by it. There was never any doubt in my mind, however, that Hiro would try to go back in time to save her…but given that he didn’t return when he was supposed to, one wonders: is this the trip that leads to his eventual soul-patch-and-samurai-sword look…? Either way, that last shot of Charlie and Hiro in a photo that hadn’t existed a few minutes clearly shows the trip didn’t go entirely as planned.

Prison Break: “Bolshoi Booze”

So Michael knocks over an old store clerk and suddenly he has an attack of conscience? He seems like the king of rationalization, so why the sudden regret? As he said to the priest, it’s not so much what he’s done, but what he’s allowed others to do. But the big question is – why didn’t he just stash a GPS unit somewhere before he went to jail?

It was a surprise to see Sucre there to save the day. I thought for sure it would be Linc, who has proven he can lay the smack down when necessary. The whole nitro/plane info swap was a little odd, but it was appropriate that Michael’s kindness to the nitro gang yielded the correct information. Apparently, there is honor among thieves.

Mr. Kim is holding a murder over the head of Agent Mahone, and he even went so far as to threaten Mahone’s child. Something tells me these two will meet again. Luckily, Mahone called his ex and we got another glimpse of the lovely and talented Callie Thorne. (sigh)

I thought it was a nice twist that T-Bag put a GPS beacon in the bag of money, but you have to wonder why whatshisface wouldn’t check the cash. Obviously, he was eager to go to town with those hookers, but at least dump the cash out onto the bed and give it a once over. Now the dumb ass is dead.

In other news, Agent Evil is about to kill Sarah because she won’t tell him about the key. Do you think he would let her go if she did give it up? He does seem conflicted by the orders Mr. Kim gave him. I don’t know what’s going to save Sarah besides his conscience, but she sure as hell isn’t going to die next week. Now that would take major cojones.

Battlestar Galactica: “A Measure of Salvation”

Is it just me, or was it fun to watch Baltar squirm a bit in that torture chamber? It’s nice to see the doctor get a little of what’s coming to him, but something tells me he’s going to redeem himself at some point in the series. For now, it looks like the skinjobs have relented with the torture and he should be back in the fold on the mothership.

I’m happy that this storyline with the virus is (seemingly) over. That’s so “ID4.” I would have liked there to be a “Where’s Helo?” scene in the command center when he was running around unplugging computer cables. Wouldn’t Adama want his second in command on the bridge with him during that kind of mission, especially considering Helo’s reservations about the operation?

I find it more than a little poetic that one of the humans who’s had his life positively affected by the Cylons is the one that ultimately saves their entire race. Though if the doctor can whip up a cure, I’m not sure why the Cylons can’t.

Also, it looks like Adama and Roslin are willing to overlook Helo’s betrayal. That was surprising to me considering how strongly they felt about the mission, especially the President. Adama is a stickler on loyalty and the chain of command, so it’s hard to believe that Helo is going to get away scot-free.

Prison Break: “Rendezvous”

Granted, Bellick and his sidekick aren’t the sharpest tools in the shed, but wouldn’t you search a guy before torturing him? Hell, the key was right there, sticking out of his sock for all of America to see. Anyway, it was fun to see the sidekick hit Bellick over the head a couple of times with that meat tenderizer. So now another guy has an opportunity to take five million dollars and disappear. What are the chances that the sidekick doesn’t end up with the money? I’d say they were pretty good…

And something tells me that T-Bag is going to lose his hand…again. That thing was ripping apart at the seams. Ugh.

I was a little worried about LJ and Lincoln when the van from “Old School” ran them off the road, but once I saw the blonde, I figured they were good to go. She looks like a potential new romance for Linc, assuming the group can get away from the bad guy. It will be interesting to see how that confrontation goes down.

Here’s a theory: all of those “Silence of the Lambs” switcheroos were just a setup for tonight’s non-switcheroo when Michael and Sarah met by the railroad tracks. I saw the car and figured it was him, but they’ve pulled the switch so many times that I was half expecting it to be Haywire or something. Understandably, Sarah wasn’t too pleased about the “run away to Panama” plan, but what was she expecting? Then she pulls a Houdini while Michael’s in the bathroom, leaving a note that said, “This time I know better.” Please. What’s the moral of the story? Stay with Michael or you’ll end up with a gun in your face.

And then there’s Mahone…it’s not too smart to mention Panama to Michael. I loved Scofield’s line just before: “When you get close, I will win…every time.” And how about Sarah telling Michael to put on his seat belt when he got into the car? I sure hope that was intentional comedy.

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