Category: TV Action (Page 127 of 145)

Showtime’s “Sleeper Cell” is good TV

I just mowed through the first four episodes (on DVD) of Showtime’s original series, “Sleeper Cell,” and I have to say, I’m very impressed. It follows an undercover FBI agent (Michael Ealy) as he infiltrates an Al-Qaeda-esque terrorist cell operating in Los Angeles. The antagonist is the cell leader (Oded Fehr) who constantly keeps the undercover agent on his toes as he plans an attack on the city that he calls “Judgment Day.”

It feels like “The Shield” and a more realistic version of “24.” The first season is out on DVD and Showtime is currently showing the second season on consecutive nights.

“Heroes”: Able to leap from gay to straight in just ten episodes!

Fans of NBC’s “Heroes” may be surprised to learn that the character of Zach, the recently brainwashed best friend to indestructible cheerleader Claire Bennet, is not gay.

He used to be gay, at least according to this interview with series creator Tim Kring…but now the official line [beware possible spoiler if you click the link] of both NBC and the management of actor Thomas Dekker (who plays Zach) is that Zach is, was, and always will be as straight as the day is long.

So, what caused the shift? Is Dekker nervous about being typecast at such a young age? Is his management driving the change? Or is NBC brass still uptight about portraying gay characters on television — despite the success of that little NBC show called “Will & Grace”? You know, the one that ran for eight years, won over a dozen Emmys, and pulled in millions of dollars in advertising revenue…all while featuring multiple gay characters front and center?

Whatever the reason, the news is disappointing. The character has been established a certain way, and the show’s ratings and advertiser support to date would suggest that Zach’s sexual orientation has been a non-issue. Ironically, it will likely now become an issue, simply by virtue of the network’s having called attention to it.

Sigh.

Battlestar Galactica: “The Passage”

Before I dive into this week’s episode, I have to comment on what has become a growing (and disturbing) trend on television – overlay graphics. I’ve learned to live with the station identifier. After all, the Sci-Fi channel has a right to watermark “Battlestar Galactica” to give themselves some publicity if the show is recorded and traded over the internet. But this week, above the “Sci-Fi” overlay, there was another graphic – “The Lost Room: Premieres Monday” – that was there the entire episode. I’m not fond of advertisements during the actual episode, but I’ve also learned to live with the occasional in-show advertisement promoting another program, but this graphic was there for the entire show. Combined with the channel identifier, the two took up the bottom sixteenth of the screen, and that is simply too distracting to the eye.

Now, back to business. I had a feeling we were watching Kat’s epitaph once her storyline started and after Apollo explained how those radiation badges worked. At that point, I figured someone was going to die (or be on the brink of death), and it might as well be her. I’m not sure why she decided to basically commit suicide. It wasn’t to avoid telling the Admiral about her shady past, because she was willing to do just that when she was on her deathbed. Anyway, I’ve grown to like her character. She was the one person who could really get under Starbuck’s skin and she wasn’t afraid to call Cara out when she was being irresponsible. We’ll miss ya, Kat.

This episode was Gritty (with a capital “G”). Hunger, vomit, losing hair to radiation poisoning – you never saw this subject matter on Star Trek. I do wish that they had touched on the food shortage leading up to this episode. Last week, everyone looked pretty nourished as they punched each other over and over in the ring. I’m assuming more than a week passed between episodes, but it was still a little jarring to go from the boxing episode to a “gotta feed the fleet” episode.

Dr. Baltar returned this week and seems hell bent on discovering if he’s a Cylon. Xena keeps killing herself over and over so she can experience the time between death and rebirth, but all she has to show for it are a few Picasso-like sketches. Obviously, those scenes were just a setup for a future episode, so it will be interesting to see how that pays off.

It looks like next week is the “Fall Finale,” and the series will pick up again in late January and run thru March. The creators have always done a nice job with the season breaks, so it should be a good episode.

Damn. I don’t even watch “24”…

…but even I might have to tune in this year, given how many people are going to be in the cast this season.

Now signed on: Rick Schroder.

According to this morning’s Fox press release, Schroder will play forceful CTU Operative Mike Doyle, who teams with Jack Bauer (Kiefer Sutherland) to execute crucial field operations. He joins a list of notable newcomers this season, including Chad Lowe (“ER”), Powers Boothe (“Deadwood”), Peter MacNicol (“Ally McBeal”), Regina King (“Ray”), James Cromwell (“Babe”), Kal Penn (“Harold & Kumar”), Marisol Nichols (“In Justice”), Alexander Siddig (“Syriana” / “Deep Space Nine”), David Hunt (“Everybody Loves Raymond”) and Harry Lennix (“Commander in Chief”). Emmy nominees Jean Smart and Gregory Itzin return for another day as First Lady Martha Logan and President Charles Logan, while Eric Balfour and Carlo Rota reprise their respective roles as CTU contractors Milo Pressman and Morris O’Brian.

24 cast season 6

The clock for “Day Six” starts ticking with a highly anticipated 2-night, 4-hour television event Sunday, Jan. 14 (8:00-10:00 PM ET/PT) and Monday, Jan. 15 (8:00-10:00 PM ET/PT) on FOX. (The show’s regular time period premiere is Monday, Jan. 22, at 9:00 PM ET / PT.)

Battlestar Galactica: “Unfinished Business”

This episode was a little frustrating at the start, what with all the disjointed flashbacks intercut with the boxing scenes, but I should have known that they’d piece things together in the end. The romances of the crew aren’t a major focal point of the series, and throughout its run, the show has always danced around the feelings between Lee and Cara. This episode was interesting in that it dealt with some of these feelings, while also giving us a snapshot of what life was like on New Caprica before the Cylons arrived. Speaking of the Cylons, this seems like the first episode in quite some time that they didn’t make an appearance.

There also is some chemistry between Adama and Roslin, but it looks like that will be left on New Caprica for the time being. At the start, I wasn’t too sure why the Admiral felt the need to bring the Chief into the ring, but it turned out he was none too pleased with how the Chief answered his question about the downed bird. I was expecting there to be some hard feelings from the Chief’s perspective, but the truth was that the Admiral felt that things were a little too warm and fuzzy. That’s why he called the Chief out and gave everyone the speech after the fight.

But back to Cara and Lee – where do things go from here? Cara’s actions on New Caprica shed some light on why Lee let himself go in the subsequent months. But I think Dualla is a much better catch. For one thing, she’s stable. It seems like Cara is incapable of having a healthy relationship and Lee is probably in for a world of hurt if he goes down that road. Dualla also seems to genuinely love Lee, while Cara can’t make her mind up about anyone.

The embrace at the end of the fight is going to make things interesting. Does Dualla let it go and stick around or does she do what’s probably the smart thing, and bolt?

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